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2nd DigitalHERITAGE 2015: Granada, Spain - Volume I
- Gabriele Guidi, Roberto Scopigno, Juan Carlos Torres, Holger Graf, Fabio Remondino, Luciana Duranti, Pere Brunet, Susan Hazan, Juan Antonio Barceló:
2nd Digital Heritage International Congress, DigitalHERITAGE 2015, Granada, Spain, September 28 - October 2, 2015, Volume I. IEEE 2015, ISBN 978-1-5090-0254-2 - Gabriele Guidi
, Roberto Scopigno:
Preface. XI-XII - Fauzia Albertin
The Venice "Archivio Di Stato": innovating digitization with x-ray tomography. 5-10 - Chang Liu, Paul L. Rosin, Yu-Kun Lai, Weiduo Hu:
Robust segmentation of historical parchment XMT images for virtual unrolling. 11-18 - Aurore Mathys, Jonathan Brecko, Didier van den Spiegel, Patrick Semal:
3D and challenging materials. 19-26 - Brady Liss, Thomas E. Levy:
One man's trash: Using XRF to recreate ancient narratives from metallurgical waste heaps in Southern Jordan. 27-34 - Paul Thompson, John McNaught, Sophia Ananiadou:
Customised OCR correction for historical medical text. 35-42 - Camille Autran, François Guéna:
3D reconstruction for museums and scattered collections applied research for the Alexandre Lenoir's museum of French monument. 47-50 - E. Keats Webb:
Reflected infrared imaging revisiting the fundamentals. 51-54 - Angela Bellia:
The virtual reconstruction of an ancient musical instrument: The aulos of Selinus. 55-58 - Eva Peccenini, Matteo Bettuzzi, Rosa Brancaccio
A new way to enrich museum experience through X-ray tomography the diagnostic study of a wax anatomical model of the 18th century made by Anna Morandi Manzolini. 59-62 - Joo-Pyo Hong, Zongming Zhang, Jiho Han:
Reconstruction of the woodblock using three-dimensional scanning and computer numerical control machining. 63-66 - David Vacas Madrid, Elina Rodriguez Millán, Jesús F. Torres Martínez:
Documentation and preservation of an iron age site through photogrammetry the case of Monte Bernorio. 67-70 - Juan Gregorio Rejas Ayuga
Remote sensing applied to the study of the cultural and natural heritage in the Mesoamerican Corridor. 71-74 - Panagiotis Parthenios, Alexandros Peteinarelis, Sofia Lousa, Nicky Efraimidou:
Three modes of a monument's 3D virtual reconstruction the case of Giali Tzamissi in Chania, Crete. 75-78 - Dries Nollet, Carlotta Capurro, Daniel Pletinckx:
Battery Aachen using landscape reconstruction for on-site exploration of a World War one military unit. 79-82 - Estibaliz Muñumer
Fusion of 3D data from different image-based and range-based sources for efficient heritage recording. 83-86 - Christine Chevrier, Kévin Jacquot, Pascal Humbert, Senda Ben Bouheni, Gilles Halin:
Virtual 3D reconstruction of Plan-Relief from historical document analysis for valorisation applications. 87-90 - Matthew Howland, Brady Liss, Mohammad Najjar, Thomas E. Levy:
GIS-based mapping of archaeological sites with low-altitude aerial photography and structure from Motion: A case study from Southern Jordan. 91-94 - Aaron Charles Pattee, Bernhard Höfle
Integrative 3D recording methods of historic architecture Burg Hohenecken castle from southwest Germany. 95-98 - Zlatan Novak, Kristina Krulic:
Application of 3D technology for the documentation of late medieval wall paintings in the church of St. George in Lovran, Croatia. 99-102 - Paul Blockley, Simona Morandi:
The recording of two late Roman towers, Archaeological Museum, Milan 3D documentation and study using image-based modelling. 103-106 - Demetrios Athanasoulis, Antonios Georgiou, Xeni Simou, Anna Sfika, Vasiliki Klotsa, Theodora Zirogianni, Chrysostomos Theodoropoulos, Eleni-Olga Deligianni:
