The Vicar of Wakefield

The Vicar of Wakefield, subtitled A Tale, Supposed to be written by Himself, is a 1766 novel by Anglo-Irish writer Oliver Goldsmith (1728–1774). It was written from 1761 to 1762 and published in 1766. It was one of the most popular and widely read 18th-century novels among the British citizenry, and remains a classic of English literature.

This article possibly contains original research. (April 2022)

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The Vicar of Wakefield

1773 edition title page
Author	Oliver Goldsmith
Illustrator	Arthur Rackham (1929)
Cover artist	Arthur Rackham (1929)
Language	English
Genre	Comedy, satire, novel
Published	1766 (R. Collins)
Publication place	Great Britain
Media type	Print, octavo
Pages	437
Dewey Decimal	823.6
LC Class	647209259

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Dr. Samuel Johnson, one of Goldsmith's closest friends, told how The Vicar of Wakefield came to be sold for publication:^[1]

I received one morning a message from poor Goldsmith that he was in great distress, and, as it was not in his power to come to me, begging that I would come to him as soon as possible. I sent him a guinea, and promised to come to him directly. I accordingly went as soon as I was dressed, and found that his landlady had arrested him for his rent, at which he was in a violent passion: I perceived that he had already changed my guinea, and had a bottle of Madeira and a glass before him. I put the cork into the bottle, desired he would be calm, and began to talk to him of the means by which he might be extricated. He then told me he had a novel ready for the press, which he produced to me. I looked into it and saw its merit; told the landlady I should soon return; and, having gone to a bookseller, sold it for sixty pounds. I brought Goldsmith the money, and he discharged his rent, not without rating his landlady in a high tone for having used him so ill.

The novel was The Vicar of Wakefield, and Johnson had sold it to Francis Newbery, nephew of publisher John Newbery. Newbery "kept it by him for nearly two years unpublished".^[1]

The 1929 edition was illustrated by Arthur Rackham (1867–1939).

The Vicar – Dr. Charles Primrose – lives an idyllic life in a country parish with his wife Deborah, sons George (eldest), Moses, Bill, and Dick, and daughters Olivia and Sophia. He is wealthy due to investing an inheritance he received from a deceased relative, and he donates the £35 that his job pays annually to the widows and orphans of local clergy. On the evening of George's wedding to wealthy Arabella Wilmot, the Vicar loses all his money through the bankruptcy of his merchant investor who has left town abruptly.

The wedding is called off by Arabella's father, who is known for his prudence with money. George, who was educated at Oxford and is old enough to be considered an adult, is sent away to town. The rest of the family move to a new and more humble parish on the land of Squire Thornhill, who is known to be a womanizer. On the way, they hear about the dubious reputation of their new landlord. Also, references are made to the squire's uncle Sir William Thornhill, who is known throughout the country for his worthiness and generosity.

A poor and eccentric friend, Mr. Burchell, whom they meet at an inn, rescues Sophia from drowning. She is instantly attracted to him, but her ambitious mother does not encourage her feelings.

Then follows a period of happy family life, interrupted only by regular visits of the dashing Squire Thornhill and Mr. Burchell. Olivia is captivated by Thornhill's hollow charm; but he also encourages the social ambitions of Mrs. Primrose and her daughters to a ludicrous degree.

Finally, Olivia is reported to have fled. First Burchell is suspected, but after a long pursuit Dr. Primrose finds his daughter, who was in fact deceived by Squire Thornhill. He planned to marry her in a mock ceremony and leave her shortly after, as he had done with several women before.

When Olivia and her father return home, they find their house in flames. Although the family has lost almost all their belongings, the evil Squire Thornhill insists on the payment of the rent. As the vicar cannot pay, he is brought to prison.

A series of dreadful developments follows. The vicar's daughter, Olivia, is reported dead, Sophia is abducted, and George too is sent to prison in chains and covered with blood, as he had challenged Thornhill to a duel when he had heard about his wickedness.

Then Mr. Burchell arrives and solves all problems. He rescues Sophia, Olivia is not dead, and it emerges that Mr. Burchell is in reality the worthy Sir William Thornhill, who travels through the country in disguise. In the end, there is a double wedding: George marries Arabella, as he originally intended, and Sir William Thornhill marries Sophia. Squire Thornhill's servant turns out to have tricked him, and what the Squire thought to be a sham marriage of himself and Olivia is in fact valid. Finally, even the wealth of the vicar is restored, as the bankrupt merchant is reported found.

The book consists of 32 chapters which fall into three parts:

• Chapters 1–3: beginning
• Chapters 4–29: main part
• Chapters 30–32: ending

Chapter 17, when Olivia is reported to be fled, can be regarded as the climax as well as an essential turning point of the novel. From chapter 17 onward it changes from a comical account of eighteenth-century country life into a pathetic melodrama with didactic traits.

There are quite a few interpolations of different literary genres, such as poems, histories or sermons, which widen the restricted view of the first person narrator and serve as didactic fables.

The novel can be regarded as a fictitious memoir, as it is told by the vicar himself by retrospection.

In literary history books, The Vicar of Wakefield is often described as a sentimental novel, which displays the belief in the innate goodness of human beings. But it can also be read as a satire on the sentimental novel and its values, as the vicar's values are apparently not compatible with the real sinful world. It is only with Sir William Thornhill's help that he can get out of his calamities. Moreover, an analogy can be drawn between Mr. Primrose's suffering and the Book of Job. This is particularly relevant to the question of why evil exists.

The novel is mentioned in "The Romance of Certain Old Clothes" by Henry James, George Eliot's Middlemarch, Stendhal's The Life of Henry Brulard, Arthur Schopenhauer's "The Art of Being Right", Jane Austen's Emma, Charles Dickens' A Tale of Two Cities and David Copperfield, Mary Shelley's Frankenstein, Sarah Grand's The Heavenly Twins, Charlotte Brontë's The Professor and Villette, Louisa May Alcott's Little Women and in Johann Wolfgang von Goethe's The Sorrows of Young Werther, as well as his Dichtung und Wahrheit. Goethe wrote:

"Now Herder came, and together with his great knowledge brought many other aids and the later publications besides. Among these he announced to us the Vicar of Wakefield as an excellent work, with a German translation of which he would make us acquainted by reading it aloud to us himself. … A Protestant country clergyman is, perhaps the most beatific subject for a modern idyl; he appears, like Melchizedek, as priest and king in one person." The Autobiography of Johann Goethe, p. 368 ff.

A play The Vicar of Wakefield: A drama in 3 parts (1850) by Joseph Stirling Coyne. Silent film adaptations of the novel were produced in 1910, in 1913, and in 1916.

In 1959 an Italian television series The Vicar of Wakefield was broadcast.

Composer Liza Lehmann composed a 1906 comic light opera The Vicar of Wakefield to a libretto by Laurence Housman.