Nothing Special   »   [go: up one dir, main page]

You seem to have javascript disabled. Please note that many of the page functionalities won't work as expected without javascript enabled.
 
 
Sign in to use this feature.

Years

Between: -

Subjects

remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline
remove_circle_outline

Journals

Article Types

Countries / Regions

Search Results (67)

Search Parameters:
Keywords = pagoda

Order results
Result details
Results per page
Select all
Export citation of selected articles as:
17 pages, 7637 KiB  
Article
Elastic Body Spring Method (EBSM) for the Stability Analysis of the Global Vipassana Pagoda in Mumbai, India
by Alessandro Gandolfi, Natalia Pingaro and Gabriele Milani
Buildings 2025, 15(5), 653; https://doi.org/10.3390/buildings15050653 - 20 Feb 2025
Viewed by 246
Abstract
This paper presents an innovative procedure for the stability assessment of masonry domes, aiming at simplifying the modelling and the computational stages of structural analysis. It exploits a macroscopic approach to discretise masonry, specifically using elastic bodies linked by nonlinear interfaces. The latter [...] Read more.
This paper presents an innovative procedure for the stability assessment of masonry domes, aiming at simplifying the modelling and the computational stages of structural analysis. It exploits a macroscopic approach to discretise masonry, specifically using elastic bodies linked by nonlinear interfaces. The latter are made by axial and, when needed, tangential trusses—in turn characterised by an elastic perfectly plastic/brittle behaviour—which constitute the joints connecting homogenised elastic macroblocks. The objective is—by employing low-cost commercial Finite Element software—to predict the behaviour of a masonry curved structure up to failure, maintaining the computational complexity low and the approach accessible to a common user. The process enables not only the quantification of damage at failure but also the tracking of its evolution within the structure, by examining axial forces found in the trusses at each load step. The method allows the modelling of the response of any kind of masonry structure under imposed loads or displacements. Its efficacy is proven on a paradigmatic dome (Global Vipassana Pagoda, Mumbai, India) by comparing the results with limit analysis precedent studies. Finally, the major reliability of a 3D approach is demonstrated. Full article
(This article belongs to the Special Issue Recent Scientific Developments on the Mechanics of Masonry Structures)
Show Figures

Figure 1

Figure 1
<p>(<b>a</b>) Scheme comparing the cross-sections of a traditional Burmese stupa and the Global Vipassana Pagoda typology. (<b>b</b>) General outer view of the Global Vipassana Pagoda with one of the authors and (<b>c</b>) particular of the external skin.</p>
Full article ">Figure 2
<p>(<b>a</b>) Plan and (<b>b</b>) shorter section of the Global Vipassana Pagoda.</p>
Full article ">Figure 3
<p>Phases of the construction process without centring for (<b>a</b>) the segmental dome and (<b>b</b>) the catenary and auxiliary domes, with the considerable thickness of the wall layers. A couple of bricks are highlighted to give an idea of the dimensions. (<b>c</b>) The shape of the carved Jodhpur stones for the wall layers is designed to prevent sliding and facilitate the assemblage.</p>
Full article ">Figure 4
<p>(<b>a</b>) 3D view of the GVP model with the analysed slice enlightened and separated into two halves, 5° each: the macroblocks and the meridian joint fuses. Enlargement of the macroblocks’ discretisation with the joint construction on the upper left, and the assignment of the CoB cross-section on the right side. (<b>b</b>) Top view scheme of the boundary conditions applied to the slice modelled.</p>
Full article ">Figure 5
<p>Sensitivity analysis on the GVP model under different hypotheses on tensile resistance of joint CoBs.</p>
Full article ">Figure 6
<p>The capacity curve of the Global Vipassana Pagoda with joint springs under the hypothesis of infinite compressive resistance concerning the self-weight of the bare structure (no buttressing). The capacity curve comes from the study started in Gandolfi et al., 2024 [<a href="#B45-buildings-15-00653" class="html-bibr">45</a>]. The reference points, from (a)–(d), are related to the deformed shapes of <a href="#buildings-15-00653-f007" class="html-fig">Figure 7</a>.</p>
Full article ">Figure 7
<p>Deformed shape relative to the vertical displacement (DY) of the GVP 3D model: (<b>a</b>) 21st Step, 6.65·10<sup>5</sup> kN (self-weight), (<b>b</b>) 29th step, 9.98·10<sup>5</sup> kN (1.5 times the self-weight), (<b>c</b>) 37th step, 1.33·10<sup>6</sup> kN (twice the self-weight), and (<b>d</b>) 42nd step, 1.66·10<sup>6</sup> kN (2.5 times the self-weight). The progressive formation of plastic hinges is identified through the steps.</p>
Full article ">Figure 7 Cont.
<p>Deformed shape relative to the vertical displacement (DY) of the GVP 3D model: (<b>a</b>) 21st Step, 6.65·10<sup>5</sup> kN (self-weight), (<b>b</b>) 29th step, 9.98·10<sup>5</sup> kN (1.5 times the self-weight), (<b>c</b>) 37th step, 1.33·10<sup>6</sup> kN (twice the self-weight), and (<b>d</b>) 42nd step, 1.66·10<sup>6</sup> kN (2.5 times the self-weight). The progressive formation of plastic hinges is identified through the steps.</p>
Full article ">Figure 8
<p>Equivalent vault model of the GVP, with the boundary conditions applied. In addition, an enlargement details how the plate elements are connected by a joint of axial CoB and orthotropic elements (shear panels).</p>
Full article ">Figure 9
<p>Capacity curve of the GVP model analysed as its equivalent vault. Comparison between finite and infinite compressive strengths, and different small tensile strengths. The reference points (a) and (b) are related to the deformed shapes of <a href="#buildings-15-00653-f010" class="html-fig">Figure 10</a>. The vault total weight (6.65·10<sup>5</sup> kN) matches that of the 3D model.</p>
Full article ">Figure 10
<p>Deformed shapes relative to the equivalent vault model, set with ft = 0.05, fc = inf. Load applied: (<b>a</b>) 21st step, self-weight: 6.65·10<sup>3</sup> kN and (<b>b</b>) 32nd step, 9.31·10<sup>3</sup> kN (1.4 times the self-weight).</p>
Full article ">Figure 11
<p>Undeformed and deformed shape of the GVP equivalent vault with an indication of the line of thrust for f<sub>t</sub> = 0.05 MPa and infinite compressive strength.</p>
Full article ">Figure 12
<p>Comparison between the curves of the 2D (blue) and 3D (golden) models of the GVP. The solid lines consider infinite compressive resistance assigned to the CoB, whereas the dashed ones are for a limited resistance.</p>
Full article ">
17 pages, 5968 KiB  
Article
Research on Three-Dimensional Resistivity Imaging for Non-Conventional Electrode Arrays in Restricted Exploration Area
by Haifei Liu, Yingjie Zhao, Yuhao Zhang, Xiaoqiang Li and Daowei Zhu
Appl. Sci. 2025, 15(1), 68; https://doi.org/10.3390/app15010068 - 25 Dec 2024
Viewed by 570
Abstract
The 3D resistivity imaging surveying is adept at identifying structural details at various subsurface depths, and it can acquire valuable underground information even in complex geological environments. This technique has been widely applied in fields such as geological exploration, hydrogeology, and environmental monitoring. [...] Read more.
The 3D resistivity imaging surveying is adept at identifying structural details at various subsurface depths, and it can acquire valuable underground information even in complex geological environments. This technique has been widely applied in fields such as geological exploration, hydrogeology, and environmental monitoring. Currently, the 3D electrical resistivity surveys in the field are primarily deployed using regular grid and equidistant electrode layouts. However, when the survey area is influenced by obstacles or when the target being investigated is particularly complex, this may hinder the deployment of the electrode array in accordance with a rectangular grid. In some instances, it may even be impossible to position the electrodes directly above the target of investigation. The only viable option is thus to place electrodes around obstacles or special targets. In view of this, this paper studied unconventional electrode arrays and inversion imaging techniques of 3D electrical resistivity surveying in confined areas. It presents the design of three electrode arrays: “□”-shaped, “U”-shaped, and “L”-shaped. Furthermore, the study explores 3D resistivity finite element numerical simulation and inversion imaging techniques based on continuous electrical media. Finally, model experiments were conducted to verify the feasibility of these three special electrode arrays. We have applied the “□”-shaped electrode array to investigate the foundation structure of an ancient pagoda in Zhejiang Province, achieving promising results. This study provides valuable reference for the research and application of special observation in 3D electrical resistivity exploration. Full article
Show Figures