Bridging monuments through digital repository and graphic reconstruction methodologies the Digital Enhancement project of Argolid, Arcadia and Corinthia castles, Greece. 107-110 - Wensen Ma, Marc Walton, Oliver Cossairt, Gregory H. Bearman, Eric Doehne:
Crowd-sourced mobile phone images for heritage conservation monitoring. 111-114 - Macarena Salcedo Galera, José Calvo López, Anand Shah Kalpeshbhai:
Photogrammetric surveying and stereotomy the East hall of the Palace of Charles V in Granada. 115-118 - Renato Saleri, Hervé Lequay, Livio De Luca
A light carbon crane as an alternative approach for vertical structures and facade surveying. 119-122 - João Covas, Victor Ferreira
3D reconstruction with fisheye images strategies to survey complex heritage buildings. 123-126 - Arnaud Schenkel, Olivier Debeir:
Comparison of normalized transfer functions for fast blending-based color correction of scans acquired under natural conditions. 127-130 - Sara Morena
The virtual reconstruction of the minaret of Mansourah mosque (Algeria). 131-134 - Oscar Cosido, Leticia Teran Vega, Massimiliano Campi, Raffaele Catuogno, Oscar Ruiz Lopez, Jesus M. Sendino Posada, Jose Pereda Llamas, Pedro Sarabia Rogina, Andrés Iglesias Prieto:
Representation of the Santander Cathedral by combination of different smart techniques. 135-138 - Gregorio Soria Tirado, Lidia M. Ortega-Alvarado, Francisco R. Feito:
Geometry to web Jaen's Cathedral. 139-142 - Vittorio Amos Ziparo, Fabio Cottefoglie, Daniele Calisi, Francesca Giannone, Giorgio Grisetti, Bastian Leibe
A new approach to digitalization and data management of cultural heritage sites. 143-146 - Saúl Retamozo, Diego Arce, Rafael Aguilar, Fernando Zvietcovich, Matias Quintana
A comparison of digital modelling techniques analyzing a section of Qhapaq Ñan. 147-150 - Dominique Meyer, Elioth Fraijo, Eric Lo, Dominique Rissolo, Falko Kuester:
Optimizing UAV systems for rapid survey and reconstruction of large scale cultural heritage sites. 151-154 - Aurore Mathys, Jonathan Brecko, Didier van den Spiegel, Laurence Cammaert, Patrick Semal:
Bringing collections to the digital era three examples of integrated high resolution digitisation projects. 155-158 - Mario Wallner
Application of georeferenced Archaeological Information Systems for archaeological digital heritage - the auxiliary fortress of carnuntum (Lower Austria). 159-162 - Laura Serra Oliva, Anna Mura, Alberto Betella, Daniel Pacheco, Enrique Martínez Bueno, Paul F. M. J. Verschure:
Recovering the history of Bergen Belsen using an interactive 3D reconstruction in a mixed reality space the role of pre-knowledge on memory recollection. 163-165 - Jihong Liang, Linqing Ma, Yunpeng Wu:
Digitizing the culture of Beijing - an introduction of the memories of Beijing project. 169-170 - Matthew L. Vincent, Mariano Flores Gutiérrez, Chance Coughenour, Víctor Manuel López-Menchero Bendicho, Fabio Remondino, Dieter Fritsch:
Crowd-sourcing the 3D digital reconstructions of lost cultural heritage. 171-172 - Thierry Laugée:
PATRINAT: The drawings in Buffon's Histoire naturelle, towards a digitized heritage. 173-174 - Willem F. Vletter, Sandra R. Schloen:
Ochre a powerful tool for culture Historical Research a chronological model for historical roads and paths. 175-176 - Luis Enrique Castillo, Cecilia Vilca, Gladys Ocharan Velásquez, Marco Sarmento:
The Chimu offerings integration of applied science and new media in the preservation and dissemination of prehispanic heritage. 177-178 - Elizabeth Shotton
Minor harbours of the east coast of Ireland. 179-180 - Dominique Rissolo, Alberto Nava Blank, Vid Petrovic, Roberto Chávez Arce, Corey Jaskolski, Pilar Luna Erreguerena, James C. Chatters:
Novel application of 3D documentation techniques at a submerged Late Pleistocene cave site in Quintana Roo, Mexico. 181-182 - Lola Vico, Sorin Hermon:
