Ihab Hassan
American literary theorist From Wikipedia, the free encyclopedia
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American literary theorist From Wikipedia, the free encyclopedia
Ihab Habib Hassan (Arabic: إيهاب حبيب حسن; October 17, 1925 – September 10, 2015) was an Egypt-born American literary theorist and writer.[1][2] He was known for popularizing the concept of postmodernism in literary studies with his influential 1971 book, The Dismemberment of Orpheus: Toward a Postmodern Literature.[1]
Ihab Hassan | |
---|---|
Born | Cairo, Kingdom of Egypt | October 17, 1925
Died | September 10, 2015 89) Milwaukee, Wisconsin, U.S. | (aged
Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946. He was Emeritus Vilas Research Professor at the University of Wisconsin–Milwaukee. His writings include influential books such as The Dismemberment of Orpheus: Toward a Postmodern Literature (1971, 1982), Paracriticisms: Seven Speculations of the Times (1975), and The Postmodern Turn: Essays in Postmodern Theory and Culture (1987). In his later years, he published a number of short stories in various literary magazines. Before his death he completed The Changeling and Other Stories. He also wrote more than 300 essays and reviews on literary and cultural subjects, and delivered over 500 public lectures in North America, Europe, Asia, Africa, Australia, and New Zealand. [citation needed]
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In The Dismemberment of Orpheus, Hassan set out the differences between modernism and postmodernism.
Modernism | Postmodernism |
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Romanticism/Symbolism | Pataphysics/Dadaism |
Form (conjunctive, closed) | Antiform (disjunctive, open) |
Purpose | Play |
Design | Chance |
Hierarchy | Anarchy |
Mastery/Logos | Exhaustion/Silence |
Art Object / Finished Work | Process/Performance/Happening |
Distance | Participation |
Creation/Totalization | Decreation/Deconstruction |
Synthesis | Antithesis |
Presence | Absence |
Centering | Dispersal |
Genre/Boundary | Text/Intertext |
Semantics | Rhetoric |
Paradigm | Syntagm |
Hypotaxis | Parataxis |
Metaphor | Metonymy |
Selection | Combination |
Root/Depth | Rhizome/Surface |
Interpretation/Reading | Against Interpretation / Misreading |
Signified | Signifier |
Lisible (Readerly) | Scriptible (Writerly) |
Narrative / Grande Histoire | Anti-narrative / Petite Histoire |
Master Code | Idiolect |
Symptom | Desire |
Type | Mutant |
Genital/Phallic | Polymorphous/Androgynous |
Paranoia | Schizophrenia |
Origin / Cause | Difference-Differance / Trace |
God the Father | The Holy Ghost |
Metaphysics | Irony |
Determinacy | Indeterminacy |
Transcendence | Immanence |
Hassan's "Table of Differences between Modernism and Postmodernism" ends with the statement: "Yet the dichotomies this table represents remain insecure, equivocal. For differences shift, defer, even collapse; concepts in any one vertical column are not all equivalent; and inversions and exceptions, in both modernism and postmodernism, abound."[3]
Hassan's written works include:
Hassan also received Alumni Teaching Award and the Honors Program Teaching Award at the University of Wisconsin in Milwaukee, where he taught for 29 years.[citation needed]
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