Figure 1

Figure 1
<p>Schematic diagram of the “□”-shaped electrode array and measurement point distribution. (<b>a</b>) “□”-shaped electrode array (the green dots represent the electrodes and the red line area indicates the anomalous body); (<b>b</b>) 3D spatial distribution and projection of measurement points.</p>
Full article ">Figure 2
<p>Schematic diagram of the “U”-shaped electrode array and measurement point distribution. (<b>a</b>) “U”-shaped electrode array (the green dots represent the electrodes, and the red line area indicates the anomalous body); (<b>b</b>) 3D spatial distribution and projection of measurement points.</p>
Full article ">Figure 3
<p>Schematic diagram of the “L”-shaped electrode array and measurement point distribution. (<b>a</b>) “L”-shaped electrode array (the green dots represent the electrodes, and the red line area indicates the anomalous body); (<b>b</b>) 3D spatial distribution and projection of measurement points.</p>
Full article ">Figure 4
<p>Schematic diagram of 3D model mesh discretization: (<b>a</b>) geoelectric model, (<b>b</b>) hexahedral element and numbering, (<b>c</b>) tetrahedral element and numbering.</p>
Full article ">Figure 5
<p>The deployment of electrodes within the monitoring system and the mapping of anomalies’ locations. (<b>a</b>) “□”-shaped electrode array; (<b>b</b>) “U”-shaped electrode array; (<b>c</b>) “L”-shaped electrode array.</p>
Full article ">Figure 6
<p>Error convergence curve and data crossplot for three electrode arrays. (<b>a</b>) Error convergence curve for three electrode arrays; (<b>b</b>) data fitting plot of the “□-shaped electrode array; (<b>c</b>) data fitting plot of the “U”-shaped electrode array; (<b>d</b>) data fitting plot of the “L”-shaped electrode array.</p>
Full article ">Figure 7
<p>Sliced images of the inversion results for three electrode arrays: (<b>a</b>,<b>b</b>) the horizontal slice at Z = −2.5 m and the vertical slice at Y = 0 m of the “□”-shaped electrode array; (<b>c</b>,<b>d</b>) the horizontal slice at Z = −2.5 m and the vertical slice at Y = 0 m of the “U”-shaped electrode array; (<b>e</b>,<b>f</b>) the horizontal slice at Z = −2.5 m and the vertical slice at Y = 0 m of the “L”-shaped electrode array.</p>
Full article ">Figure 8
<p>Construction site. (<b>a</b>) Present situation of the ancient pagoda. (<b>b</b>) Survey site layout (taken from north to south).</p>
Full article ">Figure 9
<p>Electrode deployment and interval distribution of measured resistivity data. (<b>a</b>) Design of a “□”-shaped electrode array for the survey aera. (<b>b</b>) Distribution of intervals before and after correction of measured resistivity data.</p>
Full article ">Figure 10
<p>Line graph of measured resistivity variations before and after calibration.</p>
Full article ">Figure 11
<p>Error convergence curve and data crossplot. (<b>a</b>) RMS iterative convergence curve. (<b>b</b>) Illustration of the fitting relationship between measured and simulated resistivity data.</p>
Full article ">Figure 12
<p>The resistivity slice results at different depths.</p>
Full article ">
36 pages, 11272 KiB  
Article
Study on the Classification of Chinese Glazed Pagodas
by Duo Mei, Lu Li, Weizhen Chen and Yue Cheng
Buildings 2024, 14(12), 4084; https://doi.org/10.3390/buildings14124084 - 23 Dec 2024
Viewed by 758
Abstract
Glazed tiles are a quintessential ceramic creation applied in architectural systems, with Chinese pagodas serving as emblematic symbols that embody the design philosophy and diverse cultural beliefs of construction. Despite enduring wars, extreme weather, and the passage of millennia, glazed pagodas have withstood [...] Read more.
Glazed tiles are a quintessential ceramic creation applied in architectural systems, with Chinese pagodas serving as emblematic symbols that embody the design philosophy and diverse cultural beliefs of construction. Despite enduring wars, extreme weather, and the passage of millennia, glazed pagodas have withstood the test of time. The erosion of glazed components by wind and rain has not diminished their solemnity but has added a profound historical depth, making these surviving ancient-glazed components even more precious. This study examines the structural and stylistic features of Chinese glazed pagodas, exploring the extent of glazed component coverage. Using quantitative methods, the study zones, calculates, and classifies Chinese glazed pagodas, further elucidating their evolution and development through various historical periods. Additionally, based on a comprehensive survey of Chinese glazed pagodas, the study integrates theories from archaeology, art history, and architecture to deeply analyze their distribution areas, chronological spans, and cultural contexts, offering new perspectives for the systematic classification of Chinese glazed pagodas. Full article
(This article belongs to the Section Architectural Design, Urban Science, and Real Estate)
Show Figures

Figure 1

Figure 1
<p>Chinese pagoda classification diagram [<a href="#B3-buildings-14-04084" class="html-bibr">3</a>].</p>
Full article ">Figure 2
<p>Heatmap of glazed pagoda distribution in China.</p>
Full article ">Figure 3
<p>Vector map of glazed pagoda distribution in China.</p>
Full article ">Figure 4
<p>Overview of Chinese glazed pagodas by dynasty.</p>
Full article ">Figure 5
<p>Structural line diagram process of the relic-containing pagoda.</p>
Full article ">Figure 6
<p>Glazed component coverage calculation area of Sheli Shengsheng Pagoda.</p>
Full article ">Figure 7
<p>Line drawing process of Lingguang Temple Glazed Pagoda.</p>
Full article ">Figure 8
<p>Glazed component coverage calculation area of Lingguang Temple Glazed Pagoda.</p>
Full article ">Figure 9
<p>Line drawing process of Yongyou Temple Glazed Pagoda.</p>
Full article ">Figure 10
<p>Glazed component coverage calculation area of Yongyou Temple Glazed Pagoda.</p>
Full article ">Figure 11
<p>Line drawing process of Dayun Temple Glazed Pagoda.</p>
Full article ">Figure 12
<p>Glazed component coverage calculation area of Dayun Temple Glazed Pagoda.</p>
Full article ">Figure 13
<p>Line drawing process of Haihui Temple Glazed Pagoda.</p>
Full article ">Figure 14
<p>Glazed component coverage calculation area of Haihui Temple Glazed Pagoda.</p>
Full article ">Figure 15
<p>Line drawing process of Mengcheng Wanfo Tower.</p>
Full article ">Figure 16
<p>Glazed component coverage calculation area of Mengcheng Wanfo Pagoda.</p>
Full article ">Figure 17
<p>Feihong Pagoda of Guangsheng Temple.</p>
Full article ">Figure 18
<p>Line drawing process of Feihong Pagoda of Guangsheng Temple.</p>
Full article ">Figure 19
<p>Glazed component coverage calculation area of Feihong Pagoda of Guangsheng Temple.</p>
Full article ">Figure 20
<p>Glazed tile component areas of Yangcheng Shousheng Temple.</p>
Full article ">Figure 21
<p>Analysis of the number of glazed pagodas built and their glazed coverage during the Song, Ming, and Qing dynasties.</p>
Full article ">
15 pages, 2670 KiB  
Article
The Addition of Glutamine Enhances the Quality of Huangjiu by Modifying the Assembly and Metabolic Activities of Microorganisms during the Fermentation Process
by Jiajia Jiang, Guanyu Fang, Changling Wu, Peng Wang, Yongzhu Zhang, Cheng Zhang, Fenghua Wu, Zhichu Shan, Qingru Liu and Xingquan Liu
Foods 2024, 13(17), 2833; https://doi.org/10.3390/foods13172833 - 6 Sep 2024
Viewed by 981
Abstract
In this study, the effects of adding glutamate (Glu), glutamine (Gln), aspartate (Asp), and asparagine (Asn) on the flavor formation of Huangjiu were investigated, and the effect of Gln concentration on the quality, microbial community structure, and flavor development of Huangjiu was further [...] Read more.
In this study, the effects of adding glutamate (Glu), glutamine (Gln), aspartate (Asp), and asparagine (Asn) on the flavor formation of Huangjiu were investigated, and the effect of Gln concentration on the quality, microbial community structure, and flavor development of Huangjiu was further explored. Varied Gln concentrations influenced yeast growth, sugar utilization, microbial communities, and quality attributes. Additional Gln promoted yeast cell counts and sugar depletion. It increased the complexity of bacterial co-occurrence networks and reduced the impact of stochastic processes on assembly. Correlation analysis linked microorganisms to flavor compounds. Isolation experiments verified the role of Saccharomyces cerevisiae, Aspergillus chevalieri, Bacillus altitudinis, and Lactobacillus coryniformis in flavor production under Gln conditions. This research elucidated the microbiological mechanisms by which amino acid supplementation, especially Gln, enhances Huangjiu quality by modulating microbial metabolic functions and community dynamics during fermentation. This research is significant for guiding the production of Huangjiu and enhancing its quality. Full article
(This article belongs to the Section Food Biotechnology)
Show Figures