Nuragic sacred well of Santa Cristina in Sardinia from the 3D survey analysis to labour investment. 183-185 - Alexandru Duliu, Jakob Vogel, Claudia Dorina Samoilescu, Tobias Lasser
Illumination compensation for high-resolution multispectral image mosaicing of heritage paintings. 191-198 - Irina Ciortan, Hilda Deborah
Color and hyperspectral image segmentation for historical documents. 199-206 - Samantha Stout, James Strawson, Eric Lo, Falko Kuester:
The WAVEcam: Ultra-high resolution imaging of paintings. 207-214 - Xiang Huang, Marc Walton, Gregory H. Bearman, Oliver Cossairt:
Near light correction for image relighting and 3D shape recovery. 215-222 - Marco Callieri, Paolo Pingi, Marco Potenziani
Alchemy in 3D: A digitization for a journey through matter. 223-230 - Antonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori, Luigi Verri, Giovanni Bellavia, Alfonsina Russo, Rita Cosentino, Maria Anna De Lucia:
The Etruscans and the Afterlife an engaging exhibition with accurate scientific, technological and communicative requirements. 231-238 - Eliana Siotto, Gianpaolo Palma
Digital study and web-based documentation of the colour and gilding on ancient marble artworks. 239-246 - Francesco Gabellone, Ivan Ferrari
The Palmieri hypogeum in Lecce from the integrated survey to the dissemination of contents. 247-254 - Seth Berrier, Michael Tetzlaff
Improved appearance rendering for photogrammetrically acquired 3D models. 255-262 - Bruno Fanini
Engaging and shared gesture-based interaction for museums the case study of K2R international expo in Rome. 263-270 - Carlotta Capurro
Tangible interfaces for digital museum applications. 271-276 - Adeola Fabola, Alan Miller, Richard Fawcett:
Exploring the past with Google Cardboard. 277-284 - Manuel Olbrich, Jens Keil, Thomas Makiela:
Heritage move a natural & lightweight navigation schema for low-cost, non-stationary immersive virtual environments. 289-292 - Kosin Kalarat:
Parallax Occlusion Mapping in augmented reality case study on facade of Sino Portuguese Architecture Phuket, Thailand. 293-296 - Alejandro Rodríguez, Alejandro León:
Smartphone-based remote 3D interaction for digital heritage applications. 297-300 - C. J. Davies, Alan Miller, Richard Fawcett:
Mobile onsite exploration of parallel realities with Oculus Rift. 301-304 - Violette Abergel
An immersive visualization kit for online 3D objects databases. 305-308 - Luigi Malomo, Francesco Banterle, Paolo Pingi, Francesco Gabellone, Roberto Scopigno:
VirtualTour: A system for exploring Cultural Heritage sites in an immersive way. 309-312 - Daniele Rossi:
A hand-held 3D-printed box projector study for a souvenir from a mixed-reality experience. 313-316 - Francisco Guimarães, Mauro J. G. Figueiredo, José I. Rodrigues
Augmented Reality and Storytelling in heritage application in public gardens: Caloust Gulbenkian Foundation Garden. 317-320 - Patrick C. Shih
Engaging community members with digitally curated social media content at an arts festival. 321-324 - José Antonio Sánchez del Rivero, María José García-Pumarino Pérez, Marcos Fernández Díaz, Javier Gutiérrez Meana, Marta Flórez Igual, Alfonso Palacio Álvarez:
INSIDDE AR application: Bringing art closer to citizens by promoting the use of smartphones and tablets. 325-328 - Sasithorn Rattanarungrot, Martin White
The application of service orientation on a mobile AR platform - a museum scenario. 329-332 - Alessandro Pozzebon
Smart devices for Intangible Cultural Heritage fruition. 333-336 - Holger Graf, Jens Keil, Alfonsina Pagano, Sofia Pescarin:
A contextualized educational museum experience connecting objects, places and themes through mobile virtual museums. 337-340 - Mohamed Khalil, Sameh Oransa, Karim Omar:
