The Road (2011 film)

Prologue

Luis Medina is a successful policeman who has been recently awarded for his skill in investigations, despite his track record of being reckless and failing to follow protocol. After his award ceremony, the police chief is approached by a woman asking for new information about her daughters Joy and Lara, who went missing twelve years ago. Luis sets out for his investigation, despite his colleague Greg advising him against giving her false hope.

Story 1: 2008

Ella sneaks out at night with her cousin Janine and Janine's boyfriend Brian, taking her mother's car so that they can find somewhere for Brian to prepare Janine for her driver's test. On the highway they spot a patrol car, which causes them to panic as none of them have a drivers' license. Brian tries to make a U-turn, but accidentally drives into a fence blocking a dirt road. While checking for damage to the car, Brian notices a gate and drives into the isolated road beyond, thinking it the perfect spot for them to learn to drive. Eventually the three notice a red car which passes them repeatedly, although they never pass it themselves, and does not appear to have a driver. Panicking, Brian tries to get them off the road but discover that they are stuck in an endless loop, passing by the same tree again and again. Finally, the car stalls, and Brian and Janine get out of the car while Ella stays inside. Janine tries to convince Brian to go back for her cousin, but Brian refuses to do so, and instead promises Janine that they will come back for her with help. As the two walk through the woods, they spot a crashed red car. Meanwhile, finally panicking, Ella leaves the car and manages to catch up with the two. Ella manages to call her father and beg for help, but the red car suddenly bursts into flames, causing the three to leave the crash site. While running, the two girls are separated from Brian. They manage to get back into their car and attempt to drive away, but a ghost behind the wheel scares Janine. Ella, in a panicked state of mind, accidentally opens her car door and falls out of the car while Janine loses control and hits her head on the wheel. As Ella opens her eyes, she screams upon seeing the ghost of a burned woman looking down at her.

A few hours later, Ella's father, Luis and some officers, appear at the same road. They find Brian dead by the corn fields and it is revealed that Janine died when she hit her head on the wheel but they are unable to find Ella. Luis and Officer Allan find a house deep within the woods. Greg tells them that he already searched the house and tells them that Ella is not there. They also find the crashed car that the three teens passed by earlier. When Luis opens the backseat door, he sees a skeleton wearing a heart shaped locket.

The next day, they take the three bodies to the morgue. It is revealed that the skeleton that they found is that of Lara Luna, whom her mother identifies through her locket.

Story 2: 1998

Lara is driving with her younger sister Joy on the same dirt road. As they drive, they pass by a teenage boy walking along the road and a few feet away from him, their car overheats. They get out and then ask him where they can get water and the boy tells them that he will give them water by his house, which is the same house Luis and the others find years later. As they wait for him outside his house, Lara senses that something is wrong and tells Joy that they should leave. As they try to, the boy comes out and hits them with a wooden stick.

Lara wakes up a few hours later, with her foot chained to a bed post. She hears Joy's screams for help and begs him to let them go. The boy takes Joy down to the basement and savagely beats her. A few minutes later, he returns Joy to her room beside her sister's. As the boy comes to take Lara, she puts up a fight and scratches his neck. The boy leaves her alone. Lara notices that he dropped the keys to her chains takes it. She tries to search for Joy but notices that she is no longer there. She manages to sneak out of the house and falls into a pit containing corpses, one of which is Joy. Lara cries and finally leaves. The boy, meanwhile, has taken their car and proceeds to chase Lara with it. Eventually, he gently runs her over. As Lara tries to crawl away, The boy knocks her out and wraps a plastic bag around her head and ties a belt around her neck and her hands. As he drives back to his house, Lara suddenly awakens, causing the boy to crash. He leaves the car and watches it and Lara burn.

In the present, Luis takes the officers back to the same house to look for Ella. As he and Allan scope around, they find a picture of the old owners of the house. As Allan goes to search someplace else, Luis finds Ella, who was not noticed by Greg. She keeps yelling at him to 'let us go home' and finally passes out as Luis holds her in his arms. Luis takes her to the rendezvous point and takes her to the ambulance. As Ella's father tries to talk to her, she says that their car stalled due to overheating and tells him that they asked a teenage boy for water, revealing that Ella is possessed by Lara. Luis and Allan decide to return to the house.

