The Last Face

There have been many, many awful movies through the ages, all critiqued as such here at IMDB and by professional critics too -But none that I remember was critiqued with such vitriol and, dare I say hatred, as this one.

But it's not this movie that is bad... what's bad is for Americans and Europeans to switch to hateful anger against anything that shows them Africa for what we, westerners, have turned it into.

Sean Penn's The Last Face, with South African Charlize Theron and Spaniard Javier Bardem is no Lawrence of Arabia meets Ryan's Daughter on the Bridge on the River Kwai, hence the eight stars instead of ten. But it is an absolutely competently-made, perfectly convincing, realistic, well-staged, intuitively photographed, honest mirror upon which to gaze at mere snippets of what we have done in Africa -so that we may then break the mirror in denial, yelling bad direction and infantile script. No, sorry, this is a good movie, medium rare instead of well-done and, medium rare is always best when it comes to tasting the blood of something we've killed.

I am not surprised Theron gave such a great performance, as I hear she does care about the continent she's from and the issues there. It was great hearing her speak English, for once, with her real South African accent. Bardem brought the western Mediterranean vulnerable macho to the table. Excellent choice, both, for white-western Doctors in the African savage civil wars. What did surprise me was that an American actor like Sean Penn should have such a profound understanding of what Americans don't see and would have the directorial skill to be subtle about holding our heads to look at it whether we like it or not. Do Sean a favor and keep the volume on high so you can hear what they're whispering to each other at night, just so you can jump out of your seat at the first very loud burst of machine gun fire and explosives.

The love story did not look to me like a "movie prerequisite", unfitting to the subject matter. It felt completely natural and real, and the narration would have felt false without it: it was needed. Both doctors needed it in order to survive what they were witnessing on a daily basis for years. And it was honest. Sure, sure, the lines were not Shakespeare, but real people don't speak like poet laureates or award-winning script writers in real life.

Oh, and the atrocities were not overdone, or "refugee porn" like someone called it: The imagery and actions were still pretty tame and movie-rating accessible compared to what's really going on in Sierra Leone and South Sudan.

I recommend this as great movie to watch and I am wondering whether I should stop short of calling it an Important movie. Nope, I think it may well be an important one.

What might have been a heartfelt African tragedy falters under the heavy hand of Sean Penn who does here, what he once claimed Terrence Malick was guilty of: (with words to the effect... 'Creating something that looked good on paper but failing to transcribe it to film'. Shoddy hand held photography, poor composition, disjointed editing - with scenes that should have been short, left long, and visa-versa. Sound was another problem, people whisper - with it all being so low, as not to be heard. Eye rolling arty shots without purpose - a story that's on again-off again, with performers doing what they can but, being left all at sea by their overindulging director.

A movie maker seemingly pushing his political views - at the expense of third world persons lost to the corruption within their own leaders and an uncaring world - surrounded by repugnant violence (some of the violence is realistically shocking) Mr Penn may (or may not) have his heart in the right place but tends to allow the shadowy edge of politics to blind his visionary vocation. At one point some innocent victims exclaim 'In the name of Jesus' - the people there to help them reply: 'what about in OUR name'? Maybe that's just the point - take Christ's unconditional love from these poor souls and they have exactly nothing! - So, what does the story teller dislike most, the love or the forgiveness? Some music choices on the sound track help to a small degree but sadly, self importance does not, a good movie make. Like other Penn movies this seems to run forever, needlessly.

This film tells the story of a female doctor who goes to Africa for a humanitarian mission. She witnesses many horrors on both a personal and transpersonal level.

"The Last Face" starts off strong by depicting an African community that is savaged by war. The humanitarian workers do what they can with limited resources, amid dangers around them. This transpersonal altruism is to be applauded. However, the film then descends into a Tesla romantic drama. I honestly don't care for their relationships. I actually know for a fact that romance is discouraged in these humanitarian projects, so the film loses credibility once romance is touched upon. What makes it worse is that there is this health scare in the middle of the story, and it is not followed up again. It is a pity, as a film about humanitarian missions could have been tear jerking.

