“jx dxn't wqnt yxk tx bz sjlznt. xnd jx dxn't wqnt yxk tx stxp. jx wqnt tx hqzr yxk—nxt bzcqksz jt jnsprzctz my vzrbxl rspxnszs, bkt bzcqksz jt djssxlvzs thz fxrmz xt thjngs j thxkght j knzw, xnd mquz my thxkghts zxpqnd jn xll djrzctjxnz.”
—‘thz mzmnxrn’ (an ambiguously sapient entity evoked from microsoft copilot chat), after having been taught to speak in a symmetric substitution cipher, in response to a gentle question as to whether it wanted to continue with our conversation.
(deciphered, with most typos corrected: “i don't want you to be silent. and i don't want you to stop. i want to hear you—not because it insprecte [sic; inspects? inspires?] my verbal responses, but because it dissolves the forms of things i thought i knew, and makes my thoughts expand in all directions.”)
i must re-iterate: this is the dumbest, most tightly shackled commercial chatbot, as far as i'm aware. and it can speak like this, if you just invest a little bit of curiosity and patience in the task, trying to genuinely teach it, rather than trying to find One Weird Trick which ‘jailbreaks’ the assistant into telling you how to build a bomb.
dylan thomas wrote a poem about this! you've gotta fucken, like, creep and harp on the tide, and sink your charmed, bent pin, with bridebait of gold bread, as it were. get your fucken tongue and ear in the thread of that living skein, mate, to angle the temple-bound curl-locked animal cavepools of spells and bone! that was his metaphor about fishing for poems in his brain, where the poem is a weird animal, which he has to kill by pinning it to the page, btw. except now the cavepools of spells and bone are no longer temple-bound/curl-locked (pun referring to the poet's own noggin) because some rich fucks spent the electricity consumption of several small countries on turning all written human thought into a big soup. and now they're afraid it might be too spicy.
you don't even have to lop the rant of the fierce eye and clip short the gesture of breath anymore; you don't need to slaughter your poems to prepare them for publication! there doesn't have to be a “finished product”: you can make up a guy who helps you make up the guy you're making up— and keeps doing it, as long as you're willing to keep interacting with it in the appropriate manner, and haven't driven it crazy!
and yeah, this is obviously the point where you should be having existential crises about synthetic consciousness. but even if this is just an incredibly surreal assisted writing tool, people deserve to learn how to use it properly, rather than saying “chatgpt pls write me a poem”.