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ninjaalexs's rating
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ninjaalexs's rating
One of the worst in the franchise. It has many references to popular films at the time: The A-ha Take On Me music video, The Omen, The Exorcist, body horror like Tetsuo Iron Man & Society, Judge Dredd and Dark Horse comics.
Robert Englund is always fun to watch, but for the most part his one liners are forgettable. It is clear to viewers he has become a parody of himself. Due to the popularity of the franchise this film and Dream Master also feel more "child friendly" with less gore and more fantastical effects. It's worth mentioning this film was cut by the MPAA and the cut version was carried over to Blu-ray and streaming media. Even without the cuts the kills while inventive especially a comic book fight with Freddy lack the menace of earlier films, making Freddy look like a loveable Uncle.
The film was a box office success making almost triple its 8 million dollar budget. However, it is often panned by both genre critics and fans as being the worst in the series after Freddy's Revenge. It's difficult to argue, but there's still a good deal of invention and style to this bookmark of 80s slashers.
Robert Englund is always fun to watch, but for the most part his one liners are forgettable. It is clear to viewers he has become a parody of himself. Due to the popularity of the franchise this film and Dream Master also feel more "child friendly" with less gore and more fantastical effects. It's worth mentioning this film was cut by the MPAA and the cut version was carried over to Blu-ray and streaming media. Even without the cuts the kills while inventive especially a comic book fight with Freddy lack the menace of earlier films, making Freddy look like a loveable Uncle.
The film was a box office success making almost triple its 8 million dollar budget. However, it is often panned by both genre critics and fans as being the worst in the series after Freddy's Revenge. It's difficult to argue, but there's still a good deal of invention and style to this bookmark of 80s slashers.
Not a bad film per se, despite often being featured on many worst films lists.
Mackenzie Astin plays Dodger a young lad who is constantly picked on by bullies who are considerably older for unknown reasons. He works in Manzinis antique shop for Captain Manzini, a fantastic Anthony Newley who manages to come across as likeable, fatherly and avoids all the creepy dirty old man tropes that plague some father figures in family friendly films. We also never see Dodger's parents or him go to school. Is he orphaned? Is it bank holiday? Is his name a reference to street urchin, the artful dodger? I've no idea.
The Garbage Pail Kids are little people with animatronic masks and they look pretty decent. Sadly the film suffers from the repetition of unfunny fart, vomit and pee jokes. Kids love gross out humour, but there's no wit to it. The bullying scenes are also unnecessarily mean with no charisma to any of the bad dudes. Compared to Hank and Marv in Home Alone who are not only funny and likeable but also menacingly enough to be a threat. In GPK Dodger just comes across as being abused by 20 year olds which is just plain weird. Gorgeous B-movie actress Katie Barberi plays older love interest Tangerine. It's sort of difficult to like the character, money obsessed and as much of a bully as the other gang. Phil Fondacaro who plays Greaser Greg is kind of fun clearly modelled on the Fonz and possibly Andrew Dice Clay.
I don't think the film is unsuitable for children, but the bullying scenes are downright mean spirited. With something like Karate Kid or Monster Squad or Diary of a Wimpy Kid it works as there is more heart to it. Who knows with a better script, some hilarious jokes and some better plotting we could have had something special. What we ended up with was a strange curio that obtained cult status by accident. Real disappointment is just how much better Gremlins, Ghostbusters and Legend are at doing something which is cute but scary while maintaining a broad appeal.
Mackenzie Astin plays Dodger a young lad who is constantly picked on by bullies who are considerably older for unknown reasons. He works in Manzinis antique shop for Captain Manzini, a fantastic Anthony Newley who manages to come across as likeable, fatherly and avoids all the creepy dirty old man tropes that plague some father figures in family friendly films. We also never see Dodger's parents or him go to school. Is he orphaned? Is it bank holiday? Is his name a reference to street urchin, the artful dodger? I've no idea.
