The Tractate Middoth
- Episode aired Dec 25, 2013
- 35m
IMDb RATING
6.7/10
782
YOUR RATING
"The Tractate Middoth" tells the tale of when a young librarian receives a request for an obscure Hebrew book from a sinister gentleman, unaware of its contents."The Tractate Middoth" tells the tale of when a young librarian receives a request for an obscure Hebrew book from a sinister gentleman, unaware of its contents."The Tractate Middoth" tells the tale of when a young librarian receives a request for an obscure Hebrew book from a sinister gentleman, unaware of its contents.
Mathew McQuinn
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- (as Mathew Foster)
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10CreeCart
I thought this ghost story was awesome! (My review is too short) so I will also say, "this short film would be great to watch on a rainy afternoon."
During the Seventies the BBC made a habit of broadcasting A GHOST STORY FOR Christmas, mostly written by M. R. James and directed by Lawrence Gordon Clark. This continued a tradition established by James himself, who initiated precisely the same ritual during his lifetime as he read out a newly-created story each Christmas to his intimate circle of friends. Directed and adapted by Mark Gatiss, THE TRACTATE MIDDOTH revives that tradition; it concerns Garrett, a young librarian (Sacha Dhawan) who works at an Oxbridge college and is asked by elderly user John Eldred (John Castle) to locate a book, "The Tractate Middoth." This book appears to have been taken by a mysterious borrower who turns out to be a rotting ghost. Garrett encounters this specter and is thereby unwittingly drawn into a dark family story of resentment and revenge. Gatiss' adaptation updates the material to the Fifties, which enables him to create a thriller in the style of the MAN IN BLACK series (which Gatiss revived on radio) or the Edgar Lustgarten mysteries for Merton Park Studios. The adaptation establishes a sense of security through the presence of familiar elements - notably the Oxbridge locations, and the presence among the cast of stalwart character actors such as Roy Barraclough, David Ryall and Una Stubbs. As the action progresses, this sense of familiarity is gradually dismantled, culminating in a violent denouement. We are left in no doubt what will happen, but Gatiss stages it in an unexpected manner in the middle of a rural clearing on what looks like a fine late summer's day. The adaptation contains some notable cameos - for example Barraclough as a librarian insisting on absolute silence in his premises (even though there doesn't seem to be anyone there apart from Garrett and his friend George Earle (Nicholas Burns); and Castle's John Eldred, whose increasing anxiety is suggested by his breathless delivery.
From actor, writer and director Mark Gatiss is an adaptation of a short ghost story from M R James.
Gatiss better known as a performer with The League of Gentlemen and as a writer on Doctor Who and Sherlock. He is an aficionado on horror and Victorian literature.
This is short simple, spooky tale. It has very little by way of tricks or fancy visual gimmicks. There are familiar British stalwarts such as Roy Barraclough, Una Stubbs and John Castle.
Sacha Dhawan plays an earnest Librarian in the 1950s whose disposition gets rather nervous after a spectral encounter when looking for a book in Hebrew.
Some might find the adaptation flat or uninspiring but it misses the point. It is a throwback to the old days when you had a plain ghost story told in a straightforward manner and still provides a few chills.
Gatiss better known as a performer with The League of Gentlemen and as a writer on Doctor Who and Sherlock. He is an aficionado on horror and Victorian literature.
This is short simple, spooky tale. It has very little by way of tricks or fancy visual gimmicks. There are familiar British stalwarts such as Roy Barraclough, Una Stubbs and John Castle.
Sacha Dhawan plays an earnest Librarian in the 1950s whose disposition gets rather nervous after a spectral encounter when looking for a book in Hebrew.
Some might find the adaptation flat or uninspiring but it misses the point. It is a throwback to the old days when you had a plain ghost story told in a straightforward manner and still provides a few chills.
While I applaud the decision to resurrect the Ghost Story for Christmas series, which I always loved, this sadly isn't very good.
Extremely poor dialogue, overly mannered 'acty' performances, and a very rushed feel (understandable I suppose due to time constraints) all add up to a very inferior ghost story.
The usual predictable Gatiss Woke trappings in evidence, too.
Avoid.
Extremely poor dialogue, overly mannered 'acty' performances, and a very rushed feel (understandable I suppose due to time constraints) all add up to a very inferior ghost story.
The usual predictable Gatiss Woke trappings in evidence, too.
Avoid.
THE TRACTATE MIDDOTH deserves commendation purely because it's a traditional ghost story and an adaptation of an M. R. James story to boot. Unlike the previous version of WHISTLE AND I'LL COME TO YOU, which starred John Hurt and unwisely tried to update the story to the modern day (very unsuccessfully, I might add), THE TRACTATE MIDDOTH is extremely traditional and true to the original story.
It's a labour of love for writer/director Mark Gatiss, who turns out to be a better writer than he is director. It's not that his direction is poor, it's just rather straightforward and perhaps slightly too subtle, even when adapting an author known for his subtlety. The story adaptation also has a few flaws, including some rather large coincidences, but then it does have to all tie up neatly in a rather short running time.
The period look and feel is spot on, and the plotting is quite a bit of fun. Most importantly, it feels true to the classic adaptations of the '70s, even if it is a lesser being. The horror does feel very gentle and the two 'scare' sequences aren't entirely successful, but I'm just happy that the BBC are going in the right direction for once. Let's hope Gatiss gets to do another one next year!
It's a labour of love for writer/director Mark Gatiss, who turns out to be a better writer than he is director. It's not that his direction is poor, it's just rather straightforward and perhaps slightly too subtle, even when adapting an author known for his subtlety. The story adaptation also has a few flaws, including some rather large coincidences, but then it does have to all tie up neatly in a rather short running time.
The period look and feel is spot on, and the plotting is quite a bit of fun. Most importantly, it feels true to the classic adaptations of the '70s, even if it is a lesser being. The horror does feel very gentle and the two 'scare' sequences aren't entirely successful, but I'm just happy that the BBC are going in the right direction for once. Let's hope Gatiss gets to do another one next year!
Did you know
- ConnectionsFeatured in MR James: Ghost Writer (2013)
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- Also known as
- Трактат Миддот
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- Runtime35 minutes
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