22 reviews
Pablo makes a fair point . But it was the family who owned the property that tried in vane to share this great discovery with the world and condemned as a fraud. As with anything discovery is not the be all and end all. A far more significant
point to this story is about is the efforts to share this magnificent artifact with the world in the face of complete skepticism. Yes a shepherd / hunter found it but the journey is in getting people to understand the value in the history of mankind amid claims of fraud. This is an effort to view the far bigger picture the efforts to learn human history and just how relevant this find was relating to preserving a chapter in early mankind's history. the effort to share with the world is the story .pablo is looking through a more political lens. But at the time it seems few other than a determined landowner cared about the historical value . His efforts saved these magnificent artifacts bring attention to the story of mankind's history
point to this story is about is the efforts to share this magnificent artifact with the world in the face of complete skepticism. Yes a shepherd / hunter found it but the journey is in getting people to understand the value in the history of mankind amid claims of fraud. This is an effort to view the far bigger picture the efforts to learn human history and just how relevant this find was relating to preserving a chapter in early mankind's history. the effort to share with the world is the story .pablo is looking through a more political lens. But at the time it seems few other than a determined landowner cared about the historical value . His efforts saved these magnificent artifacts bring attention to the story of mankind's history
Marcelino de Sautuola (Antonio Banderas) was a Spanish jurist and amateur archaeologist who owned the land where the Altamira cave was found . As his daughter Maria (as little girl : Allegra Allen and grown-up : Irene Escolar) , nine years old at the time, incidentally noticed that the ceiling was covered by images of bisons . Sautuola then started exploring the caves in 1875. He did not become aware of the paintings, however, until 1879, when Sautuola, having seen similar images engraved on Paleolithic objects displayed at the World Exposition in Paris the year before, rightly assumed that the paintings might also date from the Stone Age. Attempting to expose their discovery to the academic world for that they study the paintings , but he failed . Looking for the truth, Sautuola was the rest of his life fighting to prove that those paintings were real, attempting to restore his innocence from the accusations of falsehood launched against him by scientists , historians , geographers and priests (Rupert Everett) . As Marcelino , his wife Conchita (Golshifteh Farahani) and daugther (later she married into the BotÃn family of Cantabrian bourgeoisie, the current owners of Banco Santander are Sautuola's descendants) suffering distresses and unfortunes trying to demonstrate the reality of the fabulous paintings .The Altamira cave, now famous for its unique collection of prehistoric art, was well known to local people, but had not been given much attention until in 1868, when it was "discovered" .
Biography about existence and happenings of the man who realized one of the most important discoveries of the 19th : Altamira , Pateolithic paintings . As Marcelino Sanz de Sautuola y de la Pedrueca, in 1868, accidentally discovered Paleolithic paintings with the help of a hunter named Modesto Cubillas inside Altamira's caves, located in Cantabria, north to Spain . The flick concerns about confrontation between science and religion ; and between rationalism and faith . As Sautuola was panned and accused the paintings were made for the own Sautuola, in a effort to get richness . Dealing with his thunderous life when crashed against the skepticism and discredit of all scientists , geographers , and religious people , who claimed that the caves were false .
