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American death metal band From Wikipedia, the free encyclopedia
Immolation is an American death metal band from Yonkers, New York. They are considered one of the leaders of the New York death metal scene along with Incantation, Mortician and Suffocation.
Immolation | |
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Background information | |
Also known as | Rigor Mortis (1986–1988) |
Origin | Yonkers, New York, U.S. |
Genres | Death metal |
Years active | 1986–present |
Labels | Roadrunner, Metal Blade, Listenable, Nuclear Blast |
Members | Robert Vigna Ross Dolan Steve Shalaty Alex Bouks |
Past members | Thomas Wilkinson Alex Hernandez Craig Smilowski Neal Boback Bill Taylor |
Website | immolation |
Immolation was founded after the demise of Rigor Mortis (NY), a band formed in May 1986 by Andrew Sakowicz (bass guitar, vocals) Dave Wilkinson (drums), and Robert Vigna (guitar). After recording the Decomposed and Warriors of Doom demos, Sakowicz left the band in early 1988 and was replaced by Ross Dolan, and the band's name was changed to "Immolation". The new lineup put out two studio demos, in 1988 and 1989, and gained a worldwide following in the underground death metal scene. Immolation signed a record deal with Roadrunner Records and released their debut album Dawn of Possession in 1991. After leaving Roadrunner, the band released "Stepping on Angels," a compilation of demo releases and live tracks. In 1995 the band was signed by Metal Blade Records and released three albums: Here in After, Failures for Gods, and Close to a World Below. After their second album, drummer Craig Smilowski left the band and was replaced by Alex Hernandez. Their next three albums, Unholy Cult, Harnessing Ruin, and Shadows in the Light were released by French label Listenable Records and Century Media in the US.
In May 2001, Immolation were the headliners for a tour in Europe with supporting bands: Deranged, Deströyer 666, Decapitated and Soul Demise.[1] Unholy Cult saw the departure of guitarist Thomas Wilkinson and the addition of ex-Angelcorpse guitarist Bill Taylor. Steve Shalaty replaced Hernandez on Harnessing Ruin. In February 2008, Immolation toured the US alongside bands such as Rotting Christ, Belphegor and Averse Sefira.[2] In January and February 2010, Immolation toured with headliner Nile along with Krisiun, Rose Funeral, and Dreaming Dead.[3]
In March 2010, Immolation released Majesty and Decay through Nuclear Blast. In 2011, they released the 5-track Providence EP through Scion A/V as a free download.[4] In May 2013, Immolation released Kingdom of Conspiracy, again via Nuclear Blast, and toured with Cannibal Corpse and Napalm Death on a tour sponsored by Decibel Magazine. At the end of 2016, Bill Taylor left the band for personal reasons, and was replaced by Alex Bouks. In 2017 Immolation released their tenth full-length album Atonement. In 2022, Immolation released their eleventh full-length album Acts of God.[5]
Immolation uses riffs written in dissonant harmonic patterns, often dueling between the two guitars, typically over complex rhythm and drum patterns.[6] Their riffs are often a combination of tremolo picking, rapid power chord changes and pinched harmonics to create a down a wall of sound that many other bands have attempted to emulate. The band's guitar parts are often complex and technically proficient; drum parts are often written to follow the guitar riffs in a way that is unusual for most death metal.[6]
Guitarist Robert Vigna and vocalist/bassist Ross Dolan have been the only constant members throughout the band's history. Vigna is considered to be one of the most talented death metal guitarists[7] and is well known for his complex riffing and wailing solos.
Immolation's lyrics from Dawn of Possession to Unholy Cult are explore themes of anti-religion, namely anti-Christianity.[6] Beginning with Harnessing Ruin, there are more lyrics touching on other subjects such as politics. Bassist Ross Dolan explained that the band's shift in lyrical content was motivated by current events. He said:
We did kind of leave the religious themes alone, because we were very passionate about that for the first number of records. And once Unholy Cult came out, that was where we branched off. That's where the shift happened, 'cause that was right after 9/11, as you know! I saw it, I went down there, I had family that got killed in the towers, and it was a life-changing event in a lot of ways. And I knew at that point that things would never be the same, in our country or in the world. And that's where the shift happened, and we started to focus more on the darker side of humanity. Which we did already with the religious themes, of course, because that was a very dark part of our history. I mean not to knock anybody who's very passionate about their religion, but in my personal point of view, I've always thought of it as a very controlling and negative force. It serves as a division in our world, it divides people, just like so many other things! So that's where we are, and that's where that shift started, away from religion and into something more socially relevant and looking more deeply at ourselves.[8]
The band once again explored themes of anti-religion on their eleventh album Acts of God. Dolan elaborated:
"When we touch on religion with this record [...] I think it’s done in a new and fresh way [...] religion is still a big force in the world, it’s not something I care for, but I see how it impacts people. It’s something we are always fond of exploring, that mindset and how it affects people, and also the institutions themselves and the corruption within and the horrible things done in the name of religion [...] I have a lot of friends and we know a lot of people and fans we’ve met over the years who are pretty blunt and say “Hey, I’m not down with the anti-religious thing, but I get it” – I think they appreciate our take on it because we don’t attack so much the individual spiritualism that people find – we attack more the institutions [...] I respect anybody’s right to believe and feel and listen to and follow or do whatever they want. My only problem is when that creeps into my world and religion becomes a thorn in my side when I’m not a religious person at all. When religion works into how laws are passed and how it dictates certain things in our society – that should have zero place in my world and any who chooses not to believe’s world.
Immolation, along with Incantation, helped bring the New York death metal scene to the attention of the underground.[6] Their debut album is frequently cited as being an important and highly influential album in the genre, having laid down the blueprint that bands such as Cryptopsy and Suffocation would follow with their respective debuts.[10]
Former
Live musicians
Timeline
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