A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.A father and son go on the run, pursued by the government and a cult drawn to the child's special powers.
- Awards
- 3 wins & 14 nominations total
Jaeden Martell
- Alton
- (as Jaeden Lieberher)
Allison Gabriel
- Hannah (Ranch Member)
- (as Allison King)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Midnight Special is a modern day science fiction film with a very old school feel running through its veins. Jeff Nichols has made it no secret that classic sci-fi films such as Close Encounters of the Third Kind are inspirations for his film however, I find the fact that his relationship with his own son was used as an inspiration too, much more intriguing.
Alton (Jaeden Lieberher) is an eight-year-old boy who possesses otherworldly powers. When his father, Roy (Michael Shannon), takes his son and flees from a religious cult, they must travel across the country to an undisclosed location on a specific date, during which a celestial and possibly world-changing event may occur.
Mystery is a strong point for Midnight Special, the entire mystery surrounding Alton's powers, what will happen on that specific date and the reason a religious cult want him back, all playing a part in making the story such a captivating one. Then comes the film's climactic moment. We get answers, but they end up ruining some of the mystery that made what came before so good. Less is more definitely sprung to mind as it all unfolded.
The story, written by Jeff Nichols, is a very good one and at the heart of that story is a rather beautiful relationship between a father and son. It adds another layer to the film rather than it just being a standard story about people on the run, and as mentioned earlier, it really feels like a personal film from Nichols. Not saying that his son has special powers though, so don't think that.
In a rather short directorial career, Nichols has made quite a name for himself and Midnight Special should further his reputation. It's a very well made film but if there was one thing that stopped it from being great, it was the pacing. Unfortunately, this film dragged itself out through a few scenes and it really bugged me.
I cannot fault the film for its performances mind. Michael Shannon possesses such a magnetic screen presence, you just can't take your eyes off him and Joel Edgerton certainly makes his presence felt, even if his role remains a little unexplained. Kirsten Dunst and Adam Driver offer good support and Jaeden Lieberher is rather good as Alton.
It may be that, in time, I appreciate Midnight Special more however, my initial experience warrants me to say that it's not the special film I was hoping for.
Alton (Jaeden Lieberher) is an eight-year-old boy who possesses otherworldly powers. When his father, Roy (Michael Shannon), takes his son and flees from a religious cult, they must travel across the country to an undisclosed location on a specific date, during which a celestial and possibly world-changing event may occur.
Mystery is a strong point for Midnight Special, the entire mystery surrounding Alton's powers, what will happen on that specific date and the reason a religious cult want him back, all playing a part in making the story such a captivating one. Then comes the film's climactic moment. We get answers, but they end up ruining some of the mystery that made what came before so good. Less is more definitely sprung to mind as it all unfolded.
The story, written by Jeff Nichols, is a very good one and at the heart of that story is a rather beautiful relationship between a father and son. It adds another layer to the film rather than it just being a standard story about people on the run, and as mentioned earlier, it really feels like a personal film from Nichols. Not saying that his son has special powers though, so don't think that.
In a rather short directorial career, Nichols has made quite a name for himself and Midnight Special should further his reputation. It's a very well made film but if there was one thing that stopped it from being great, it was the pacing. Unfortunately, this film dragged itself out through a few scenes and it really bugged me.
I cannot fault the film for its performances mind. Michael Shannon possesses such a magnetic screen presence, you just can't take your eyes off him and Joel Edgerton certainly makes his presence felt, even if his role remains a little unexplained. Kirsten Dunst and Adam Driver offer good support and Jaeden Lieberher is rather good as Alton.
It may be that, in time, I appreciate Midnight Special more however, my initial experience warrants me to say that it's not the special film I was hoping for.
This film really came out of nowhere for me, as a comment by a stranger I overheard in a bar drew me to this, and thank you nameless stranger with impeccable taste! This is one of those sci-fi flicks that comes along every once in a while that actually has something to say without overuse of CGI and genre tropes.
I knew almost nothing about Midnight Special going in other than said comment, and I highly recommend you try to do the same. Therefore I will be as brief as possible to avoid spoilers.
Roy (Michael Shannon) is on the run with his 8 year old son Alden (Jaeden Lieberher) from a religious cult that worships the boy as some sort of messiah. Also in pursuit are the FBI and NSA, who are investigating several strange phenomena connected with the child. Roy enlists childhood friend Lucas (Joel Edgerton) to help them get to a specific location on a specific date, the reasons for which are unclear but may involve some sort of otherworldly or cataclysmic event.