The picture displays an evocative and imaginative cinematography by José Luis Luis Alcaine who is deemed to be one of the best Spanish cameramen with a long and prestigious artistic career and Almodovar's ordinary cameraman , as he has photographed successes such as ¨Volver¨ , ¨The bad education¨ , ¨The skin I live in¨ , and ¨Women on the verge of a nervous breakdown¨ . He was first cinematographer to use fluorescent tube as "key" lightning in the 1970s . Jose Luis Alcaine thought a theory that the Frank Borzage movie A farewell to the arms (1932) after a story by Ernest Hemingway, was the main and total inspiration for Pablo Picasso in the creation of the "Guernica", one of the most important painting of the 20th century. He believes that several images of a sequence of 5 minutes long showing the exodus of countrymen and soldiers on an infernal rainy night was the inspiration of Pablo Picasso. Furthermore , a willingness almost perfect of the elements of each shot , every sequence , every space . Sensitive and rousing musical score by Mar Knopfler . The yarn was well directed by Hugh Hudson (Chariots of fire , Greystoke , I dreamed of Africa Irresistible, Revolution)
The picture is based on historical events about the discoverer of the Altamira paintings , these are the followings : Marcelino thanks to his daughter Maria , and the hunter Modesto discoverd the notorious caves . He therefore engaged an archaeologist from the University of Madrid to help him in his further work. Professor Juan Vilanova y Piera supported Sautuola's assumptions, and they published their results in 1880, to much public acclaim. But the scientific society was reluctant to accept the presumed antiquity of the paintings . The French specialists, led by their guru Gabriel de Mortillet, were particularly adamant in rejecting the hypothesis of Sautuola and Piera and their findings were loudly ridiculed at the 1880 Prehistorical Congress in Lisbon. Due to the supreme artistic quality, and the exceptional state of conservation of the paintings, Sautuola was even accused of forgery. A fellow countryman maintained that the paintings had been produced by a contemporary artist, on Sautuola's orders. It was not until 1902, when several other findings of prehistoric paintings had served to render the hypothesis of the extreme antiquity of the Altamira-paintings less shocking (and forgery less likely), that the scientific society retracted their opposition to the Spaniards. That year, the towering French archaeologist Émile Cartailhac, who had been one of the leading critics, emphatically admitted his mistake in the famous article, "Mea culpa d'un sceptique", published in the journal L'Anthropologie. Sautuola had died 14 years earlier, and did not live to enjoy the restitution of his honour or the later scientific confirmation of his premonitions. Modern dating techniques have since confirmed that the paintings of the Altamira cave were created over extended periods between 11,000 and 19,000 years ago. For the study of Paleolithic art Sautuola's discoveries must now be considered pivotal.
Biography about existence and happenings of the man who realized one of the most important discoveries of the 19th : Altamira , Pateolithic paintings . As Marcelino Sanz de Sautuola y de la Pedrueca, in 1868, accidentally discovered Paleolithic paintings with the help of a hunter named Modesto Cubillas inside Altamira's caves, located in Cantabria, north to Spain . The flick concerns about confrontation between science and religion ; and between rationalism and faith . As Sautuola was panned and accused the paintings were made for the own Sautuola, in a effort to get richness . Dealing with his thunderous life when crashed against the skepticism and discredit of all scientists , geographers , and religious people , who claimed that the caves were false .
The picture displays an evocative and imaginative cinematography by José Luis Luis Alcaine who is deemed to be one of the best Spanish cameramen with a long and prestigious artistic career and Almodovar's ordinary cameraman , as he has photographed successes such as ¨Volver¨ , ¨The bad education¨ , ¨The skin I live in¨ , and ¨Women on the verge of a nervous breakdown¨ . He was first cinematographer to use fluorescent tube as "key" lightning in the 1970s . Jose Luis Alcaine thought a theory that the Frank Borzage movie A farewell to the arms (1932) after a story by Ernest Hemingway, was the main and total inspiration for Pablo Picasso in the creation of the "Guernica", one of the most important painting of the 20th century. He believes that several images of a sequence of 5 minutes long showing the exodus of countrymen and soldiers on an infernal rainy night was the inspiration of Pablo Picasso. Furthermore , a willingness almost perfect of the elements of each shot , every sequence , every space . Sensitive and rousing musical score by Mar Knopfler . The yarn was well directed by Hugh Hudson (Chariots of fire , Greystoke , I dreamed of Africa Irresistible, Revolution)
