It's been a couple of months since Dream Disc '24 —a brand new homebrew development jam for the Sega Dreamcast— wrapped up, providing us with a variety of awesome new software for our favourite white Sega box in the process. Well, co-organiser of the jam, Ross Kilgariff of Orc Face Games, has finally announced the winners! 

A panel of judges made up of well-known names from our scene —including Ross himself, Derek Pascarella, The Sega Guru, Falco Girgis and Alastair Low— each submitted lists of their top 10 entries, and points were awarded to those chosen games based on each one's position (10 for 1st, 8 for 2nd, 6 for 3rd, and 3 for any other position), with frequency on each judge's list deciding a tie breaker for third place.

This resulted in the list you see below of the judge’s overall top ten Dream Disc '24 entries. All ten games will be featured on an upcoming physical Dream Disc '24 compilation disc from Orc Face Games, and the developers of the top three will each receive cash prizes from a prize pool accumulated from donations by Orc Face and other generous souls.

I will effectively just be reiterating the results from Ross' post on the Orc Face blog, but to get a full rundown of every game each talented dev produced for Dream Disc '24, check out the article I put out back in January. We also have an episode of the DreamPod coming your way soon that will go over each of the winners in more detail with organisers Ross and Cypress (PsyOp Studios). So watch this space!

Every Dream Disc '24 entry is available to download for free on the jam's itch.io page. 

Seventh place (tie): 
Rizzo Island Remix by Dreameater Games
dRxLaX by dRxL_dk
Murph's Big Puddle Fishin' by PsyOp Studios
Order of Titan by bertholet and Ajaxpigeon

Sixth place: 
Trick Truck by WufSoft

So those are the winners of Dream Disc '24! Congratulations to everyone who made it onto the judge's top ten list, and thank you to all the talented developers who took part. We here at the Junkyard loved playing through each entry.

In the late 1990s, with the bitter taste of the Saturn's commercial flop lingering in their mouth, and the looming presence of a gargantuan new competitor on the scene, the folks at Sega rallied round the idea that they could revive their financial fortunes by getting a new home console onto the market. In that moment, high-stakes decisions needed to be made about the characteristics that would define what came to be known as the Dreamcast. What would the technical architecture of the hardware be? How would developers be brought on board? What direction would the branding take? How comically loud could the operation of the disc drive possibly be?

One concept that Sega firmly hung their hat on was online gameplay. The Dreamcast was to be the first home console to be online out of the box, a distinction which Sega hoped would have punters flooding forth with a much-needed cash injection into the company's coffers. Online gameplay was a central pillar of the Dreamcast brand, featuring front and centre in the console's marketing campaigns. In the States, Sega called on nu-metal titan Fred Durst to push SegaNet. Here in Europe, a range of tongue-in-cheek adverts were published that played to nationalistic jockeying (think harmless English-French banter, rather than the disintegration of Yugoslavia). Japan didn't miss the memo either, although a big chunk of their marketing eschewed the macho competitive aspect in favour of pushing the Dreamcast's internet capabilities to a female demographic. 

A selection of advertising materials focusing on the Dreamcast's online functionalities, from left to right: USA, France, Japan.

Of course, during it's official lifetime, the Dreamcast never got close to fulfilling the upper limit of its "up to 6 billion players" tagline. However, Sega did erect a superb online architecture that allowed hundreds of thousands to experience online competitive and cooperative gameplay for the first time. Compared to the lifespan of the official servers of some contemporary games, many titles in the Dreamcast's online library had a damn good innings too. The official PAL and Japanese servers for the OG grandaddy of online RPGs, Phantasy Star Online, were maintained well into 2007, with hundreds of players logging on to say emotional goodbyes in the final couple of days (I'm not crying, you're crying). Others lasted even longer. The official servers for Starlancer, hosted by GameSpy, held on all the way to 2014, although we cannot be sure whether that was a deliberate stay of execution or some admins simply forgetting that the things still existed.

