The Artist

Jean Dujardin deserved his Palme D'or for his captivating and wonderful performance. Where to start...this film is so clever, so beautifully crafted, so mesmerising. The lost art of the silent film is once again brought to life and that era is impressively recreated, whether it be the acting style, the sets, the locations (shot in Hollywood), the shimmering black and white photography. It is obvious to see that the people behind L'artiste respected that era of film making and wanted to recreate the magic with some modern touches ( I won't spoil them) and totally succeeded. I saw this in Cannes at an 8.30 am press screening and was totally entranced. I cannot wait to see it again!

As I waited for two hours in a long queue to watch this movie at the Mumbai Film Festival, I wondered why I was doing so much for a silent movie, of all things. Post screening, I'm ready to brave hail, rain or the super hot Indian summer sun and stand in a serpentine queue, just to watch this movie all over again.

'The Artist' is sure to go down in history as a must-watch. For those who want to study films, for those who pursue cinema relentlessly, and also for those who just watch movies because they just like to. If you're wondering why a silent film, the movie not only answers it, but makes you fall in love with the medium. it's clearly a product of a thinking director, where every thing in the scene has a story to tell. Whether it's the ironical film posters, street signs, or just a little dog barking quietly in the corner.

I don't need to comment on the talents. The Best Actor award at Cannes 2011 has done that already. I will however mention the four-legged supporting actor in the movie. Best performance I've ever seen so far!

Enjoy this movie. Add it to your collection. This is one movie worth upgrading to from DVD to Blue Ray to ...

... and I have to say that because I am familiar with that period of time, I think this is very well done. It has its own unique path, but if I had to pin it down I'd say it was A Star Is Born meets Singin In the Rain, although it avoids the depths of drama of the former as well as the comic highs of the latter. It is a very good mix of drama and comedy. Throw in Eddie from Frasier and you pretty much have it. And now on to the story.

George Valentin is a huge silent star in 1927. One night at a premiere of one of his movies a fan of his, Peppy Miller, has a chance encounter with him and in front of the crowd and the cameras she snatches a kiss from him with the headlines reading "Who's that girl?". George's wife is not amused but Peppy manages to get into George's Kinograph Studios and get work as an extra on the strength of it.

Even in the silent era, Peppy slowly works her way up the credits from just a girl in the chorus to strong supporting roles. Then sound comes in and she is put under contract as one of the "fresh new faces" of Kinograph when that studio converts completely to sound, where she stars in one hit film after another. Meanwhile, George no longer has a studio home as his producer (John Goodman) tells him that audiences will want new stars to match the new technology.

As George's fortunes decline everybody abandons him including his wife who has been showing signs (she blackens his teeth out when he is on the cover of Variety) of being unhappy since we first meet her. Only his loyal dog and butler/chauffeur stand by him. What will become of him? Watch and find out.

Visually this film gets everything right. The hairstyles, the fashions, the car models, and the architecture are correct for the 1920s and early 1930s. Everything about it reminds me of a film from the early 1930s - it's not meant to make you think too hard. It has some dramatic moments, but it is meant to make you leave feeling good, as the Great Depression was serious enough without adding to it.

What a treat. I left the theater sort of floating. Delighted. A European film looking back at Hollywood better than Hollywood has been able to do for years. "A Star Is Born" and "Singing In The Rain" mixed in a glorious black and white cocktail. Silent, yes silent! But with a fabulous score and so much panache. Jean Dujardin is the revelation of the year. What a performance! Running the gamut of emotions, leaving us breathless, and if this wasn't enough, a rousing tap dance routine in the style of Fred Astaire and Eleanor Powell, partnering with the wonderful Berenice Bejo. I know that it's not just me. The audience applauded and cheered as the end credits rolled.

I managed to catch a screening of this at Cannes, and if you're thinking about skipping this film because it's silent and black and white, you're going to be missing out on a very special experience.

Everything about this film is exceptional. The acting is top-notch, the story is intriguing, and despite being black and white, the film is visually appealing. The filmmakers really make great use of the medium, and even though there are no voices or color, my interest was never lost.

Jean Dujardin gives a great performance. You like him instantly and, without giving too much away, you want him to succeed. This movie is really chock full of great actors and actresses. You'll see some familiar faces, but they all blend in well with the world of the film.

I really don't know a whole lot about the director Michel Hazanavicius, but after seeing this film I'm definitely interested in seeing what he does next.

Highly recommend!