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Polish musician and composer From Wikipedia, the free encyclopedia
Zygmunt Białostocki (15 August 1897 – c. 1942)[1] was a Polish Jewish musician and composer. He composed many popular Polish pre-war songs, and worked as conductor and a première pianist in Warsaw between the World Wars.
Białostocki was born in Białystok, Poland. Between 1925 and 1930 he worked as music director and conductor in the Municipal Theatre in Łódź. Later he moved to Warsaw, where he worked in "revue-theaters" and cabarets (within what is known in Yiddish as kleynkunst), including Perskie Oko, Morskie Oko, Nowy Momus, and Nowy Ananas.[1]
He worked with the lyricist Zenon Friedwald (Zenon Frivald-Vardan). His song M’ken nisht tsvingen tsu keyn libe was popularized by the film actor and singer Eugeniusz Bodo in the Polish version called Nie można kogoś zmuszać do miłości. His tango Rebeka, built on Chasidic motifs and sung by Chasidic Jews[2] as a zemer was popular in nightclubs, coffee houses and restaurants across Warsaw between the wars. The lyrics were written by Andrzej Włast; the song was first recorded by Zofia Terne (1932) and premiered at the Morskie Oko cabaret, performed by Dora Kalinówna.[1]
In 1932 he was the music director and composer of the score for Biała trucizna (White Venom) movie.[3][4] In 1933 he worked as accompanist in the Warsaw Nowy Momus and Oasis cabarets, in the Warsaw-Prague Perskie Oko cabaret and in the Warsaw Nowy Ananas theater. His musical comedy called Miłość i złoto (Love and gold), written with Józef Haftman, opened in December 1933 at the Teatr 8:30.[5]
Apart from Rebeka, Białostocki's other szlagiery (hits) included:
His wife Sofia was also a composer.
After the German invasion on Poland in 1939 and German occupation of Poland the Białostockis were forced to live in the ghetto in Warsaw. They are mentioned in Stanisław Adler's Warsaw ghetto memoir.[citation needed]
Zygmunt Białostocki was murdered by Germans during the liquidation of the Warsaw ghetto, most probably in 1942.[6]
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