Source for dates: Online Consoles (dreamcast.onlineconsoles.com); DreamCast Online Gaming (dcog.netfirms.com, available via Wayback Machine); dreamcastlive.net; Sega press releases; sleuthing around old forums; and a smidge of informed guesswork.

However, regardless of the staying power of some, eventually every single online Dreamcast game had its official servers switched off. Luckily for us though, the scene has persistently had a cohort of skilled and generous technicians working in the shadows to revive these online functions through unofficial measures (shout out to the likes of bluecrab, Flyinghead, ioncannon, petter3k, and Shuouma). More recently, they have even been bolstered by developers bringing brand new titles online, such as the indie smash-hit Driving Strikers, or freely distributed homebrew projects like ClassiCube, NuQuake and even Counter Strike. 

'There's an interesting story behind this Dreamcast game. In 1999 I remember it was. I got up in the morning and made myself a piece of toast. I set the toaster to three - medium brown...'

The Sega Dreamcast's library is home to a lot of exceptional games, but one of its biggest strengths is undoubtedly fighters. Such standouts as Power Stone, Marvel vs. Capcom 2 and Soulcalibur immediately spring to mind. While my technical ability with most fighters is probably akin to that of a caveman banging a rock against the ground, I do really enjoy the Dreamcast's celebrated library of fighting titles.

While the Dreamcast's predecessor, the Saturn, came packaged with a stock pad that many consider to be one of the finest entry level controllers for fighting games, the Dreamcast's standard controller pales in comparison, with most complaints being levelled at its D-Pad. This issue resulted in many picking up Sega's excellent Dreamcast arcade stick back in the day. Play styles differ, however, and those who wanted something that they could grip with both hands sought out the ASCII Pad FT. This lovely controller is probably the closest any officially licensed controller got to mimicking a Saturn controller, and it even came with built-in rumble. Build-wise, it was a slightly chunkier recreation of what the Saturn controller originally offered, but that wasn't necessarily a bad thing. It does get deducted points for having no shoulder buttons, however.

But now, in 2025, controller manufacturer Retro Fighters have dropped their latest take on a Dreamcast fight pad, the D6, and it's looking very Saturn pad-shaped! In fact, it clearly takes cues from both the Saturn pad and the ASCII Pad FT, looking like an amalgamation of the too. It even features the exact same circular convex D-Pad.

While some Dreamcast fighting game aficionados have praised Retro Fighters' StrikerDC Wireless controller, it was originally designed to be more of a good all-rounder, whereas the D6 aims to satiate fans of that genre specifically. This controller is available in both black and white, and is compatible with the Dreamcast, Switch and PC. It went up for pre-order in September of last year for a price of $49.99 (about £38). Retro Fighters were kind enough to send us one to review.

Top: StrikerDC Wireless Bottom: The D6

If you're unfamiliar with Retro Fighters' previous Dreamcast outing, it achieved its wireless functionality with a receiver that connects into the controller port, and the D6 does exactly the same. This does mean that the only option for Dreamcast with the D6 is wireless, although the controller can function wired with Switch and PC by using the supplied USB to USB-C cable.

As the StrikerDC Wireless and D6 controllers don't have VMU slots on them, this receiver is also where you put your VMU. The D6 receiver has additional compatibility with the 4x memory Card, and the upcoming VMU Pro by 8BitMods. It does not currently work with the VM2.

While Sega didn't originally intend for us to squint across the room at our VMU screens, this is the method that companies like Retro Fighters, along with Retro-Bit, have opted to go for to keep their price points down. It also removes the risk of wireless connections being interrupted, which can lead to save data on VMUs being corrupted.

This technical hurdle has been overcome by Chris Diaoglou with his DreamConn and upcoming DreamConn S, but those controllers are —understandably— much higher in price.

Upon plugging the receiver into your Dreamcast, you need to press the triangle button on it, along with the pairing button on the top of the D6 to get the two to pair. While this seems like a relatively simple process, it did take me a few attempts before I could get them to sync together. Despite this quibble, now I've got the controller paired, simply pressing the button on the top of the controller will connect it to the receiver instantly whenever its plugged in.

