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Welcome to The Screenwriting Life, a podcast where Oscar-nominated writer Meg LeFauve and Emmy-nominated writer Lorien McKenna discuss not only the craft and business of Screenwriting, but also the emotional life: the ups and downs of being a creative, to remind you that you are not alone and to keep writing.
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Bulletproof Screenwriting™ Podcast

Bulletproof Screenwriting

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The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey. Some of the past guests include 3X Oscar® Winning ...
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Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!
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The Writer's Cut: A Screenwriting Podcast

Andrea Berting and Trevor Owens

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The Writer's Cut is a movie podcast by screenwriters, for screenwriters. Each episode, we discuss a movie that won a screenplay award from the Writers Guild of America. The full list: https://boxd.it/lhVYQ The Writer's Cut is not affiliated with the Writers Guild of America.
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Just Shoot It is a podcast about directing hosted by directors. Each week we interview filmmakers on writing, cinematography, development and acting to learn how to build a successful career as a filmmaker in the Hollywood industry. Hosted on Acast. See acast.com/privacy for more information.
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Hosted by screenwriter and producer Hudson Phillips, the ScriptBlast Screenwriting Podcast exists to help you write better screenplays and write a better life. Jumpstart your productivity in our private screenwriting community! Join today at https://members.scriptblast.com. Learn more at http://www.scriptblast.com.
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Join Liam Dekel as he interviews screenwriters around the world. The Student Screenwriting Podcast teaches young screenwriters how to perfect their craft and how to break into the industry. We are proudly part of the Harvard College Podcast Network!
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Soulful Screenwriting

Linda Barsi

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Are you aching to write a script but don't know where to start? I'm Linda and I'd love to help you unlock your voice. Drawing on over 10 years of writing experience (including an MFA in screenwriting from USC), I teach sensitive souls like you how to write a script that radiates your most authentic voice, all while teaching you how to create a sustainable writing process that's healing, restorative, and customized to your needs. Being a human is hard enough. Let's let screenwriting be easefu ...
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Matt Bird (author of "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers") and James Kennedy (author of the novel "The Order of Odd-Fish") have raucous debates about the craft of novel writing, screenwriting, storytelling (and anything else they want to fight about!) Through their discussion you will learn how to be a better storyteller.
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PopCraft: Screenwriting

