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You have to have a heart for animals to be able to watch this and really enjoy it. There is some eye candy for male viewers (though her story line tries to go beyond that and the actress carries that weight effortlessly), but it's Diane Keaton, the Dog and Kevin Kline (in that order), that really hold the movie together.

Substories and romantic interludes, marriage problems, but also the absurd (superstituous) are being handled decently. It still might feel a bit too much for some viewers though. Kline just about holds his own in a very slim outlined character outlet, that he has to work with. Clichés abound and an ending that is so over the top (literally), that you'll probably cry (for better or worse).

Here's The Lowedown on "Darling Companion" (A Drama DVD review)...Liked It!

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Genre: 6 Movie: 6

What's it about?

Beth (Diane Keaton) saves a bedraggled lost dog from the side of the freeway on a wintry day in Denver. Struggling with her distracted, self-involved husband Joseph (Kevin Kline) and an empty nest at home, Beth forms a special bond with the rescued animal.

What did I think?

Not the fastest moving film ever made, but it was a nice touching story. It seems to be all about this stray dog, when in fact it was about a family healing itself through an outside source. This movie is worth the rental, if you are in the mood for a quiet film with a good family element.

Beth Winter (Diane Keaton) rescues a lost dog from the side of a road. Her husband Joseph (Kevin Kline) is a self-important surgeon. Beth brings the dog Freeway home and her daughter Grace (Elisabeth Moss) falls for the vet. At Grace's wedding in the mountains, their nephew Bryan (Mark Duplass) develops a crush on Carmen (Ayelet Zurer) who runs the place. Joseph's sister Penny (Dianne Wiest) has a new boyfriend Russell (Richard Jenkins) who is using her money to start a pub. Joseph carelessly loses the dog in the woods. It sets off a big search for Freeway.

I'm not sure if the stakes are high enough here. It's a bunch of family members with minor issues looking for a dog. It's not like the audience grows to love the dog. It's more of an excuse for each family member to work out their issues. Lawrence Kasdan and his wife have created the lightest and mildest of family drama. The great cast of actor showed up to play but the writing is not up to the task.

I know what you're thinking, do we really need another must-love-dogs romantic comedy? Thankfully, contrary to marketing attempts, "Darling Companion" is not a romantic comedy. It's more like an outdoor adventure, relationship dramedy, mystery. Unfortunately, it did start as if it was a romantic comedy. Mother and daughter were annoyingly commiserating on the problems of finding a good man. Then they found a dog and met a cute doctor.

I was squirming in my seat faster than they could say "I do." But then something funny happened on the way to the wedding. The boring romantic comedy angle was already wrapped up and they dropped the beleaguered jokes comparing man to dog. And then the film became a fairly simple but enjoyable treatise on the relationships and world views of a handful of family members and close friends.

To me, the movie starts when Beth (Diane Keaton)'s dog goes missing. Her husband, Joseph (Kevin Kline), lost it, but he doesn't care. He only likes his money and telling people that he's a doctor. But his practice is just going to have to wait because she's not going home until they find Freeway (the beautiful Collie-mix Kasey). She is helped by Carmen, an exotic sex-goddess who freely admits that she's a psychic gypsy blessed with receiving images of the lost dog. Nephew Brian (Mark Duplass) likes Carmen; he does not like his future step-father Russell (Richard Jenkins). Russell pretty much likes everyone and everything. Joseph doesn't like the dog and he especially doesn't like alleged gypsy psychics leading his family on wild goose chases.

The older members of the audience were laughing first, but eventually a little bit of humour in the form of funny lines came through. Kevin Kline was hilarious as the irritable elitist insulting hippie ideals and alleged gypsy psychics. The dialogue was quick, astute and savvy in navigating all the characters towards happiness in their relationships.

If you can equate the search for the missing dog as a mystery, then it would be worth comparing this film to Woody Allen's "Manhattan Murder Mystery" (1993). A delightful discussion on relationships set to a mystery plot. It doesn't hurt that the cast includes a couple of Allen regulars (Keaton and Dianne Wiest).

