Martin Chuzzlewit

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by English author Charles Dickens, considered the last of his picaresque novels. It was originally serialised between January 1843 and July 1844. While he was writing it Dickens told a friend that he thought it was his best work thus far,^[1] but it was one of his least popular novels, judged by sales of the monthly instalments.^[2] Characters in this novel gained fame, including Pecksniff and Mrs Gamp.

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Martin Chuzzlewit

Cover of serial edition seventh instalment, July 1843
Author	Charles Dickens
Original title	The Life and Adventures of Martin Chuzzlewit
Illustrator	Hablot Knight Browne (Phiz)
Language	English
Genre	Novel
Published	Serialised: January 1843 – July 1844; as a book 1844
Publisher	Chapman & Hall
Publication place	England
Media type	Print (Serial, Hardback, and Paperback)
Preceded by	Barnaby Rudge
Followed by	Dombey and Son

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Like nearly all of Dickens's novels, Martin Chuzzlewit was first published in monthly instalments. Early sales of the monthly parts were lower than those of previous works, so Dickens changed the plot to send the title character to the United States.^[3] Dickens had visited America in 1842 in part as a failed attempt to get the US publishers to honour international copyright laws. He satirized the country as a place filled with self-promoting hucksters, eager to sell land sight unseen. He also unfavourably highlighted slavery and featured characters with racist attitudes and a propensity to violence. In later editions, and in his second visit 24 years later to a much-changed US, he made clear in a speech that it was satire and not a balanced image of the nation and then included that speech in all future editions.

The main theme of the novel, according to Dickens's preface, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens's great villains, Seth Pecksniff and Jonas Chuzzlewit. Dickens introduced one of the first literary private detective characters, Mr Nadgett, in this novel.^[4] It is dedicated to Angela Georgina Burdett-Coutts, a friend of Dickens.

Martin Chuzzlewit has been raised by his grandfather and namesake. Years before, Martin senior took the precaution of raising an orphaned girl, Mary Graham, to be his companion and nursemaid, with the understanding that she would receive income from him only as long as Martin senior lives. Old Martin considers that this gives her a motive to keep him alive, in contrast to his relatives, who want to inherit his money. His grandson Martin falls in love with Mary and wishes to marry her, conflicting with Old Martin's plans. Martin and his grandfather argue, each too proud to yield to a resolution. Martin leaves home to live on his own and old Martin disinherits him.

Martin becomes an apprentice, at the late age of 21, to Seth Pecksniff, a relative and greedy architect. Instead of teaching his students he lives off their tuition fees and has them do draughting work that he passes off as his own. He has two spoiled daughters, Charity and Mercy, nicknamed Cherry and Merry. Pecksniff takes Martin on to establish closer ties with his wealthy grandfather.

Old Martin and Mary

A Game of Love

Young Martin befriends Tom Pinch, a kind-hearted soul whose late grandmother gave Pecksniff all she had in the belief that Pecksniff would make an architect and a gentleman of him. Pinch is incapable of believing any of the bad things others tell him of Pecksniff, and always defends him vociferously. Pinch works for exploitatively low wages while believing that he is the unworthy recipient of Pecksniff's charity, rather than a man of many talents.

Martin spends one week at the house of Pecksniff, alone with Tom, as the family spends the week in London. Martin draws the designs for a school during that week. When Old Martin learns of his grandson's new life, he asks that Pecksniff kick young Martin out. When Pecksniff returns, they argue and Martin leaves, once again to make his way alone. Soon, old Martin and Mary arrive in the area. He seems to fall under Pecksniff's control. During this time Pinch falls in love with Mary, who loves to hear him play the organ, but does not declare his feelings, both because of his shyness and because he knows she is attached to young Martin. Pecksniff decides that Mary should be his next wife, and rudely courts her.

Old Martin's brother, Anthony Chuzzlewit, is in business with his son, Jonas. Despite their considerable wealth, they are miserly and cruel. Jonas, eager for the old man to die so that he can inherit, constantly berates his father. Anthony dies abruptly and under suspicious circumstances, leaving his wealth to Jonas. Jonas then woos Cherry, while arguing constantly with Merry. He then abruptly declares to Pecksniff that he wants to marry Merry and jilts Cherry, not without demanding an additional £1,000 on top of the £4,000 that Pecksniff has promised him as Cherry's dowry, with the argument that Cherry has better chances for matchmaking.

Jonas becomes entangled with the unscrupulous Montague Tigg, formerly a petty thief and hanger-on of a Chuzzlewit relative, Chevy Slyme, and joins in Tigg's crooked insurance business. As Martin raises funds in London, Tigg cheats young Martin at the pawn shop of the full value of his valuable pocket watch. Tigg uses the funds to transform himself into a con man with a new personal appearance, calls himself "Tigg Montague" and rents a fine office. This new image convinces investors that he is an important businessman from whom they may greatly profit.

