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15 pages, 6890 KiB  
Article
Ontology Construction of Digitization Domain for Ancient Architecture
by Yuxuan Wang and Youqiang Dong
Appl. Sci. 2024, 14(17), 7651; https://doi.org/10.3390/app14177651 - 29 Aug 2024
Viewed by 906
Abstract
This article proposes a method for ontology construction in the field of ancient architecture digitization with the aim of addressing the lack of formalization, sharing, and reusable unified description mechanisms currently observed in the field of ancient architecture digitization. This method defines the [...] Read more.
This article proposes a method for ontology construction in the field of ancient architecture digitization with the aim of addressing the lack of formalization, sharing, and reusable unified description mechanisms currently observed in the field of ancient architecture digitization. This method defines the related concepts, attributes, and relationships between concepts in the digitization of ancient architecture. It employs the network ontology language OWL to model the ontology in the digitization domain of ancient architecture and realizes the visualization of the ontology in the digitization domain of ancient architecture, thereby providing effective support for the sharing and reuse of digitization knowledge of ancient architecture. Finally, an example of a wooden tower is taken to verify the effectiveness and reliability of the proposed method. Full article
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<p>Ontology construction method in the digitization domain of ancient architecture.</p>
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<p>Digitization flow and frame diagram of ancient architecture.</p>
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<p>Concept system of ancient architecture digitization ontology (part).</p>
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<p>Digitization ontology structure frame of ancient architecture.</p>
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<p>Overview image of the wooden tower.</p>
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<p>The wooden tower digitization elements.</p>
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<p>The wooden tower formal ontology description fragment.</p>
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<p>The wooden tower digital ontology (Part).</p>
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<p>The wooden tower digitization flow chart.</p>
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<p>The wooden tower digitization results.</p>
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14 pages, 7863 KiB  
Article
Analysis of Decorative Paintings in the Dragon and Tiger Hall of Yuzhen Palace: Culture, Materials, and Technology
by Yuhua Zhu, Guodong Qi, Yingmei Guo and Dongmin Wang
Coatings 2024, 14(8), 1022; https://doi.org/10.3390/coatings14081022 - 12 Aug 2024
Viewed by 941
Abstract
Yuzhen Palace in Wudang Mountain, established in the 10th year of the Yongle reign of the Ming dynasty (1412 AD), is a significant heritage site within the ancient architectural complex of Wudang Mountain, recognized as a UNESCO World Heritage Site. Despite being entirely [...] Read more.
Yuzhen Palace in Wudang Mountain, established in the 10th year of the Yongle reign of the Ming dynasty (1412 AD), is a significant heritage site within the ancient architectural complex of Wudang Mountain, recognized as a UNESCO World Heritage Site. Despite being entirely relocated, the original paintings on the wooden beams of the Dragon and Tiger Hall exhibit clear characteristics of early Ming dynasty style, potentially being the only surviving wooden painted structures from the Ming dynasty in Wudang Mountain. To protect these valuable cultural relics and provide accurate information regarding the construction period of the paintings, this study sampled the paintings from the central and western sections of the front eaves in the Dragon and Tiger Hall. Using optical microscopy, scanning electron microscopy (SEM), Raman spectroscopy, and infrared spectroscopy, the study analyzed the stylistic features, material composition, and craftsmanship of the paintings. The results indicate that the paintings are typical official Xuanzi paintings from the early Ming dynasty, consistent with the style of the Golden Roof in Taihe Palace, Wudang Mountain. The pigments used are all natural minerals: azurite (2CuCO3·Cu(OH)2) for blue, malachite (CuCO3·Cu(OH)2) for green, and vermilion (HgS) and hematite (Fe2O3) for red, reflecting typical early Ming dynasty characteristics. The craftsmanship shows that the paintings were applied directly onto the wooden components without a ground layer, using ink lines to outline the images, and a thin ground layer made of tung oil mixed with lime was applied under the oil coating. This study provides scientific material analysis and data support for the subsequent protection and restoration of the Yuzhen Palace architectural complex, ensuring the preservation of these historically and artistically significant relics for future generations. Full article
(This article belongs to the Section Environmental Aspects in Colloid and Interface Science)
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<p>Aerial view of the entire Yuzhen Palace.</p>
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<p>Painting retained after the restoration of the Dragon and Tiger Hall.</p>
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<p>Composition styles of paintings in the Dragon and Tiger Hall.</p>
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<p>Distribution of painted components in the Dragon and Tiger Hall.</p>
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<p>Schematic diagram of sampling locations.</p>
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<p>Schematic diagram of sampling locations.</p>
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<p>Schematic diagram of oil-painted sample.</p>
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<p>The cross-sectional microscopic images of pigment and oil-painted samples (100×).</p>
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<p>The Raman spectra of blue and green pigments: (<b>a</b>) pigment no. 2; (<b>b</b>) pigment no. 4.</p>
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<p>The Raman spectra of red pigments: (<b>a</b>) pigment no. 6; (<b>b</b>) pigment no. 7.</p>
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<p>The Raman spectra of black pigments.</p>
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<p>The surface texture and particle distribution of the pigments: (<b>a</b>) pigment no. 2; (<b>b</b>) pigment no. 4; (<b>c</b>) pigment no. 6; (<b>d</b>) pigment no. 7; (<b>e</b>) pigment no. 3.</p>
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<p>Infrared spectra of no. 7 ground layer and oil-painted layer: (<b>a</b>) no. 7 ground layer; (<b>b</b>) no. 7 oil-painted layer.</p>
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15 pages, 3768 KiB  
Article
Analysis of Mechanical Properties of Four-Section Composite Columns of Pinus sylvestris var. Mongolia of Ancient Wooden Architecture under Axial Compression Load
by Sheng Peng, Yifan Qiao and Yang Song
Buildings 2024, 14(8), 2438; https://doi.org/10.3390/buildings14082438 - 7 Aug 2024
Viewed by 981
Abstract
In order to study the influence of the cross-sectional area of hidden dovetail mortise (cross-sectional area of the projecting part after dovetail installation is completed) and length of tenon joint dimensions (axial length with dovetail installation completed) on the axial compressive behavior of [...] Read more.
In order to study the influence of the cross-sectional area of hidden dovetail mortise (cross-sectional area of the projecting part after dovetail installation is completed) and length of tenon joint dimensions (axial length with dovetail installation completed) on the axial compressive behavior of four-section composite columns, the length of tenon joint dimensions was set to 30 mm, 60 mm, and 90 mm, and the cross-sectional area of hidden dovetail mortise was set to 360 mm2, 562 mm2 and 810 mm2 as experimental variables. Some column models were designed and fabricated accordingly. Axial compression tests were conducted to observe failure modes, load–displacement curves, stress–strain curves, load–strain curves, ultimate bearing capacity, and stiffness of the timber column. The results of the study show that the influence of dark drum mortise and tenon cross-section size and tenon length on the axial compressive mechanical properties of four-section jointed wood columns should not be ignored; the load-carrying capacity of the wood columns decreases with the increase in tenon cross-section size and decreases with the decrease in tenon length; the stability decreases with the increase in tenon cross-section size; and the deformability of specimens of the tenon length group as a whole is obviously superior to the tenon cross-section area group. The increase in ultimate load-carrying capacity of the columns was 7–11.9% when the concealed cross-sectional area of the hidden dovetail mortise was reduced in the range of 30.5–55.5%. When the length of the tenon joint dimensions was reduced from 90 mm to 60 mm, its ultimate bearing capacity decreased by 9%; when it was reduced from 60 mm to 30 mm, its ultimate bearing capacity was almost unchanged, which indicated that after the length of tenon joint dimensions was lower than 60 mm, the influence on the ultimate bearing capacity of the column was more negligible. It is recommended that the length of tenon joint dimensions of 60 mm should be taken as the design standard value of the ultimate bearing capacity for the four-sectioned composite columns of the Pinus sylvestris var. Mongolia (PSVM). Full article
(This article belongs to the Special Issue Advances and Applications in Timber Structures)
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<p>Collocated columns in ancient buildings.</p>
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<p>Internal construction of typical specimens.</p>
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<p>Test setup.</p>
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<p>Failure mode of specimens. (<b>a</b>,<b>b</b>) Cracks on the surface of the specimens and (<b>c</b>,<b>d</b>) cracks within the specimens.</p>
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<p>Load–longitudinal displacement curves. (<b>a</b>) Load-displacement curve for the mortise cross-sectional area group and (<b>b</b>) Load-displacement curve for the tenon length group.</p>
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<p>Load–strain curves. (<b>a</b>) Load-strain curve of tenon cross-sectional area group and (<b>b</b>) Load strain curve of tenon length group.</p>
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<p>Relation curve of the tenon section area group and tenon section area ratio.</p>
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<p>Schematic cross-section of a four-section composite wooden column.</p>
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<p>Schematic diagram for determining ductility index by equivalent elastic–plastic energy method (EEEP).</p>
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<p>Ductility coefficients of specimens.</p>
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18 pages, 3521 KiB  
Article
Application of Smart Modelling Framework for Traditional Wooden Architecture
by Jialong Zhang, Zijun Wang and Wei Wang
Buildings 2024, 14(7), 2130; https://doi.org/10.3390/buildings14072130 - 11 Jul 2024
Viewed by 1029
Abstract
Preserving ancient buildings can be improved using Building Information Modelling (BIM) models created from high-quality point-cloud data. The problems arise from the need for automatic extraction of the characteristics required to meet various security criteria from a high-fidelity point cloud. BIM for Traditional [...] Read more.