The picture is based on historical events about the discoverer of the Altamira paintings , these are the followings : Marcelino thanks to his daughter Maria , and the hunter Modesto discoverd the notorious caves . He therefore engaged an archaeologist from the University of Madrid to help him in his further work. Professor Juan Vilanova y Piera supported Sautuola's assumptions, and they published their results in 1880, to much public acclaim. But the scientific society was reluctant to accept the presumed antiquity of the paintings . The French specialists, led by their guru Gabriel de Mortillet, were particularly adamant in rejecting the hypothesis of Sautuola and Piera and their findings were loudly ridiculed at the 1880 Prehistorical Congress in Lisbon. Due to the supreme artistic quality, and the exceptional state of conservation of the paintings, Sautuola was even accused of forgery. A fellow countryman maintained that the paintings had been produced by a contemporary artist, on Sautuola's orders. It was not until 1902, when several other findings of prehistoric paintings had served to render the hypothesis of the extreme antiquity of the Altamira-paintings less shocking (and forgery less likely), that the scientific society retracted their opposition to the Spaniards. That year, the towering French archaeologist Émile Cartailhac, who had been one of the leading critics, emphatically admitted his mistake in the famous article, "Mea culpa d'un sceptique", published in the journal L'Anthropologie. Sautuola had died 14 years earlier, and did not live to enjoy the restitution of his honour or the later scientific confirmation of his premonitions. Modern dating techniques have since confirmed that the paintings of the Altamira cave were created over extended periods between 11,000 and 19,000 years ago. For the study of Paleolithic art Sautuola's discoveries must now be considered pivotal.
I gave this a seven, because of the historical importance of the Altamira cave paintings. But as film itself goes, it rates a 6. History saves this film. The depiction of the work of the paleolithic art is accurate, though somewhat blurred in its depiction. The background of this film was too drawn out however, to allow for a better rating. It steers to closely to a Hallmark movie, rather than a dramatic historic narrative. To me, when actual historic dialog is lacking, as little as possible should be added to fill in the blanks. I almost stopped watching it due to the tedium of the dialogue. The acting was good. It was probably Banderas's best work since the 13th warrior. He was very believable in the role of Marcelino Sanz de Sautuola. Though his accent still detracts from his performance, even in a Spanish role. Rupert Everett shows once again his great talent. It is sad that his attitude has led to the downfall of his career. The other character actors were somewhat bland but acceptable. As it is the case with any historical film, that teaches as well as entertains, the audience and mankind can only benefit. A must watch for amateur historians.
Great movie and I am sure it's not completely historically accurate but IT'S NOT A LIE!
It's no Hollywood block buster full of action with massive budget, it is a well made movie with good acting, good scenery & sets, good cinematography with loverly story based on historic fact. Well worth the watch.
It's no Hollywood block buster full of action with massive budget, it is a well made movie with good acting, good scenery & sets, good cinematography with loverly story based on historic fact. Well worth the watch.
Real easy to critic it. for the not examplary respect for accuracy of story, for dialogues and for too obvious fight between Church and science. but it has a small significant virtue - it is the right film for the child inside us from the early history lessons, when the teacher spoke about Altamira and Lascaux. for this child, recognosible in the traits of the girl, "Finding Altamira" has virtues of magic. or late answer. the film is far to be great. but it is a decent one, with a good job of Antonio Banderas and Rupert Everett in a surprising role. sure, it could be better. but , maybe, another director and scriptwriter are more inspired.
- Kirpianuscus
- Feb 7, 2018
- Permalink
- abhishek-bose
- Nov 3, 2016
- Permalink
The man who discovered the Altamira Caves was a shepherd named Modesto Cubillas.
The person who the film says is the discoverer, Marcelino Saenz de Sautola is only the owner of the land but the film insists on giving all the importance to this man. Do you know why?
The family Botin & Sainz de Sautuola is one of the most powerful families in Spain (owners of Santander Bank), they are creepy aristocrats who want to honor his ancestor with a lie. The family Botin & Sainz de Sautuola are who sponsor the film. Poor Modesto Cubillas, you were "only" a shepherd with no money.
