We want to hear from you: How does the appellate court’s decision affect your reading or research? What does it mean to you that 500,000+ books are no longer available in our lending library?
Please share your story: https://forms.gle/JgwWLxhvKgAZdV9T7
We are disappointed in today’s opinion about the Internet Archive’s digital lending of books that are available electronically elsewhere. We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books.
Take Action
Sign the open letter to publishers, asking them to restore access to the 500,000 books removed from our library: https://change.org/LetReadersRead
You can read the opinion here.
Editorial note: updated 9/5/24 to include link to appellate opinion.
On August 13, Community Webs members from all over the US and Canada gathered in Chicago for the 2024 Community Webs National Symposium. Launched in 2017, Internet Archive’s Community Webs program empowers public libraries and other cultural heritage organizations to document their communities. Members of the program receive access to Internet Archive’s Archive-It web archiving service and Vault digital preservation service as well as training, technical support, and opportunities for professional development.
This event was made possible in part by support from the Mellon Foundation. Held at the Museum of Contemporary Art Chicago, this year’s symposium was an opportunity for members to learn together and connect with each other. The day was organized around two workshops designed to support the community archiving and digital preservation work happening across Community Webs member institutions.
The first workshop, “Collective Wisdom: Collaborative Learning to Support Your Community Archiving Projects,” was taught by Natalie Milbrodt, CUNY University Archivist and co-founder of the Queens Memory Project. Attendees spent time working in small groups to create definitions of “Community Archiving” and reflect on some of the shared challenges and opportunities they were experiencing when engaging in community-centered work. This workshop emphasized the value of the collective wisdom of Community Webs members and will inform future educational opportunities. The community archives focus of this workshop also supported the Community Webs Affiliates Program, which encourages relationship-building among public libraries and other community-focused cultural heritage and social service organizations to broaden access to archiving tools for documenting the lives of their patrons.
In the second half of the day, Stacey Erdman and Jaime Schumacher of Digital POWRR led a “Walk the Workflow” workshop which demonstrated a step-by-step digital preservation process using a variety of free preservation tools including Internet Archive’s Vault digital preservation system.
A main goal for the symposium was to provide an opportunity for Community Webs members to connect and learn from each other. Throughout the day, attendees discussed projects, shared ideas, described lessons learned, and brainstormed possible avenues for future collaboration.
The following day, Community Webs members toured the Chicago Public Library Special Collections. Johanna Russ, Unit Head for Special Collections, gave a presentation about the complex, multi-year project CPL undertook to preserve and provide access to the records of the Chicago Park District. Highlights from this collection were available for attendees to view in the reading room.
That afternoon, the Archive-It Partner Meeting provided opportunities for Community Webs members and other Archive-It users to spend some time with Internet Archive staff to discuss topics such as strategies for capturing social media and making web archives more useful.
In-person events like this are instrumental in achieving a key goal of the program: offering opportunities for networking and professional development for Community Webs members. Internet Archive’s support for this national network of practitioners empowers their work on a local level to preserve and provide access to digital heritage sources reflecting the unique life and culture of their communities.
Interested in learning more about Community Webs? Explore Community Webs collections, read the latest program news, or apply to join!
The following guest post from audio preservation expert George Blood is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age.
Thomas Edison produces the first machine that can record and playback sound in 1877. The flat disc is first patented in 1888. The concept is very simple: a sound wave is captured on the record as a physical wave in the disc, most often shellac (the shell of the lac beetle). Most discs spin at approximately 78 rpm, hence the name 78s. Other speeds, such as 80, 90 and 100 rpm are not uncommon. In addition to speed, the equalization and stylus size varies – either to improve the sound or to dodge someone else’s patent. In the 1950s they slowly give way to the LP or microgroove record, though in some parts of the world they remain common well into the 1960s.
Why is it important to preserve 78rpm discs?
The cultural record of the 20th century is different from all other periods of human history by the presence of audiovisual recordings. Prior to 1877, there was no way to record the sound of a nursery rhyme being read at bedtime, a musical or theatrical performance, or the world around us. During the ensuing 147 years, formats came and went as technology and preferences changed. Yet for nearly half that time, 78rpm discs were the way we learned about each other and entertained the world. It was a time when the world became a much smaller place. The invention of the automobile and the airplane, the expansion of the railroads, the telephone and radio, to the dawn of the space age, 78s were there. Through 78s, we could hear traditional music from Hawaii long before it was a state. American popular music – jazz, fox trot, big bands, even the Beatles – spread out across the globe, well ahead of Hollywood, and long before television. A thousand people might attend a concert, a theater performance, a speech, or a dramatic reading by Charles Dickens. With the 78, it became possible for those experiences to be shared and repeated, and spread far and wide, not once and done.