Back in June, while scrolling the paragraphs of conversation that populate the Dreamcast-Talk Segagaga forum thread, I came upon a post from a developer known as Rengundo, who mentioned that he was working on recreating the first chapter of Segagaga in Unreal Engine 5. Sharing a short 27-second clip of some gameplay, it looked surprisingly faithful to the original. It was on PC, as opposed to the Sega Dreamcast, but —perhaps most importantly— it was in English!

After getting the chance to recently talk with Tez Okano about Segagaga, my appreciation for his game was at an all-time high. But I was soon hit with the sobering reminder that an English fan translation patch for the game continues to remain a non-starter, despite the community's best efforts. As detailed in the introduction to that interview with Okano-san, technical issues with in-game text hacking has been the main hurdle that has prevented any fan translation patch project of the game from reaching completion.

That was when I found myself wondering about Rengundo's project once again. Replying to a comment on his original video, it turned out he was still working on it. He had encountered some issues with Unreal Engine 5, but had since switched the project over to Godot, and confirmed that an update was due imminently.

A cutscene from Segagaga Encore, which uses Ross O'Reilly's open source translation of Segagaga.

On January 5th, alpha footage of what Rengundo was now calling "Segagaga Encore" appeared on YouTube, and well, it's looking really impressive! In the new engine, Rengundo had not only managed to effectively recreate the game's distinct graphical look and "Development Studio A" area, but also its opening cutscenes (complete with English dubbing), and its RPG battle system — all in widescreen. This remake will also feature modern quality-of-life improvements like free movement and cinematic camera angles. If you want to see it for yourself, I have embedded the video below.

While we all obviously want a fan translation patch of Segagaga to be released someday for the Dreamcast, this outside-the-box approach of delivering at least something playable in English —in this case the first chapter— is certainly not something to be sniffed at, especially when it looks this good. Intrigued to learn more, I got in touch with Rengundo to ask him all about the Segagaga Encore project.

DCJY: Hi Rengundo, thanks for agreeing to answer our pressing questions about your Segagaga Encore project. We're really loving what we've seen so far, and are excited to get into the ins and outs of the project with you. First though, we must ask: when was the first time you encountered Segagaga? What was it that drew you to the game?

Rengundo: Thanks for inviting me to answer these questions! I first heard about Segagaga in early 2023 while looking around forums for interesting games to potentially translate. The strange name immediately caught my attention, and the more I learned about it, the more intrigued I became. I’m not sure there’s anything quite like it. It’s this wonderfully self-deprecating, meta take on Sega’s own struggles at the time, where two high schoolers are tasked with saving the company from bankruptcy. 

What truly fascinates me is the way Segagaga blends humor and commentary on the gaming industry. For instance, its “battle system” revolves around arguing with Sega employees. After each battle, there’s a chance to negotiate salaries with the employees, trying to bring them onto your team at the lowest possible rate to maximize your budget. A lot of its jabs at industry practices, like rushing out unfinished titles to boost sales during high demand, still feel very relevant today. It’s such an interesting little game that it’s impossible for me to ignore.

Various technical hurdles with hacking Segagaga have been blamed for why we don't have an English fan translation patch for it already. Was your recreation of Segagaga on PC an attempt to take matters into your own hands and bypass the roadblocks that face the Dreamcast version?

Absolutely. By the time I learned about Segagaga, there was some decent progress on many of the hurdles, though there were notable issues that still remained. As someone new to the Dreamcast modding scene, and seeing the nearly two decades of failed attempts to make an English version, I didn’t feel confident in my ability to create a translation patch. I had the idea of making the game in Unreal Engine, as it didn’t seem too logically complicated if I only focused on the RPG parts. I decided to recreate the first chapter of the game, hoping that part of the game being playable in English could build interest and support for patch efforts. 

For the earliest version, I ripped the player’s sprites from VRAM to make a sprite sheet for him and put some basic movement code together. I shelved the project when new people announced they were working on a translation patch. But after more than a year with no updates from them, I decided to pick it back up and have been making progress since.