Story 3: 1988

A young boy lives with his family in the house deep in the woods. As he looks out of his window, he notices a girl named Martha looking for his mother. The girl is there to see if the family needed their laundry doing. It is revealed that the boy is not allowed to come out of the house and his abusive mother Carmela tells Martha to come back tomorrow morning. Mistaking her son's conversation with Martha as an attempt to get out, Carmela locks him in a cabinet. During the evening, the boy's father, who is a preacher, comes home and lets him out of the cabinet. The reason behind his isolation is because his parents believe that the outside world is full of sin. The reason behind Carmela's bitterness is because the family is struggling financially and her husband refuses to ask money from his congregation. The next day, the boy spots Martha doing their laundry. As he comes down and watches her by the door, she invites him to come out to play but he tells her that he's not allowed to go outside. Wanting him to experience some fun, Martha goes inside with a bucket of soap and water to blow bubbles. Carmela comes downstairs and is enraged at the sight. As Martha tries to stop Carmela from hurting the boy, Carmela accidentally knocks Martha into the door post and kills her. As the boy tries to wipe the blood away, he faints. Later that night, the boy wakes up and sees his mother hugging another man. As he goes down, his father tells him to wait upstairs so he and his mother can talk. It is revealed then that Carmela plans to leave her husband and the boy for the man. The boy's father tries to convince her not to do it, but she remains adamant. As the boy listens, he passes out by his bed. The next morning his mother wakes him up to have breakfast. When he comes downstairs, his father tells him that Carmela left them and starts to throw up due to drunkenness. The boy adamantly insists that his mother is still there, and in a fit of rage, his father shows him Carmela's corpse, revealing that his father killed Carmela. Frightened, the boy locks himself in the cabinet where he sees Martha's corpse. His father tries to get him out of the cabinet, but when he sees Martha's corpse, he is shocked and has a breakdown. The next morning, the boy comes out of the cabinet. When he enters his parents' room, he sees that his father has hanged himself. It is revealed that the boy did not go out of the house until he became a teenager, and that he was the one who killed Joy and Lara Luna.

Epilogue

In the present, Luis and Allan arrive at the house. When Allan finds a room bound with a new padlock, Luis orders him to beat the door down. When Allan does so, he sees that the room is a bedroom. As they look around, Allan notices Luis' medal. Luis knocks him out, wraps his head with a sheet and seals it with a belt around his neck, revealing that the boy in the second and third parts of the movie was none other than Luis himself. He walks back to the rendezvous point as other cops search the house. As he walks, he mutters to himself, 'I'm sorry, Mama. It won't happen again.' Back at the rendezvous point, Ella's father asks her who the boy was. Ella, still possessed by Lara, points at Luis. As the police chief calls out to him, Luis shoots him in the chest. He gets in his car and begins to drive away, but his car stalls. As he tries to get out, he notices that the ghosts of Joy and Lara are with him in his car. He reaches for his gun and it is shown that Lara is forcing his hand to point his gun to his chin. As he mutters 'Mama, I'm sorry', Lara forces him to shoot himself. A few minutes later, the other cops find Luis in his car, dead.

The film ends with Luis as a young boy, finally able to go outside of his house and be free from his mother.

Main

Supporting

• Jaclyn Jose as Sandra
• John Regala as Chief
• Allan Paule as Greg
• Lloyd Samartino as Eric
• Gerald Madrid as Allan
• Ana Abad Santos as Josephine
• Dex Quindoza as Mail man

International release

These are the dates and country wherein The Road has been released:

(notes: International Release is different from International Screening)

Home media

The Road′s director, Yam Laranas, announced that the film would be released onto DVD and Blu-ray formats on Tuesday, July 10, 2012.

Box office

As of May 13, 2012, the film opened with an estimated $61,200 in North America, ranking 27th in the box office, along with $849,565 in the Philippines, for a worldwide total of $910,765. The film has grossed $5,455 for the reshowing in the Philippines.^[1]

Critical response

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
Click The City	[23]

Close

The Road has received mixed feedback from film critics, with a current 65% rating and an average rating out of 5.9/10 critics on the review aggregator website Rotten Tomatoes, based on 17 reviews.^[24] Reviewers have praised the atmosphere and the cinematography of the film, but panned its storyline and editing.

Jeannette Catsoulis of The New York Times wrote, "A powerfully atmospheric blend of ghostly encounters, horrific situations and missing-persons mysteries from the Philippine director Yam Laranas."^[25] Robert Abele of the Los Angeles Times remarked, "The film's three-pronged narrative does a fair job of laying a spooky groundwork for the revelatory emotional sadism that lies behind most acts of evil; it just takes a bit of clunky exposition to get there."^[26] V.A. Musetto of the New York Post wrote, "(Laranas) delivers a maximum of suspense and horror, working wonders with a small budget."^[27] Sam Adams of The A.V. Club gave a positive review, saying "The Road spends most of its time going in circles, working and reworking a small set of potent images. There’s a fine line between simple and crude, and The Road weaves back and forth over it like a rattletrap with a sudden flat, but Laranas makes a virtue of his limited means, steering clear of distraction and into the heart of darkness."^[28]

A mixed review came from Ed Gonzales of Slant Magazine, who gave the film 2 stars out of four, saying, "For a spell, the film gets by on its unpretentious flair for atmosphere, even its disconcerting nonsensicality."^[29]

Philbert Ortiz Dy of Click The City gave the film 3.5 out of 5 stars. he stated, "But The Road, like many horror films today, is insistent on providing some sort of twist, regardless of how little sense it actually makes. The whole package is still pretty good, but it’s difficult to ignore that particular misstep."^[23] ... That aside, this is a pretty decent horror experience. The film runs a little long, but part of that is due to the film’s patience. The film isn't just trying to shock people. It builds atmosphere and constructs horrific situations that are meant to genuinely disturb. It isn't just about ghosts popping out of nowhere. It's more about the creeping realization that there are some things in this world that aren't quite right, and people are going to get hurt because of it. Laranas’ meticulously composed frames make great use of the interplay between light and shadow, setting up an eerie atmosphere that permeates every second of the film.[...].^[23]

Accolades