Resolving the conflict between High visual quality and high performance in Virtual reality applications keys to Rome project as case study. 341-344 - Paloma Díaz, Andrea Bellucci, Ignacio Aedo:
Enabling social interaction in the museum through the Social Display Environment. 345-348 - Roberto Frasca, Antonio Mazzeo, Davide Pantile, Matteo Ventrella, Giovanni Verreschi:
Innovative systems for the enjoyment of pictorial works the experience of Gallerie dell'Accademia Museum in Venice. 349-352 - Maria Vayanou, Vivi Katifori, Vassilis Kourtis, Manos Karvounis, Yannis E. Ioannidis, Erna Bomers, Niels de Jong:
Interactive experiences in the Stedelijk Museum a living lab experiment with the CHESS framework. 353-356 - Simone Garagnani
The Lion's Gate and the Persian Wall in Byblos opening the doors of digital representation to the cultural heritage of a resilient city in Lebanon. 357-360 - Davide Borra:
Digital Panorama. 361-364 - Franz Fischnaller, Antonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori
Sarcophagus of the Spouses installation intersection across archaeology, 3D video mapping, holographic techniques combined with immersive narrative environments and scenography. 365-368 - Markus Schütz, Michael Wimmer:
High-quality point-based rendering using fast single-pass interpolation. 369-372 - Alfonsina Pagano, Giulia Armone, Elisabetta De Sanctis:
Virtual museums and audience studies: the case of "Keys To Rome" exhibition. 373-376 - Georgia Kontogianni, Andreas Georgopoulos:
A realistic Gamification attempt for the Ancient Agora of Athens. 377-380 - Osama Elrawi:
The digital archimusic patterns in Alhambra. 381-384 - Michael Ludwig
Environment map based lighting for reflectance transformation images. 385-388 - Mohamed Farouk, Mohamed Ismail, Karam Mustafa:
VR multiple channel authoring with immersive display. 389-392 - Daniel Pacheco, Sytse Wierenga, Pedro Omedas, Laura Serra Oliva, Stefan Wilbricht, Stephanie Billib, Habbo Knoch, Paul F. M. J. Verschure:
A location-based Augmented Reality system for the spatial interaction with historical datasets. 393-396 - Muqeem Khan:
A radicalized phenomenological transformation of Greek/Unani humoral theory into a virtual reality based game engine. 397-400 - Copper Frances Giloth, Jonathan Tanant:
User experiences in three approaches to a visit to a 3D Labyrinthe of Versailles. 403-404 - Willem F. Vletter, James H. Wesolowski:
Using a gaming software for historical road and path research. 405-406 - João Gouveia, Fernando Branco, Armanda Rodrigues
Travelling through space and time in Lisbon's religious buildings. 407-408 - Park Jinho, Tufail Muhammad
A virtual reality platform for the 3D representation of Seokguram Temple. 409-410 - Giasemi N. Vavoula
Leicester Castle tells its story beacon-based mobile interpretation for historic buildings. 411-412 - John Tredinnick, Paul Richens:
A fulldome interactive visitor experience a novel approach to delivering interactive virtual heritage experiences to group audiences in fulldome projection spaces, evaluated through spatial awareness and emotional response. 413-414 - Sara Monaci, Andrea Sanna, Domenico Morreale, Gianluca Cuniberti, Mariano Equizzi:
StoryTECH 4 ever storytelling technologies for European values and heritage. 415-416 - Susanne Haake, Wolfgang Müller:
New memory spaces for cultural history. 417-418 - Laurent Bergerot:
A MetaViewer for sharing multiple media by WebGL-based interfaces. 419-420 - Javier Esclapés
Development of a low-cost application of virtual reality for the promotion of cultural heritage. 421-422 - Kyung-Kyu Kang, JiHyung Lee, Chang Joon Park, Jae Woo Kim, Man Hee Lee:
X-Top: An interactive exhibition for building experience with mini-components of stone pagoda. 423-424
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