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I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.
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I think it is very important for all actors to complete their studies side by side.
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Silence is my dignity.
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I'm happy with my commercial heroine tag.
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I make it a point to study the character I do, and if the story demands that I wear a particular outfit, I'm game.
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My character in 'OK OK' has a lot of attitude, and it is an interesting one.
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I watch my films with my mum and other family members, you know. I also know there are thousands of women who watch my films. I don't want to set wrong examples.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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Fame gives you a high.
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When I was shooting in Pollachi, I had tried out a lot of local food, most of them I don't remember the names of.
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My personal life is also cinema.
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Ravi Teja helps the co-artistes, and he is a very kind person.
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Even when I turn 60, they'll call me a child actor.
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The Tamil industry, while being better than all the other film industries when it comes to treating female actors, is still dominated by men. So, I can only work within the space offered to heroines, and I think I am doing that.
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I don't have a favourite romantic scene, but I enjoy romantic movies like 'Ghost' and 'Music and Lyrics.'
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I have painted gods, and goddesses too, and my favourite is Ganesha and Radha Krishna.
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As an actor, it is okay to fall and get up. Then you can give your best. Sometimes audiences don't receive it well, but you have to take it in the right sense. It is part and parcel of being in the industry.
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I always give importance to scripts first, and remuneration is something that comes later.
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I can say that I don't compete with others and only with myself because I do so many films.