Preserving ancient buildings can be improved using Building Information Modelling (BIM) models created from high-quality point-cloud data. The problems arise from the need for automatic extraction of the characteristics required to meet various security criteria from a high-fidelity point cloud. BIM for Traditional Wooden Architecture (TWA) constructions requires collaboration across various research fields. Two crucial concerns are needed to overcome the current gap and enhance the use of BIM: an automated model for the major components that smartly combines historical information and a Smart Modelling Framework (SMF) to represent these components. First, a parametric model for the usual components, highlighting similarities and properties, was created using a TWA structure as the basis. The next step is creating an automated modelling approach to determine the component type and hidden dimensions automatically. Conservation initiatives for traditional wooden structures will benefit greatly from this research results. The experimental results demonstrate that the suggested technique accomplishes better efficiency, reliability, and effectiveness than other existing technologies. Full article
(This article belongs to the Section Construction Management, and Computers & Digitization)
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<p>Building Information modelling’s role in smart building.</p>
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<p>A BIM-based system for smart buildings.</p>
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<p>Smart Modelling Framework.</p>
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<p>Dimensions of BIM.</p>
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<p>Historic Framework in phase process.</p>
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<p>Flowchart of the proposed BIM-TMA model.</p>
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<p>Case research for experimental analysis.</p>
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<p>Accuracy analysis.</p>
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<p>Security analysis.</p>
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<p>Efficiency analysis.</p>
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<p>Reliability analysis.</p>
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<p>Performance analysis.</p>
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14 pages, 13865 KiB  
Article
Material and Microstructure Analysis of Wood Color Paintings from Shaanxi Cangjie Temple, China
by Dan Huang, Kezhu Han, Gele Teri, Cong Cheng, Yunpeng Qi and Yuhu Li
Molecules 2024, 29(12), 2734; https://doi.org/10.3390/molecules29122734 - 8 Jun 2024
Cited by 2 | Viewed by 1252
Abstract
Cangjie Temple was built to commemorate Cangjie, the legendary inventor of Chinese characters. It stands as one of the few remaining temples in China dedicated to the invention and creation of writing. In this study, the material properties of wooden paintings from the [...] Read more.
Cangjie Temple was built to commemorate Cangjie, the legendary inventor of Chinese characters. It stands as one of the few remaining temples in China dedicated to the invention and creation of writing. In this study, the material properties of wooden paintings from the Cangjie temple were characterized using Polarized Light Microscopy (PLM), Scanning Electron Microscopy coupled with Energy Dispersive X-ray Spectroscopy (SEM-EDS), Micro-confocal Raman Spectroscopy, X-ray Diffraction (XRD), Fourier Transform Infrared Spectroscopy (FTIR), and Pyrolysis-Gas Chromatography-Mass Spectrometry (Py-GC/MS). It was confirmed that the pigments of the paintings included cinnabar, lapis lazuli, lead white, Paris green, and carbon black. The proteinaceous glue was used as an adhesive in the pigment samples, with tung oil likely being utilized as a primer for the wooden structures before painting. This study not only provides valuable data support for the conservation and restoration of the architectural features of Cangjie Temple but also provides useful reference for the maintenance and inheritance of similar ancient buildings. Full article
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<p>CangJie temple: (<b>a</b>) the location of CangJie temple (the red dot); (<b>b</b>) the floor plan of CangJie temple; (<b>c</b>) the color painting executed on the wooden beams in the rear hall of Cangjie Temple; (<b>d</b>) partially painted wooden beams.</p>
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<p>Cross sectional PLM images of samples. (<b>A</b>). Sample Y1, (<b>B</b>). Sample Y2, (<b>C</b>). Sample Y3, and (<b>D</b>). Sample Y4.</p>
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<p>Raman spectra of the different layer samples (yellow and red frames - Raman spectra collection area of sample): (<b>a</b>) red of Y1; (<b>b</b>) blue of Y2; (<b>c</b>) white of Y2; (<b>d</b>) inner black of Y2; (<b>e</b>) white of Y3; (<b>f</b>) inner black of Y3; (<b>g</b>) green of Y4; and (<b>h</b>) inner black of Y4.</p>
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<p>(<b>a</b>) SEM image (yellow square—EDS spectra collection area), (<b>b</b>) EDS spectra, and (<b>c</b>) XRD pattern of the ground layer of sample Y1.</p>
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<p>FT-IR spectra of sample Y1.</p>
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<p>Total ion chromatogram of sample Y1. Peak identification: (1) Acethydrazide, (2) 2-methyl-1-pentanol, (3) Valeraldehyde, (4) Toluene, (5) 1-Octene, (6) Cyclohexanone, (7) Glyceryl methyl ether, (8) 2-Octanone, (9) Cycloheptanone, (10) 6-Heptenoic acid methyl ester, (11) Caprylic acid methyl ester, (12) Glycinamide monohydrochloride, (13) 1-Tetradecene, (14) n-Nonadecane, (15) Methyl 9-Oxononanoate, (16) Dimethyl suberate, (17) Dimethyl azelate, (18) Methyl palmitate, (19) Methyl oleate, and (20) Methyl stearate.</p>
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74 pages, 5908 KiB  
Review
Once upon a Time, There Was a Piece of Wood: Present Knowledge and Future Perspectives in Fungal Deterioration of Wooden Cultural Heritage in Terrestrial Ecosystems and Diagnostic Tools
by Daniela Isola, Hyun-Ju Lee, Yong-Jae Chung, Laura Zucconi and Claudia Pelosi
J. Fungi 2024, 10(5), 366; https://doi.org/10.3390/jof10050366 - 20 May 2024
Cited by 1 | Viewed by 2213
Abstract
Wooden Cultural Heritage (WCH) represents a significant portion of the world’s historical and artistic heritage, consisting of immovable and movable artefacts. Despite the expertise developed since ancient times to enhance its durability, wooden artefacts are inevitably prone to degradation. Fungi play a pivotal [...] Read more.