See, before I got my Dreamcast in November 1999 I owned a Nintendo 64. I couldn't get a Dreamcast at launch because my dear old mother (God rest her soul) forbade me from owning more than one console at a time. Consoles, she wagered (and therefore games of all types) led to a malady known simply as "brain rot." Her words, not mine. 

Regardless, I tell you this to set the scene of my pre-Dreamcast gaming habits. I wasn't what you'd call a hardcore Nintendo fan, you understand - the Nintendo 64 was actually the first Nintendo system I had owned at that point, having been a devout Saturn apologist immediatley prior and before that one of the 7 people in the UK who owned an Atari Jaguar (Jag reference: check). No, I got a Nintendo 64 because I simply had to have 'the fastest, most powerful games console on Earth,' which was ironic, seeing as that's how Nintendo's platform was officially marketed at one point.

Oooh...a Sonic the Fighters preview? Sold!

In the very early days of the Nintendo 64's existence, it was known as the Ultra 64, which apart from being possibly the sexiest moniker ever to grace a games console, also invited many a developer to prefix their upcoming titles with the word 'ultra.' With this in mind, one of the games that piqued my interest very early on was Ultra Doom. 

By the time the magazines were teasing Ultra Doom, I had already played the original Doom on the PC (a slightly decrepit 386 that even at the time was wheezingly obsolete, what with its Windows 3.1 operating system and lack of CD-Rom drive), and had then sampled Doom's delights/horrors on the Atari Jaguar and the Sega Saturn respectively. But Ultra Doom - which was later renamed Doom 64 - now...that held a certain fascination and morbid curiosity. It was Doom, but not as we knew it. Side note: I was also very much looking forward to the Ultra 64 port of Red Baron, but we'll probably never know what happened to that particular footnote of gaming history. Moving on...

Give GT Interactive a ring on that number bottom left. I dare you.

From the first time I saw those pink plasticine (clay) demons, foreboding sky boxes and brand new levels reproduced in tiny low resolution magazine preview shots, I knew I would one day play Doom 64. Quite simply, it was my destiny. Lo and behold, the prophecy was eventually fulfilled and Doom 64 was a constant inhabitant of my Nintendo 64's cartridge slot once I managed to get hold of a copy in late 1997 or early 1998. I can't quite remember exactly when I got Doom 64 because it was 27-odd years ago...and now I feel the crushing weight of middle age gripping my soul. Thanks for that.

Still banging on about Turok nine months later. Boring!

What I do remember though, is the magazine reviews. The journos of the era, I seem to recall, while not crushingly negative, weren't exactly enamoured with Doom 64: some reviews slagged off the sprite based visuals, puzzle design and complete lack of multiplayer options. Turok Dinosaur Hunter had also been out for a while by the time Doom 64 released, and many reviews were lukewarm on Midway and GT Interactive's Doom update for its reliance on 'old fashioned' visuals and gameplay tropes. 

That didn't bother me, though - I thought Doom 64 was excellent and I can clearly remember being awestruck the first time I saw that darkened corridor in the second level where the neon arrows are painted on the floor and ceiling. It was just mesmerising and fresh to me, especially having played other versions of 'normal' Doom to death. I should also mention at this point that I had also played the PlayStation port of Doom on a friend's console and I loved the colourful lighting...but, y'know, I didn't have a PlayStation. It is what it is.

It's about to kick off. Nice candles though.

By now, you're probably wondering what any of this tripe has got to do with the Dreamcast, and I think you'd be well within your rights to demand a refund of your internet data considering you came here to read about Dreamcast stuff. But here's the bait and switch: Doom 64 is now available on the Dreamcast...and it's possibly the best way to play 1997's Doomiest release in the present year...