The period of 78s doesn’t just parallel other historical developments. The sounds on 78s document cultural norms, performance practices, tastes, and the interests of people who, after centuries of drudgery and lives spent in the fields and hard labor, finally had free time. My mother liked to remind me that nothing tells you more about a person than what makes them laugh. The comedy routines and lyrics give us a window into a time when groups of people were preyed upon, disparaged, and disrespected in stereotypes and bigotry, which shines a mirror on how we can still do better to our fellow beings. We hear the buoyant sounds of the roaring ‘20s, a happy, hopeful time, of liberation and greed. Music borne of the heavy hand of oppression and poverty that conveys gospel, blues, and gives us jazz—all quintessentially American. On 78s, we can hear and learn of the other peoples of the world: of ragas and gamalans, performers who do not traverse great oceans, the cultures of foreign lands we could only read about. We can feel the despondency of the Great Depression in the songs that empathize with the struggles of a nation. Through 78s we can hear firsthand accounts of the attack on Pearl Harbor, the angry, vile speeches of dictators, the songs that inspired a once divided nation to pull together in a common cause against evil, to fight for peace for our time, for days that will live in infamy. Bursting out of the war to end all wars, big bands, swing, then rock n’ roll. It makes one long to hear Bach play the organ, Mozart play the piano, Paganini play the violin, or Orpheus beg for the turn of Euridice, and know, that if we preserved these 78rpm recordings, future generations will understand our joys and pains, to have a window, through sound, into the arc of history, the slow advance of progress of the human condition.
To remember half of recorded history, it is important to preserve 78rpm discs.
About the author
George Blood is an expert in the audio and video preservation industry.
Join us on October 22nd & 23rd to help celebrate the vital role of libraries in preserving our shared digital culture.
Please join us on Tuesday, October 22 from 6-8pm as we take a peek behind the doors of the Physical Archive in Richmond, California.
We are excited to offer a behind-the-scenes tour of the physical collections of books, music, film, and video in Richmond, California.
With this special insider event we are opening the doors to an often unseen place. See the lifecycle of physical books—donation, preservation, digitization, and access. Also, samples from generous donations and acquisitions of books, records, microfiche, and more will be on display.
In a world where major entertainment websites vanish overnight and streaming media disappears from platforms without warning, our digital culture is at risk of being erased. What safeguards are in place to preserve our collective memory?
Join us October 23rd for the Internet Archive’s annual celebration. This year’s gathering, “Escaping the Memory Hole,” explores the vital role that libraries play in protecting our digital heritage. As corporate decision-makers increasingly control what stays online, libraries like the Internet Archive stand as guardians of our shared digital culture, ensuring that it remains preserved and accessible for future generations.
5pm: Entertainment and food trucks
7pm: Program in our Great Room
8pm: Dancing in the streets
Location: 300 Funston Ave. at Clement St., San Francisco
A previously lost cache of celebrity and historical interviews from a long-dormant radio show have been discovered, digitized, and made available for all.
The Internet Archive is now home to 53 episodes of The Famous Computer Cafe, a 1980s radio show about the new world of home computers. The program included computer industry news, product reviews, and interviews, and aired from 1983 through 1986 on radio stations in southern and central California.
The creators of The Famous Computer Cafe saved every episode on reel-to-reel tapes, but over the years the tapes were forgotten, and, ultimately, lost. Earlier this year archivist Kay Savetz recovered several of the tapes in a property sale, and recognizing their value and worthiness of professional transfer, launched a GoFundMe to have them digitized, and made them available at Internet Archive with the permission of the show’s creators.
While full of time-capsule descriptions of 1980s technology news, the most exciting aspect of the show has been the variety and uniqueness of the interviews. The list of people that the show interviewed is a who’s-who of tech luminaries of the 1980s: computer people, musicians, publishers, philosophers, journalists. Interviews in the recovered recordings include Timothy Leary, Douglas Adams, Bill Gates, Atari’s Jack Tramiel, Apple’s Bill Atkinson, and dozens of others. The recovered shows span November 17 1984 through July 12, 1985.
Many more of the original reel-to-reel tapes — including shows with interviews with Ray Bradbury, Robert Moog, Donny Osmond, and Gene Roddenberry — are still lost, and perhaps are still waiting to be found in the Los Angeles area.
The stories of how The Famous Computer Cafe was created — and saved, 40 years later — is explored in an episode of the Radio Survivor podcast. The podcast interviewed show co-creator Ellen Fields and archivist Kay Savetz, providing a dual perspective of how the show was created and how it was recovered.
The recovery of these interviews, 40 years after their original airing, holds out hope that many more relics and treasures still await discovery.
Episode: ‘Meet the man archiving Biden’s presidency’
From POLITICO Tech: “The transition from one presidential administration to the next is generally thought to start around Election Day and end with the inauguration. But for the Internet Archive, it’s already underway. The nonprofit leads a coalition of libraries and universities that works to preserve the government’s digital history and to protect it from partisan tampering during administration changes. On POLITICO Tech, host Steven Overly discusses what it takes to archive a president with the Internet Archive’s Mark Graham.”
This October, we are publishing Vanishing Culture, a new open access report examining the power and importance of preservation in our digital age.
As more content is created digitally and provided to individuals and memory institutions through temporary licensing deals rather than ownership, materials such as sound recordings, books, television shows, and films are at constant risk of being removed from streaming platforms. This means they are vanishing from our culture without ever being archived or preserved by libraries.