Figure 1

Figure 1
<p>Physicochemical parameters of Huangjiu fermented with different amino acid additions. The pH (<b>A</b>), titratable acid content (<b>B</b>), amino-nitrogen content (<b>C</b>), ethanol concentration (<b>D</b>), and total sugar content (<b>E</b>), of Huangjiu. Different letters represent significant differences (<span class="html-italic">p</span> &lt; 0.05).</p>
Full article ">Figure 2
<p>The effect of adding different concentrations of Gln fermentation on the quality of Huangjiu. The number of yeast cells (<b>A</b>) and total sugar content (<b>B</b>) during the fermentation process. #, <span class="html-italic">p</span> &lt; 0.05, ##, <span class="html-italic">p</span> &lt; 0.005, *, <span class="html-italic">p</span> &lt; 0.05, **, <span class="html-italic">p</span> &lt; 0.005. Titratable acid content (<b>C</b>), total sugar content (<b>D</b>), amino-nitrogen content (<b>E</b>), ethanol concentration (<b>F</b>), and pH (<b>G</b>) of the Huangjiu samples. Different letters represent significant differences (<span class="html-italic">p</span> &lt; 0.05).</p>
Full article ">Figure 3
<p>The effect of adding different concentrations of Gln on the microbial community during the fermentation process of Huangjiu. The alpha (<b>A</b>), beta diversity (<b>B</b>), and structure (<b>C</b>) of the bacterial community. The alpha (<b>D</b>), beta deversity (<b>E</b>), and structure (<b>F</b>) of the fungal community. Different letters represent significant differences (<span class="html-italic">p</span> &lt; 0.05).</p>
Full article ">Figure 4
<p>Fit of the neutral community model (NCM) of community assembly of bacteria (<b>A</b>) and fungi (<b>B</b>). The solid blue lines indicate the best fit to the NCM, and the dashed blue lines represent 95% confidence intervals around the model prediction. Nm indicates the metacommunity size times immigration, and R<sup>2</sup> indicates the fit to this model. The black dots represent the ASVs predicted by the model, the red dots represent ASVs with frequencies lower than the predicted ones, and the blue dots represent ASVs with frequencies higher than the predicted ones. Co-occurrence networks of the bacterial (<b>C</b>) and fungal community (<b>D</b>), and the M1–8 represents the modules in the networks.</p>
Full article ">Figure 5
<p>(<b>A</b>) Correlation analysis between microorganisms and flavor substances. (<b>B</b>) Image of microbial colonies isolated from Huangjiu. (<b>C</b>) Biomass of <span class="html-italic">Saccharomyces cerevisiae</span>, <span class="html-italic">Aspergillus chevalieri</span>, <span class="html-italic">Bacillus altitudinis</span>, and <span class="html-italic">Lactobacillus coryniformis</span> in fermentation broth. No Gln was added to CK, and 200, 400, 800 indicates different amounts of Gln. Different letters represent significant differences (<span class="html-italic">p</span> &lt; 0.05).</p>
Full article ">
22 pages, 20209 KiB  
Essay
Spatio-Temporal Distribution Characteristics of Buddhist Temples and Pagodas in the Liaoning Region, China
by Jiaji Gao, Jingyi Wang, Qi Wang and Yingdan Cao
Buildings 2024, 14(9), 2765; https://doi.org/10.3390/buildings14092765 - 3 Sep 2024
Viewed by 955
Abstract
Buddhist culture in Liaoning has a long and rich history. The continuous spread of Buddhism has promoted the development of Buddhist architecture, leaving us a rich architectural art heritage. Furthermore, it has also profoundly influenced China’s architectural characteristics, social culture, and economic development. [...] Read more.
Buddhist culture in Liaoning has a long and rich history. The continuous spread of Buddhism has promoted the development of Buddhist architecture, leaving us a rich architectural art heritage. Furthermore, it has also profoundly influenced China’s architectural characteristics, social culture, and economic development. This paper takes Buddhist temples and pagodas in Liaoning as the research objects and uses methods such as the geographic concentration index, nearest neighbor index, kernel density estimation, and standard deviation ellipse to analyze their spatio-temporal distribution characteristics and influencing factors across different periods. 1. Temporal distribution. During the Liao Dynasty (907–1125 AD) and the Qing Dynasty (1636–1912 AD), the construction of Buddhist temples and pagodas was the highest, with a linear increase in the Qing Dynasty. 2. The overall spatial distribution of Buddhist temples and pagodas in Liaoning is uneven, showing an agglomeration distribution state. The distribution status of different periods was different, and the Ming (1368–1644 AD) and Qing dynasties (1636–1912 AD) showed obvious aggregation distribution. The overall state is “more in the west and less in the east” and “more in the north and less in the south”. 3. In different periods, the spatial distribution direction of Buddhist temples and pagodas in Liaoning was relatively obvious and was southwest–northeast, and the center of gravity gradually shifted to the northwest. 4. The kernel density of different periods presents the density distribution and area of each period. The overall distribution is dense to scattered and then to highly dense. 5. The spatio-temporal distribution characteristics of Buddhist temples and pagodas in Liaoning are mainly composed of deep-seated political factors, rapid economic development and stable social environment, diverse culture, natural geography, cultural relics protection, and the artistic value of Buddhist architecture in the Liaoning region. Full article
(This article belongs to the Section Architectural Design, Urban Science, and Real Estate)
Show Figures

Figure 1

Figure 1
<p>The geographic location of Liaoning Province in China. Note: This map is downloaded from the standard map service website of the Ministry of Natural Resources, PRC.</p>
Full article ">Figure 2
<p>Map of administrative divisions of Liaoning Province, China. Note: This map is downloaded from the standard map service website of the Ministry of Natural Resources, PRC.</p>
Full article ">Figure 3
<p>Map of the distribution of Buddhist temples and pagodas by dynasty in Liaoning, China.</p>
Full article ">Figure 4
<p>Kernel density map of Buddhist temples and pagodas in the Liaoning Region, China.</p>
Full article ">Figure 5
<p>Density analysis map of Buddhist temples and pagodas in Liaoning Province, China.</p>
Full article ">Figure 6
<p>Distribution line chart of Buddhist temples and pagodas in different regions in different periods in Liaoning, China.</p>
Full article ">Figure 7
<p>Standard deviation ellipse distribution of Buddhist temples and pagodas in Liaoning, China.</p>
Full article ">Figure 8
<p>Kernel density map of Buddhist temples and pagodas in Liaoning, China during the Liao, Jin, Ming, and Qing dynasties.</p>
Full article ">Figure 9
<p>Distribution of mountain forest temples and scenic spots in Liaoning Region, China.</p>
Full article ">
31 pages, 58591 KiB  
Article
Parametric Modeling and Column Grid Analysis of the Sakyamuni Pagoda at Fogong Temple: Insights into the Yingxian Wooden Pagoda
by Daoru Wang, Stephanie Yanqiu Li, Ruguan Liu, Jianxin Hu and Ang Wang
Buildings 2024, 14(8), 2464; https://doi.org/10.3390/buildings14082464 - 9 Aug 2024
Viewed by 1830
Abstract
The Sakyamuni Pagoda of Fogong Temple, also known as the Yingxian Wooden Pagoda or the Wooden Pagoda of Ying County, is China’s oldest and tallest wooden pagoda. This pagoda was constructed in 1056 and has faced many challenges, including earthquakes, wars, and mistreatment. [...] Read more.
The Sakyamuni Pagoda of Fogong Temple, also known as the Yingxian Wooden Pagoda or the Wooden Pagoda of Ying County, is China’s oldest and tallest wooden pagoda. This pagoda was constructed in 1056 and has faced many challenges, including earthquakes, wars, and mistreatment. However, it is currently in danger of potential collapse due to severe structural challenges. Preserving this historic monument requires interdisciplinary collaboration across architectural history, materials science, and engineering. This paper proposes the development of a parametric model to build the pagoda that can be used for future preservation efforts. While not precisely reflecting the pagoda’s current condition, with the changes in inputs, the geometries of the structural members can be updated in real time, which offers adaptability crucial for preservation efforts. With the understanding of the original construction techniques, including its leaning column systems, the model not only helps preservation but also reveals the creativity of the architects or the craftsmen at the time. The 3D model, which includes more than 32,000 pieces along with the parametric files that can generate the column grid and dougongs, has been published along with this paper, and those files are available in the Data Availability Statement. In summary, the full digital model presented alongside this paper, unavailable elsewhere to the general public, serves as a practical preservation tool that can also be used for raising awareness for this cultural heritage site. Full article
(This article belongs to the Section Building Structures)
Show Figures