The person who the film says is the discoverer, Marcelino Saenz de Sautola is only the owner of the land but the film insists on giving all the importance to this man. Do you know why?
The family Botin & Sainz de Sautuola is one of the most powerful families in Spain (owners of Santander Bank), they are creepy aristocrats who want to honor his ancestor with a lie. The family Botin & Sainz de Sautuola are who sponsor the film. Poor Modesto Cubillas, you were "only" a shepherd with no money.
- jfseyllier
- Apr 1, 2016
- Permalink
A solid little movie about an awfully important event in human history and the fight against religious ignorance and persecution.
Sadly it doesn't really address the real issue of science vs religion.
Interesting true story but an opportunity lost
Sadly it doesn't really address the real issue of science vs religion.
Interesting true story but an opportunity lost
- MadamWarden
- Jun 24, 2020
- Permalink
Movie deserves a 6 at least. Story is based on a complete distortion of the actual truth. Altamira caves were discovered by a shepherd/hunter. The film story is a fabrication of the rich Statuola family who sponsored the film, in order to falsely credit and "honor" their ancestor. Poor shepherd into oblivion, rich family takes the credit. So 1/10 from me, for hiding the truth and lying.
I give this movie full marks. It may not be Lawrence of Arabia or a block buster but it is fine cinema nevertheless. For what the producers did with their budget and the location and interior shots - they did very well. One reviewer remarked that the movie did not credit the true discoverer of the cave. However if you watch carefully it is clear that credit is given to the huntsman who actually did find the entrance in 1858.
I enjoyed the production thoroughly. this is the perfect movie for those who enjoy historical drama. Well paced with great photography and great location sets. I have family in the film industry living in Hollywood and it is often a great battle between the corporate financiers who want as much sex and nudity with blond bimbos to boost sales and are constantly ruining potentially good cinema by inserting complete dross into otherwise good scripts. Good cinema is becoming rare. Someone has taken a punt on this movie and my bet is that it won't rake in millions - but it gets my vote and I loved it.
In May 2017 I will be visiting Altamira and will remember this movie and certainly want to read more about its discovery. Chris Lachman, Adelaide, Australia
I enjoyed the production thoroughly. this is the perfect movie for those who enjoy historical drama. Well paced with great photography and great location sets. I have family in the film industry living in Hollywood and it is often a great battle between the corporate financiers who want as much sex and nudity with blond bimbos to boost sales and are constantly ruining potentially good cinema by inserting complete dross into otherwise good scripts. Good cinema is becoming rare. Someone has taken a punt on this movie and my bet is that it won't rake in millions - but it gets my vote and I loved it.
In May 2017 I will be visiting Altamira and will remember this movie and certainly want to read more about its discovery. Chris Lachman, Adelaide, Australia
Not sure why it has so poor ratings (I found this movie very solid), maybe the absence of a terrible hero. Or that its ending is not sweet-guess what -some scientific endeavors end tragic and are recognized late.
The movie does not cater to the PR themes that are abundant in European cinema-we see Marcelino being attacked by both creationist and evolutionist groups.
There is good deal of how a scientific exploration develops, a nice family story, human drama and all this is combined with great artistry. There are a number of bibliographical movies that, as if to dumb down its subject for the masses, end up in melodramatic mush (eg "Creation"). "Finding Altamira" is not like this.
The movie does not cater to the PR themes that are abundant in European cinema-we see Marcelino being attacked by both creationist and evolutionist groups.
There is good deal of how a scientific exploration develops, a nice family story, human drama and all this is combined with great artistry. There are a number of bibliographical movies that, as if to dumb down its subject for the masses, end up in melodramatic mush (eg "Creation"). "Finding Altamira" is not like this.
I had virtually no knowledge of these caves and found the film to be geared toward those who either have some education about either the caves, or the modern obsession to discredit Christianity where facts are secondary. There seems to be no informational sentence or scene that gives credence to the idea that the caves somehow threaten the teachings of Adam and Eve, or Jesus.