Wooden Cultural Heritage (WCH) represents a significant portion of the world’s historical and artistic heritage, consisting of immovable and movable artefacts. Despite the expertise developed since ancient times to enhance its durability, wooden artefacts are inevitably prone to degradation. Fungi play a pivotal role in the deterioration of WCH in terrestrial ecosystems, accelerating its decay and leading to alterations in color and strength. Reviewing the literature of the last 25 years, we aimed to provide a comprehensive overview of fungal diversity affecting WCH, the biochemical processes involved in wood decay, and the diagnostic tools available for fungal identification and damage evaluation. Climatic conditions influence the occurrence of fungal species in threatened WCH, characterized by a prevalence of wood-rot fungi (e.g., Serpula lacrymans, Coniophora puteana) in architectural heritage in temperate and continental climates and Ascomycota in indoor and harsh environments. More efforts are needed to address the knowledge fragmentation concerning biodiversity, the biology of the fungi involved, and succession in the degradative process, which is frequently centered solely on the main actors. Multidisciplinary collaboration among engineers, restorers, and life sciences scientists is vital for tackling the challenges posed by climate change with increased awareness. Traditional microbiology and culture collections are fundamental in laying solid foundations for a more comprehensive interpretation of big data. Full article
(This article belongs to the Special Issue Fungal Biodeterioration)
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<p>Immovable and movable terrestrial wooden cultural heritage examples. (<bold>A</bold>) Teatro Farnese, Parma, Italy (courtesy of Andrea Schiaretti); (<bold>B</bold>) gilded door, Granada, Spain; (<bold>C</bold>) ceiling of the Gyeongbokgung Palace, Seoul, South Korea; (<bold>D</bold>) Torre dell’Elefante, Cagliari, Italy; (<bold>E</bold>) wooden sarcophagus on display at the Egyptian Museum in Turin, Italy; (<bold>F</bold>) view from the Muwisa Temple, South Korea; (<bold>G</bold>) wooden roof of the San Lorenzo Cathedral in Viterbo, Italy; (<bold>H</bold>) wooden sculpture of Sant’Efisio in Cagliari, Italy; (<bold>I</bold>) the coach of Sant’Efisio in Cagliari, Italy (courtesy of Angelo Mocci); (<bold>J</bold>) wooden pillow of Queen Mureyong, Gongju National Museum, South Korea; (<bold>K</bold>) upper part of the wooden seat <italic>Magistratus Sessio</italic> in the council chamber of the Municipality of Viterbo, Italy; (<bold>L</bold>) Palazzo dei Priori, coffered ceiling with paintings and stuccos, Viterbo, Italy (courtesy of Emma Aronne).</p>
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<p>Wood, from tree to chemical composition. (<bold>A</bold>) tree, (<bold>B</bold>) trunk section, (<bold>C</bold>) conventional cell-wall model characterized by five cell-wall layers. The layers are the middle lamella (ML), the primary wall (PW), and the three-layer secondary wall (SW): outer (S1), middle (S2) and inner secondary wall layer (S3). (<bold>D</bold>) cell wall chemical composition across its different layers. The image is original; (<bold>B</bold>,<bold>C</bold>) are drawn based on [<xref ref-type="bibr" rid="B16-jof-10-00366">16</xref>].</p>
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<p>Macroscopic wood appearance and drawings illustrating healthy and rotted wood patterns as can be observed under a microscope. (<bold>A</bold>,<bold>B</bold>) Healthy wood: (<bold>B</bold>) intact tracheid cell walls (drawn based on [<xref ref-type="bibr" rid="B45-jof-10-00366">45</xref>]). (<bold>C</bold>–<bold>E</bold>) BR decay: (<bold>C</bold>) wood cubical pattern; (<bold>D</bold>) The degradation of cellulose in woody cell walls leaves a residual network of lignin. Cell walls collapse and appear distorted (drawn based on [<xref ref-type="bibr" rid="B5-jof-10-00366">5</xref>]); (<bold>E</bold>) numerous splits in the secondary walls of tracheids (drawn based on [<xref ref-type="bibr" rid="B46-jof-10-00366">46</xref>]). (<bold>F</bold>–<bold>H</bold>) WR decay: (<bold>F</bold>) white stringy rot; (<bold>G</bold>) simultaneous white rot – in the dark areas lignin, cellulose and hemicellulose are degraded approximately at the same rate starting from the lumina (drawn based on [<xref ref-type="bibr" rid="B39-jof-10-00366">39</xref>]); (<bold>H</bold>) preferential white rot, lignin in secondary walls, and ML is selectively degraded while the rest of the cellulose rich cell wall is maintained and cells result separated from the adjacent (drawn based on [<xref ref-type="bibr" rid="B47-jof-10-00366">47</xref>]). (<bold>I</bold>–<bold>K</bold>) SR decay: (<bold>I</bold>) soft rotted wood; (<bold>J</bold>) SR type I, the fungal infection caused many cavities inside the wood cell wall especially in the S2 layer (drawn based on [<xref ref-type="bibr" rid="B45-jof-10-00366">45</xref>]); (<bold>K</bold>) SR type I, chains of diamond-shaped cavities extend longitudinally through the S2 cell wall layer (drawn based on [<xref ref-type="bibr" rid="B48-jof-10-00366">48</xref>]).</p>
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<p>Examples of macroscopic wooden artefact alterations. (<bold>A</bold>) Temple woodblock affected by white rot; (<bold>B</bold>) 19th-century polychrome wood mask; (<bold>C</bold>) <italic>recto</italic> and <italic>verso</italic> of Poesia by Kokocinski, a composite artwork (paper and paint on multi-layered wooden panel) affected by fungal colonization. (<bold>D</bold>) Discolored painted layer of a votive statue representing the crucifixion; (<bold>E</bold>) biological attack on the wooden ceiling of the Palazzo Tarquini-Savelli, Marta (VT), Italy.</p>
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<p>Geographical distribution of the wooden cultural heritage studied in the 81 papers for which mycological investigations were performed. The countries are indicated with the international three letters alpha-3 code: KOR: South Korea, RMN: Romania, ATA: Antarctica; ITA: Italy, EGY: Egypt, SVK: Slovakia, CUB: Cuba, POL: Poland, PRT: Portugal, ARG: Argentina, AUT: Austria, CHI: Chile, CHN: China, LVA: Latvia, RUS: Russia, SRB: Serbia, SJM: Svalbard, CAN: Canada, CHE: Switzerland, CZE: Czechia, DNK: Denmark (Greenland), FRA: France, GER: Germany, HRV: Croatia, IDN: Indonesia, JOR: Jordan, MAR: Morocco, MDA: Moldova, MKD: North Macedonia, PHL: Philippines.</p>
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<p>Papers sorted by Köppen–Geiger climatic regions. AF: tropical rainforest climate; Bwh: hot desert climate; Cfa: humid subtropical climate; Cfb: temperate oceanic climate or subtropical highland climate; Csa: hot-summer Mediterranean climate; Dfb: warm-summer humid continental climate; Dfc: subarctic climate; Dwa: humid continental climate; EF: ice cap climate. The <italic>x</italic>-axis indicates the nr of papers.</p>
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<p>High taxonomic rank distribution of the 1167 fungal records found on wooden cultural heritage artefacts. Division (central ring) and class (outer ring). Different shades of the same color indicate the classes belonging to the same division.</p>
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<p>Prevalence of phyla sorted by climatic sub-areas. Values are presented as a percentage of the total taxa recorded (indicated above each column) for each climatic sub-area. Ascomycota is represented in blue, Basidiomycota in red, and Mucoromycota in grey. AF: tropical rainforest climate; Bwh: hot desert climate; Cfa: humid subtropical climate; Cfb: temperate oceanic climate or subtropical highland climate; Csa: hot-summer Mediterranean climate; Dfb: warm-summer humid continental climate; Dfc: subarctic climate; Dwa: humid continental climate; EF: ice cap climate.</p>
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<p>Wooden cultural heritage genera frequency based on the 1167 fungal records. (<bold>A</bold>) Ascomycota, (<bold>B</bold>) Basidiomycota. To improve reading, the genera found have been ordered by frequency, while those found only once have been merged and indicated as “Occasional genera”. Values are expressed as percentages.</p>
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<p>Venn diagram depicting fungal species sorted by the main climatic groups.</p>
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<p>Positive responses to screening plate assays. (<bold>A</bold>) Laccase test (PDA guaiacol) of <italic>Trametes versicolor</italic> from Antarctic plant [<xref ref-type="bibr" rid="B202-jof-10-00366">202</xref>]; (<bold>B</bold>) cellulase activity (CMC agar flooded with Lugol solution) of <italic>Pseudogymnoascus pannorum</italic> CCFEE 5287; (<bold>C</bold>) cellulase activity (PDA_CMC flooded with Congo Red) of <italic>Penicillium oxalicum</italic>; (<bold>D</bold>) lignin peroxidase activity (Cz_Azure B) recorded for strain CCFFEE 10077; (<bold>E</bold>) xylanase activity (PDA_xylan) of <italic>Penicillium oxalicum</italic>; (<bold>F</bold>) ligninase activity (PDA lignin supplementedremazol) of <italic>Eupenicillium rubidurum</italic>; (<bold>G</bold>) Mn peroxydase activity (Cz_Phenol Red) of <italic>Aspergillus niger</italic> vs. negative control plate.</p>
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26 pages, 17656 KiB  
Article
Towards an Effective Architectural Form: The Composition of Squareness and Roundness Based on Scale Proportion—Evidence from the Yingxian Wooden Pagoda
by Lu Shi, Xu Chen, Yuqian Xu, Xing Gao, Jialong Lai and Shusheng Wang
Buildings 2024, 14(5), 1472; https://doi.org/10.3390/buildings14051472 - 18 May 2024
Viewed by 1595
Abstract
Investigating the mathematical and geometric principles embedded in ancient classic architecture is a significant tradition in the history of architectural development. Drawing inspiration from the modular design and creative ideology based on the geometric proportions of squareness and roundness in ancient Chinese architecture, [...] Read more.