Figure 1

Figure 1
<p>Yingxian Wooden Pagoda. Reproduced with permission from Le Liu, 2024 [<a href="#B2-buildings-14-02464" class="html-bibr">2</a>].</p>
Full article ">Figure 2
<p>Occupiable and structural levels: (<b>a</b>) elevation of the pagoda; (<b>b</b>) section of the pagoda; (<b>c</b>) zoom in of the section [<a href="#B1-buildings-14-02464" class="html-bibr">1</a>].</p>
Full article ">Figure 3
<p>First floor structural diagram.</p>
Full article ">Figure 4
<p>First floor earth walls.</p>
Full article ">Figure 5
<p>Second floor structural level.</p>
Full article ">Figure 6
<p>Second floor occupiable level.</p>
Full article ">Figure 7
<p>Roof structure.</p>
Full article ">Figure 8
<p>Connections between different floors for exterior layer of columns.</p>
Full article ">Figure 9
<p>Yingxian Wooden Pagoda’s second floor and third floor.</p>
Full article ">Figure 10
<p>Lifting method.</p>
Full article ">Figure 11
<p>Structural bracing on the second floor.</p>
Full article ">Figure 12
<p>Existing bracing members on the second floor.</p>
Full article ">Figure 13
<p>Reference drawings in the 3D environment [<a href="#B1-buildings-14-02464" class="html-bibr">1</a>].</p>
Full article ">Figure 14
<p>Variations of the form.</p>
Full article ">Figure 15
<p>Dougong as connector.</p>
Full article ">Figure 16
<p>Nine types of dougong on the first floor: (<b>a</b>) each type of dougong; (<b>b</b>) their relative locations.</p>
Full article ">Figure 17
<p>Components of dougongs: (<b>a</b>) exploded diagram of dougong; (<b>b</b>) dou, gong, and ang.</p>
Full article ">Figure 18
<p>Variations of dous and gongs.</p>
Full article ">Figure 19
<p>Dougong generation: script logic flow diagram.</p>
Full article ">Figure 20
<p>Gongs with 5 dous: (<b>a</b>) second floor exterior center dougongs; (<b>b</b>) third floor interior center dougong in 4 out 8 facades. directions.</p>
Full article ">Figure 21
<p>First floor corner dougong: (<b>a</b>) front perspective view; (<b>b</b>) bottom perspective view.</p>
Full article ">Figure 22
<p>Digital model of the Yingxian Wooden Pagoda.</p>
Full article ">Figure 23
<p>The rendering of the Yingxian Wooden Pagoda.</p>
Full article ">Figure 24
<p>Construction process simulation.</p>
Full article ">Figure 25
<p>Overall dimensions within different levels.</p>
Full article ">Figure 26
<p>Illustrated instructions for leaning columns from the Song Dynasty architectural treatise <span class="html-italic">Yingzao Fashi</span> [<a href="#B15-buildings-14-02464" class="html-bibr">15</a>].</p>
Full article ">Figure 27
<p>Two-directional leaning method: (<b>a</b>) perspective view of the structural level, (<b>b</b>) plan view of the structural level, and (<b>c</b>) elevation of the exterior layer of structure.</p>
Full article ">Figure 28
<p>Original data of leaning amounts within different levels.</p>
Full article ">Figure 29
<p>Reasons behind the two-directional leaning column system: (<b>a</b>) elevation of the exterior layer of structure, (<b>b</b>) alignment of the columns when two-directional leaning column system is applied, and (<b>c</b>) alignment of the columns when one-directional leaning column system is applied.</p>
Full article ">Figure 30
<p>Optimized data of leaning amounts within different levels.</p>
Full article ">
20 pages, 7991 KiB  
Article
Study on the Religious and Philosophical Thoughts of Xizi Pagodas in Hunan Province of China
by Yiwen He, Lai He, Qixuan Zhou and Xubin Xie
Religions 2024, 15(7), 866; https://doi.org/10.3390/rel15070866 - 18 Jul 2024
Viewed by 1951
Abstract
The Xizi Pagoda (惜字塔) is a form of traditional religious building used for burning “Paper with Characters (字纸)”, worshiping the gods, praying for blessings, revitalzing culture, and it is also an important material embodiment in the process of the development and evolution of [...] Read more.
The Xizi Pagoda (惜字塔) is a form of traditional religious building used for burning “Paper with Characters (字纸)”, worshiping the gods, praying for blessings, revitalzing culture, and it is also an important material embodiment in the process of the development and evolution of religion in China, carrying China’s unique “Scholarly Culture (书香文化)”. This paper is the first study of the philosophy of religion of Xizi Pagodas (a vernacular stone religious architectural landscape). The research of the representative Xizi Pagodas in different parts of Hunan province were carried out to analyze the origin of Xizi Pagodas, cultural rituals, modeling paradigms, decorative art, and to explore the traditional Chinese religious and philosophical thoughts embedded in Xizi Pagodas through relevant literatures. The results show that Xizi Pagodas contain the religious concepts of “Confucianism, Buddhism and Taoism (儒释道)”: the emergence of Xizi Pagodas is connected to the development of Confucianism; Xizi Pagodas incorporate Buddhistic thoughts and inherit architectural features of Buddhist Pagodas; and the “Xizi (惜字)” ritual and images of deities on Xizi Pagodas are associated with Taoism. At present, the number of Xizi Pagodas is decreasing, and the remaining ones are in a serious state of dilapidation and disrepair, and the “Xizi” Culture is gradually being forgotten and fading away. This paper enriches the relevant research on the Xizi Pagodas and the “Xizi” Culture. Full article
(This article belongs to the Special Issue The Interplay between Religion and Culture)
Show Figures

Figure 1

Figure 1
<p>(<b>a</b>) Image of “Fish Leaping the Dragon Gate (鱼跃龙门)” on Xizi Pagoda in Chenxi Village, Guiyang County, Chenzhou City, Hunan Province; (<b>b</b>) image of “Fish Leaping the Dragon Gate” on Xizi Pagoda in Hebian Village, Linwu County, Chenzhou City, Hunan Province; (<b>c</b>) image of “Fish Leaping the Dragon Gate” on Xizi Pagoda in Shijia Village, Linwu County, Chenzhou City, Hunan Province.</p>
Full article ">Figure 2
<p>(<b>a</b>) Image of couplets on Xizi Pagoda in Shuangjiang Village, Guiyang County, Chenzhou City, Hunan Province; (<b>b</b>) image of characters on Xizi Pagoda in Xinhua Village, Changsha County, Changsha City, Hunan Province; (<b>c</b>) image of couplets on Xizi Pagoda in Maofu Village, Guiyang County, Chenzhou City, Hunan Province.</p>
Full article ">Figure 3
<p>The number of common layers and sides of Xizi Pagodas in Hunan.</p>
Full article ">Figure 4
<p>The form of Xizi Pagodas’ Sumeru Pedestal.</p>
Full article ">Figure 5
<p>The form of Xizi Pagodas’ Vertical Shafts.</p>
Full article ">Figure 6
<p>The holes in the body of Xizi Pagoda.</p>
Full article ">Figure 7
<p>(<b>a</b>) Kuixing (魁星); (<b>b</b>) Tianguan (天官); (<b>c</b>) Fu Lu Shou (福禄寿); (<b>d</b>) Palm leaf fan (芭蕉扇).</p>
Full article ">Figure 8
<p>Scenes from the worship ritual at Xizi Pagoda in Zhiji Village.</p>
Full article ">
26 pages, 24920 KiB  
Article
Modernization and Inheritance of Folk Beliefs in the Digital Age: A Case Study in the Southeastern Coastal Areas of China
by Guoliang Liu, Xinyi Huang and Yinghan Li
Religions 2024, 15(7), 847; https://doi.org/10.3390/rel15070847 - 15 Jul 2024
Viewed by 1876
Abstract
With the processes of urbanization and population migration in China, local traditional folk beliefs are facing a crisis of inheritance, including the loss of believers and the decline of religious buildings. However, in the southeastern coastal areas of China, with the development of [...] Read more.
With the processes of urbanization and population migration in China, local traditional folk beliefs are facing a crisis of inheritance, including the loss of believers and the decline of religious buildings. However, in the southeastern coastal areas of China, with the development of society and the advancement of science and technology, folk beliefs have shown a trend of modernization, gained widespread attention from young people, and shown a good trend of inheritance. This study focuses on the modernization of folk beliefs in the southeastern coastal areas of China, exploring how folk beliefs are adapted to contemporary life and the key role of information technology in the protection of religious buildings. The study found that the modernization of folk beliefs in China’s southeastern coastal areas is mainly reflected in the portrayal of gods in cartoonish images, the popularity of music, and the modernization of communication methods. By analyzing the modernization process of folk beliefs in the southeastern coastal areas of China, this study reveals the adaptation and development of folk beliefs in modern society. Based on the reality of contemporary Chinese society, this study also explores the future modernization trend of folk beliefs and discusses the possibilities and potential risks of the application of digital technology in folk belief inheritance. Full article
(This article belongs to the Special Issue Contemporary Religion, Media and Popular Culture)
Show Figures