The comparisons with Starman (1984) and Close Encounters of the Third Kind (1977) are apt, but this is very definitely a different movie altogether.
The actors are uniformly excellent, especially Michael Shannon, who gives another intense and believable performance as a man who would do anything for his son.
A bit has been made out of how the movie ends, but personally I found it a powerful emotional pay-off that I could feel in my chest, possibly due to the nostalgic feeling this film evokes.
In conclusion, go see it. A thought provoking sci-fi drama with a story to tell. A good one at that.
I knew almost nothing about Midnight Special going in other than said comment, and I highly recommend you try to do the same. Therefore I will be as brief as possible to avoid spoilers.
Roy (Michael Shannon) is on the run with his 8 year old son Alden (Jaeden Lieberher) from a religious cult that worships the boy as some sort of messiah. Also in pursuit are the FBI and NSA, who are investigating several strange phenomena connected with the child. Roy enlists childhood friend Lucas (Joel Edgerton) to help them get to a specific location on a specific date, the reasons for which are unclear but may involve some sort of otherworldly or cataclysmic event.
The comparisons with Starman (1984) and Close Encounters of the Third Kind (1977) are apt, but this is very definitely a different movie altogether.
The actors are uniformly excellent, especially Michael Shannon, who gives another intense and believable performance as a man who would do anything for his son.
A bit has been made out of how the movie ends, but personally I found it a powerful emotional pay-off that I could feel in my chest, possibly due to the nostalgic feeling this film evokes.
In conclusion, go see it. A thought provoking sci-fi drama with a story to tell. A good one at that.
In Texas, Roy Tomlin (Michael Shannon) and Lucas (Joel Edgerton) are being hunted by the cops for kidnapping eight year old Alton Meyer. Alton's adoptive father Calvin Meyer (Sam Shepard) leads the Ranch filled with his religious followers. They are raided by the FBI. NSA agent Paul Sevier (Adam Driver) is investigating the anomaly that is the boy. Alton shows unnatural powers with light streaming out of his eyes. Roy and Lucas eventually bring him to Sarah (Kirsten Dunst) on a rendezvous with destiny.
This has a great sense of sci-fi realism in a small indie. Shannon simply has intensity. There is a small hiccup when the boy gets captured by the authorities. That section feels disjointed with some logic problems. The movie unnecessarily over-reaches at that point. It could easily streamlined that into something grittier and smaller. In the end, this is a really nice sci-fi indie.
This has a great sense of sci-fi realism in a small indie. Shannon simply has intensity. There is a small hiccup when the boy gets captured by the authorities. That section feels disjointed with some logic problems. The movie unnecessarily over-reaches at that point. It could easily streamlined that into something grittier and smaller. In the end, this is a really nice sci-fi indie.
I really enjoyed most of the movie thanks to the mystery factor, the actors who all play well - may it be the main or the supporting roles or the almost flawless production.
But there's so much build-up for something minor. Potential is definitely there, but disappointing in total.
But there's so much build-up for something minor. Potential is definitely there, but disappointing in total.
A beautiful, touching story. Nice performances. Fascinating subject. And a seductive theory, Enough for a real good film about parenthood and special child, interest of secret services fabulous truth and happiness. A film for a real precise target.
Did you know
- TriviaBecause he wanted final cut, Jeff Nichols originally considered making the film with an independent film studio, rather than at Warner Bros Pictures. It wasn't until his last meeting with Warner Bros that he informed them of this requirement. However, the producers at the company still agreed to make the film, due to its relatively small budget.
- GoofsNear the end of the movie, after Roy breaks through the road blockade, the air bags are engaged. However, seconds later the vehicle is able to drive away without any sign of them. Air bags are designed to instantly inflate to cushion the people in the car against impact, but then to deflate straight away. Although there are many shots in which you cannot see the air bags, when the car flips over, it can be seen in its deflated state.
- Quotes
Alton Meyer: Dad?
Roy: Yeah?
Alton Meyer: Are you scared?
Roy: Yes.
Alton Meyer: You don't have to worry about me.
Roy: I like worrying about you.
Alton Meyer: You don't have to anymore.
Roy: I'll always worry about you Alton. That's the deal.
- SoundtracksSunrise Mass
Written by Ola Gjeilo
Performed by Majorstua Chamber Choir / Kammerkoret Nova with String Orchestra
Conducted by Tore Erik Mohn
Courtesy of GIA Publications, Inc.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Untitled Jeff Nichols/Sci-Fi Project
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $3,712,282
- Opening weekend US & Canada
- $190,012
- Mar 20, 2016
- Gross worldwide
- $7,112,282
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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