Writers

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Carmen Maiocco

The Catcher in the Rye

The brilliant, funny, meaningful novel (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books.If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into i

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Inspirational Movies

Best Supporting Actor

American Literature

Ronald Reagan

The New Yorker

J. D. Salinger - Wikipedia

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Aldo Leopold

Barbara Kingsolver

Ian Rankin

National Wildlife Federation

Management Books

Land Management

Oxford University Press

Forest Service

Read Book

At 71, 'A Sand County Almanac' remains fresh and engaging

At 71, 'A Sand County Almanac' remains fresh and engaging | MPR News

a book cover for the moon is a harsh mistress by robert heinen and illustrated by

Science Fiction Artwork

Fantasy Book Covers

Science Fiction Illustration

National Portrait Gallery

Lord Byron | Westminster Abbey

the outermost house a year of life on the great beach of cape cod

The Outermost House: a Year of Life on the Great Beach of Cape Cod (Warbler Classics Annotated Edition) - Paperback

ask the dust - john fante

the book cover for full of life by stephen cooper

John Fante

10 beautiful bookshops for bibliophiles

Brattle Book Shop

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Brattle Book Shop in Boston Book appeal: Founded in 1825, the Brattle Book Shop is one of the largest antiquarian book shops in the country. There are unique outdoor bookstalls, as well as three levels of titles to browse through. http://www.buzzfeed.com/erinlarosa/bookstores-that-will-literally-change-your-life http://www.brattlebookshop.com/

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The New Yorker's Adam Gopnik on the Mystery of Mastery Later in Life

The New Yorker's Adam Gopnik on the Mystery of Mastery Later in Life | Next Avenue

Art Historian Kirk Varnedoe. Director of the MOMA in New York from 1988 until 2001. The greatest speaker of modern art ever. But he never painted because he "didn't have anything to say"