Investigating the mathematical and geometric principles embedded in ancient classic architecture is a significant tradition in the history of architectural development. Drawing inspiration from the modular design and creative ideology based on the geometric proportions of squareness and roundness in ancient Chinese architecture, we propose a new mode of squareness and roundness composition based on scale proportion specifically for the design of multi-story buildings. Taking Yingxian Wooden Pagoda as the case study, we not only re-evaluate the modular system and proportional rules followed in the design of the entire pagoda, but also reveal the technical approaches and geometric rules for effectively controlling the form of multi-story buildings. In particular, the mode of squareness and roundness composition based on scale proportion, utilizing a modular grid combined with squareness and roundness drawings as decision-making tools, can control the scale and proportion of buildings across different design dimensions and organically coordinate the design of multi-story buildings’ plans and elevations. Thus, it can achieve an effective balance of multi-story architectural forms. This study has potential applications in the creation of traditional multi-story buildings and heritage restoration projects, and offers valuable insights for future research on ancient multi-story buildings. Full article
(This article belongs to the Section Architectural Design, Urban Science, and Real Estate)
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<p>(<b>a</b>) “Rounded-square and Squared-circle Diagrams” in the ancient Chinese astronomical and mathematical text “Zhou Bi Suan Jing”; (<b>b</b>) “Rounded-square and Squared-circle Diagrams” in the Northern Song Dynasty architectural official book “Yingzao Fashi”.</p>
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<p>(<b>a</b>) Realistic view of Yingxian Wooden Pagoda; (<b>b</b>) Schematic diagram of main data related to this paper.</p>
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<p>Schematic diagram of the main planar data of Yingxian Wooden Pagoda.</p>
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<p>Schematic diagram of the basic principle and operation steps for squareness and roundness composition controlling the form of multi-story buildings.</p>
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<p>Modular grid analysis of the bracket set on columns of each exposed story of Yingxian Wooden Pagoda.</p>
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<p>Modular grid analysis of architectural group layout in the general plane of the temple pagoda.</p>
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<p>Modular grid analysis of the orthographic projection of Yingxian Wooden Pagoda’s facade.</p>
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<p>Proportional analysis of the external form of Yingxian Wooden Pagoda.</p>
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<p>Proportional analysis of the interior space of Yingxian Wooden Pagoda.</p>
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<p>Squareness and roundness composition analysis of Yingxian Wooden Pagoda—overall appearance form.</p>
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<p>Squareness and roundness composition analysis of Yingxian Wooden Pagoda—single facade form.</p>
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14 pages, 2922 KiB  
Article
A Study on the Materials Used in Ancient Wooden Architectural Paintings at DaZhong Gate in Confucius Temple, Qufu, Shandong, China
by Kuiju Li, Kezhu Han, Gele Teri, Yuxiao Tian, Menglei Cui, Yunpeng Qi and Yuhu Li
Materials 2024, 17(9), 2170; https://doi.org/10.3390/ma17092170 - 6 May 2024
Viewed by 1491
Abstract
This study analyzes the pigments and binders used in the painted wooden structure of DaZhong Gate in the Confucius Temple in Qufu, Shandong Province, China. Five samples were collected from the building and analyzed using techniques such as polarized light microscopy (PLM), energy-dispersive [...] Read more.
This study analyzes the pigments and binders used in the painted wooden structure of DaZhong Gate in the Confucius Temple in Qufu, Shandong Province, China. Five samples were collected from the building and analyzed using techniques such as polarized light microscopy (PLM), energy-dispersive X-ray spectroscopy (EDX), micro-Raman spectroscopy (m-RS), and Fourier-transform infrared spectroscopy (FT-IR). The findings reveal that the red, yellow, green, and blue pigments are identified as lead red, lead chromate yellow, emerald green, and ultramarine, respectively. The white pigment is determined to be a combination of chalk and lead white or anglesite. Considering the production period of the yellow and green pigments, it is inferred that architectural paintings underwent restoration or repainting during the late Qing Dynasty. The analysis of the binder in the pigment using pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS) reveals that the binder employed is a protein-based glue. Additionally, the detected presence of Heat-bodied tung oil suggests a potential connection to traditional Chinese painting techniques on wooden surfaces. This discovery not only contributes to the historical research of the Confucius Temple but also provides crucial data for the conservation and restoration efforts of this culturally significant heritage site. Full article
(This article belongs to the Topic Advances in Non-Destructive Testing Methods, 2nd Edition)
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<p>(<b>a</b>) The location of the Confucius Temple in Qufu City, Shandong Province; (<b>b</b>) an aerial view of the Confucius Temple (figure).</p>
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<p>(<b>a</b>) The DaZhong Gate of the Confucius Temple; (<b>b</b>) marked positions of the sampling points inside the building; photographs of the sampled pigments: (<b>c</b>) DZ-1 (red), (<b>d</b>) DZ-2 (yellow), (<b>e</b>) DZ-3 (green), (<b>f</b>) DZ-4 (blue), and (<b>g</b>) DZ-5 (white). The length of the scale bar in the image is 5 mm.</p>
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<p>PLM images observed under single and orthogonally polarized light for (<b>a</b>,<b>b</b>) red, (<b>c</b>,<b>d</b>) yellow, (<b>e</b>,<b>f</b>) green, (<b>g</b>,<b>h</b>) blue, and (<b>i</b>,<b>j</b>) white pigments. All samples were observed under 100 × 5 magnifications. The sampling positions are shown in <a href="#materials-17-02170-f002" class="html-fig">Figure 2</a>.</p>
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<p>(<b>a</b>) Raman spectrum for red pigment (DZ-1); (<b>b</b>) Raman spectrum for yellow pigment (DZ-2); (<b>c</b>) Raman spectrum for green pigment (DZ-3); (<b>d</b>) Raman spectrum for blue pigment (DZ-4); (<b>e</b>) Raman spectrum of white pigment (DZ-5); (<b>f</b>) FT-IR spectrum for white pigment (DZ-5).</p>
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<p>The total ion chromatogram (TIC) of the yellow pigment samples (DZ-2).</p>
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<p>The relative concentrations of fatty acids for the yellow pigment sample (DZ-2) obtained by Py-GC/MS; carboxylic acid is shown with carbon numbers of n. The very small amounts of substances detected in the sample are not apparent in the figure.</p>
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1192 KiB  
Proceeding Paper
Exploring the Protection of Ancient Buildings Using BIM Technology—Taking the Han Family Compound in Shangli Ancient Town, Sichuan Province, as an Example
by Qiu Jin and Wei Liu
Eng. Proc. 2023, 53(1), 25; https://doi.org/10.3390/IOCBD2023-15199 - 24 Oct 2023
Viewed by 799
Abstract
As a digital innovation tool in the field of architecture and engineering, BIM technology can improve the efficiency and quality of projects and also realize all-round information sharing and collaboration throughout the project life cycle. Most of the ancient buildings in China are [...] Read more.
