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The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21.
 | This article contains promotional content. (March 2016) |
Alexa cameras are designed to be used in feature films, television shows and commercials. Alexa uses the ALEV series of image sensors manufactured by ON Semiconductor.[1]
The Alexa camera system introduced their Log-C imaging science as a digital negative, which allows digital cinema images to be processed like scanned film images.
The camera has several methods of recording, including SxS cards, CFast 2.0 cards and SXR Capture Drives at resolutions up to 3424 × 2202 pixels in either Rec. 709 HD video color space or Log-C to ProRes or ArriRaw codecs. The Alexa camera offers additional and optional software licenses that unlock different capabilities of the Alexa Camera. This includes; high speed 120fps recording, the DNxHD codec and 4:3 "open gate" mode for anamorphic lenses.
The Alexa camera system includes; modularity, PL mount lenses, a Super 35-sized CMOS sensor shooting up to 3424×2202 resolution and supports uncompressed video or proprietary raw (ArriRaw) codec.[2]
The price of the camera depends on the model and accessories. For example, in 2015, an Arri Alexa XT cost approximately $66,000 to $100,000, depending on accessories included.[3]
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Alexa
The Alexa (retroactively known as the Alexa Classic) was announced in April 2010 and was the first camera released of the product family. The Alexa's CMOS Super-35mm sensor is rated at 2.8K and ISO 800. That sensitivity allows the camera to see a full seven stops of over exposure and another seven stops of underexposure. To take advantage of this, Arri offers both industry-standard Rec.709 HD video output as well as the Log-C mode that shows the entire range of the chip's sensitivity, allowing for an extreme range of color correction options in post.
Alexa Plus (4:3)
The Alexa Plus added integrated wireless remote control, the Arri Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors and a 4:3 sensor making it ideal for anamorphic cinematography.
Alexa M
The Alexa M had its imaging and processing unit broken down in two parts to be small, compact and lightweight for 3D rigs and other uses where size is a concern. A special version of the Alexa M, called the Alexa SXT-M, was created for Gemini Man.
Alexa Studio
The Alexa Studio features an optical viewfinder, mechanical shutter, and a 4:3 sensor for anamorphic cinematography.
Alexa XT
In February 2013,[4] the range was renewed as the Alexa XT (XT standing for extended technology) series. Alexa XT cameras are equipped with the XR module, which replaces the SxS module and allows direct ArriRaw recording without the need for an external recorder. Further improvements is an internal tray for ND filters, a 4:3 sensor, open gate sensor mode, and a quieter cooling fan. The range accordingly comprises the Alexa, the Alexa XT, the Alexa XT M, the Alexa XT Plus, the Alexa XT Studio and the Alexa Fiber Remote. Existing cameras can be upgraded with the XR module for internal raw recording.[5]
Alexa 65
On 21 September 2014 at the Cinec convention in Munich, Arri announced the Alexa 65,[6] a 6K 65mm digital cinema camera. As with cameras from competitor Panavision, the Alexa 65 camera was available by rental only, provided through the Arri Rental Group.[7] The Alexa 65 uses the A3X sensor, composed of three vertical ALEV III sensors, which has a maximum recordable resolution of 6560x3100.[8][9]
The first production to use the camera was Mission: Impossible – Rogue Nation (2015), which was used to shoot the underwater sequence, and around forty percent of The Revenant (2015) [10]
A custom 3D variant was used to film specific scenes in Captain America: Civil War (2016). Avengers: Infinity War (2018) and Avengers: Endgame (2019) were the first narrative feature films shot entirely with the camera.[11]
Alexa Mini
On 24 February 2015, Arri announced the Alexa Mini. It has the same sensor as the other Alexa cameras housed in a smaller body. It records to CFast 2.0 cards, 200 FPS, 4K UHD in-camera upscaling, and built-in motorized ND filters.