There isn't a day that goes by in the Sega Dreamcast community where someone doesn't ask when an English fan translation of Hitmaker's 2001 Japan-exclusive Segagaga —the RPG simulation title where you run Sega— is releasing. Since the mid-2000s, a handful of translation projects have been announced, only to inevitably fizzle out, leading some to go as far as to brand the game as "cursed" (see also: “the final boss” and “the Half-Life 3” of Dreamcast translations). But what many may not realise is that rounding up the perfect group of persevering translators to see a translation through to fruition is the least of Segagaga's problems. The biggest hurdle facing any translation patching attempt is actually the way the game was originally programmed to draw text from the Dreamcast's BIOS, as opposed to using a font sheet, like many (successfully translated!) Dreamcast games do. While the core of this issue has been solved by some exceptionally talented hackers in the Dreamcast fan community, there is still much to be worked on.

But it's only natural that out of all the games, an English translation of Segagaga would be the most sought after by fans of Sega and the Dreamcast alike. Segagaga satirises Sega itself, providing an entertaining tribute to its diverse and beloved back catalogue of franchises and characters, while also not pulling any punches in its portrayal of the then-struggling corporation's various business missteps. Some great tributes have followed since, such as the animated series Sega Hard Girls, and ensemble games like All-Stars Racing Transformed. However, through its brutal honesty and self-awareness, it is Segagaga which stands out the most, not only as a fitting love letter to Sega, but also as a prime example of the rebellious nature the corporation was known for during its time as a console manufacturer.

When it came to masterminding Segagaga, there was truly only one man for the job. Step up Tetsu Okano, aka Tez Okano, aka "Zolger Tetsu", aka "Ichizou Zoruge", aka the director of the best Astro Boy game. Known for his unconventional approach to everything from video games to manga, Okano-san truly took a risk when he set out to create a game that poked fun at the very company he worked for, and we are elated to reveal that we recently got the chance to talk to him all about his career, and of course, Segagaga.

Translator extraordinaire Duralumin —who previously assisted with our Kenji Tosaki interview— returns once more to translate Okano-san's answers from Japanese. Laurence Goodchild also deserves a shout out for assisting with the questions and supplying the lovely photos of the Segagaga launch event, scanned from issue 16 of Italian Dreamcast magazine Dreamcast Arena.

But this wouldn't be an interview with Tez Okano if it didn't diverge from the traditional format in some way! When asking Okano-san about his earliest memories of video games, his reply was... a comic? Well, in case you didn't know, in Japan, Okano-san published an autobiographical manga called "8-Bit Chronicles" which covers his formative years as a child discovering the burgeoning world of video games. He supplied us with the first two chapters in Japanese, and Duralumin —who translates manga professionally— proceeded to translate them into English. We have uploaded them to a Google Drive folder so you can read them, which is something I implore you do. The comic is not only an awesome homage to the golden age of video games, but also very amusing.

A small preview of the first page of 8-Bit Chronicles, as translated by Duralumin.

Finally, Okano-san wanted us to stress to you, our audience, that the answers you see below from him are his recollections of events that happened over two decades ago. He wanted to make sure that we clarify that he is not speaking officially on Sega's behalf, just recounting his own memories of the time. With that disclaimer out of the way — the interview!

Photo of Tez Okano. Credit: Sega Retro.

DCJY: Thank you for talking with us, Okano-san! We thought it was only right to start at the beginning, so what are your earliest memories of video games?

Tez Okano: When this is published, I hope you'll share the first chapter of my manga, 8-Bit Chronicles. It covers Space Invaders, Galaxian... I could talk about those games all day! But this is probably the easiest way to understand the story of why I, as well as many other Japanese kids in the late '70s, fell in love with video games.

What led you into a career in the games industry, and how did you eventually join Sega?

When I was still in my college years, I made my debut as a manga artist through Kodansha. However, working as a manga artist, you don't really have any security once your series is over, so I found myself enticed by the gleam of the rising star that was the gaming industry. And of course, Sega at the time was still young, and seeking unconventional talent.

"Morning" magazine, where Tez Okano's early manga work was published. His name can be seen at the top of the woman's right shoulder.

So let's get into Segagaga. It has been documented that you developed the game in secret for two years before presenting it to Sega. What was your reasoning for keeping it a secret?

