Colleen Clifford

Early life and career in England

Born in Taunton, Somerset, England as Irene Margaret Blackford to an English-born mother and George Taunton Constable Clifford, a Major in the British army, who served in his regiment worldwide including France and Belgium, at which time Clifford was raised by an aunt in London. She had two brothers. Her paternal grandfather from Somerset also served in the army as a Major and was a recipient of the VC, her paternal youngest uncle, Ned was killed in the Boer War.^[1] Clifford although based in London, lived in various parts of England including Farnham, Stropeshire, Surrey, Kensington and Cornwall, as well as New Zealand during her childhood, where her father worked as a cadet on a stock station in Masterton, before purchasing a run in Taranaki. She studied classical piano in Belgium at the Brussels Conservatoire, before receiving a scholarship to the Royal Academy in London, but stating musical theatre was favoured more, she curtailed a musical career, to become active in British theatre as a stage performer for almost thirty years, starting with a production of Hubert Henry Davies, The Mollusc. She emigrated to Perth, Australia in 1954, after the death of her husband who was a Major in The Royal Air Force.

Theatre career

She continued her theatrical career after emigrating to Australia, where she founded the Perth Theatre Guild and Drama School and as a side project taught voice production, drama and music, where throughout the next fifteen years she help develop and train talent for the theatre. She staged six successful musicals using entirely local talent and without importing professional actors. These included stage productions of Annie Get Your Gun (1959), starring Leone Martin Smith in the title role, Oklahoma (1961) and South Pacific (1962) at His Majesty's Theatre, Perth. She moved to Sydney in 1969, where she appeared often at the Old Tote Theatre in theatre roles, including "A Nightingale Still At It"^[3]

Having moved from Perth to Sydney and remaining appearing in theatre roles, she began appearing in plays for the Australian Broadcasting Corporation and taking on regular television and film roles.^[3]

While touring in New Zealand in 1972, Clifford fell ill and was unable to perform for the first few shows. Being under a "no play, no pay" policy with the theatre company, meaning payment would be withheld from an actor during an illness, she was forced to remain in her Wellington apartment with no means of support. Clifford was then in her late 70s and, with rent money and doctor bills piling up, Michael Craig, and Honor Blackman and other members of the company raised enough money to financially support Clifford until she was well enough to rejoin the cast.^[4]

She returned to the theatre in 1990, at the age of 92, in the latest version of her one-woman show A Nightingale Still at It in Berkeley Square. She was awarded the John Campbell Fellowship for her contribution to theatre two years later.^[5]

Television roles

Clifford became a highly recognisable actress in her latter years, appearing in everything from soap opera, miniseries, telemovies, and films. She made her television acting debut in 1971 as a guest star in the series Dynasty (not related to the American production)^[6] and The Godfathers in 1971.^[7]

In 1978, she guest-starred in the legal drama Case for the Defence.^[8] A year later, she appeared in the popular series Prisoner (also known as Prisoner: Cell Block H) in a brief but memorable role as Edie Wharton,^{[9][10][11][12][13]} an elderly woman imprisoned for vagrancy.^[14] That same year, she made another guest appearance on another soap opera the Nine Network series The Young Doctors. She took a three-year absence to return to the theatre full-time but, then in 1981, began playing the guest role of Miss Bird on A Country Practice. She appeared in supporting roles including the sitcom Mother and Son and Five Mile Creek throughout the 1980s.

She returned to the serial A Country Practice between 1990 and 1993, playing two different roles: Freda Spinner and Mrs. Grainger.^[15]

Films

She started to feature in small roles in films from the 1980s onwards, firstly the historical drama film Careful, He Might Hear You (1983).^[16] She spent the next decade starring in a variety of supporting roles in film. These included Where the Green Ants Dream (1984),^[17] The Coca-Cola Kid (1985),^[18] Double Sculls (1986), The Year My Voice Broke (1987) and Barracuda (1988).

She starred in films This Won't Hurt a Bit and Frauds (both 1993).^[17][19]

Film

Television