The Garbage Pail Kids are little people with animatronic masks and they look pretty decent. Sadly the film suffers from the repetition of unfunny fart, vomit and pee jokes. Kids love gross out humour, but there's no wit to it. The bullying scenes are also unnecessarily mean with no charisma to any of the bad dudes. Compared to Hank and Marv in Home Alone who are not only funny and likeable but also menacingly enough to be a threat. In GPK Dodger just comes across as being abused by 20 year olds which is just plain weird. Gorgeous B-movie actress Katie Barberi plays older love interest Tangerine. It's sort of difficult to like the character, money obsessed and as much of a bully as the other gang. Phil Fondacaro who plays Greaser Greg is kind of fun clearly modelled on the Fonz and possibly Andrew Dice Clay.
I don't think the film is unsuitable for children, but the bullying scenes are downright mean spirited. With something like Karate Kid or Monster Squad or Diary of a Wimpy Kid it works as there is more heart to it. Who knows with a better script, some hilarious jokes and some better plotting we could have had something special. What we ended up with was a strange curio that obtained cult status by accident. Real disappointment is just how much better Gremlins, Ghostbusters and Legend are at doing something which is cute but scary while maintaining a broad appeal.
Coming out in an era when satire was king with the likes of Spitting Image and Ben Elton doing his laborious, but pointed stand-up. Hale & Pace like slasher horror films of the 1980s is a great example of something that was a critical failure, but a commercial success. Much maligned throughout it's incredibly long run; sometimes justifiably, often unfairly.
A common criticism was "two straight men"; an unwritten rule of comedy being a straight man and a clown a la: Morecambe & Wise and Laurel & Hardy. However, there are many successful comedy double acts with two jokers like Dick & Dom, Trevor & Simon and Vic & Bob. The criticisms of being vulgar are true and often the laughs would be based on someone saying a rude word or a vulgar punchline about bodily functions.
However amongst the throwaway sketches there are some sketches that are as good as anything on any other sketch show at the time: "Yorkshire Airlines", "Piss Off Mr. Chips", "Billy & Johnny" - two kid's TV presenters who hate each other. Weirdly, many comedians who criticised H&P pretty much did the same albeit in a slightly more clever way: Harry Enfield, Lee & Herring, Baddiel & Newman. The mantra being nob gags are OK if there is a literary reference in there.
Another thing people forget is just how good the performances of Hale & Pace are. Both having a gift at regional accents. Norman Pace is a surprisingly good singer, while Gareth Hale often bring a pathos to some of the sketches.
It may have gone for the cheap laugh or have been unecessarily violent and rude, but it represents a time when there was entertainment for the pre and post-pub audience. I will pick the worst of Hale & Pace over the best of Naked Attraction, which is the late night fare du jour.
A common criticism was "two straight men"; an unwritten rule of comedy being a straight man and a clown a la: Morecambe & Wise and Laurel & Hardy. However, there are many successful comedy double acts with two jokers like Dick & Dom, Trevor & Simon and Vic & Bob. The criticisms of being vulgar are true and often the laughs would be based on someone saying a rude word or a vulgar punchline about bodily functions.
However amongst the throwaway sketches there are some sketches that are as good as anything on any other sketch show at the time: "Yorkshire Airlines", "Piss Off Mr. Chips", "Billy & Johnny" - two kid's TV presenters who hate each other. Weirdly, many comedians who criticised H&P pretty much did the same albeit in a slightly more clever way: Harry Enfield, Lee & Herring, Baddiel & Newman. The mantra being nob gags are OK if there is a literary reference in there.
Another thing people forget is just how good the performances of Hale & Pace are. Both having a gift at regional accents. Norman Pace is a surprisingly good singer, while Gareth Hale often bring a pathos to some of the sketches.
It may have gone for the cheap laugh or have been unecessarily violent and rude, but it represents a time when there was entertainment for the pre and post-pub audience. I will pick the worst of Hale & Pace over the best of Naked Attraction, which is the late night fare du jour.