SimonJack

A number of comedies were made in the 1930s and 1940s that centered around a wealthy American marrying into European aristocracy. Most of them were rich daughters or heiresses who were seeking their princes. But sometimes it was the male nobility seeking a bailout for the lost or in-debt family estate. Both types were just high society and snobbish versions of the more familiar type of American situations with gold diggers and goldbricks. Of course, the ever erudite movie audiences of those days - in the Americas or Europe, knew that a rose is a rose by any other name. And so, most of these films were just lots of fun and entertaining.

Well, "My American Wife" does a sort of turn around of the usual formula. Francis Lederer comes from a European nobility. He is Count Ferdinand von und zu Reidenach. Linguists may see the play on words in his very title - he is von und zu, or from and to. He and Mary Cantillon, played by Ann Sothern, have real love and were married in Europe. Now they are coming back to her hometown, Smelter City, somewhere in the American West. Her family are among the upper crust of the community. That is, all but grandpa Lafe Cantillon, played by Fred Stone. He holds honor among the common folk as being one of the last of the pioneers who established the town. The film opens with a golden jubilee celebration of the town.

With a title like Count Ferdinand von und ze Reidenach, anything might happen. And, in "My American Wife," it does. Francis Lederer turns upside down the usual formula for comedies that include European titles. Instead of resting on the laurels of title to marry into American wealth, this new groom of Mary Cantillon wants to be a real American. Though, while she loves him for who he is and not his title, it does have a little hold on her. And her parents and in- laws do relish having nobility in their family. That is, all but grandpa Cantillon. He harkens back to the pioneer days when people fought and worked hard to build America.

Well, there are some good chuckles here, and a little come-uppances for Mary and her family. Freddie wins Grandpa's heart by taking to the land to work also. So, he and Lafe eventually win out over the rest of the clan. All of this supporting cast of familiar faces of the day give good performance's, including Billie Burke, Grant Mitchell, Ernest Cossart and others. It's not a laugh-out-loud comedy or one with clever dialog. But the situations range from warm to funny throughout.

Funerals are a serious matter for most people. Saying goodbye to loved ones and close friends is sorrowful at the least, and is often heart-wrenching for some. A funeral is rarely a part, or even the centerpiece as this one is, of a comedy film. So, in order for it to work as such, it has to be outlandish. Well, "Death at a Funeral" is outlandish, and so, very funny in places.

This is an adult comedy, and because of the setting, and some of the profanity, partial male nudity and script, it won't be for everyone. But mature adults who are not averse to - and those who appreciate, biting humor, will get some great laughs from this film. It is very mature British comedy, but not at all tongue-in-cheek.

Enough said. It's R rating is appropriate. Those who can really laugh at life, especially the outlandish things that might and sometimes do happen, will enjoy this film. Anyone who can't see herself or himself of such ilk, would best not bother to watch "Death at a Funeral."