The Finest Hours

So, this movie was an old fashioned feel-good, heroes-save-the-day, morality driven drama. I loved it for that. So many films of our era are overly laced with cynicism and violence. Finest Hours hearkens back to the Frank Capra style of story telling, when we had protangonists like Jimmy Stewart and Henry Fonda to make us feel good about being human. I'm a fan of that genre; it's not passe, we need more of it. Kudos to the makers of this film for showing us something fine and upstanding for a change. Hollywood, take a cue here. No more Dark Knights, okay? Just decent, good hearted heroism like the kind found here.

The FINEST HOURS is a rip-roaring, edge of your seat action thriller that will keep you guessing all the way to the end.

There....that should get me on the poster.

That said, I will have to admit that I had low to middling expectations going into this film and it exceeded my expectation in almost every way.

Starting with the Cast. Chris Pine (good ol' Cap't Kirk) stars as Bernie Webber a mid-level Coast Guard officer who is flung into the forefront when an oil barge splits in half in very rough sees during a storm. Pine presents Webber not as a square-jawed hero, but a real person with doubts and insecurities but a strict code of ethics and when his Capt. (the always capable Eric Bana) sends him out for what could be a suicide mission, he goes out.

While Pine holds down half of this movie, Casey Affleck holds down the other half as the leader of the group of survivors on the oil tanker. Normally, I am not a big fan of Affleck's work, but in this movie, I sure am. He is a man of few words and tells much with his expression. If there is a "squared jawed hero" in this movie, it is Affleck.

These two are supported by a veritable who's who of "that guy" actors. Ben Foster, John Ortiz, Michael Raymond James and good ol' Abraham Benrubi are just the tip of the iceberg, so to speak, of wonderful character actors filling the roles of other Coast Guard members and crewmen of the doomed ship.

Only Holliday Grainger as Pine's strong-willed fiancé fails for me, but I blame a weak written character more than her acting for that one.

But, make no mistake, it is the action that makes this movie exciting. From the opening where the oil ship splits in half through the attempt to get out to the ocean to find the doomed ship to the actual rescue itself, I was on pins and needles, literally vaulting myself up out of my seat to get over a wave at one point. Director Craig Gillespie, not known as an action director, does a nice job of leading us through these scenes, I am anxious to see what he takes on next. I hope it is another action flick.

Is it a great film? No. The opening (after the tanker accident) drags and the movie bounces around in tone trying to find out what kind of movie it wants to be, but once Pine and company goes out to sea to rescue, the movie zips along just fine.

7 (out of 10) stars and you can take that to the Bank (of Marquis)

The fact that the movie is based on true events makes it a bit more special to watch. It's a nice story about courageous coast guards that risk their own lives trying to save an entire ship crew from a sure death. The movie is well made and if you are like me a bit afraid of big storms at sea then you will have the same feeling of anguish as I had during almost the entire movie. There are some cheesy moments as well, when it's more about their romance, but for the rest it's a good movie. If it was not for a couple scenes that I didn't like I would score it even more. Those scenes were unrealistic and bothered me a bit. Scenes where they are at sea in a major storm and have a conversation on a non rocking boat. That is simply impossible, but for the rest it's all good. Good actors, good story, and interesting due to it's historical facts.

"The Finest Hours" presents three stories, or perhaps one story from three perspectives. The stories are perhaps better described as intersecting rather than interwoven as developments in each storyline have relatively little effect on the other story lines other than points of intersection.

The most successful story is one of survival aboard a doomed ship in a fierce storm. Casey Afflect delivers a brilliant performance, possibly the best of his career, as an engineer who must win the respect of the crew and devise a seeming impossible plan to ensure their survival.

But the putative hero of the story is played by Chris Pine as a disgraced seaman thrust into a leadership position who manages a heroic rescue by alternatively slavishly adhering to regulations and blatantly disregarding them, but steadfastly pressing on by sheer obstinacy and succeeding by dumb luck.

The least successful story is a romance between Pine's character and a local girl who somehow manages to afford a car on a switchboard operator's salary, walks through snowdrifts in high heels without slipping or marring her shine, defies convention and embarrasses her boyfriend by proposing marriage, and barges into the all-male preserve of the Coast Guard station to demand that the commander commit an unconscionable act of cowardice in an exchange that might have been ghostwritten by the screenwriter's five- year-old daughter.

Having never read the book, it's difficult to tell what parts were embellished for dramatic impact, but much of the story seems hopelessly contrived. Critical pieces of equipment (radar, compass, radio) malfunction and miraculously return to service as if on cue. At one point, a large group of bystanders race off in support of the rescue effort and one expects them to activate certain items, but strangely nobody does until the love interest does, almost as an afterthought, and everybody else decides to follow suit, leaving the audience wondering why they went there if they didn't intend to do it in the first place. At another somebody shouts out a number referring to a group of people he could not possibly have counted.

This is another film that the #OscarsSoWhite and advocates of gender pay parity would rather audiences not see. It's basically a story of real men in the 1950s male-dominated era doing manly things while the womenfolk stay at home being supportive, raising children and mourning those who sacrificed their lives supporting their families. It was only four years after Eisenhower ended segregation in the military and the Coast Guard and various maritime labor unions were probably about as integrated as the Ku Klux Klan.

But this would never do in the twenty-first century when studios feel pressured to compromise dramatic structure in favor of political correctness. Consequently, two subplots seem to have been added and/or expanded to provide more diversity for audiences who prefer diversity over drama. One involves a black seaman whose cowardice results in the death of a Caucasian who takes him under his wing. The second is the romantic subplot, which is given roughly equal weight and screen time with the two other through lines. The story is not particularly interesting. The girl is a typical chick flick heroine – pretty but not gorgeous, more cherubic than voluptuous, virtuous and steadfast to a fault, with an anachronistic feminist streak. Both subplots could have been easily eliminated. Perhaps the film would not have been quite the critical or commercial disappointment if they had been sharply trimmed or eliminated.

The theme and moral seem weak. A theme concerning luck and happenstance undermines some of the effect, as do several plot contrivances, such as the equipment malfunctions. The episode is supposedly one of the greatest sea rescues in history, but it's presented as the consequence of doggedly plodding along in blind subservience to duty rather than anything one would ordinarily equate with heroism.

Technically, the film is top shelf. The period props, costumes, settings and make-up all seem authentic. There is a refreshing lack of distracting jiggly-cam shots. The special effects seem realistic. It lays on the schmaltz fairly heavily at points, but what can one expect from Disney?

It might have been more compelling if it had concentrated on the survival story, eliminated the love story and trimmed the rescue story.

This film starts kinda slow and unrelated to the story ( you expect to see) and it is rather slow paced at the beginning, but soon it gets more packed with action and rests until the end.

I enjoyed the film. It was even touching at the end. The fact that it is based on the true story does give it a plus. The breaking of a ship ( two, in fact) in haft because of the storm was really wow! I really got into the scene when they showed the first breaking of the ship. It was intense and really well done. I guess I liked those scenes which were filmed inside of the ship and all the hard work being done to prevent the sinking of it that caught my attention the most and the ones I really enjoyed. However, the relations between the sailors ( in the ship and at the land were somewhat superficially done and yes, you get that some of them are not liking each other, but, why is that is not rally explained and I though it should have been)

The love story that also goes parallel to the disaster at sea is sometimes sweet but most of the time is kinda blah and maybe it should have been cut in entirety from the film. It does add something to the film, but not that much in reality. But I guess it is important as it is one of the true facts.

All in all, not bad. I give it a rating eight!