Figure 1

Figure 1
<p>Population migration trends of China.</p>
Full article ">Figure 2
<p>The Fire Temple was demolished due to land shortage.</p>
Full article ">Figure 3
<p>The scene of the Pageant on Immortals (Fujian).</p>
Full article ">Figure 4
<p>Pagoda Bone (Fujian).</p>
Full article ">Figure 5
<p>Electric-Techno Neon Gods (Taiwan).</p>
Full article ">Figure 6
<p>Ritual of Pageant on Immortals (Fujian).</p>
Full article ">Figure 7
<p>The internal structure of Pagoda Bones (Fujian).</p>
Full article ">Figure 8
<p>Male Imperial Entourage and Female Imperial Entourage (Fujian).</p>
Full article ">Figure 9
<p>Black Impermanence and White Impermanence (Fujian).</p>
Full article ">Figure 10
<p>Scout and General (Fujian).</p>
Full article ">Figure 11
<p>Child Pagoda Bone.</p>
Full article ">Figure 12
<p>The Third Crown Prince Nezha enshrined in the temple.</p>
Full article ">Figure 13
<p>The Pagoda Bone in the image of Nezha (Fujian).</p>
Full article ">Figure 14
<p>The evolution from traditional Pagoda Bone to modern Electric-Techno Neon Gods.</p>
Full article ">Figure 15
<p>Fujian’s modernization of Pagoda Bone image.</p>
Full article ">Figure 16
<p>Popularization of Pageant on Immortals music.</p>
Full article ">Figure 17
<p>The Electric-Techno Neon Gods received with the former President of China.</p>
Full article ">Figure 18
<p>The global outreach of Electric-Techno Neon Gods.</p>
Full article ">Figure 19
<p>Pageant on Immortals’ multi-camera drones used for live broadcast (Fujian, 2024).</p>
Full article ">Figure 20
<p>Viewing of Pageant on Immortals on Chinese TikTok in the past five years. Data from Beijing Giant Engine Network Technology Co. Ltd.</p>
Full article ">Figure 21
<p>Urban construction occupies more space than traditional street space.</p>
Full article ">Figure 22
<p>Metaverse online temple fair held in China.</p>
Full article ">
58 pages, 27651 KiB  
Article
Round Heaven and Square Earth, the Unity of the Pagoda and Statues—A Study on the Geometric Proportions of the Architectural Space, Statues, and Murals in Ying Xian Fogong Si Shijia Ta 應縣佛宮寺釋迦塔 (Sakyamuni Pagoda of Fogong Temple in Ying County)
by Nan Wang, Zhuonan Wang and Hongyu Zheng
Religions 2024, 15(7), 802; https://doi.org/10.3390/rel15070802 - 30 Jun 2024
Viewed by 2075
Abstract
In Ying Xian Fogong Si Shijia Ta 應縣佛宮寺釋迦塔 (Sakyamuni Pagoda of Fogong Temple in Ying County), Shanxi, there are statues set on each floor, and 26 exist in total, with six murals painted on the first floor. The pagoda was designed as a [...] Read more.
In Ying Xian Fogong Si Shijia Ta 應縣佛宮寺釋迦塔 (Sakyamuni Pagoda of Fogong Temple in Ying County), Shanxi, there are statues set on each floor, and 26 exist in total, with six murals painted on the first floor. The pagoda was designed as a vertically rising Buddhist temple, and the interior space of each floor was customized for the statues. Based on previous research and through surveying and mapping of the architecture and statuary (including the murals on the first floor) combined with geometric design analysis, this paper proposes the following: First, there exists a clear geometric proportion among the interior space and statues on each floor of the pagoda. Second, clear proportional relationships also exist among the statues on each floor, and each of the 26 statues has ‘classical’ proportion rules. Third, the height of the giant Buddha statue on the first floor is the module for not only the height of the statues on each floor but also the construction of the whole pagoda such that the height of the statue on the first floor is 1/6 of the total height of the pagoda (excluding the base). And the ratio of the pagoda’s total height to the first floor’s diameter, the ratio of the total height to the top-story height under the column capital, and all the other geometric proportions are closely related to the architectural modeling. And finally, in the construction of the pagoda, statues, and murals, the scale is deduced to be 1 chi 尺 (Chinese foot) = 29.5 cm. These values give clear scale logics not only to the construction but also to the details of the statues. Accordingly, the most frequently used proportions in the architectural space, statues, and murals of the Pagoda of Fogong Temple are 2, 3:2, 5:3 (or 8:5), and 9:5, which are imbued with cultural messages, like Zhou Bi Suan Jing 周髀算經 (The Mathematical classic of the Zhou shadow-gauging instrument), Ying Zao Fa Shi 營造法式 (Treatise on Architectural Methods or State Building Standards), the ancient Chinese world view—tian yuan di fang 天圜地方 (the dome-shaped heaven and the flat, square earth) reflected from “ yuan fang tu 圓方圖 (rounded-square map)” and “fang yuan tu 方圓圖 (squared-circle map)”, ancient Chinese ideas that ”san tian liang di er yi shu 參天兩地而倚數 (‘three’ is the number of the heaven and ‘two’ is the number of the earth, and all numbers are based on them)” and “jiu wu zhi zun 九五之尊 (nine and five are the numbers of the honorable central position)”, and most probably related to the “mandala” of Esoteric Buddhism and to the Western “Golden Ratio”, which all need further research in depth. Full article
(This article belongs to the Special Issue Space for Worship in East Asia)
Show Figures