A quick search online only reveals that the paintings' authenticity and chronology are still in question where some experts agree that they may be authentic if they were created over a period of 20,000 years -- for those with college educations, I fear this is a sly way of stating the paintings are not ancient since the idea of the same artwork being performed over 20,000 yrs is ludicrous.
I think the film tries to depict that time period well but clearly sides against the church, using real and beautiful doctrine but hoping it will sound controlling and even monstrous, and depicting the Priest as a controlling ogre. Christians already know you can never prove or disprove the existence of God with your limited mind. It's obvious to some and laughable to others.
This film gave me no reason to keep watching, and after 40 min I am taking a break, indefinitely.
But to those complaining that the hired hand is the one who discovered the cave and should be given credit, that's not how things work. The landowner is the rightful owner of anything found on his property; furthermore, the story indicates that the landowner asked him to look further for caves in that region. So he was not a discoverer, he was a paid archaeologists' assistant. Today, developers and researchers of all kinds continue to make discoveries and creations but their name is likely to be a tag-line under the mother company who they work for. Without the tools and payment from the employer (and access to the caves, in this case), they would not have made the discovery or invention.
I am not sure why this actor's name is listed all the way down in the page as he is the main character... I am referring to Antonio Banderas; whoever created this page should correct this. Rupert Everett, who appears in the beginning, is actually playing a small part in this movie. I tried to fix it but by editing the page but couldn't do it. I hope to see this corrected in the future. It just makes no sense to me and I have seen similar mistakes in other movie pages.
- virginializ
- Mar 10, 2017
- Permalink
Hugh Hudson loves his historical fiction. Altamira, (or Finding Altamira in my corner of the world), is based on the groundbreaking discovery of stone age cave paintings in the Cave of Altamira in Cantabria, Spain. Marcelino de Sautuola was a Spanish amateur archaeologist and scientist who owned the land where the Altamira cave was found earlier by by Modesto Cubillas, a shepherd come hunter employed by Sautuola. When Sautuola and his later supportive colleague, Juan de Vilanova y Piera publish their research suggesting that the paintings were the first European cave paintings of prehistoric origin, controversy involving leading religious and scientific figures of the day lies waiting.
Almost as much controversy as on these review pages, where we have writers castigating the picture because it isn't about Cubillas. Duh! Altamira is historical fiction, but it has a very authentic base. The picture is quite clear in demonstrating that Cubillas first found the cave on Sautola's property. He didn't understand the significance of the discovery. Sautuola and Vilanova did all the research work, after Sautuola's daughter Maria, was the first to find the drawings in the cave.
I'd suggest the main fictional aspect of the film involves its somewhat unhelpful transformation into a kind of family drama. Sautuola, clashes with his devoted, but devout wife Conchita, influenced by the local religiously dogmatic monsignor. They then both have to contend with Maria, catching pneumonia, after a cave visit as well as the scorn and accusations of fraud, which blacken Sautuola's good name. Things do get decidedly over-melodramatic. Even more so, when we are gifted the CGI - created dreams of Maria's where the subjects of the cave paintings "come alive" and run rampant throughout the family property.
As with many other Hugh Hudson directed films, the production itself looks a treat. Much of the movie was handsomely filmed by Jose Luis Alcaine in many of the actual locations (including the Altamira cave itself) where the true-life drama unfolded more than 130 years ago. The music by composers Mark Knopfler and Evelyn Glennie enhances, but never intrudes and costumer Benjamin Fernandez should also be commended for meritorious work.
Finding Altamira is best served when relying on Antonio Banderas's interpretation of Sautuola and his under - appreciated work and story to sustain interest, during this quite fascinating historical episode. When Hudson strays off course into the likely fictitious episodes involving mum and daughter, the narrative becomes notably unbalanced and somewhat pedestrian. The main story needed to remain on Sautuola and his discoveries and subsequent struggles for peer recognition, not the discovery of a shepherd, nor the imaginative and vocal outbursts of a precocious child.