Carl Albert

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Let's autopsy the screenplays of your favorite films and TV shows. We'll talk the craft you can learn from their concrete examples, as well as the underlying theories and philosophies behind their storytelling structures. Hosted by Carl Albert. Hosted on Acast. See acast.com/privacy for more information.
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Daily discussions about the latest movies and television, including analysis and pro-tips from our global network of screenwriters. Visit thescriptdepartment.net for more shows in our podcast network and to keep up-to-date on our latest projects. Welcome to The Script Department. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-script-department-screenwriting-discussion--3123141/support.
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Interviews with members of the Screenwriters Network Discord server. Guests include professional screenwriters with produced film and television credits. Emerging writers who have optioned screenplays and made The Black List, Blood List, and Hit List. Get insight on how to finish at the top of contests from Austin Film Festival winners and Nicholl Fellowship Finalists. Each episode we discuss the writing process, screenwriting contests, fellowships, dealing with rejection, optioning scripts, ...
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Welcome to The Successful Screenwriter Podcast your go-to source for in-depth discussions, expert insights, and captivating interviews in the world of screenwriting. Hosted by seasoned screenwriter Geoffrey D. Calhoun, this podcast is a valuable resource for both novice and experienced screenwriters, offering a wealth of insights and guidance. About the Podcast: Dive deep into the art and craft of screenwriting with our engaging episodes that cover a spectrum of topics – from mastering the s ...
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The Indie Film Academy® Podcast features interviews with industry insiders in every aspect of the filmmaking process. Our goal is to give filmmakers as much information as possible about the entire filmmaking process so that they don't make the mistakes that many filmmakers have made in the past. Our focus is not simply on one way to make a film, but of the many different ways that filmmakers have found success with a variety of funding and distribution strategies. We also discuss technical ...
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Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producin ...
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Sometimes, the fire of creativity is struck not by lightning but by the slow, smoldering ache of dissatisfaction. And in today's soul-stirring conversation, we welcome Shawn Whitney, a filmmaker who found cinema not in the corridors of academia, but in the quiet rebellion of self-taught screenwriting and micro-budget filmmaking. Shawn Whitney is a …
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This week, we’re spotlighting two incredible TV writers whose journeys were meaningfully shaped by the Austin Film Festival. Sylvia Batey Alcalá (A MAN ON THE INSIDE, PRIMO) and Mac Smullen (SOUVENIR, ALASKA) share how AFF helped get their names out there —building momentum, sparking connections, and opening doors that had long felt closed. But a f…
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Matt’s back from the Chattanooga Film Festival, and Oren just wrapped a whirlwind gig in Thailand. Jet lag not included. Yay!!! This week, they unpack the age-old question: is it still essential to live in L.A.? Is the cost of living worth it? And what does long-term career sustainability actually look like? It’s an episode about experimentation an…
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“One thing I’ve found in the crime genre is that homicides are always interesting. When somebody’s killed, whatever that case may be, it’s usually compelling drama. So then it’s up to you as the writer to surprise the audience and do things that they didn’t think were coming. I’ve described it like this before: If you can hit the sweet spot of, ‘I …
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Watch the entire video – Johnny D’s Rock n Roll PhD – Author Rosanne Welch “Why The Monkees Matter” Get the book, Why The Monkees Matter , from Amazon, Bookshop.org, or McFarland I had a great conversation about Why The Monkees Matter with the two hosts of “Johnny D’s Rock n Roll PhD”. Often, I speak with people who know the music more than the sho…
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How does your protagonist’s final choice resolve the plot, character arc and theme? In this episode, Stu and Chas focus solely on the final choices made by protagonists and how that reflects their character journey and successfully, or not, dramatises the internal. We compare and contrast different uses of narrative POV in respect to these final ch…
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A film editor’s job is much like the work of a sculptor. You take a massive block of material—raw footage—and with a series of delicate, precise cuts, you shape it into something cohesive, something meaningful. In today’s episode, we welcome Michael Trent, a master of cinematic storytelling who has spent his career assembling some of Hollywood’s mo…
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Matt and Oren dig into the creative choices director's make. And they kick it off by looking at the growing influence of AI on the process. They also tackle casting and why it’s more than just finding the “right” actor. But also, what makes for the right actor in a commercial? Comedic timing, tone, understanding the game, our grasp of something els…
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In this episode, Meg gets real about where she’s at in her writing process — the doubts, the stalls, and the honest truth of feeling stuck. We answer listener questions about momentum, mindset, and the tough question of when it’s time to move on from a project that just isn’t working. Whether you're in a rut or wrestling with a story that won’t coo…