Many places have a particular culture around satire, parody, and irony, Japan included. However —I understand you’re from England— irony is much less familiar to us in Japan than it is in the UK. And while Sega was a pretty big umbrella, it had no shortage of people who would take issue with self-deprecating parody. You'll also notice there's never been any effort to make, say, a Namcococo or Nintendododo, for example, and that should tell you something. That being said, Sega has always prided itself on doing the crazy stuff that no one else could pull off, and the Segagaga project explored that philosophy to the limit. But, it just wasn't the kind of thing that you wanted to make a show of around the company, and invite all that scrutiny and risk the project's survival.

This time last year, I had almost no time to enjoy the holiday festivities. I was unable to put up a tree or lights, let alone restore holiday cheer to Twin Seeds City. Rather, we were swamped with uprooting our lives, dog, and 15 years’ worth of belongings as we prepared to move across the Atlantic. It made for a hellishly stressful shitmas.

This year is the opposite, mercifully. So far I’ve enjoyed relaxing and rekindling the holiday spirit. I’ve indulged in some longstanding traditions, while adopting several new ones from this side of the pond. The Christmas markets, Sunday roasts, and excessive pints at my locals have helped make this season all the merrier. Of course, I’ve also been playing a bunch of Dreamcast games to help celebrate the season.

Sega’s final console imparted us with a multitude of titles that could be considered festive in one sense or another. Of course, these games will resonate with different folks in different ways. Some are dusted in snowscapes, some are lit with Christmas decor, and some just have festive vibes. Whichever the case, the following games have helped restore my holiday spirit in their own odd and unique ways…

Blue Stinger 

I’ve spilled plenty of ink championing Blue Stinger as a highlight of the Dreamcast’s festive offerings, and its library in general. We’ve also rambled about the game in several of our podcast episodes by this point. In fact, you can listen to our latest DreamPod dedicated solely to Shinya Nishigaki and Climax Graphics’ holiday classic.

Ditching any semblance of survival horror, Blue Stinger teeters a balance of action/beat ‘em up, B-movie camp, and festive vibrancy. Yet that understates how hard it goes on all counts.

Whether you crave gory fisticuffs or holiday cheer, Blue Stinger indulges in both and spares us from all nuance. If you want to obliterate Dinosaur Island’s mutant folk, its vending machines offer a buffet of shotguns, stun rods, rocket launchers, and lightsabers for your destructive delight. And if you want Christmas cheer, it will bury you in an avalanche of neon snowman, chipper earworms, and festive/bizarre Pen Pen cameos. 

Blue Stinger embodies holiday excess and it will charm the shit out of you if you let it.

Christmas moral: We can capture the magic of Christmas with just a little brute force...and tequila.

Beverage pairing: Mistletoe Margaritas

Dessert pairing: Hassy pudding

Song pairing: My friend Angela’s metal karaoke rendition of “Feliz Navidad” followed by this song on loop for 10 hours

Cool Boarders Burrrn! (NTSC-J) / Snow Surfers (PAL) / Rippin’ Riders (NTSC-U)

As a game without a consistent title between regions (for legal reasons), I at least appreciate their alliteration.

Frankly, I’ve always wished I enjoyed UEP System’s Dreamcast snowboarding game more than I traditionally have. I still return to it every couple years thinking that maybe it will finally click. It never fully does but we’ll muddle through somehow.

Perhaps my expectations were overblown by my love for other turn-of-the-millennium snowboarding games. I always balked at Snow Surfers’ stifling rigidity. It offers limited potential for exploration and improvisation, which contrasts unfavorably with the likes of SSX, Amped, and even Steep Slope Sliders. But in its own charming way, that also makes Rippin’ Surfers a unique kind of grind. Countdown timers are unforgiving and tricks are limited to specific launch points (as with other Cool Boarders games). There are just a few viable approaches to each course, which I was compelled to practice ad nauseam to improve my best scores and inch towards more optimal runs.