It takes awhile to realize that this is not a dull romantic comedy, but if you're looking for a mature, heart-warming relationship dramedy, "Darling Companion" eventually finds its way.

"Lassie, don't come home."

Will movies never cease to amaze me? How could the creativity behind the pleasing ensemble film Grand Canyon, Lawrence Kasdan and his wife, Meg, be responsible for the insipid drama, Darling Companion?

A lost dog? The hunt curing and binding the principle couples? Please!! Only surgeons, veterinarians, and their wives could have the time and resources to stay at a Colorado lodge to look for a lost dog. Of course, the dog is just the metaphor for the lost romance, to be found, of the couples, mostly Beth (Diane Keaton) and Joseph (Kevin Kline).

It's difficult to describe how banal their interaction is, especially since Keaton overacts, flailing her arms at emotional moments, and Kline appears to wish he hadn't made this movie with his lines appropriate for a high school world premier.

But then, Sam Shepherd, the world-class playwright, has to endure his thankless role as the curmudgeonly sheriff, and Diane Weist can only showcase her world-class cheekbones. Richard Jenkins as her silly love interest, well, he's had a whole lot better than his comic-relief buffoon.

But then the writing Kasdans didn't have to worry about crafting each line since it seems every other line is a scream calling for lost dog, Freeway. When the most conflict you'll get is Joseph's enslavement to his cell, you have an idea that there are no new ideas. I suggest the real conflict is Beth's over dramatizing, which Joseph calls her on.

Once again a film relies on the faded glory of its Hollywood royalty to tell a silly tale about older folk. I'm thinking I might enjoy the second edition of The Expendables, whose 65-year-old Sylvester Stallone is a has been, knows it, and makes no pretense about making a warm and fuzzy film.

This movie is a study in awful! Just awful!

The story unfolds like you are pulling teeth! Diane Keaton is just plain weird here and Kevin Kline looks lost and confused throughout.

Story - Beth finds a dog along a snow covered freeway. Risk her life to get dog. Dog becomes pet. One year later daughter married veterinarian that doctored frozen dog. Dog runs away (that should have been a hint to viewers). All that happens in first 20 minutes of movie! Now you have 83 more minutes to watch a bunch of actors run around in woods looking for dog - it rains, it's cold, they are stupid.

If there is an example of 'actors doing it for the money' this is it! Good luck watching .... this movie is bad medicine.

This is a wonderful "feel good" movie that everyone can enjoy. It will be especially meaningful to anyone who has been part of a family when the last child is married off and the parents deal with their adult relationship with each other and other members of their families. It was directed and produced by Lawrence Kasden ( Big Chill, Grand Canyon and many more big time hits ) who also wrote the script along with his wife Meg Kasden . They put together an honest story that showed love, romance and every day comedy in way that most people should be able to relate to and immensely enjoy. They assembled a cast of actors who were able to embody the characters they created in a skillful and very authentic manner. Beth (Diane Keaton) and Joseph (Kevin Kline) are the newly "empty nested" parents as their daughter Grace (Elizabeth Moss of "Mad Men" fame) ,the youngest of their children, finally finds Mr. Right and gets married. Jospeh is a spine surgeon whom Beth acknowledges may have always been a little full of himself but is shown to ultimately be a good guy. Penny is Jospeh's divorced sister (Diane Wiest) who has found her new love Russell (Richard Jenkins) who is a bumbling guy who wants to marry Penny and open an English pub in Iowa. Bryan ( Mark Duplass) is Penny's son who is also a spine doctor and has a touching flirtation with gypsy like housekeeper (Ayelet Zurer) of the family's vacation house in the beautiful Colorado mountains ( which was filmed in the beautiful Utah mountains) . Sam Sheppard is Sheriff Morris who adds further warmth to the already tender story. What we haven't told you yet is that the story is tied together by a lovable dog – that almost magically appears and then disappears ! The movie is the story about the search for the dog which occurs while the characters are finding themselves and their own bearings. The story is just right at 103 minutes . The acting is perfect-Diane Keaton is at her mature best, the country type music hits the spot and the film features a a dog! How can it go wrong?