Figure 1

Figure 1
<p>Section of the Pagoda of Fogong Temple. Source: China Academy of Cultural Heritage. (The Chinese character in the fiture says: Sakya Timber Pagoda of Fogong Temple in Ying County, Shanxi, mapped in September 1934 and drawn in June 1935 by the Society for Research in Chinese Architecture. The authors have obtained the copyright of the figure).</p>
Full article ">Figure 2
<p>Surveying draft of the fifth floor and support platform of the Pagoda of Fogong Temple. Source: Memorial Collection of the Society for Research in Chinese Architecture, School of Architecture, Tsinghua University. The authors have obtained the copyright of the figure.</p>
Full article ">Figure 3
<p>Composition analysis of Chen Mingda’s sectional drawing of the Pagoda of Fogong Temple. Source: (<a href="#B1-religions-15-00802" class="html-bibr">Chen 2001</a>). The Chinese character 米 means meter, The authors have obtained the copyright of the figure.</p>
Full article ">Figure 4
<p>Analysis of Fu Xinian’s line of sight of the Pagoda of Fogong Temple. Source: (<a href="#B12-religions-15-00802" class="html-bibr">Fu 1998</a>). The Chinese character 二層,三層,四層,五層 means the second third fourth and fifth floor. The authors have obtained the copyright of the figure.</p>
Full article ">Figure 5
<p>Design concept analysis diagram of the Great East Hall of Foguang Monastery. Source of the base map: According to the actual map (statue) of the Survey and Research Report of the Great East Hall of Foguang Monastery (2011) by the School of Architecture of Tianjin University. Diagramed by Wang Nan.</p>
Full article ">Figure 6
<p>Section of the Pagoda of Fogong Temple. Diagramed by Wang Zhuonan.</p>
Full article ">Figure 7
<p>Three-dimensional model of the statues on each floor of the pagoda. Diagramed by Wang Zhuonan.</p>
Full article ">Figure 8
<p>Giant Buddha on the first floor of the pagoda. Source: Photo by Wang Nan.</p>
Full article ">Figure 9
<p>Proportional analysis of the interior space, the statues, and the murals on the first floor.Diagramed by the author.</p>
Full article ">Figure 10
<p>Proportional analysis of the giant Buddha and six Buddhas in the mural on the first floor. Diagramed by the author.</p>
Full article ">Figure 11
<p>Geometric proportional analysis of the giant Buddha on the first floor. Diagramed by the author.</p>
Full article ">Figure 12
<p>Geometric proportional analysis of the six Buddhas in the murals on the first floor Diagramed by the author.</p>
Full article ">Figure 13
<p>Statue complex on the second floor. Source: Photo by Wang Nan.</p>
Full article ">Figure 14
<p>Proportional analysis of interior space and statues on the second floor. Diagramed by the author.</p>
Full article ">Figure 15
<p>Proportional analysis of the statue complex on the second floor. Diagramed by the author.</p>
Full article ">Figure 16
<p>Geometric proportional analysis of the Buddha statues on the second floor (1). Diagramed by the author.</p>
Full article ">Figure 17
<p>Geometric proportional analysis of the Buddha statues on the second floor (2). Diagramed by the author.</p>
Full article ">Figure 18
<p>Geometric proportional analysis of the Manjusri Bodhisattva on the second floor (1). Diagramed by the author.</p>
Full article ">Figure 19
<p>Geometric proportional analysis of the Manjusri Bodhisattva on the second floor (2). Diagramed by the author.</p>
Full article ">Figure 20
<p>Geometric proportional analysis of the Samantabhadra Bodhisattva on the second floor (1). Diagramed by the author.</p>
Full article ">Figure 21
<p>Geometric proportional analysis of the Samantabhadra Bodhisattva on the second floor (2). Diagramed by the author.</p>
Full article ">Figure 22
<p>Geometric proportional analysis of the Attendant Bodhisattva in the northwest on the second floor. Diagramed by the author.</p>
Full article ">Figure 23
<p>Geometric proportional analysis of the Attendant Bodhisattva in the northeast on the second floor. Diagramed by the author.</p>
Full article ">Figure 24
<p>The Four Guardian Warriors on the third floor. Source: Photo by Wang Nan.</p>
Full article ">Figure 25
<p>Proportional analysis of the interior space and statues on the third floor. Diagramed by the author.</p>
Full article ">Figure 26
<p>Geometric proportional analysis of the Buddha statues on the third floor (1). Diagramed by the author.</p>
Full article ">Figure 27
<p>Geometric proportional analysis of the Buddha statues on the third floor (2). Diagramed by the author.</p>
Full article ">Figure 28
<p>Statues on the fourth floor. Source: Photo by Wang Nan.</p>
Full article ">Figure 29
<p>Proportional analysis of the interior space and the statues on the fourth floor. Diagramed by the author.</p>
Full article ">Figure 30
<p>Proportional analysis of the statue complex on the fourth floor. Diagramed by the author.</p>
Full article ">Figure 31
<p>Proportional analysis of the statues on the fourth floor. Diagramed by the author.</p>
Full article ">Figure 32
<p>The statue complex on the fifth floor presented as the pattern of “nine mandala”. Source: Photo by Wang Nan.</p>
Full article ">Figure 33
<p>Proportional analysis of the interior space and the statues on the fifth floor. Diagramed by the author.</p>
Full article ">Figure 34
<p>Geometric proportional analysis of the Buddha statues on the fifth floor (1). Diagramed by the author.</p>
Full article ">Figure 35
<p>Geometric proportional analysis of the Buddha statues on the fifth floor (2). Diagramed by the author.</p>
Full article ">Figure 36
<p>Geometric proportional analysis of the Bodhisattvas on the fifth floor (1). Diagramed by the author.</p>
Full article ">Figure 37
<p>Geometric proportional analysis of the Bodhisattvas on the fifth floor (2). Diagramed by the author.</p>
Full article ">Figure 38
<p>Analysis of the proportional relationship between Buddha statues on different floors of the pagoda. Diagramed by the author.</p>
Full article ">Figure 39
<p>The total height of the pagoda (without the base) is six times the height of the giant Buddha on the first floor (H). Among them, the height of the first floor, the height of the second floor, the sum of the height of the third, the fourth, and the fifth floors, and the height of the pagoda-top finial are 5A, 3A, 9A, 4A; H = 3.5A; A = 2.952 m. Diagramed by the author.</p>
Full article ">Figure 40
<p>Proportional analysis of the facade.Diagramed by the author.</p>
Full article ">Figure 41
<p>“Yuan Fang Fang Yuan Tu 圜方方圜圖 (Rounded-Square and Squared-Circle Map)” in <span class="html-italic">Ying Zao Fa Shi</span> 營造法式 (<span class="html-italic">Treatise on Architectural Methods or State Building Standards</span>). Source: (<a href="#B17-religions-15-00802" class="html-bibr">Li 2006</a>). 總例圖樣 (diagrams), 圓方圖 (Rounded-Square map), 方圓圖 (Squared-Circle Map).</p>
Full article ">Figure 42
<p>“Yuan fang tu 圓方圖 (rounded-square map)” and “fang yuan tu 方圓圖 (squared-circle map)” in Zhou Bi Suan Jing 周髀算經 (The Mathematical classic of the Zhou shadow-gauging instrument). Source: (<a href="#B30-religions-15-00802" class="html-bibr"><span class="html-italic">Suan Jing Liu Zhong in Song Dynasty</span> 1981</a>).</p>
Full article ">Figure 43
<p>“Xian Tu” of Zhou Bi Suan Jing 周髀算經 (The mathematical classic of the Zhou shadow-gauging instrument) by Zhao Shuang. Source: (<a href="#B6-religions-15-00802" class="html-bibr">Cheng and Wen 2012</a>).The Chinese character in the figure is used to prove the Pythagorean theorem.</p>
Full article ">Figure 44
<p>Illustration of the Foshuo Zaoxiang Liangdu Jing 佛說造像量度經 (Buddhist Statue Measurement Sutra). Source: (<a href="#B13-religions-15-00802" class="html-bibr">Gongbu 2016</a>). The Chinese character in the figure use zhi 指 (finger) to measure the Buddha. 二指 means two fingers, 四指 means four fingers, 六指 means six fingers, 七指 means seven fingers, 八指 means eight fingers, 十二指 means twelve fingers, the sentence blow 釋迦佛裸體之相也,凡佛像坏質以此為模式 means this is a standard figure of Buddha, all the Buddha Statue should take this as example.</p>
Full article ">Figure 45
<p>Geometric proportional analysis of the Buddha statues in the East Main Hall of Foguang Temple on Wutai Mountain. Source: (<a href="#B38-religions-15-00802" class="html-bibr">N. Wang 2017, pp. 29–36</a>).</p>
Full article ">Figure 46
<p>Geometric proportional analysis of the Buddha statues in the Daxiong Hall of Fengguo Temple at Yixian. Diagramed by Wang Nan.</p>
Full article ">Figure 47
<p>Geometric proportional analysis of the statue complex in Cave 18 of Yungang Grottoes in Datong. Source: (<a href="#B28-religions-15-00802" class="html-bibr">Seiichi et al. 2016, vol. 12</a>).</p>
Full article ">Figure 48
<p>The Bagua Tu 八卦圖 (Eight Diagrams) stone carvings embedded in the front of the base of the pagoda (the three characters of “Confucianism, Buddhism, and Taoism” above the Eight Diagram). Source: Memorial Collection of the Society for Research in Chinese Architecture, School of Architecture, Tsinghua University.</p>
Full article ">Figure 49
<p>Bagua Tu 八卦圖 drawn in the center of the Douba 鬥八 (octagonal) Caisson Ceiling on the fifth floor. Source: Photo by Wang Nan.</p>
Full article ">Figure 50
<p>Zhou Dunyi’s “tai ji tu 太極圖 (Taiji Diagram)” in the center of the Douba Caisson Ceiling on the first floor (can be compared with <a href="#religions-15-00802-f051" class="html-fig">Figure 51</a>). Source: Photo by Wang Nan.</p>
Full article ">Figure 51
<p>“Taiji Tu 太極圖 (Taiji Diagram) and “shui huo kuang huo tu 水火匡廓圖” Source: (<a href="#B10-religions-15-00802" class="html-bibr">Feng 2010, p. 487</a>). The Chinese characters in the figure show how wu xing 五行 and Yinyang 阴阳 works.</p>
Full article ">
20 pages, 24494 KiB  
Article
Formation of a Sacred Urban Landscape: Study on the Spatial Distribution of Pagodas in Mrauk-U, Myanmar
by Yan Zhou, Hong Jiang, Tianyang Lu and Xinjie Shen
Religions 2024, 15(6), 719; https://doi.org/10.3390/rel15060719 - 10 Jun 2024
Viewed by 1251
Abstract
Studying the correlation between religions and cities is conducive to understanding the role of worship in shaping human settlements. Mrauk-U, the capital of the Arakan Kingdom in Southeast Asia during the 15th–18th centuries, was once a regional Buddhist center, and the pagodas distributed [...] Read more.
Studying the correlation between religions and cities is conducive to understanding the role of worship in shaping human settlements. Mrauk-U, the capital of the Arakan Kingdom in Southeast Asia during the 15th–18th centuries, was once a regional Buddhist center, and the pagodas distributed throughout this city demonstrate the visible influence of Buddhism. The purpose of this study is to gain a more comprehensive understanding of the significance of Buddhism in Mrauk-U by exploring the correlation between the pagodas and the urban space. Based on first-hand spatial data, historical maps, and archaeological studies, the spatial distribution characteristics of the pagodas in Mrauk-U were analyzed using the methods of spatial and literature analysis. Their relationships with the urban structure, mountains, water systems, and open space were visualized and examined using the GIS platform; then, the hidden historical mechanisms were investigated. This study concludes that Mrauk-U’s pagodas, as urban images, have shaped its sacred urban landscape system, revealing that Buddhism played an important role in shaping Mrauk-U’s physical space and social and cultural characteristics. Full article
(This article belongs to the Special Issue Space for Worship in East Asia)
Show Figures