At this time, Pecksniff, in front of old Martin, orders Tom Pinch out of his house. He does this after eavesdropping on a conversation between Tom and Mary Graham, when Mary tells of Pecksniff's villainous designs on her. Tom Pinch abruptly sees the true character of his employer, and goes to London to seek new employment. He meets John Westlock in London, a good friend. Tom Pinch rescues his sister Ruth from mistreatment by the family that employs her as a governess, and the two rent rooms in Islington. Pinch quickly receives an ideal job from a mysterious employer with the help of an equally mysterious Mr Fips.

Tom Pinch at the Organ

John Westlock and Ruth Pinch

Young Martin, meanwhile, has encountered Mark Tapley, who is always cheerful (jolly, in his own words). Mark is happy at the inn where he works, which he decides does not reflect well on him because it shows no strength of character to be happy when one has good fortune. Mark leaves his employment and heads to London to find a situation to test his cheerfulness by maintaining it in worse circumstances. To this end he accompanies young Martin to the United States to seek their fortunes, with Mark calling Martin "sir" and doing Martin's bidding, an easy relationship for Martin. Martin believes the words of men in New York selling land unseen, along a major American river, thinking that place will need an architect for new buildings, despite the views of Mr Bevan, whom they met in New York upon arrival. They travel by train and river boat first to purchase the land at the office in the city up the river. They proceed to Eden, a swampy, disease-filled settlement. They find it nearly empty of people or buildings as previous settlers mainly died. Mark aids a couple who watch their children die in Eden. Then Martin, soon followed by Mark, falls ill of malaria. Mark decides that being with Martin and being in Eden is a situation in which it can be considered a virtue to remain in good spirits. The grim experience of Eden, with Mark nursing Martin back to health, and then Martin nursing Mark from the illness, changes Martin's selfish character. He understands when Mark suggests that he could get on better terms with his grandfather by apologizing. The men return to England, where Martin seeks reconciliation with his grandfather, who is still with Pecksniff. His grandfather hears him, and agrees to repay Mr Bevan in New York for the fare of the journey back to England.

Martin reunites with Tom Pinch in London, and meets John Westlock. Old Martin Chuzzlewit shows himself at Tom Pinch's office, revealing himself as the mysterious employer. Old Martin has been pretending to be in thrall to Pecksniff, while keeping up with other, more important members of his extended family.

While Martin was in America, a witness came forward to John Westlock who believed Jonas had killed his own father, using drugs the witness gave him in trade for erasing a gambling debt. Chuffey, who survives his master Anthony Chuzzlewit, had seen the drugs and prevented Jonas from using them on his father, who died a natural death. The London police, including Chevy Slyme, nephew of Old Martin, have discovered the body of Tigg Montague and have the benefit of the information gathered by Montague's investigator Nadgett, to know the murderer. At the home shared by Jonas and his wife Merry, and Mr Chuffey, the police and old Chuzzlewit confront Jonas. Jonas is saved of the charge of murdering his father by Chuffey's story. Jonas is taken for the murder of Montague, who had fooled him and taken his money. Montague's one true partner escaped with the funds on hand out of England. Old Martin has taken Merry Pecksniff Chuzzlewit under his protection, as she was an abused wife, with none of her happy ways left.

Old Martin, with his grandson, Mary and Tom Pinch, confront Pecksniff with their knowledge of his true character. Pecksniff has lost all his funds, as he was taken in by Jonas and Montague. Only his eldest daughter, a shrew who had been jilted on her wedding day, is left to him.

Old Martin reveals that he was angry at his grandson for becoming engaged to Mary because he had planned to arrange that particular match himself, and felt that his glory had been thwarted by their action. Martin and his grandfather are reconciled, and Martin and Mary are married, as are Ruth Pinch and John Westlock, another former student of Pecksniff. Tom Pinch remains in unrequited love with Mary for the rest of his life, never marrying, and always being a warm companion to Mary, Martin, Ruth and John, who now knows his value and his skills.

The main theme of the novel, according to Dickens's preface, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family.

The novel is also notable for two of Dickens's great villains, Seth Pecksniff and Jonas Chuzzlewit.

In keeping with the theme of greed and selfishness in this novel, the Christmas story Dickens published in December 1843, as this novel was being serialized, was A Christmas Carol.

This novel is dedicated to Angela Georgina Burdett-Coutts, a friend of Dickens.