As a digital innovation tool in the field of architecture and engineering, BIM technology can improve the efficiency and quality of projects and also realize all-round information sharing and collaboration throughout the project life cycle. Most of the ancient buildings in China are wooden structures, which often face problems such as damage, corrosion, and insect infestation, but because of their high cultural value, the maintenance of ancient buildings is always subject to problems. The effective combination of BIM technology and ancient buildings is conducive to the all-round, detailed, and in-depth maintenance and protection of ancient buildings. The Han family compound is located in Shangli Ancient Town, Sichuan Province, which is a well-preserved Qing dynasty architectural complex in an ancient town. However, under the dual effects of nature and man, a fire in the Republic of China period, an earthquake in 2008, and tourism development in recent years have caused the ancient buildings to become damaged and collapse, and they tend to assimilate with modern buildings, facing the dilemmas of maintenance and protection. Therefore, this paper is dedicated to exploring the feasibility of combining BIM technology with the maintenance and protection of the Han Family Courtyard and summarizing the specific application of BIM technology in the repair and protection of the Han Family Courtyard through domestic and international cases, so that the Han Family Courtyard can be developed in a sustainable way. Full article
(This article belongs to the Proceedings of The 1st International Online Conference on Buildings)
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<p>Collapsed portion of compound No. 1 of the Han Family Compound.</p>
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<p>Plan of the Han Family Compound.</p>
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<p>Carvings on the doors and windows of the Han Family Compound.</p>
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<p>Carvings on the stone pillars of the Han Family Compound.</p>
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24 pages, 14508 KiB  
Article
Interdisciplinary Analysis of Roman Floor Types in the Villa of Diomedes in the Archaeological Park of Pompeii
by Giuseppina De Martino, Marco Di Ludovico, Hélène Dessales and Andrea Prota
Heritage 2023, 6(7), 5559-5582; https://doi.org/10.3390/heritage6070293 - 23 Jul 2023
Viewed by 1708
Abstract
The present work presents and discusses an analysis of the floor types of the Villa of Diomedes (Pompeii archaeological park in the Campania region, Italy) from an architectural, archaeological, and structural point of view. In particular, the geometrical-structural parameters of different floor types [...] Read more.
The present work presents and discusses an analysis of the floor types of the Villa of Diomedes (Pompeii archaeological park in the Campania region, Italy) from an architectural, archaeological, and structural point of view. In particular, the geometrical-structural parameters of different floor types and the rules used by ancient builders to design them are investigated by means of interdisciplinary research. The links between structural assumptions, archival sources, geometric survey, in situ visual inspections, and archaeological information make it possible to define the geometrical-structural parameters of eleven barrel vaults, three wooden floors, and three sloped wooden roofs (buried and collapsed during the Vesuvius eruption). A specific study of the barrel vaults is presented to investigate the relationships between the structural parameters of the main vaults. Furthermore, a comparison between the vaults’ dimensions obtained from surveys and those produced by formulations in the literature between the 15th and 20th centuries concerning masonry vault designs is presented and discussed. These analyses, carried out within the framework of the Villa of Diomedes interdisciplinary project, were very useful for interpreting the fabrication of the villa and making a 3D reconstruction model of how the villa probably looked in the fateful year of 79 A.D. Full article
(This article belongs to the Section Archaeological Heritage)
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<p>Urban framework of the Pompeii archaeological park (green), the location of the other three villas (orange), and the location of the Villa of Diomedes (yellow) (<b>a</b>). The view of the Villa of Diomedes [<a href="https://www.google.it/intl/it/earth/" target="_blank">https://www.google.it/intl/it/earth/</a>; accessed on 11 July 2023] (<b>b</b>).</p>
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<p>Villa of Diomedes: (<b>a</b>) the plan of the three levels, (<b>b</b>) monumental entrance at the ground level, (<b>c</b>) portico at the garden level, and (<b>d</b>) the cryptoporticus level.</p>
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<p>Axonometric projection of the Villa of Diomedes: (<b>a</b>) plan, (<b>b</b>) overall view.</p>
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<p>Traces of beam holes (red box) and a staircase (red line) (<b>a</b>) and the relevant reconstruction (red) (<b>b</b>).</p>
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<p>3D model reconstruction of 79 A.D: (<b>a</b>) plan, (<b>b</b>) overall view.</p>
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<p>Different layouts of the vaults of the Villa of Diomedes: (<b>a</b>) an undamaged vault, (<b>b</b>) an undamaged vault in a room that has not been fully excavated, (<b>c</b>) a partially collapsed vault, and (<b>d</b>) a collapsed vault.</p>
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<p>Case (<b>a</b>) undamaged vault: (<b>a<sub>1</sub></b>) wall orthoimage, (<b>a<sub>2</sub></b>) archival sources of Morelli, Francesco (between 1791 and 1796): painting reproduction (H. 64.7–L.40.0 cm) [<a href="#B42-heritage-06-00293" class="html-bibr">42</a>], and (<b>a<sub>3</sub></b>) geometrical-structural parameters. Case (<b>b</b>) undamaged vault in a room that has not been fully excavated: (<b>b<sub>1</sub></b>) a fully excavated zone close to the staircase located on the northeast side, (<b>b<sub>2</sub></b>) a zone that has not been fully excavated on the southeast side, and (<b>b<sub>3</sub></b>) wall orthoimage and geometrical-structural parameters. Case (<b>c</b>) partially collapsed vault: (<b>c<sub>1</sub></b>) the standing vault, and (<b>c<sub>2</sub></b>) the geometrical-structural parameters. Case (<b>d</b>) collapsed vault: (<b>d<sub>1</sub></b>) south and east wall, (<b>d<sub>2</sub></b>) archival sources of Lo Manto Giuseppe: painting reproduction [<a href="#B43-heritage-06-00293" class="html-bibr">43</a>], and (<b>d<sub>3</sub></b>) geometrical parameters of the false vault [dimensions in m] (photo: Thomas Crognier).</p>
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<p>Case (<b>a</b>) undamaged vault: (<b>a<sub>1</sub></b>) wall orthoimage, (<b>a<sub>2</sub></b>) archival sources of Morelli, Francesco (between 1791 and 1796): painting reproduction (H. 64.7–L.40.0 cm) [<a href="#B42-heritage-06-00293" class="html-bibr">42</a>], and (<b>a<sub>3</sub></b>) geometrical-structural parameters. Case (<b>b</b>) undamaged vault in a room that has not been fully excavated: (<b>b<sub>1</sub></b>) a fully excavated zone close to the staircase located on the northeast side, (<b>b<sub>2</sub></b>) a zone that has not been fully excavated on the southeast side, and (<b>b<sub>3</sub></b>) wall orthoimage and geometrical-structural parameters. Case (<b>c</b>) partially collapsed vault: (<b>c<sub>1</sub></b>) the standing vault, and (<b>c<sub>2</sub></b>) the geometrical-structural parameters. Case (<b>d</b>) collapsed vault: (<b>d<sub>1</sub></b>) south and east wall, (<b>d<sub>2</sub></b>) archival sources of Lo Manto Giuseppe: painting reproduction [<a href="#B43-heritage-06-00293" class="html-bibr">43</a>], and (<b>d<sub>3</sub></b>) geometrical parameters of the false vault [dimensions in m] (photo: Thomas Crognier).</p>
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<p>(<b>a</b>) Archival source of Mazois, François (between 1809 and 1811): Section [<a href="#B47-heritage-06-00293" class="html-bibr">47</a>]; (<b>b</b>) archival source of La Vega, Francesco (between 1774 and 1775): Section (H. 48.0–L. 33.0 cm) [<a href="#B46-heritage-06-00293" class="html-bibr">46</a>]; (<b>c</b>) trace of holes (red box on the south wall of the peristyle) (photo: Thomas Crognier); (<b>d</b>) colonnade of the peristyle; and (<b>e</b>) reconstruction of the geometrical dimensions of the roof [dimensions in m].</p>
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<p>Location of the masonry vaults and wooden floors on the (<b>a</b>) ground level, (<b>b</b>) garden level, and (<b>c</b>) <span class="html-italic">cryptoporticus</span> level in the Villa of Diomedes.</p>
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<p>Barrel vaults’ geometrical-structural parameters.</p>
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<p>Barrel vaults’ geometrical-structural parameters [dimensions in m]: (<b>a</b>) rooms No. 10 and No. 11 on the ground level; (<b>b</b>) rooms No. 62–64, (<b>d</b>) room No. 67, and (<b>e</b>) rooms No. 53, No. 54, No. 55, No. 56, No. 57, and No. 60 on the garden level; and (<b>c</b>) room No. 99 on the <span class="html-italic">cryptoporticus</span> level (photos: Thomas Crognier).</p>
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<p>(<b>a</b>) Barrel vaults’ geometrical parameters and relationships between the ratio r/s and (<b>b</b>) the thickness-to-span ratio, S<sub>t</sub>/s, (<b>c</b>) the thickness-to-rise ratio (S<sub>t</sub>/r), and (<b>d</b>) the impost-to-pier-width ratio for shallow-arch (blue points), semi-shallow-arch (red points) and deep-arch (yellow points).</p>
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<p>(<b>a</b>) Barrel vaults’ geometrical parameters and relationships between the ratio r/s and (<b>b</b>) the thickness-to-span ratio, S<sub>t</sub>/s, (<b>c</b>) the thickness-to-rise ratio (S<sub>t</sub>/r), and (<b>d</b>) the impost-to-pier-width ratio for shallow-arch (blue points), semi-shallow-arch (red points) and deep-arch (yellow points).</p>