Alexa SXT
On 18 March 2015, Arri announced the SXT line of Alexa cameras which replaced the XR module with the SXR module and support in-camera upscaling of Apple ProRes to 4K resolution and Rec. 2020 color space.[12][13] XT, XT Plus and XT Studio cameras can be upgraded with the SXR module.[12][13]
Alexa LF
On 2 February 2018, Arri announced the Alexa LF at the BSC Expo. It is a 4K large format camera. The Alexa LF's A2X sensor is based on two vertical ALEV III sensors, which are stitched together to create a seamless large format image. This is the same principle that was used to create the Alexa 65, which uses three Alexa sensors that are arranged vertically. The Alexa LF can record in open gate in a resolution of 4448 × 3096.[14][15]
Alexa Mini LF
On 28 March 2019, Arri announced the Alexa Mini LF, which houses the same sensor as the Alexa LF inside a camera body similar to the Alexa Mini. Additional improvements over the Alexa Mini include an improved EVF (MVF-2) with larger flip-out monitor and power outputs for camera accessories. The camera also features a new Codex recording module, which accepts 1TB Codex Compact Drives.[16] It was Arri's top-selling camera prior to the COVID-19 pandemic.[citation needed]
Alexa 35
On May 31, 2022, Arri announced the Alexa 35. It is based on a Super 35 ALEV 4 sensor, Arri's first new sensor for the Alexa family since the release of the first model in 2010. The sensor is sized 27.99 x 19.22 mm and records at a resolution of 4608 × 3164 with 17 stops of dynamic range. It is the first camera in the Alexa line to allow for full-height, natively 4K anamorphic shooting.[17][18]
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The ALEV III sensor debuted in the first Alexa model in 2010. It has 3424×2202 effective pixels used for generating images. 2880×2160 pixels are generally used for recording on the Alexa Studio and M in 4:3 mode, and 2880×1620 pixels are used for recording on the regular Alexa and other models in 16:9 mode. The rest of the sensor is used for looking around in the viewfinder. Alternatively, the full sensor resolution may be employed in "open gate" mode for resolution-demanding situations. It has a native ISO of 800 and records 14.5 stops of dynamic range.[19]
The Alexa LF and Alexa Mini LF use the A2X sensor, composed of two vertical ALEV III sensors, which has a 36.70mm × 25.54mm active imaging area. It provides up to 4448×3096 maximum recordable resolution.
The Alexa 65 uses the A3X sensor, composed of three vertical ALEV III sensors, which has a 54.12 mm × 25.59 mm active imaging area. It provides up to 6560×3102 open gate maximum recordable resolution.[9][20]
The ALEV 4 sensor debuted in 2022 with the release of the Alexa 35. It is sized at 27.99 x 19.22 mm and records at a resolution of 4608 × 3164 with 17 stops of dynamic range.[18]
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The Arri Alexa can record to 1920×1080 ProRes 422 or ProRes 4444 on SxS Cards or 2880×1620 ArriRaw to external recording devices. The Arri Alexa Firmware 7 increases the resolution on the SxS cards to 2K ProRes 4444 (previously 1080p).
ARRIRAW is an uncompressed format that contains unaltered Bayer sensor information. The camera's data stream was initially recorded via T-link with certified recorders like the CODEX Onboard from Codex Digital. When the Alexa XT was introduced, an internal CODEX recording solution was used, using CODEX Capture Drives. The CODEX Compact Drive replaced these following the introduction of the Alexa Mini LF and Alexa 35.
ARRIRAW files can be reduced in size by up to 50% using CODEX High-density Encoding (HDE). This lossless compression format provides workflow improvements that match those of lossy compressed formats.
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According to cinematographer Roger Deakins, the Alexa's tonal range, color space, and latitude exceed the capabilities of shooting in film. "This camera has brought us to a point where digital is simply better", said Deakins.[21] Deakins used the camera to shoot In Time, the James Bond film Skyfall, Prisoners, Unbroken, Sicario, The Goldfinch, Empire of Light, and the Academy Award for Best Cinematography winners Blade Runner 2049 and 1917.
The Alexa is the dominant camera in the professional film industry, and was used as the primary system on over 70% of the top 100 grossing films since 2016.[22] Since its introduction, eight movies shot on Alexa (Argo, Birdman, Spotlight, Moonlight, The Shape of Water, Green Book, Parasite, Nomadland, and Everything Everywhere All at Once) won an Academy Award for Best Picture. Also, movies shot on Alexa won Academy Award for Best Cinematography ten times, including five in a row between 2011 and 2015, for Hugo, Life of Pi, Gravity, Birdman, The Revenant, Blade Runner 2049, Roma, 1917, Dune, and most of All Quiet on the Western Front.
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- Arriflex D-20 and D-21
- Panavision Genesis, released in 2005
- RED Digital
- Sony CineAlta
- Panasonic VariCam
- Blackmagic URSA
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