Martin Chuzzlewit was published in 19 monthly instalments, each comprising 32 pages of text and two illustrations by Phiz and costing one shilling. The last part was double-length.^[8][9][10]

The early monthly numbers were not as successful as Dickens's previous work and sold about 20,000 copies each, as compared to 40,000 to 50,000 for the monthly numbers of the Pickwick Papers and Nicholas Nickleby, and 60,000 to 70,000 for the weekly issues of Barnaby Rudge and The Old Curiosity Shop. The lack of success of the novel caused a rift between Dickens and his publishers Chapman and Hall when they invoked a penalty clause in his contract requiring him to pay back money they had lent him to cover their costs.

Dickens responded to the disappointing early sales of the monthly parts compared to sales of previous works as monthly instalments; he changed the plot to send the title character to the United States.^[11] This allowed the author to portray the United States, which he had visited in 1842, satirically, as a near-wilderness with pockets of civilisation filled with deceitful and self-promoting hucksters.

Dickens's satire of American modes and manners in the novel won him no friends on the other side of the Atlantic, where the instalments containing the offending chapters were greeted with a "frenzy of wrath". As a consequence Dickens received abusive mail and newspaper clippings from the United States.^[12]

The novel has been seen by some Americans as unfairly critical of the United States, although Dickens himself wrote it as satire similar in spirit to his "attacks" on certain people and particular institutions back home in England, in novels such as Oliver Twist. Dickens was serious about reforms in his home country and is credited with achieving changes, notably in the workhouse system and child labour. Such satirical depictions by him and other authors contributed to the call for legislative reform.^[13]

Fraud in selling land sight unseen was shown as a common event in the United States of the 1840s. Most Americans were satirically portrayed: they proclaim their equality and their love of freedom and egalitarianism at every opportunity. Those who have travelled to England claim to have been received only by aristocrats. One character, Mr Bevan, is the voice of reason with a balanced view of his nation and a useful friend to Martin and Mark. Another American character, Mrs Hominy, described The United States as "so maimed and lame, so full of sores and ulcers, foul to the eye and almost hopeless to the sense, that her best friends turn from the loathsome creature with disgust".^[14]

Dickens attacks the institution of slavery in the United States in the following words: "Thus the stars wink upon the bloody stripes; and Liberty pulls down her cap upon her eyes, and owns oppression in its vilest aspect for her sister.^[15] The institution of slavery had not been practised in England since the 12th century and Britain outlawed the slave trade in the British Empire in 1807 and provided for the gradual abolition of slavery in most parts of the British Empire in 1833 so the sight of slaves and the still lively debates on keeping or abolishing the practice in the US were an easy stimulant for satire by an English writer.

George L. Rives wrote that "It is perhaps not too much to say that the publication of Martin Chuzzlewit did more than almost any other one thing to drive the United States and England in the direction of war" over the Oregon boundary dispute, which was eventually resolved via diplomacy rather than war.^[16]

In 1868, Dickens returned to the US and at a banquet in his honour hosted by the press in New York City, delivered an after-dinner speech in which he acknowledged the positive transformation which the United States had undergone and apologized for his previous negative reaction on his visit decades before. Furthermore, he announced that he would have the speech appended to each future edition of American Notes and Martin Chuzzlewit, and the volumes have been emended as such in all successive publications.^[17]

In 1844 the novel was adapted into a stage play at the Queen's Theatre, featuring Thomas Manders in drag as Sarah Gamp.^[18] Short film adaptations of the novel were released in 1912, produced by Thomas A. Edison, Inc.,^[19] and in 1914, produced by the Biograph Company.^[20]

The first stage performance in the 20th century came in 1993 at the Royal Theatre Northampton. Adapted by Lyn Robertson Hay and directed by Michael Napier Brown, the production starred singer Aled Jones and featured Katharine Schlesinger and Colin Atkins.^{[citation needed]}

The novel has been adapted four times by the BBC

• 1954, as a twelve-part serial in the BBC Home Service starring Donald Wolfit as Mr. Pecksniff, Devid Peel as Martin and Andrew Cruikshank as Old Martin^[21]
• 1964, as a thirteen-part serial on BBC One starring Barry Jones as Old Martin, Gary Raymond as Martin and Richard Pearson as Mr. Pecksniff^[22]
• 1987, as a ten-part serial on BBC Radio 4 starring Patrick Troughton as Old Martin, Christopher Benjamin as Mr. Pecksniff and Valentine Pelka as Martin^[23]
• 1994, as a six-part television miniseries on BBC Two starring Paul Scofield as Old Martin/Anthony Chuzzlewit and Pete Postlethwaite as Tigg Montague.^[24][3]

George F. Will has written of Pecksniffian Comstockery.^[25]