Figure 1

Figure 1
<p>Location of Mrauk-U. Source: the author.</p>
Full article ">Figure 2
<p>View of Mrauk-U in the XVII century: the first plan for the Portuguese settlement. Source: (Wouter <a href="#B40-religions-15-00719" class="html-bibr">Schouten 1676</a>, Oost-Indische Voyagie, p. 148), Wikipedia, <a href="https://commons.wikimedia.org/wiki/File:Vista_de_Mrauk-U,_ou_Arrakan_(cidade_de_Arrac%C3%A3o)_no_primeiro_plano_o_bairro_portugu%C3%AAs.jpg" target="_blank">https://commons.wikimedia.org/wiki/File:Vista_de_Mrauk-U,_ou_Arrakan_(cidade_de_Arrac%C3%A3o)_no_primeiro_plano_o_bairro_portugu%C3%AAs.jpg</a>, accessed on 11 November 2023.</p>
Full article ">Figure 3
<p>Photographs of Mrauk-U. Source: the author. (<b>a</b>) urban landscape in Mrauk-U; (<b>b</b>) photographs of pagodas in Mrauk-U.</p>
Full article ">Figure 4
<p>Pagodas in Mrauk-U. Source: the author.</p>
Full article ">Figure 5
<p>Result of ANN analysis. Source: the author.</p>
Full article ">Figure 6
<p>General distribution. Source: the author.</p>
Full article ">Figure 7
<p>Distribution of pagoda temples: (<b>a</b>) kernel density of temples. Source: the author; (<b>b</b>) photograph of the religious complex to the north of the palace. Source: Arezarni (2017), Wikipedia, <a href="https://commons.wikimedia.org/wiki/File:Mrauk_U_Landscape.jpg" target="_blank">https://commons.wikimedia.org/wiki/File:Mrauk_U_Landscape.jpg</a>, accessed on 11 November 2023; (<b>c</b>) aerial view of the religious complex north of the palace. Source: the author.</p>
Full article ">Figure 8
<p>Relationship between pagodas and mountains. Source: the author. (<b>a</b>) Kernel density of the pagodas on the hills; (<b>b</b>) the pagodas distributed on the west side of the city.</p>
Full article ">Figure 9
<p>Relationship between pagodas and the historical water system. Source: the author. (<b>a</b>) Map of the distribution of pagodas by the water; (<b>b</b>) typical waterfront landscapes.</p>
Full article ">Figure 10
<p>Overall integration of Mrauk-U’s street space in the 17th century. Source: the author.</p>
Full article ">Figure 11
<p>The pagodas along the “Spiritual Road” and their spatial relationship. Source: The author.</p>
Full article ">Figure 12
<p>Relationship between pagodas and paths. Source: the author. (<b>a</b>) The pagodas as contrast settings; (<b>b</b>) the pagodas as a visual focus; (<b>c</b>) the pagodas at turning points; (<b>d</b>) the pagodas at termination points.</p>
Full article ">Figure 13
<p>Diagram of the sacred urban landscape at the nearby-view level. Source: the author. (<b>a</b>) Landmarks along paths or waterways; (<b>b</b>) waterfront landscape interface.</p>
Full article ">Figure 14
<p>Diagram of the sacred urban landscape at the mid-distance-view level. Source: the author. (<b>a</b>) Contrast setting system; (<b>b</b>) the centripetal urban structure centered on the palace.</p>
Full article ">Figure 15
<p>Diagram of the sacred urban landscape at the distant-view level. Source: the author. (<b>a</b>) The west landscape viewed outside the city; (<b>b</b>) the landscape viewed from the palace; (<b>c</b>) the landscape viewed from the west entrance to the city.</p>
Full article ">
16 pages, 639 KiB  
Article
Can Non-farm Employment Improve Dietary Diversity of Left-Behind Family Members in Rural China?
by Yonghu Zhang, Yifeng Zhang and Tingjin Wang
Foods 2024, 13(12), 1818; https://doi.org/10.3390/foods13121818 - 10 Jun 2024
Viewed by 1464
Abstract
Rural residents in China are still at risk of malnutrition, and increasing dietary diversity is crucial to improving their health. This study empirically analyzed the impact of non-farm employment on the dietary diversity of rural left-behind family members based on the China Land [...] Read more.
Rural residents in China are still at risk of malnutrition, and increasing dietary diversity is crucial to improving their health. This study empirically analyzed the impact of non-farm employment on the dietary diversity of rural left-behind family members based on the China Land Economy Survey (CLES) 2020–2021 panel data at the farm and village levels. Dietary diversity was measured using the dietary diversity score (DDS) and the Chinese Food Guide Pagoda Score (CFGPS). The empirical results show that non-farm employment significantly enhances the dietary diversity of rural left-behind household members, including animal food diversity and plant food diversity. This result verifies the altruism phenomenon of non-farm employment in family diet. Mechanism analysis shows that non-farm employment enhances the dietary diversity of rural left-behind family members by increasing the level of family income, Internet accessibility, and family education. Heterogeneity analysis shows that non-farm employment does not enhance the dietary diversity of rural empty nesters and even has a negative impact. This reminds us that the nutritional health of rural empty nesters needs attention in the context of rapid urbanization and aging. Full article
(This article belongs to the Section Food Systems)
Show Figures

Figure 1

Figure 1
<p>Study area.</p>
Full article ">
14 pages, 18765 KiB  
Article
In Situ Testing and FEM Analysis of Dynamic Characteristics of a Masonry Pagoda under Natural Excitation
by Jiaxing Hu, Ji Zhou, Shilong Wang, Ming Sun, Hui Chen and Xiaowu Li
Buildings 2024, 14(6), 1700; https://doi.org/10.3390/buildings14061700 - 7 Jun 2024
Cited by 1 | Viewed by 738
Abstract
Ancient masonry pagodas hold significant scientific, historical, and cultural importance. However, due to the complexity of masonry materials, structures, and boundary conditions, establishing finite element static and dynamic models for ancient masonry pagodas is highly challenging. This study aimed to explore the dynamic [...] Read more.
Ancient masonry pagodas hold significant scientific, historical, and cultural importance. However, due to the complexity of masonry materials, structures, and boundary conditions, establishing finite element static and dynamic models for ancient masonry pagodas is highly challenging. This study aimed to explore the dynamic characteristics and finite element numerical simulation methods of ancient masonry pagodas in Yongzhou, Hunan province. It focused on the Huilong Pagoda in Yongzhou, where in situ test experiments under natural excitation are conducted. The SSI and NExT-ERA methods were employed to determine the ancient pagoda’s natural frequencies, vibration patterns, and damping ratios, and to validate the NExT-ERA method. The macroscopic numerical model of the Huilong Pagoda was calibrated using measured results. Subsequently, the NExT-ERA identification results were compared and analyzed with the numerical simulation results of the dynamic characteristics. The results indicate that the first three orders of natural frequencies for the ancient pagoda in the east–west direction are 1.937 Hz, 6.802 Hz, and 21.361 Hz, respectively. Similarly, the first three orders of natural frequencies in the north–south direction are 1.935 Hz, 7.439 Hz, and 21.398 Hz. The results obtained from both methods revealed that the overall structural damping ratio ranges from 0.21% to 2.89%. The numerical model was analyzed using ANSYS, and the first three orders of natural frequencies obtained were highly consistent with the measured values, exhibiting a maximum relative error of 8.54%. The numerical simulation method developed in this study can effectively simulate masonry pagodas. Full article
(This article belongs to the Section Building Structures)
Show Figures

Figure 1

Figure 1
<p>Overview of Huilong Pagoda structure.</p>
Full article ">Figure 2
<p>Sensor layout details.</p>
Full article ">Figure 3
<p>Acceleration response time history of various floors under natural excitation.</p>
Full article ">Figure 4
<p>Anisotropic peak and RMS time history under natural excitation.</p>
Full article ">Figure 5
<p>Self-power spectral density function.</p>
Full article ">Figure 6
<p>Stability and PSD diagrams.</p>
Full article ">Figure 7
<p>The first three vibration modes in the X-direction.</p>
Full article ">Figure 8
<p>The first three vibration modes in the Y-direction.</p>
Full article ">Figure 9
<p>Cross-correlation function between different floors.</p>
Full article ">Figure 10
<p>The first three orders’ vibration modes in the X-direction.</p>
Full article ">Figure 11
<p>The first three orders’ vibration modes in the Y-direction.</p>
Full article ">Figure 12
<p>The finite element modal.</p>
Full article ">Figure 13
<p>The first three orders’ vibration modes in the X-direction (EW movement).</p>
Full article ">Figure 14
<p>The first three orders’ vibration modes in the Y-direction (NS movement).</p>
Full article ">
20 pages, 3139 KiB  
Article
From Stupa to Pagoda: Re-Examining the Sinification and Transformation of Buddhist Monuments from Indian Origins
by Young-Jae Kim
Religions 2024, 15(6), 640; https://doi.org/10.3390/rel15060640 - 23 May 2024
Viewed by 2524
Abstract
This study conducts a comparative analysis of Buddhist sacred structures throughout Asia, focusing on the historical development, regional disparities, and the cultural sinification process of stūpas, caityas, and pagodas. Specifically, it delves into the origins, definitions, and terminologies of early Buddhist monuments, such [...] Read more.
This study conducts a comparative analysis of Buddhist sacred structures throughout Asia, focusing on the historical development, regional disparities, and the cultural sinification process of stūpas, caityas, and pagodas. Specifically, it delves into the origins, definitions, and terminologies of early Buddhist monuments, such as stūpas/mahācetiyas and caityas/cetiyas, emphasizing their Indian origins. The research further explores the adaptation and reinterpretation of these original Indian concepts as they spread to East Asia, morphing into new forms, such as pagodas and Buddha halls. It examines the subtle shifts in terminology and the altered meanings and functions of these monuments, from their Indian origins to their sinified representations in East Asia. The transformation of Indian Buddhist monuments through local culture and technology into East Asian architectural forms is investigated, offering a detailed perspective on the dynamic transformation of sacred spaces in Buddhism. This illustrates the religion’s adaptability and integration with the local cultures of ancient East Asia. By analyzing the terminologies and symbolic meanings associated with the architectural transition from stūpa to pagoda, the study argues that sinicized ritual spaces in East Asia have adopted architectural types from pre-Buddhist traditions to represent Indian spaces, thereby highlighting the nuanced changes and the continuous adaptation of sacred Buddhist architecture. Full article
Show Figures

