Nightreign is a thrilling roguelite riff on FromSoftware’s open-world masterpiece.
Like any number of Exorcist wannabes, David Midell’s film is a special kind of hell.
MoreThis film essay ultimately argues unconvincingly against art’s right to imagination.
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For better or worse, the film represents a figurative and literal change of pace for the series.
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Anderson and Cera discuss why they reject the film being classified as “deadpan.”
MoreThe band flat-out demands your complete willingness to enter the void.
The songs take their sweet time unfolding, luxuriating in sax solos, spoken interludes, and world-building.
An album of collisions: between time and space, past and present, precision and spontaneity.
The series has morphed from a “social experiment” into TV’s most complex competition.
Skinner and Baram discuss coming out, sex on campus, and their show’s bratty soundtrack.
The First Shadow feels like a dim approximation of what makes the Netflix series so special.
Boop! earns the confetti cannon that goes off in the show’s final moments.
The only variety here is in the velocity and volume of the men’s anger.