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<p>The literature formulations for the design of (<b>a</b>) shallow-arch vaults (Perronet (1788) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Dejardin (1845) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Breymann (1853) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>], L’Évillé (1854) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Lesguillier (1855) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>], Curioni (1865) [<a href="#B50-heritage-06-00293" class="html-bibr">50</a>], Dupuit (1870) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Croisette-Desnoyers (1885) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Séjourné (1913–1916) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>]) and (<b>b</b>) deep-arch vault (Alberti (1505) [<a href="#B48-heritage-06-00293" class="html-bibr">48</a>], Gautier (1717) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Perronet (1788) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Gauthey (1809) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Sganzin (1809) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Dejardin (1845) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], L’Évillé (1854) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Lesguillier (1855) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>], Rankine (1862) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Curioni (1865) [<a href="#B50-heritage-06-00293" class="html-bibr">50</a>], Dupuit (1870) [<a href="#B49-heritage-06-00293" class="html-bibr">49</a>,<a href="#B50-heritage-06-00293" class="html-bibr">50</a>,<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Croisette-Desnoyers (1885) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Séjourné (1913–1916) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>,<a href="#B52-heritage-06-00293" class="html-bibr">52</a>], Bush and Zumpe (1995) [<a href="#B51-heritage-06-00293" class="html-bibr">51</a>]). (<b>c</b>) The literature formulations compared with survey data.</p>
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<p>Trace of wooden floor at the garden level in room No. 63: (<b>a<sub>1</sub></b>) beam traces, (<b>a<sub>2</sub></b>) conglomerate slab trace (highlighted in red), and (<b>a<sub>3</sub></b>) schematic floor plan view and beam cross-section; in room No. 66: (<b>b<sub>1</sub></b>) beam trace (photo: Thomas Crognier) and (<b>b<sub>2</sub></b>) schematic floor plan view and trace of the beam cross-section (red box); in room No. 73: (<b>c<sub>1</sub></b>) beam traces on the south wall and (<b>c<sub>2</sub></b>) east wall, (<b>c<sub>3</sub></b>) schematic floor plan view, (<b>c<sub>4</sub></b>) cross-section of the north–south beams (Section A-A), and (<b>c<sub>5</sub></b>) cross-section of the east–west beams (Section B-B) [dimensions in m] (photos: Thomas Crognier).</p>
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31 pages, 11615 KiB  
Article
Acoustic Tomography as a Supporting Tool in the Sustainable Management of Historic Greenery: Example of the Church Garden in Horostyta (Poland)
by Margot Dudkiewicz and Wojciech Durlak
Sustainability 2023, 15(11), 8654; https://doi.org/10.3390/su15118654 - 26 May 2023
Viewed by 1615
Abstract
Senile trees in historic church gardens have natural, aesthetic, historical, and cultural value. Cutting them down too hastily annihilates the achievements of entire generations. We should try to preserve the greenery surrounding historic churches and integrate it into a clear compositional arrangement with [...] Read more.
Senile trees in historic church gardens have natural, aesthetic, historical, and cultural value. Cutting them down too hastily annihilates the achievements of entire generations. We should try to preserve the greenery surrounding historic churches and integrate it into a clear compositional arrangement with the sacral architecture. The primary purpose of the paper was to describe the process of inventorying 200-year-old trees and to present the revalorization project for the garden around the historic Orthodox church in Horostyta, located in the Lublin Voivodeship, in southeastern Poland. The church complex consists of a wooden 18th-century building, bell tower, garden, and cemetery. Within the church garden’s boundaries, there are 15 trees, with two predominant species: Acer pseudoplatanus L. and Tilia cordata Mill. These trees are of varying ages and health conditions. We used acoustic tomography to perform tree health diagnostics. Three trees, for which the initial visual assessment was disturbing, were examined thanks to detailed tomography tests. Then, through a project adapting the church garden to the health conditions of the ancient trees, they were separated from users by flowerbeds and no small architectural objects were placed around them. The presented development concept forms a compromise between tradition and the modern user’s needs. In 2007, a general renovation of the temple building was completed. Currently, the presented project for the church garden is being implemented. Full article
(This article belongs to the Topic Sustainability in Heritage and Urban Planning)
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<p>Process of the revalorization project for a historic church garden.</p>
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<p>Geographic location of the study area (<a href="https://polska.geoportal2.pl/map/www/mapa.php?mapa=polska" target="_blank">https://polska.geoportal2.pl/map/www/mapa.php?mapa=polska</a>, accessed on 1 February 2023 (by authors).</p>
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<p>Acoustic tomograph CT scanner on a tree trunk (photo by M. Dudkiewicz).</p>
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<p>Measuring the geometry of the tree trunk using the PiCUS caliper (photo by M. Dudkiewicz).</p>
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<p>View of the church from the side of the municipal road (by M. Dudkiewicz).</p>
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<p>Orthodox church in Horostyta—south elevation (by M. Dudkiewicz).</p>
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<p>Orthodox church in Horostyta—iconostasis (by M. Dudkiewicz).</p>
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<p>Orthodox church in Horostyta—elements of the interior (by M. Dudkiewicz).</p>
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<p>Wooden belfry next to two sycamore maples (by M. Dudkiewicz).</p>
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<p>Senile tree. Designations: 1. dry branches under the tree; 2. suckers around the tree’s crown; 3. early leaf fall; 4. bumps and mushrooms on the trunk; 5. hollow; 6. asymmetric crown; 7. broken top; 8. mistletoe.</p>
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<p>General view of small-leaved linden (by M. Dudkiewicz, 2020).</p>
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<p>Tomogram of the interior of small-leaved linden trunk inv. no. 4 (by W. Durlak) [<a href="#B21-sustainability-15-08654" class="html-bibr">21</a>,<a href="#B22-sustainability-15-08654" class="html-bibr">22</a>,<a href="#B23-sustainability-15-08654" class="html-bibr">23</a>,<a href="#B24-sustainability-15-08654" class="html-bibr">24</a>].</p>
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<p>General view of sycamore maple (by M. Dudkiewicz, 2020).</p>
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<p>Tomogram of the interior of sycamore maple inv. no. 11 (by W. Durlak) [<a href="#B21-sustainability-15-08654" class="html-bibr">21</a>,<a href="#B22-sustainability-15-08654" class="html-bibr">22</a>,<a href="#B23-sustainability-15-08654" class="html-bibr">23</a>,<a href="#B24-sustainability-15-08654" class="html-bibr">24</a>].</p>
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<p>General view of small-leaved linden growing at the entrance of the property (by M. Dudkiewicz, 2020).</p>
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<p>Tomogram of the interior of small-leaved linden inv. No. 15 (by W. Durlak) [<a href="#B21-sustainability-15-08654" class="html-bibr">21</a>,<a href="#B22-sustainability-15-08654" class="html-bibr">22</a>,<a href="#B23-sustainability-15-08654" class="html-bibr">23</a>,<a href="#B24-sustainability-15-08654" class="html-bibr">24</a>].</p>
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<p>Destruction of trees around the Church of St. Marcin Wincenty in Skórzewo near Poznań (Greater Poland Voivodeship) (photo M. Dudkiewicz, 2022).</p>
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<p>Destruction of trees around the Church of St. Marcin Wincenty in Skórzewo near Poznań (Greater Poland Voivodeship) (photo M. Dudkiewicz, 2022).</p>
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<p>Destruction of trees around the church in Zajezierze near Dęblin (Lubelskie Voivodeship) (photo M. Dudkiewicz, 2022).</p>
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<p>Destruction of trees around the church in Zajezierze near Dęblin (Lubelskie Voivodeship) (photo M. Dudkiewicz, 2022).</p>
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<p>Senile tree in a historic garden—planted perennials can move traffic and benches are located beyond the projection of the tree crown (by M. Dudkiewicz).</p>
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<p>Rubber band on the trunk with dendrometric data of the ancient tree and a request to be careful when parking under the tree crown, especially during a storm. Center for Contemporary Art Ujazdowski Castle in Warsaw (photo M. Dudkiewicz, 2022).</p>
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<p>(<b>a</b>) Rubber band on the trunk with dendrometric data of the ancient tree. Center for Contemporary Art Ujazdowski Castle in Warsaw (photo M. Dudkiewicz, 2022). (<b>b</b>) Fencing off an ancient oak with a rope and placing signs warning about falling branches. Ujazdowski Park in Warsaw (photo M. Dudkiewicz, 2022).</p>
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<p>A sign with the inscription: Area of an old stand. Danger of falling branches. Staying near old trees is associated with the risk of loss of life and health (photo M. Dudkiewicz, 2022).</p>
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<p>Planned lack of foundations to protect an ancient linden tree (photo M. Dudkiewicz, 2018).</p>
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<p>Planned cut-out in the wall to leave room for the development of ancient ash roots at St. Paul in Sandomierz (photo M. Dudkiewicz, 2020).</p>
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<p>Project for the development of the surroundings around the church in Horostyta (by M. Dudkiewicz).</p>
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12 pages, 5304 KiB  
Article
Deterioration of Microstructures and Properties in Ancient Architectural Wood from Yingxian Wooden Pagoda (1056 AD) during Natural Aging
by Keying Long, Kaiqiang Chen, Lanying Lin, Feng Fu and Yong Zhong
Forests 2023, 14(2), 393; https://doi.org/10.3390/f14020393 - 15 Feb 2023
Cited by 9 | Viewed by 2240
Abstract
The Yingxian Wooden Pagoda (1056 AD), located in Shanxi province, China, is a unique architectural pure-wooden artifact standing for a millennium. Despite its longevity, the structures and properties of the ancient architectural woods used in its construction have been significantly degraded due to [...] Read more.
