Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.
For educational purposes only. You can donate to support the channel at
Patreon: www.patreon.com/everyframeapainting
And follow me here:
Twitter: twitter.com/tonyszhou
Facebook: www.facebook.com/everyframeapainting
Interview Clips:
Sidney Lumet on RAN: bit.ly/1B7mfTD
Robert Altman on RASHOMON: bit.ly/1BDuvL7
Paul Verhoeven on Kurosawa: bit.ly/197vwnS
Music:
Yoko Kanno & Seatbelts - N.Y. Rush
J Dilla - Untitled Track 03 (from King of Beats)
J Dilla - Untitled Track 14 (from King of Beats)
Nujabes - Sea of Clouds
Nujabes - Transcendence
DJ Shadow - Why Hip Hop Sucks in ‘96
Help us caption & translate this video!
amara.org/v/GSn4/
For educational purposes only. You can donate to support the channel at
Patreon: www.patreon.com/everyframeapainting
And follow me here:
Twitter: twitter.com/tonyszhou
Facebook: www.facebook.com/everyframeapainting
Interview Clips:
Sidney Lumet on RAN: bit.ly/1B7mfTD
Robert Altman on RASHOMON: bit.ly/1BDuvL7
Paul Verhoeven on Kurosawa: bit.ly/197vwnS
Music:
Yoko Kanno & Seatbelts - N.Y. Rush
J Dilla - Untitled Track 03 (from King of Beats)
J Dilla - Untitled Track 14 (from King of Beats)
Nujabes - Sea of Clouds
Nujabes - Transcendence
DJ Shadow - Why Hip Hop Sucks in ‘96
Help us caption & translate this video!
amara.org/v/GSn4/