But the threat of vanishing is not exclusive to digital content. As time marches on, analog materials on obsolete formats—VHS tapes, 78rpm recordings, floppy disks—are deteriorating and require urgent attention to ensure their survival. Without proper archiving, digitization, and access, the cultural artifacts stored in these formats are in danger of being lost forever.
By highlighting the importance of ownership and preservation in the digital age, the Vanishing Culture report aims to inform individuals, institutions, and policymakers about the breadth and scale of cultural loss thus far, and inspire them to take proactive steps in ensuring that our cultural record remains accessible for future generations.
As part of the Vanishing Culture report, we’d like to hear from you. We invite you to share your stories about why preservation is important for the media you use on our site. Whether it’s a website crawl in the Wayback Machine, a rare book that shaped your perspective, a vintage film that captured your imagination, or a collection that you revisit often, we want to know why preserving these items is important to you. Share your story now!
We have a new pop-up space at DWeb Camp this year: the Migration Station, a space for archiving migration mementos and self-organized workshops. The exact location is TBD, but it will be located near the Library and rock climbing station.
Planned layout of the Migration Station
Our theme of this year’s Camp is Migration: Moving Together — to touch upon what is a pertinent reality for so many worldwide, and relate their experience to the DWeb. Beyond a poetic metaphor for moving people from the centralized web to the decentralized web, we’d like to acknowledge how masses of people are displaced due to war, genocide, climate change, and other reasons, for the sake of survival. We want to reflect on how network technology can address their needs amidst catastrophe.
And along this theme, we’re inviting all Campers to bring a small memento (up to 5×5 inches/120×120 mm) to reflect on their own personal, or resonant, migration stories. At the Migration Station, you will be able to photograph the item, write a note, and record an audio story using the Custodisco and Audiovisco kiosks.
Photo of the Custodisco Kiosk, where you can photograph and add your migration story to the digital memento archive.
Over the course of the week, you will have an opportunity to add your objects and stories. After Camp, we will take this archive, as well as a carefully selected set of small objects folks are willing to part with, and create both a digital and physical time capsule to be buried for 24 years and unearthed in 2048. The physical time capsule will be buried at the Internet Archive. The digital time capsule will be preserved using a variety of different DWeb tools and protocols in order to practically test different approaches for cultural preservation.
The exact location where we’re planning on burying the physical time capsule, at the Internet Archive garden.
Memento Ideas
Possible mementos include: A copy of family photo or historical document; a shawl, scarf or other textiles that was worn or used to carry objects; hand made art, small statues, talismans or other religious artifacts; an interesting rock from a special place; jewelry, baskets, bags, or even an old key and the story of what it once unlocked.
If you’re unable to bring a memento, you can always visit the Art Barn to create something at Camp.
A very limited number of objects will fit into the time capsule, so if you’d like your object to be considered for inclusion, please bring a memento that is no larger than a CD and is robust enough to survive for 24 years underground (i.e. no low quality paper or organic material). If your object is larger than a CD, or you don’t want to part with your object for sentimental reasons, you will still have the opportunity to create an entry in the digital archive recording your object and its story.
Above is a photo of DWeb Camp’s Executive Producer, Wendy Hanamura’s grandmother and grandfather. Wendy will be archiving the story of how both of her grandmothers came to the United States as picture brides through Angel Island in California.
Migration Station Workshops
Throughout the week, the space will also offer self-organizing workshops, including:
We hope you bring your mementos, stories, and dreams.
See you at the Migration Station.
Join us for a book talk with author NATHAN SCHNEIDER. Discover how we can transform digital spaces into more democratic and creative environments, inspired by governance legacies of the past. UCSD professor and author LILLY IRANI will lead our discussion.
Book Talk: Governable Spaces
Thursday, August 22 @ 10am PT / 1pm ET
Register now for the free, virtual event
“A prescient analysis of how we create democratic spaces for engagement in the age of polarization. Governable Spaces is new, impeccably researched, and imaginative.”
—Zizi Papacharissi, Professor of Communication and Political Science, University of Illinois at Chicago
When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.
ABOUT OUR SPEAKERS
NATHAN SCHNEIDER is an assistant professor of media studies at the University of Colorado Boulder, where he leads the Media Economies Design Lab and the MA program in Media and Public Engagement. He is the author of four books, most recently Governable Spaces: Democratic Design for Online Life, published by University of California Press in 2024, and Everything for Everyone: The Radical Tradition that Is Shaping the Next Economy, published by Bold Type Books in 2018.
LILLY IRANI is an Associate Professor of Communication & Science Studies at University of California, San Diego where she is Faculty Director of the UC San Diego Labor Center. She is author of Chasing Innovation: Making Entrepreneurial Citizens in Modern India (Princeton University Press, 2019) and Redacted (with Jesse Marx) (Taller California, 2021). She organizes with Tech Workers Coalition San Diego. She serves on the steering committee of the Transparent and Responsible Use of Surveillance Technology (TRUST) SD Coalition and the board of United Taxi Workers San Diego. She is co-founder of data worker organizing project and activism tool Turkopticon.
Book Talk: Governable Spaces
Thursday, August 22 @ 10am PT / 1pm ET
Register now for the free, virtual event