The Yingxian Wooden Pagoda (1056 AD), located in Shanxi province, China, is a unique architectural pure-wooden artifact standing for a millennium. Despite its longevity, the structures and properties of the ancient architectural woods used in its construction have been significantly degraded due to long-term natural aging, which has profoundly impacted the preservation of this valuable cultural heritage. To better understand this degradation, we studied the deterioration of a baluster (Larix principis-rupprechtii Mayr.) from Yingxian Wooden Pagoda. The study employed various analytical techniques, including optical microscopy, atomic force microscopy, Fourier-transform infrared spectroscopy, solid-state 13C nuclear magnetic resonance spectroscopy, X-ray diffraction, and nanoindentation technology, to evaluate the microstructures and properties of the ancient architectural woods. Results indicated that the destruction of wood cell walls was primarily transverse transwall destruction and interfacial debonding and that the degradation of chemical components was primarily in the hemicellulose (xylan) and amorphous region of cellulose. The reduced elastic modulus and hardness of tracheid cell walls in the ancient architectural woods were higher than in recent larch woods. This study would help deepen understanding of wood deterioration during long-term natural aging for the subsequent preservation and protection of wooden cultural heritages and longer use of ancient timber constructions. Full article
(This article belongs to the Section Wood Science and Forest Products)
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<p>(<b>a</b>) Photograph of Yingxian Wooden Pagoda. (<b>b</b>) Photograph of a baluster in the red box. (<b>c</b>) The cross-section of the baluster. (<b>d</b>) The baluster was replaced from (<b>b</b>). IAW was collected from the inner part of the baluster; OAW was collected from the outer part of the baluster.</p>
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<p>Optical micrographs taken from cross-sections of the heartwood of the recent larch wood (HRW) and the inner part of the ancient architectural wood (IAW). (<b>a</b>) The earlywood of HRW. (<b>b</b>) The latewood of HRW. (<b>c</b>) The earlywood of IAW. (<b>d</b>) The latewood of IAW.</p>
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<p>AFM images of cross-sections in recent larch woods and ancient architectural woods. (<b>a</b>) The earlywood of SRW. (<b>b</b>) The earlywood of HRW. (<b>c</b>) The earlywood of OAW. (<b>d</b>) The earlywood of IAW. (<b>e</b>) The latewood of SRW. (<b>f</b>) The latewood of HRW. (<b>g</b>) The latewood of OAW. (<b>h</b>) The latewood of IAW. The white arrows indicate transverse transwall destruction; the black arrows indicate interfacial debonding.</p>
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<p>Chemical analysis of recent larch woods and ancient architectural woods. (<b>a</b>) Average FTIR absorbance spectra in 1800–800 cm<sup>−1</sup>. (<b>b</b>) The relative intensity ratio of <span class="html-italic">I</span><sub>1736</sub>, <span class="html-italic">I</span><sub>1372</sub>, and <span class="html-italic">I</span><sub>1159</sub> versus <span class="html-italic">I</span><sub>1510</sub>. (<b>c</b>) Solid-state <sup>13</sup>C NMR spectra. (<b>d</b>) Contents of lignin, cellulose, and hemicellulose.</p>
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<p>The cellulose crystalline structures of recent larch woods and ancient architectural woods. (<b>a</b>) X-ray diffractograms. (<b>b</b>) The relative crystallinities.</p>
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<p>Reduced elastic modulus and hardness of the S<sub>2</sub> layer in tracheid cell walls of recent larch woods and ancient architectural woods. (<b>a</b>) Reduced elastic modulus. (<b>b</b>) Hardness.</p>
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14 pages, 3107 KiB  
Article
Spectroscopic Investigation of a Color Painting on an Ancient Wooden Architecture from the Taiping Heavenly Kingdom Prince Dai’s Mansion in Jiangsu, China
by Kezhu Han, Hong Yang, Gele Teri, Shanshuang Hu, Jiaxin Li, Yanli Li, Ersudai Ma, Yuxiao Tian, Peng Fu, Yujia Luo and Yuhu Li
Minerals 2023, 13(2), 224; https://doi.org/10.3390/min13020224 - 3 Feb 2023
Cited by 4 | Viewed by 2373
Abstract
This research sheds light on the analysis of pigments and adhesives applied on a color painting on wooden architecture in Taiping Heavenly Kingdom Prince Dai’s mansion, located in Changzhou, Jiangsu Province in China. Four samples were collected from the painting above the building [...] Read more.
This research sheds light on the analysis of pigments and adhesives applied on a color painting on wooden architecture in Taiping Heavenly Kingdom Prince Dai’s mansion, located in Changzhou, Jiangsu Province in China. Four samples were collected from the painting above the building beam in the mansion, and the samples were analyzed and identified using a series of techniques, including polarized light microscopy (PLM), scanning electron microscope coupled with an energy-dispersive X-ray spectroscopy (SEM-EDS), micro-Raman spectroscopy (m-RS) and Fourier-transform infrared spectroscopy (FTIR). The results indicate that the red, black, blue, and green pigments were identified to be cinnabar, ivory black, indigo, and phthalocyanine green, respectively. The green pigment was inferred to be a lately repainted pigment based on its production age, suggesting that this ancient building had been refurbished or repaired. Given the good stability and visual effect of this green pigment, it is suggested to be used in future conservation processes. The pyrolysis-gas chromatography/mass Spectrometry (Py-Gc/Ms) results indicate that glue containing protein was used as a binder for the pigment samples, and that walnut oil might have been applied to the wooden architecture as a primer before painting. Our findings can well inform curators and conservators of the selection of appropriate restoration materials if necessary, and also provide data support for conservation of similar ancient buildings in southern China. Full article
(This article belongs to the Special Issue Archaeological Mineralogy)
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<p>(<b>a</b>) The location of the Taiping Heavenly Kingdom Prince Dai’s mansion (the red dot), situated in Jintan County, Changzhou, Jiangsu Province; (<b>b</b>) Satellite image of the location of Dai Taiping Heavenly Kingdom Prince Dai’s mansion (The red dot represents the location of the mansion); (<b>c</b>) The color painting executed on the wooden beams in Taiping Heavenly Kingdom Prince Dai’s mansion.</p>
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<p>Four pigment samples (left) collected from the color painting (right) on the northern beam of the main hall in the mansion (<b>a</b>) red, (<b>b</b>) black, (<b>c</b>) blue, and (<b>d</b>) green pigment), as labeled with yellow dots.</p>
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<p>PLM images observed under horizontal and perpendicular polarized light for (<b>a</b>,<b>b</b>) red, (<b>c</b>,<b>d</b>) black, (<b>e</b>,<b>f</b>) blue, and (<b>g</b>,<b>h</b>) green pigments. All samples were observed under 20× magnifications. The sampling positions are shown in <a href="#minerals-13-00224-f002" class="html-fig">Figure 2</a>.</p>
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<p>Raman spectrum of the (<b>a</b>) red and (<b>b</b>) black pigment samples.</p>
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<p>(<b>a</b>) Raman spectrum and (<b>b</b>) FT-IR spectrum for the blue pigment sample (indigo,C<sub>16</sub>H<sub>10</sub>N<sub>2</sub>O<sub>2</sub>); (<b>c</b>) Raman spectrum and (<b>d</b>) FT-IR spectrum for the green pigment (phthalocyanine green, CuC<sub>32</sub>N<sub>8</sub>Cl<sub>16</sub>).</p>
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<p>(<b>a</b>) Raman spectrum and (<b>b</b>) FT-IR spectrum for the blue pigment sample (indigo,C<sub>16</sub>H<sub>10</sub>N<sub>2</sub>O<sub>2</sub>); (<b>c</b>) Raman spectrum and (<b>d</b>) FT-IR spectrum for the green pigment (phthalocyanine green, CuC<sub>32</sub>N<sub>8</sub>Cl<sub>16</sub>).</p>
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<p>The total ion chromatogram (TIC) of the red pigment samples.</p>
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<p>The relative concentrations of fatty acids for the red pigment sample obtained by Py-GC/MS; carboxylic acid with carbon numbers of n.</p>
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19 pages, 7773 KiB  
Article
Development and Application of an Intelligent Modeling Method for Ancient Wooden Architecture
by Yonghui Jiang, Aiqun Li, Linlin Xie, Miaole Hou, Ying Qi and Haoyu Liu
ISPRS Int. J. Geo-Inf. 2020, 9(3), 167; https://doi.org/10.3390/ijgi9030167 - 11 Mar 2020
Cited by 18 | Viewed by 6430
Abstract
Building-information-modeling for cultural heritage (HBIM), which is established using surveying data, can be used to conserve architectural heritage. The development of an HBIM model for ancient wooden architecture (AWA) structures requires interdisciplinary integration. A parametric model for the main components that intelligently integrates [...] Read more.