Almost as much controversy as on these review pages, where we have writers castigating the picture because it isn't about Cubillas. Duh! Altamira is historical fiction, but it has a very authentic base. The picture is quite clear in demonstrating that Cubillas first found the cave on Sautola's property. He didn't understand the significance of the discovery. Sautuola and Vilanova did all the research work, after Sautuola's daughter Maria, was the first to find the drawings in the cave.
I'd suggest the main fictional aspect of the film involves its somewhat unhelpful transformation into a kind of family drama. Sautuola, clashes with his devoted, but devout wife Conchita, influenced by the local religiously dogmatic monsignor. They then both have to contend with Maria, catching pneumonia, after a cave visit as well as the scorn and accusations of fraud, which blacken Sautuola's good name. Things do get decidedly over-melodramatic. Even more so, when we are gifted the CGI - created dreams of Maria's where the subjects of the cave paintings "come alive" and run rampant throughout the family property.
As with many other Hugh Hudson directed films, the production itself looks a treat. Much of the movie was handsomely filmed by Jose Luis Alcaine in many of the actual locations (including the Altamira cave itself) where the true-life drama unfolded more than 130 years ago. The music by composers Mark Knopfler and Evelyn Glennie enhances, but never intrudes and costumer Benjamin Fernandez should also be commended for meritorious work.
Finding Altamira is best served when relying on Antonio Banderas's interpretation of Sautuola and his under - appreciated work and story to sustain interest, during this quite fascinating historical episode. When Hudson strays off course into the likely fictitious episodes involving mum and daughter, the narrative becomes notably unbalanced and somewhat pedestrian. The main story needed to remain on Sautuola and his discoveries and subsequent struggles for peer recognition, not the discovery of a shepherd, nor the imaginative and vocal outbursts of a precocious child.
- spookyrat1
- Aug 12, 2020
- Permalink
This film is long on corny melodrama and short on facts. I would have been interested in the actual story.
- SpacemanBob
- May 31, 2020
- Permalink
Like the trailer, which soars with a sense of greatness, this is a beautiful film that stayed with me, and keeps recurring to my mind weeks later. No spoilers in this review, I'll just recommend the story to original thinkers who know how hard it is to stand against the crowd and state the truth, because it is the truth. And to keep faith with yourself--against the universe if need be.
If you are religious and worry that this story will attack your love of God, I don't think that will happen. If you believe that God created existence; then exploring this beauty cannot be a threat to God. If you hold no beliefs but rely on reason to understand the world around you, then you will revere Marcelino de Sautuola's courage, vision and unbending spirit.
I take away his story to stay with me as I walk through life.
If you are religious and worry that this story will attack your love of God, I don't think that will happen. If you believe that God created existence; then exploring this beauty cannot be a threat to God. If you hold no beliefs but rely on reason to understand the world around you, then you will revere Marcelino de Sautuola's courage, vision and unbending spirit.
I take away his story to stay with me as I walk through life.
- talboldo-73309
- Feb 2, 2017
- Permalink
Beyond some controversy in the history behind the story, Finding Altamira is, in its own right, a find worthy of celebration.
The cinematography of Jose Luis Alcaine is amazing. One could take almost any frame in this film and hang it on a wall as a work of art. I could have watched this film in mute and enjoyed just the visual majesty of every scene.
After doing work in films like the Spy Kids franchise, Antonio Banderas is developing a reputation, in my mind, as a recognizable actor who brings attention to otherwise obscure movies, not to drive up the budget, but to elevate attention to the art. I would have never watched Automata, had I not been wondering what Antonio Banderas was doing in that movie; only to be wonderfully surprised again. In this movie, I would say that his acting was adequate, but once again, after the Automata experience, I decided to give the movie a chance. I am so glad I did.