This is a thought-provoking and beautifully dramatic film , packing a stirring love story , though slowly paced and paying tribute to the sacrificed doctors working in the African countries . A chief of an international aid agency in Africa called Wren (Charlize Theron) runs the International Council in Geneva , Switzerland , coordinating the international activities common to the operational centres , as well as raising international awareness of potential humanitarian disasters . Then , Wren arrives in Africa and meets a relief aid doctor Miguel Leon (Javier Bardem) who belongs to ¨Médecins Sans Frontières¨ (MSF , vast majority of staff are volunteers) , also known as ¨Doctors Without Borders¨ and both of whom fall in love . The doctor Wren joins a group of obstinate doctors (Adèle Exarchopoulos , Jared Harris , Jean Reno , Denise Newman) who help unfortunate and distressed African people and undergo risked operations to wounded townsfolk . Meanwhile , in Monrovia , Liberia , takes place a state coup , and then they get together to flee from the capital to Sierra Leona . They embark in a dangerous journey which will take various countries risking his own life and pursued by nasty guerrillas .

Intelligent drama with plenty of emotion , moving scenes and sensational performances . This is a deliberately paced flick , a satisfying journey of love , justice and self-discovery amidst political/social revolutions . It displays great feeling , thrills , and provoking melodrama in which a couple takes on strong choices surrounding humanitarianism and tough lives through civil unrest . This brooding flick sometimes results to be slow-moving , relying heavily on the long love affair and both of them compliment each other with their destine to help the unfortunate natives of African countries . Being developed in sensibility and intelligence , here are narrated ethic , moral issues with great sense of ductility and in ¨Terence Malick¨ style . As the stubborn doctors expand accessibility to medical care across national boundaries and irrespective of race , religion , creed or political affiliation . Cast is frankly good and giving top-notch interpretations . As the Spanish Javier Bardem providing an awesome acting , he grants his character a self-righteous drive that is made poignant for her determination and sheer will . Very magnetic performance by Charlize Theron as member of an aid agency directing efforts to provide medical care in acute crises , she gives the right balance of self-righteousness which makes her performance more real , she also creates her character human , heart and determination with her role , not a stereotype . The movie contains thrilling and violent scenes like the breathtaking battle when the military revolutionaries going into the capital Monrovia in blood and fire , as well as rampage , ravage and the indiscriminate massacres carried out by the extremely violent revolutionary guerrillas . And including gory scenes , such as grisly killings in cold blood and an astonishing surgical Cesarian . Beautiful , haunting and mesmerizing cinematography by Barry Ackroyd . Perceptible , and at times rousing musical score by the prestigious composer Hans Zimmer , including some really sensitive songs in African sounds .

The motion picture was professionally -though in complex narrative filled with flashbacks- directed by Sean Penn . Here Penn tells an African story full of death and violence and presents it with impressive truth , though being both , overlong and touching . Sean Penn tops his last directional effort with an intense drama that is moving , scary and down right forthright . This "The Last Face" (2016) will appeal to Javier Bardem and Charlize Theron fans .

Scanning through the reviews on this film was a reminder of just how much impact expectations have on you when you are not aware that you are projecting them. People complaining about the romantic element in the film or the violence are simply upset because they had expectations of what this should have been. Playing the writer and director when they are not.

All too often I come across negative reviews because they had different expectations instead of accepting what was presented in front of them as someone else's perspective, story or art. I find that you enjoy art (of any form) much more when you allow them to express it without projecting your expectations. Imagine standing in an art gallery and staring at a painting and then shouting to the room around you that you would not have used red but instead blue in this painting! How dare they do this! Projecting your expectations on someone or something else is a character defect. While you are allowed an opinion, there's a difference between having an opinion and disregarding someone else's vision because is not in-line with your expectations. Had you maintained an open-mind with no expectations, you might have experienced something completely different. This also translates to life and how you interact with people. Keeping your side of the street clean, so to speak.

And to all the people using the phrase "white savior" and calling the film racist and the people who review it positively, racist, you are sad and pathetic. I understand what "white savior" is supposed to mean in context, but with that mentality, no film or TV show ever again, can have a Caucasian helping someone of color. This is a card that is played by the "woke" culture. Instead of viewing it as a human being helping another human being, you choose to see a white woman coming to the rescue. Who's the racist here? The people that are using these tactics need to grow up and expand their minds a bit.

As far as the movie, I'm not going to review it here. What I got from it really isn't that important. It's what you get from it that matters. I just wanted to voice my opinion regarding the people projecting their expectations in many of the comments not only on this film but across the internet. Not that it matters.