Figure 1

Figure 1
<p><span class="html-italic">Kuṭī</span> (<a href="#B55-religions-15-00640" class="html-bibr">Meister 2007, p. 8</a>; <a href="#B39-religions-15-00640" class="html-bibr">Kim 2011</a>) (<b>Left</b>), <span class="html-italic">Panna-sala</span> (<a href="#B11-religions-15-00640" class="html-bibr">Coomaraswamy and Meister 1988, p. 100</a>; <a href="#B39-religions-15-00640" class="html-bibr">Kim 2011</a>) (<b>Middle</b>), and <span class="html-italic">Vihāra</span> (<a href="#B55-religions-15-00640" class="html-bibr">Meister 2007, p. 9</a>; <a href="#B39-religions-15-00640" class="html-bibr">Kim 2011</a>) (<b>Right</b>). The author has obtained permission from the copyright holder.</p>
Full article ">Figure 2
<p><span class="html-italic">Devasabhā</span>, Bharhut (line drawing by the author) (<b>Left</b>), and three-storied <span class="html-italic">prāsāda</span> (Indra’s palace in heaven), Bharhut (line drawing by the author) (<b>Right</b>).</p>
Full article ">Figure 3
<p>Prāsāda a <span class="html-italic">Tree shrine</span>, Kanaganahalli (<a href="#B55-religions-15-00640" class="html-bibr">Meister 2007, p. 4</a>; <a href="#B39-religions-15-00640" class="html-bibr">Kim 2011</a>) (<b>Left</b>), and three-storied <span class="html-italic">prāsāda</span> (<span class="html-italic">pāsāda</span>) (Indra’s palace in heaven), Kanaganahalli (<a href="#B55-religions-15-00640" class="html-bibr">Meister 2007, p. 10</a>; <a href="#B39-religions-15-00640" class="html-bibr">Kim 2011</a>) (<b>Right</b>). The author has obtained permission from the copyright holder.</p>
Full article ">Figure 4
<p>Kizil Cave 38 from the late 4th Century (line drawing by the author) (<b>Left</b>), the Buddha statue of Yunkang Cave 20 (the middle 5th Century) (photo by the author) (<b>Middle</b>), the Line Drawing of the Sectional elevation and Ground plan at Dunhuang Cave 257 (the 6th Century) (line drawing by the author) (<b>Right</b>).</p>
Full article ">Figure 5
<p>The pagoda-temple in monasteries, engraved from a portrait brick unearthed from Shifang, Sichuan, the tomb of the late Eastern Han Dynasty, photo from <a href="#B31-religions-15-00640" class="html-bibr">Yun’ao He</a> (<a href="#B31-religions-15-00640" class="html-bibr">1993, plate 3</a>). The author has obtained permission from the copyright holder.</p>
Full article ">
26 pages, 17656 KiB  
Article
Towards an Effective Architectural Form: The Composition of Squareness and Roundness Based on Scale Proportion—Evidence from the Yingxian Wooden Pagoda
by Lu Shi, Xu Chen, Yuqian Xu, Xing Gao, Jialong Lai and Shusheng Wang
Buildings 2024, 14(5), 1472; https://doi.org/10.3390/buildings14051472 - 18 May 2024
Viewed by 1733
Abstract
Investigating the mathematical and geometric principles embedded in ancient classic architecture is a significant tradition in the history of architectural development. Drawing inspiration from the modular design and creative ideology based on the geometric proportions of squareness and roundness in ancient Chinese architecture, [...] Read more.
Investigating the mathematical and geometric principles embedded in ancient classic architecture is a significant tradition in the history of architectural development. Drawing inspiration from the modular design and creative ideology based on the geometric proportions of squareness and roundness in ancient Chinese architecture, we propose a new mode of squareness and roundness composition based on scale proportion specifically for the design of multi-story buildings. Taking Yingxian Wooden Pagoda as the case study, we not only re-evaluate the modular system and proportional rules followed in the design of the entire pagoda, but also reveal the technical approaches and geometric rules for effectively controlling the form of multi-story buildings. In particular, the mode of squareness and roundness composition based on scale proportion, utilizing a modular grid combined with squareness and roundness drawings as decision-making tools, can control the scale and proportion of buildings across different design dimensions and organically coordinate the design of multi-story buildings’ plans and elevations. Thus, it can achieve an effective balance of multi-story architectural forms. This study has potential applications in the creation of traditional multi-story buildings and heritage restoration projects, and offers valuable insights for future research on ancient multi-story buildings. Full article
(This article belongs to the Section Architectural Design, Urban Science, and Real Estate)
Show Figures

Figure 1

Figure 1
<p>(<b>a</b>) “Rounded-square and Squared-circle Diagrams” in the ancient Chinese astronomical and mathematical text “Zhou Bi Suan Jing”; (<b>b</b>) “Rounded-square and Squared-circle Diagrams” in the Northern Song Dynasty architectural official book “Yingzao Fashi”.</p>
Full article ">Figure 2
<p>(<b>a</b>) Realistic view of Yingxian Wooden Pagoda; (<b>b</b>) Schematic diagram of main data related to this paper.</p>
Full article ">Figure 3
<p>Schematic diagram of the main planar data of Yingxian Wooden Pagoda.</p>
Full article ">Figure 4
<p>Schematic diagram of the basic principle and operation steps for squareness and roundness composition controlling the form of multi-story buildings.</p>
Full article ">Figure 5
<p>Modular grid analysis of the bracket set on columns of each exposed story of Yingxian Wooden Pagoda.</p>
Full article ">Figure 6
<p>Modular grid analysis of architectural group layout in the general plane of the temple pagoda.</p>
Full article ">Figure 7
<p>Modular grid analysis of the orthographic projection of Yingxian Wooden Pagoda’s facade.</p>
Full article ">Figure 8
<p>Proportional analysis of the external form of Yingxian Wooden Pagoda.</p>
Full article ">Figure 9
<p>Proportional analysis of the interior space of Yingxian Wooden Pagoda.</p>
Full article ">Figure 10
<p>Squareness and roundness composition analysis of Yingxian Wooden Pagoda—overall appearance form.</p>
Full article ">Figure 11
<p>Squareness and roundness composition analysis of Yingxian Wooden Pagoda—single facade form.</p>
Full article ">
18 pages, 7197 KiB  
Article
Research on the Digital Preservation of Architectural Heritage Based on Virtual Reality Technology
by Haohua Zheng, Leyang Chen, Hui Hu, Yihan Wang and Yangyang Wei
Buildings 2024, 14(5), 1436; https://doi.org/10.3390/buildings14051436 - 16 May 2024
Cited by 5 | Viewed by 3303
Abstract
As a representative of the scientific and technological achievements of the new era, the overall development of virtual reality (VR) technology is becoming increasingly refined, which provides new development ideas and technical support in the field of ancient building restoration and architectural heritage [...] Read more.
As a representative of the scientific and technological achievements of the new era, the overall development of virtual reality (VR) technology is becoming increasingly refined, which provides new development ideas and technical support in the field of ancient building restoration and architectural heritage preservation. In this context, digital conservation and the practice of architectural heritage have become important focuses of application in the industry. This paper starts from the core concept of VR technology, analyzes the value of the application of VR technology in the protection of ancient architecture, puts forward relevant suggestions and technical application methods, and takes Red Pagoda in Fuliang County as an example. In this sense, virtual reality technology is used to restore and protect the buildings, forming a digital heritage of ancient architecture. This study first utilizes a three-dimensional laser scanning instrument to collect point cloud data, and then the plane graph is drawn by measurement. Then, an Architectural Heritage Building Information Model is created, and comprehensive information on historical buildings is integrated. Finally, VR technology is used to show the effect of digital display and preservation. This study transforms architectural cultural heritage into a shareable and renewable digital form through restoration and reproduction, interpreting and utilizing it from a new perspective and providing new ideas and methods for architectural heritage conservation. Full article
Show Figures

Figure 1

Figure 1
<p>Jingdezhen Imperial Kiln Factory Site.</p>
Full article ">Figure 2
<p>The Red Pagoda of Fuliang.</p>
Full article ">Figure 3
<p>Plane graph of the Red Pagoda (cm).</p>
Full article ">Figure 4
<p>Data processing and modeling flow.</p>
Full article ">Figure 5
<p>Automatic parameterization workflow [<a href="#B16-buildings-14-01436" class="html-bibr">16</a>].</p>
Full article ">Figure 6
<p>Composition of the virtual reality system.</p>
Full article ">Figure 7
<p>Schematic diagram of the spatial coordinate principle of the 3D laser scanner.</p>
Full article ">Figure 8
<p>Schematic diagram of the scanning point arrangement.</p>
Full article ">Figure 9
<p>Derived from the Smart Point Cloud [<a href="#B24-buildings-14-01436" class="html-bibr">24</a>].</p>
Full article ">Figure 10
<p>ICP algorithm flowchart.</p>
Full article ">Figure 11
<p>Principle of ICP alignment.</p>
Full article ">Figure 12
<p>Filter processing denoising schematic diagram. (<b>a</b>) Original data. (<b>b</b>) Gaussian filter processing. (<b>c</b>) Mean filter processing. (<b>d</b>) Median filter processing.</p>
Full article ">Figure 13
<p>Effect of local point cloud block segmentation.</p>
Full article ">Figure 14
<p>Local building outline extraction and synthesis.</p>
Full article ">Figure 15
<p>Local effect drawing.</p>
Full article ">Figure 16
<p>The modeling software operation interface (V-ray 6.1).</p>
Full article ">Figure 17
<p>Comparison between the current state of the building and the virtual model.</p>
Full article ">Figure 18
<p>Rendering of the Red Pagoda in VR.</p>
Full article ">
Back to TopTop