My favorite scenes were those involving Rupert Everett (Monsinor) and Golshifteh Farahani (Conchita). The cinematography was almost like watching an oil painting, with barely any movement, yet the tension and intensity of every scene was incredible. Was it sexual? Was it a power struggle? Was is a tug-of-war of morality? I could have watched them all day.
The little girl in the film, Allegra Allen (Maria), as most child actors tend to be, is just too precocious in this movie and the character almost did not work for me. In my opinion, the point of view of the story shifted too much from the child in the beginning, the father in the middle, and the mother at the end. I believe the story would have been better served if the arc of Conchita's story would have remained the focus throughout.
There was an "affair of the heart" storyline which was totally unnecessary, in my opinion, and only included to generate more scenes and conflict for secondary actors. I believe the movie would have been just fine without diving into that part of the story and leaving it as wistful glances between two characters.
The story, whether parts are true or fictionalized, is simple enough and I would suggest, secondary to this film.
You should watch this movie if only for watching how beautiful the craft of movie making can be.
The cinematography of Jose Luis Alcaine is amazing. One could take almost any frame in this film and hang it on a wall as a work of art. I could have watched this film in mute and enjoyed just the visual majesty of every scene.
After doing work in films like the Spy Kids franchise, Antonio Banderas is developing a reputation, in my mind, as a recognizable actor who brings attention to otherwise obscure movies, not to drive up the budget, but to elevate attention to the art. I would have never watched Automata, had I not been wondering what Antonio Banderas was doing in that movie; only to be wonderfully surprised again. In this movie, I would say that his acting was adequate, but once again, after the Automata experience, I decided to give the movie a chance. I am so glad I did.
My favorite scenes were those involving Rupert Everett (Monsinor) and Golshifteh Farahani (Conchita). The cinematography was almost like watching an oil painting, with barely any movement, yet the tension and intensity of every scene was incredible. Was it sexual? Was it a power struggle? Was is a tug-of-war of morality? I could have watched them all day.
The little girl in the film, Allegra Allen (Maria), as most child actors tend to be, is just too precocious in this movie and the character almost did not work for me. In my opinion, the point of view of the story shifted too much from the child in the beginning, the father in the middle, and the mother at the end. I believe the story would have been better served if the arc of Conchita's story would have remained the focus throughout.
There was an "affair of the heart" storyline which was totally unnecessary, in my opinion, and only included to generate more scenes and conflict for secondary actors. I believe the movie would have been just fine without diving into that part of the story and leaving it as wistful glances between two characters.
The story, whether parts are true or fictionalized, is simple enough and I would suggest, secondary to this film.
You should watch this movie if only for watching how beautiful the craft of movie making can be.
- garcianc2003
- Mar 25, 2017
- Permalink
- nogodnomasters
- Sep 29, 2017
- Permalink
Antonio Banderas Yummy 😋
My hubby had in the past mentioned discoveries such these, so upon seeing the description, it was a MUST SEE. Even though I knew it wasn't going to be 100% accurate, I knew it would give a glimpse into the amazing discovery. As in most re-enactments, there are liberties taken to make the event more exciting. I gave this movie an 8/10 because I wanted it be more accurate with the discovery.
In my opinion, the actors/actresses gave a fabulous job in portraying characters of that era. I'm a huge fan of Rupert Everett. I think this is the first time I've seen the actress portraying the daughter. She is adorable.
My hubby had in the past mentioned discoveries such these, so upon seeing the description, it was a MUST SEE. Even though I knew it wasn't going to be 100% accurate, I knew it would give a glimpse into the amazing discovery. As in most re-enactments, there are liberties taken to make the event more exciting. I gave this movie an 8/10 because I wanted it be more accurate with the discovery.
In my opinion, the actors/actresses gave a fabulous job in portraying characters of that era. I'm a huge fan of Rupert Everett. I think this is the first time I've seen the actress portraying the daughter. She is adorable.
- lightk-57720
- Nov 8, 2022
- Permalink