As for the naturality and the intimacy of the dialogues, one feels as if one is watching a reality show. One has the feeling of watching the private life of the characters. There is a sort of an insinuation of voyeurism, quite telling in the scene in which Bia (Maeve Jenkings, a constant actress in Kleber Mendonças' movies) get excited by the washing machine sound and movements. The whole neighborhood is portraited, with quite an intense amount of realism. There is almost every feasible character in such places: a doorman who sleeps on duty, a drug dealer, a drug addict, an arrogant grandson of a decadent landowner. The director advances, digress, cut the narrative path, regain terrain, give false hints, inserts characters who surprise a good behavior viewer, used to the common north-American paradigm of begin-tension-happy end. It might be a hard movie to understand if the viewer demands a conventional plot. Not everything is explained, although almost every scene makes us think. However, it can be an easy movie if the central tension is understood at the beginning. Where is the main problem? The movie was shot in 2002 when the Brazilian problem of the militias was already into discussion Clodoaldo, a militiaman, and his brother, take care, they surprise the viewer. The 20 Brazilian reais they charge from every neighbor to protect them suggests some more profound thoughts. This is the mystery of this intriguing movie. Either you decipher or you will be devoured.