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The Writer's Cut - Episode 42: Some Like It Hot (1959) 12th Writers Guild of America Awards - Best Written Comedy - Written by I.A.L. Diamond and Billy Wilder The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The Apartment…
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Fresh off the massive critical and commercial success of FINAL DESTINATION: BLOODLINES, friend of the show Sheila Hanahan Taylor is back to share the ins and outs of producing a studio movie. What can writers do to develop a good relationship with a producer? How does a producer serve both the studio's voice and the writer's voice? On today's episo…
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On today’s episode, we welcome Michael G. Kehoe, a filmmaker who turned a whisper of an idea into the resounding voice of a feature film. From Brooklyn to Hollywood, from an eight-year-old boy watching his mother direct community theater to a director commanding his own set, Michael’s journey is one of persistence, heartbreak, and sheer creative wi…
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The directing duo from "Don't Tell Larry" detail their eight-year journey to turn the phrase, "Don't Tell Larry", into a world, a web series, and feature starring Eg Begley., Jr., Dot-Marie Jones, Patty Guggenheim, and Kiel Kennedy. And they chat with Matt and Oren about how their background in unscripted TV prepared them but also left gaps when it…
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The Writer's Cut - Episode 41: The Diary of Anne Frank (1959) 12th Writers Guild of America Awards - Best Written Drama - Written by Frances Goodrich and Albert Hackett The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Some Like It Hot…
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“In my mind, Belle is going through life, at least our version of Belle – I've never met the real Belle – she’s going through life with this hole inside, this overwhelming need for approval, that social media absolutely capitalizes on and she just keeps trying to feed the beast. She hasn't grown up with the healthiest of role models herself. She ha…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so This week, we’re joined by Kim Rosenstock (DYING FOR SEX) to explore how a complicated protagonist with a simple goal drives interesting, rich, and emotionally resonant storytelling. Through the lens of her deeply personal and genre-blending show, which she co-created with Liz Meriwether, Kim share…
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When the winds of curiosity rustle the mind and stir the soul, they often bring with them storytellers—those rare beings who don’t just recount events but breathe life into them. On today's episode, we welcome Joe Kowalski, a young filmmaker from Cleveland whose creative spirit dances between shadows and light, weaving stories through film, mystery…
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"Chimp Crazy" is HBO's top-watched documentary. But being from the team that made Tiger King is both a plus and a minus. In this episode, writer, producer, and editor Evan Wise https://www.imdb.com/name/nm2188036/ chats with Matt & Oren about the hurdles they faced and the moment he knew this doc would be good. We explore the importance of personal…
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Read Daughter, Wife, Widow, Screenwriter: The Heroines’ Journey of Dorothy Davenport Read about more women from early Hollywood Related posts: Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Rosanne Welch, Script Magazine, March 2025 Lois Weber: More than a Writer-Director She’s the Auteur Activist of Early Cinema – Dr. Rosanne Welch, Scrip…
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The Writer's Cut - Episode 40: The Five Pennies (1959) 11th Writers Guild of America Awards - Best Written Musical - Story by Robert Smith, Screenplay by Melville Shavelson and Jack Rose The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The Dia…
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“The most important thing that I've learned as a storyteller is that I have to treat every character in the show as though they're the lead in the show, and they are never doing anything so that I can prompt a move from another character. They are doing things that are true to what they want and their motivation. So that's what makes that architect…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so What’s it like to collaborate creatively with your spouse — and still want to have dinner together after? This week, we’re joined by Joe Forte, screenwriter (Firewall) and longtime writing partner (and husband!) of Meg LeFauve. We talk candidly about the unique dynamics of working with your life pa…
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What if the greatest stories of our lives are the ones we never meant to write? On today’s episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering t…
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Matt and Oren dive into the process of finding the right cinematographer or DP for your project, breaking down key factors like reputation, working methodology, artistry, specialties, reel, website, and even foreign language skills. They also explore how budget impacts these considerations. Like what shifts when you're working with $50K versus $2 m…
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The Writer's Cut - Episode 39: Me and the Colonel (1958) 11th Writers Guild of America Awards - Best Written Comedy - Screenplay by S.N. Behrman and George Froeschel The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The Five Pennies Ed's Notes:…
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Join TSL Workshops: https://tslworkshops.circle.so When you’re pitching — whether it’s on studio IP or your own original idea — what sets you apart is your take. But what does that actually mean? This week, Jac Schaeffer (WandaVision, Agatha All Along) breaks it down. For Jac, a great take starts with the emotional core — “what is the deep down” th…
