Lauren Mayberry Quotes
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If there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
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Anne Carson and Angela Carter are folks I hold close to my heart because they have such unique ways of telling stories.
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Crushes start out as that teenage phenomenon, life-affirming and cute, but as you wander into adulthood, they seem to end up more painful, harrowing, and uncertain, especially if you have just come out of the relationship you thought would finally, maybe, maybe be the one that stuck.
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I discovered the idea of feminism when I watched the film '10 Things I Hate About You.' It's a classic.
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Obviously, when you're working at things, you all hope that people will relate to it.
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There will never be a job that I do in this industry where I don't have to talk about being a woman. I will always be a female artist. People will put that in front whether you like it or not.
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We were quickly labeled as an outspoken feminist band, which I'm totally fine with.
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I guess I'm fortunate in that two things I always wanted to do, since I was 16, were play music and get into news media. I'm very lucky to have two things that can engage my brain at once.
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We all like to believe we are completely self-sufficient, but at the end of it all, we're all searching for a human connection, something to make it all feel a bit more worthwhile.
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I have a personal Twitter for band purposes, but I don't use social media a lot.
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Objectification, whatever its form, is not something anyone should have to 'just deal with.'
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I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
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The bands that we've found we have something in common with are bands like The National or Tegan And Sara, and I feel like that's because all three of us come from more alternative rock backgrounds.
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Moving from a first to a second album is an incredibly transitional time for any band because you never get to make one in a vacuum like you did with your debut.
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I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day - and I like those things sitting next to each other.
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Even in the early stages, you can tell who thinks you're an idiot singing songs someone else has written for you. We never wanted to be two producers and a girl who wears some shoes.
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It's nice to squash people's expectations.
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We were overwhelmed by how much the first album connected with people, but I wouldn't put us in the 'pop star' realm.
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I never want to be the woman that's telling other women what to do.
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I've never been able to write narrative as a character, really. Jenny Lewis, I love her stuff, I love that she can weave these American Gothic fairytales. I feel like I sound inauthentic when I do that, so I tend to write from a personal standpoint.
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Growing up in Scotland and living in Glasgow, you see the heritage that religion has had and how something that, in theory, is about kindness and community and caring for each other is used to persecute people.
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Some musicians don't have strong opinions, or they deliberately don't have strong opinions because they want to try and sell as many records as possible.
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I think looking at the front row of a Chvrches show is really diverse. It could be 50-year-old dudes who love Depeche Mode or teenagers or teenage girls and their dad.
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If Radiohead made a video where Thom Yorke was featured more than the other members, nobody would say anything.