If your favorite song in the world is The Lovin' Spoonful's "Darlin' Companion," then you'll probably want to rent the cutesy comedy that promoted the song during its trailer. Since the movie isn't very good, you'd better like the song to keep you going. Also, you'd better be a dog person, or at least someone who can understand someone else's love of dogs. If you don't like animals and you don't like the 1960s groovy tune, you're going to be in for a rough night.

Diane Keaton gets to reprise her quirky empty-nester character she perfected in Something's Gotta Give, and Kevin Kline gets to have another rocky marriage in a Lawrence Kasdan movie. In this one, he's a workaholic and doesn't understand his wife's irrational attachment to a stray, mangy dog she picked up off the side of the road. Sounds so much different than his lawyer from Grand Canyon who indulges his wife's affection for an abandoned baby she found off the side of the road, doesn't it? All kidding aside, because even the very best storytellers borrow plot points from their earlier works, this movie is very different from Grand Canyon. It's very light, with a comic relief married couple provided the majority of the entertainment. Dianne Wiest and Richard Jenkins make a very cute couple, and they have some funny scenes together to take your mind off of Diane Keaton's silly antics. If you're just in the mood for something fluffy, this one won't hurt you.

Slow story, whiny characters, irritating boomer reactions, weirdo gypsy, and rednecks. I started to read the in-flight magazine instead. The beginning is slow and when you hope for more momentum, it starts to get annoying with petty bickering over obvious topics. The attempt at humor showing displaced urban boomers as completely inept in the great outdoors is hard to watch.

It further deteriorated to the point where I found myself thinking what the !?! is this and unplugged the headphones. I enjoyed silence for the rest of the 3 hour flight. I wish that I had the Harbor Freight tool catalog that rubitony had. Menopause Melodrama gets my vote for title.

I will say that Freeway the dog did a great job. He was right on cue and did not overact.

I don't understand all the hate on most of the reviews I've read. There are no special effects, but there are some heavy hitter stars in this movie, and a pleasing storyline. Of course we all know how it's going to end. But the movie, especially for us Boomers, touches on a lot of subjects that we can relate to when it comes to the aging process. And how society can be in a hurry to move us along. Make room for the younger up and coming. The area where this was filmed, Utah and Telluride, are very familiar to me, and a joy to see. This isn't heavy drama, there is no nudity, the plot is not too involved. It's a great movie to take your 80 year old mother-in-law to on a Saturday afternoon. That's what we did, and she loved it. So take Grandma to the movies this week. You'll enjoy the movie, and Grandma will appreciate you taking the time to do it. See you at the movies. :)

Beth (Diane Keaton) has always played second fiddle to her doctor-husband Joseph's (Kevin Kline) job as an orthopedic surgeon. As someone who was busy raising three daughters, this didn't matter so much. But, now the gals are grown and the tension between Beth and Joe is pretty palpable. As they reside in Denver, one snowy winter day, Beth spies a dog on the side of the road, a major highway. She insists that her daughter pull over so they can rescue him. After a trip to the vet, where Beth's daughter makes eyes with the veterinarian, Beth takes "Freeway" the canine home. To be sure, Joseph doesn't really want to keep the mutt but, for once, Beth insists. Over the next few months, Beth and Freeway form a strong attachment while Joe softens his stance a bit. Romance is in the air! Yes, soon the vet and the dog rescuer's girl are walking down the aisle, in a remote area of the state. After the ceremony, Beth, Joe and assorted relatives and friends stay on for a few days at the mountain resort. Alas, Joe takes a call on his cellphone as he is walking the dog and Freeway breaks free and gets lost. As a result, long standing grievances come out between Beth and Joseph, as Beth blames Joe for Freeway's missing status. So, will the lovable canine be found and will it be at the cost of the marriage? This worthwhile film is not without flaws but it is not a disaster by any means. For certain, the cast adds greatly to its entertainment value, as Keaton, Kline, Diane Wiest, Richard Jenkins, and the rest get as much out of their roles as possible. Kline, especially, has a truly unlikeable part, redeemed somewhat at the end, which takes courage to play. Then, too, the scenery is quite wonderful while the photography is equally fine. As for the script, it is definitely uneven and rather haphazardly put together, which makes director Kasdan work harder to polish up the results. Then, too, while the dog in the movie is darling, this is really not an animal flick but rather one about human relationships and their perils. Therefore, if you are attracted to the cast, director, or setting, take a chance on the flick and bring it home.