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The mind is a curious trickster, delighting in dreams where logic pirouettes in absurdity. In today's extraordinary episode, we welcome Andrew Shaffer, a humorist and New York Times bestselling author whose wit slices through the storms of reality with a twinkle in his eye and a chainsaw in hand. From the earliest pages of his life, Andrew Shaffer …
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Matt and Oren break down their approach to directing on set—from working with celebrity talent like Neil Patrick Harris to navigating the challenges of directing kids. It's a glimpse into their lives as directors. They also explore how user-generated content and influencers are changing the types of projects advertisers want to create and opening n…
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The Writer's Cut - Episode 38: The Defiant Ones (1958) 11th Writers Guild of America Awards - Best Written Drama - Screenplay by Harold Jacob Smith and Nedrick Young The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Me and the Colonel Ed's Note…
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“It’s not ripped from the headlines. We’re not using any of [the Buss family’s] real-life stories and putting them into our show. Because Mindy [Kaling], Ike [Barinholtz], and I have so many influences like Arrested Development, 30 Rock, The Office and Succession, we’re coming up with our own fun stories and fun situations to put this dysfunctional…
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In this special roundtable, we’re joined by three working screenwriters — Nic Curcio, Kristen Tepper, and Julia Yorks — who have each built successful writing careers while also growing authentic, engaged followings online. We talk candidly about the growing pressure for writers to maintain a social media presence. From expanding your network to at…
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Today on the show we have documentary filmmaker Steve Concotelli, the director of OUTATIME: Saving the DeLorean Time Machine. Out of Time is the documentary about the restoration of the screen used Back to the Future DeLorean Time Machine.We discuss how the film came to be, his Kickstarter campaign, getting the rights from Universal, working with B…
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The skyrocketing success of "Friendship," starring Tim Robinson and Paul Rudd, is tied to its distinct visual style. Cinematographer Andy Rydzewski https://www.imdb.com/name/nm2198503 shares the recipe behind the film’s look, breaking down key choices in framing, lighting, and camera techniques. Matt and Oren dive into the details, nerding out over…
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“It was a lot of empathizing. I would do long phone calls with Abel (Tesfaye, aka the Weeknd) after we had met, just basically talking to him and finding out more of his history, where he was at in different phases of his life, where he’s at today, and using those to create a character. And part of creating that character is I’ll find my own person…
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Have you ever felt totally anxious sharing your script with someone — like your stomach is in knots just hitting “send,” secretly hoping they’ll just say, “It’s amazing, you’re a genius”? Or maybe you’ve gotten feedback that just made you more confused or even made you wonder if you should keep writing at all? Trust me, you’re not alone—I’ve been t…
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JOIN TSL WORKSHOPS: https://tslwokshops.circle.so Trey Edward Shults is an inspiration to directors everywhere — including Jeff. His debut feature, KRISHA, was a no-name psychological drama shot in his own home on a shoestring budget under $30K. Against all odds, it won SXSW, screened at Cannes, and eventually sold to A24. KRISHA stands as a beacon…
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Today’s guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I’ve ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well. Take a look below at her amazing work.Everyone knows what charming places strip…
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Trey Edward Shults https://www.imdb.com/name/nm4099092/ has been called a visionary film director. Matt and Oren chat with Trey about his bold leap into auteur filmmaking—what it means to claim that title and how he made it happen. What did he learn as a nineteen-year-old loading IMAX film for Terrence Malick on the edge of a live volcano? And is g…
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“Sometimes it’s easier to find and access your truth through ‘pretend’ characters. So I had this embarrassment of riches of this true story but in my heart, I was like, ‘I totally get to tell my truth!’… So my advice is find a way to do it, and if you have to do a mind trick by saying, ‘I’m writing this pretend character’ that’s fine, but put all t…
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“For me, I don’t know how you could not make [a script] personal. I think drama allows you to hide how personal it is. I think that’s kind of what I like about writing in the genre space. On the outside looking in, it just looks like a big action movie. It doesn’t look like a personal story. But there are personal elements like my mom was a working…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.sol In this special edition of our mailbag series, we’re flipping the script. Instead of questions from newcomers, today we hear from working, professional screenwriters—people already inside the industry, navigating the real-world challenges of a creative career. From handling difficult notes to sust…
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Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Ear…
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