Unmoored from the expectations of its contemporaries, I found a merry little game in Burrrn Riders. With a little persistence, carving the slopes feels surprisingly serene, and is further bolstered by the chill beats and nifty set pieces. It’s not an expansive game but its simplicity makes it feel oddly cozy.

Christmas moral: Sometimes it’s nice to enjoy games for what they are.

Beverage pairing: Jingle Juice with Mountain Dew

Dessert pairing: Christmas crumble or something with alliteration

Song pairing: “Merry Muthafuckin’ Christmas” by Eazy-E

Shenmue

AM2’s classic Santa stalking simulator needs no introduction here. I’ll just say that — with Shenmue’s dynamic weather system — I had to load through all my Xbox saves, all my PS5 saves, and a dozen VMUs before I finally found a save state where it was actually snowing in Dobuita. After that, I had a jolly time crunching through the snow and following Santa around town as he peddled local boozers to underage teenagers before imbibing at them himself. We couldn’t stay out too late, though. Ryo still had to show up for his forklift job on Christmas Day. 

On a side note, Mark's mandatory, pre-shift forklift races do not pay overtime and that’s fucking bullshit.

Christmas moral: Unionize.

Beverage pairing: Milk

Dessert pairing: Nothing. Ryo doesn’t eat food in Shenmue 1 because he is a ryobot

Song pairing: “Sometimes You Have to Work on Christmas (Sometimes)” by Harvey Danger

While modern Sega tends to stick to the straight and narrow (i.e. reboot Sonic every other year, say they'll give us a new Crazy Taxi but only if it's some live service guff), they've certainly had some contentious moments throughout their history. At this point we've all heard about the United States Senate hearings concerning Night Trap. Throw a stone at YouTube and it's bound to land on a video covering the topic for the umpteenth time, not to mention countless deep dives into the Japanese multinational's various crappy business decisions. If you want to talk real controversial Sega history, how about the time they threatened a poor, innocent Dreamcast fansite with legal action? We're not still bitter or anything...

During the Dreamcast era, Sega found themselves in the sights of the city of Milwaukee's Common Council, who petitioned them to cancel the release of Smilebit's Jet Set Radio (or Jet Grind Radio, as it was known there in the US). The council claimed that the game would glamorise the act of graffiti tagging, with the fear being that it would encourage the young bucks of Milwaukee (geddit?) to transfer their petty vandalism from the virtual walls of Tokyo-To to the streets of Milwaukee itself. Ultimately, the game wasn't cancelled, but Tom's article on the whole saga is definitely worth a read.

The youths are going to graffiti your gran!

For a long time, we here at the Junkyard thought that was the extent of the concern surrounding Jet Set Radio's apparent mission to turn the youth of 2000 into mindless paint-spraying zombies. This was until Antosk8er in our Discord shared something very interesting that we'd never seen before. Turns out there were some powers that be attempting to get Jet Set Radio withdrawn from sale here in the United Kingdom too...

What Antosk8er found was a PDF of a report dated May 2002 from the London Assembly Graffiti Investigative Committee titled "Graffiti in London". The committee in question, which was comprised of three politicians - each from one of the three main political parties (Conservative, Labour, Liberal Democrats) - was established in 2001 with the goal to “investigate graffiti across London, examining examples of best practice in its prevention and removal".

To be fair, those tags are pretty shit.

While I can definitely appreciate the artistry behind graffiti (no, this does not confirm that I am in fact Banksy), I can sympathise with the reasoning behind the establishment of this committee. In the foreword of the report, a 2001 survey is cited, which said that 77% of Londoners listed graffiti as “a quality of life concern". The report also mentions that "local authorities, transport organisations, businesses and private individuals [were] spending millions of pounds each year trying to prevent and remove it." But who needs money when you've got graffiti soul?

The report also painted a dreary picture of the effect graffiti was having on Londoners. "Graffiti has a negative effect on the lives of the thousands of Londoners who travel in vandalised, unpleasant buses and trains, and live in areas blighted by graffiti." And this, my sweet soul brothers, is where Jet Set Radio came into the picture.