Building-information-modeling for cultural heritage (HBIM), which is established using surveying data, can be used to conserve architectural heritage. The development of an HBIM model for ancient wooden architecture (AWA) structures requires interdisciplinary integration. A parametric model for the main components that intelligently integrates the historical knowledge, as well as an intelligent modeling method for these components, are two critical issues required to bridge the existing gap and improve the application of HBIM. Taking an AWA structure constructed during the Liao and Song Dynasties as an example, the parametric model for the typical components, with emphasis on commonality and characteristics, were first proposed. Subsequently, an intelligent automated modeling method was developed and programmed using Dynamo, which can intelligently identify the component type and determine the invisible dimensions. A complicated dou-gong was successfully established with surveying data using the proposed method within five minutes, thereby validating the reliability and efficiency of this method. Furthermore, the proposed method was used to establish the HBIM model of Yingxian Wood Pagoda, which is the oldest and tallest AWA structure in China with a height of 65.88 m. The research findings will provide an essential reference for the conservation of wooden architectural heritage structures. Full article
(This article belongs to the Special Issue BIM for Cultural Heritage (HBIM))
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<p>(<b>a</b>) Dou-gong with ang; (<b>b</b>) dou-gong without ang; (<b>c</b>) jump in dou-gong.</p>
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<p>Schematic diagram of juansha.</p>
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<p>(<b>a</b>) The common parametric model of Huagong; (<b>b</b>) the common parametric model of other types of gongs.</p>
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<p>Parametric model summary of the gongs.</p>
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<p>Parametric model summary of dou.</p>
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<p>Parametric model of the fang.</p>
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<p>Identification method for the type of gong: (<b>a</b>) logical diagram; (<b>b</b>) implementation diagram.</p>
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<p>The intelligent reasoning method for the invisible dimensions in <span class="html-italic">Revit Dynamo</span>.</p>
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<p>The fundamental concept of the automated modeling method.</p>
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<p>Characteristic points in gongs: (<b>a</b>) point numbering; (<b>b</b>) creation of the points of juansha.</p>
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<p>Automatic construction of the parametric model of gongs in <span class="html-italic">Revit Dynamo</span>.</p>
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<p>Drawings and transfer relationships: (<b>a</b>) drawings obtained by Guixiang Wang; (<b>b</b>) the transfer relationships between the shared parameters of adjacent components.</p>
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<p>The experimental process: (<b>a</b>) the experimental specimen; (<b>b</b>) experimental data and their relationships.</p>
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<p>The experimental process: (<b>a</b>) the experimental specimen; (<b>b</b>) experimental data and their relationships.</p>
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<p>Drawings contain the surveying and mapping work of Yingxian Wood Pagoda.</p>
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<p>Establishment of the heritage/historic building information modeling (HBIM) model of Yingxian Wood Pagoda: (<b>a</b>) dou-gong; (<b>b</b>) floor; (<b>c</b>) structure; (<b>d</b>) architecture.</p>
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13 pages, 4715 KiB  
Article
Probing Chemical Changes in Holocellulose and Lignin of Timbers in Ancient Buildings
by Chencheng Zhao, Xiaochun Zhang, Lina Liu, Youming Yu, Wei Zheng and Pingan Song
Polymers 2019, 11(5), 809; https://doi.org/10.3390/polym11050809 - 6 May 2019
Cited by 20 | Viewed by 4093
Abstract
Wooden structures in China’s ancient buildings hold highly historical and cultural values. There is an urgent need to repair and replace the damaged wooden structures after hundreds and thousands of years of exposure to weather. Unfortunately, to date there is still a lack [...] Read more.
Wooden structures in China’s ancient buildings hold highly historical and cultural values. There is an urgent need to repair and replace the damaged wooden structures after hundreds and thousands of years of exposure to weather. Unfortunately, to date there is still a lack of insightful understanding on how the chemical structure, composition, and micro-morphology evolve over the long-term natural aging before artificial ancient timbers can be developed. This work aims to systematically examine the outer surface, middle layer, and inner surface of the same piece of Chinese fir (Cunninghamia lanceolate) collected from an ancient Chinese building. Based on qualitative and quantitative analysis, both cellulose and hemicellulose in aged woods are found to experience significant degrees of degradation. The crystalline regions of cellulose are also determined to undergo moderate degradation as compared to the control fresh wood. In comparison, the lignin basically remains unchanged and its content in the inner layer slightly increases, as evidenced by more free phenol groups determined. Relative to the outer and inner layer, the middle layer of the ancient wood shows the lowest degree of degradation close to that of the fresh wood. This work offers guidelines for fabricating artificial ancient woods to repair the destroyed ones in China’s ancient architectures. Full article
(This article belongs to the Special Issue Degradation and Stabilization of Polymer-Based Materials)
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<p>Damage and reparation of typical ancient wood buildings (<b>a</b>: ancient wooden building exterior view; <b>b</b>: ancient wooden building interior view; <b>b1</b>&amp;<b>b2</b>: damaged wood carving; and <b>b3</b>: repaired with fresh wood; <b>c</b>: The specific positions for taking samples).</p>
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<p>Infrared spectra of CS, LS-O, LS-M and LS-I.</p>
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<p>Detailed Py-GC/MS data for (<b>a</b>) CS, (<b>b</b>) LS-O, (<b>c</b>) LS-M, and (<b>d</b>) LS-I.</p>
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<p>Main pyrolysis products contents for CS LS-O LS-M and LS-I obtained from Py-GC/MS measurements.</p>
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<p>Thermal Gravity Analysis (TG)/Differential thermal gravity (DTG) analysis curves of different samples. Notes: Ti and Tm refer to the temperature where starting decomposition and the maximum mass loss occur.</p>
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<p>SEM images of the cross-section topography of (<b>a</b>) and (<b>c</b>) the outer layer of ancient timbers, (<b>b</b>) and (<b>d</b>) the control fresh samples.</p>
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<p>Schematic illustration of the change of three major components in the timber in the ancient buildings in the natural aging process.</p>
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<p>(<b>a</b>) X-ray photoelectron spectroscopy (XPS) survey spectra of four samples and C1s spectra of (<b>b</b>) CS, (<b>c</b>) LS-O, (<b>d</b>) LS-M, and (<b>e</b>) LS-I.</p>
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