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Citizenship and ethnicity can become, in certain contexts, restrictive, and perhaps that's one reason I was interested in people who feel compelled to mask their origins and thereby circumvent the restrictions.
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I am just getting into Zora Neale Hurston, who is possibly a much better writer than the critics and rivals who tried to erase her from history, resulting in a life in which she worked as a maid and died in a welfare nursing home. She's clever. She does something modern to the sentence.
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The art world is filled with vibrancy.
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I had always wanted to include images in a novel, and with my first book, 'Telex From Cuba,' I made an elaborate website that is basically all images.
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I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
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One of the strategies for doing first-person is to make the narrator very knowing, so that the reader is with somebody who has a take on everything they observe.
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I guess I'm not really fond of just chit-chatting. I want to learn something and have an experience.
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One is sometimes meant to reassure the reader that she's qualified to write about a certain topic.
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I suppose I am interested in women plus anonymity plus disappearance.
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Proust is a huge author for me.
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I think that when the social stakes for people are higher, how you present yourself may sometimes feel like it's going to inform your destiny. Because if other people regard you in a certain way, they'll want to help you, and you will end up having a career.
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L.A. is a great place to write because you have a lot of space. I have a big office at home, I can leave the doors open. Flowers bloom all year. But it's unglamorous in all the right ways.
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Subject matter is sort of overemphasized in the way books get discussed, I think.
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I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
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I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.
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I know what it's like to go very fast on motorcycles. Those moments, they stay with you.
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Telluride has an incredible history and reputation, and I've long known of it as a unique entity that makes a place for writers - one more aspect of this exceptional film festival in the Colorado Alps.
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Even if it happened in real life - and oftentimes, especially if it happened in real life - it might not work in fiction.
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The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
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I'm not the kind of person who would want to go into a studio and manage other people and listen to the phone ringing. That's alien to me.
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Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.
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I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
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Publishing is not my world.
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My parents were hippies.