I am a dog lover and never miss the chance to watch a good dog movie. I rented this movie thinking my 10 year old daughter and I would sit down and have an enjoyable time together. About 20 minutes into the movie and both my daughter and I were doing something else. She was on the computer and I was reading a Harbor Freight tools flyer that came in. The movie starts slow, stays slow and finishes slow. There are too many characters involved and hard to keep up with who's doing what and why. I only finished the movie to see what the ending was like. I am a glutton for punishment. I should have watched the 10 O'clock news instead. Didn't get my $1.30 worth. (I rented it at Redbox) I was very disappointed with it.

I AM a menopausal chick, and this flick does not cut it.

All this talent wasted on a completely predictable plot ["We're getting older!!!" Unhappily they're not doing that in an interesting way, either]. It was not even funny, ever, except for one line. We kept watching it, hoping it would get better. It never did. The Kevin Kline character was a believable a$$hole who we are then supposed to believe does a complete 180 because after twenty-five years his wife's nagging suddenly takes effect. Um, no.

I wished something interesting would happen: that the younger doctor would maybe refuse to return to the big city because he falls in love across class lines and is not as attached to his place of residence as his love object is attached to her small town, or that the Diane Keaton character, instead of her daughter, would run off with the young veterinarian -- stranger things have happened -- but no such luck.

With a cast like this, how can you go wrong??? Getting involved with all of these relationships was enough to make me like this film but with Keaton and Kline doing what they do best, this was an enjoyable and delightful experience. With four Academy Award winners taking on the leads, not only do you get a great performance, but who doesn't like cute little dog that sends all of the characters out on a hunt to find the lost pet. Okay, it doesn't have any gun shots, muggings or superpowers flying though the air, but it sill have me entertained for an hour and a half. We all get a chance to see horror films, thriller stories and action movies, but you don't get a chance to see a film like this very often. A must-see for anyone who has a heart.

It's been more than a decade since this movie slipped into cinemas and disappeared without a trace. But it's now offered on Hulu. I'll gladly differ to and concur with the film review master, Roger Ebert who was able to review this one before his death. (It's worth a Google search) He gave it one out of four stars, and his write up says it best: how could a movie with such a talented pedigree of writers and stars be such a listless, boring bomb?

What I will add is that I think this reteaming of the Grand Canyon writers, producers and star Kevin Kline changes is that this is Meg Kasdan project with hubby Lawrence Kasdan helping out; whereas with Grand Canyon it was the other way around. Do a quick IMDB credit search and it will confirm this suspicion and the disappointing result. If you like even passable dog rescue movies, this one will bore you with its tedious human side stories. If you're after an engaging and thoughtful follow up to 1991's Grand Canyon, skip it all together.

Lawrence Kasdan is a renowned A-list Hollywood director who scored immediately with major hits like "Body Heat" and "The Big Chill" while writing monster hits for George Lucas. This quirky movie about a lovable stray dog is clearly a pet project of his, pun intended.

I infer that writing so many blockbusters may have proved frustrating for him, so he and his wife Meg scripted this sentimental ensemble piece that's strictly cute and folksy. None of the thrills or audience manipulation of a "Star Wars" sequel of Indiana Jones.

I enjoyed some of the foibles of the vast cast of quirky people, but other than the dog gimmick there's nothing compelling to watch, just actors pretending to be "little", ordinary people with ordinary problems.

Alright, Kasdan, you're sick of genre movies. But relationship movies, let's start with "Annie Hall" since Diane Keaton is the lead here, have so much more than you're willing to provide here. It must have been obvious when you got Sony Pictures to bankroll this baby.