Marcel the Shell with Shoes On

Marcel the Shell with Shoes On is remarkably somber for a film so cute; it is a film about small adorable characters and animated inanimate objects spawned from the idea that (to quote the director) "if an object is neglected long enough, it develops a spirit of its own".

Based on Jenny Slate's and Dean Fleischer Camp's beloved web series about a tiny shell with a big heart and even bigger shoes (the popularity of which is acknowledged by the characters/"interviewees" in this film), it's a stop-motion/live-action mockumentary that is sure to make you cry tears of sadness and even more certain to inspire tears of "MY GOD, THIS IS SO PURE AND PRECIOUS". Something to that effect.

Some of you might worry that the film is merely cutesy (which is different than being genuinely cute). But the picture is actually rather interesting on a technical level.

I'd love to see a featurette on just how much of the stop-motion animation is truly stop-motion, and how they made said animations interact so seamlessly with the live-action footage (which is filmed to make the world that surrounds Marcel seem a large and confusing one indeed). Another noteworthy behind-the-scenes detail -- that might have influenced the themes and tone of the film in some way -- is the fact that, whereas Fleischer-Camp and Slate were married when they created the original web series together, they worked on the movie as exes.

Last but not least: like all great things, Marcel the Shell with Shoes On also contains an appearance by Nathan Fielder. Why are you still here?

Touching and cute, and surprisingly, didn't feel padded out to stretch it to feature length. Both Jenny Slate and Isabella Rossellini created characters whom you care about.

I did have some trouble understanding some of the words Marcel was saying, not a problem I've ever had with Jenny Slate in her other movies. It might have been the sound system in the theater; other people had the same problem.

If you are at all whimsy-tolerant, this is a move worth seeing.

That almost says it all--though I admit I was actually fairly invested in the documentary-making bachelor, as well.

I'm not sure what I was expecting heading into a movie like this, but what I got was a lovely, tight story about companionship, loss, and the importance of meaningful connections. It all felt pretty magical, to be honest, and I was in a pretty grumpy mood going in.

Highly recommended.

What a charming little film.

For a film about a shell it felt incredibly human! It was very relatable to the human experience, it even made me shed a tear. This movie just had no business being this good. It was darling! Just a very sweet lighthearted funny film that touch the soul in a different way! This movie accomplished something emotionally that most "human" movies fail to do! I'm speaking about humans like I'm an alien in this review... I am also a person.

Great stuff. Great look. Great vibes. Great sound.

No yeah really the soundtrack was actually very good! Super good score for some reason.

Greetings again from the darkness. For proof that social media and the internet can be used for good, I offer as evidence this film from writer-director Dean Fleisher-Camp and co-writers Elizabeth Holm, Nick Paley, and Jenny Slate. The first 'Marcel' short film hit the internet in 2010 and was such a hit that there were two follow-up short films and a best-selling picture book. Now expanded to a feature length film of 90 minutes, the innovative and curious premise holds up due to the fully-formed character of a precious one-googly-eyed mollusk shell wearing ... yes ... shoes.

Why do we connect with Marcel? Well, the instantly recognized voice created by Jenny Slate plays a huge part. There is a welcoming innocence in the wispy tone, and when combined with the exceptional writing, the result is a relatable character full of warmth and wit, and pain and humor. Marcel is naïve, yet persistent. He's someone we like and pull for. The story is told via faux-documentary as a filmmaker (played by director Fleisher-Camp) stays in the Airbnb where Marcel lives with his aging grandmother Connie (voiced by Isabella Rossellini). During interviews, we learn that Marcel longs for his family and community that was disrupted when the home's original owners broke up and moved out. Since then, Marcel has looked after his grandmother and helped her tend the garden. They have been quite creative in their use of household resources, including a tennis ball for transportation.

The filmmaker posts the interviews online and soon Marcel has a huge following, giving him hope that his family can be tracked down. This leads to a terrific "60 Minutes" segment with journalist Leslie Stahl. The best description I can offer of Marcel is adorable - not a word I use very often. Marcel forces us to view the world through a child's eye, but it's important to note, that while young children may find Marcel cute, the dialogue, wit, and life issues covered will be way over their heads (though not offensive in the least). Young kids (under 10) should probably stick to the shorts. The sad and painful context is balanced by sweetness and optimism. Marcel's story inspires us to embrace all stages of life with an open heart and mind - dealing with grief and sadness, while coming out the other side with spirit intact.

A24 specializes in distributing innovative and creative movies, and this certainly qualifies. It's not really a mockumentary because it's not mocking anything. The stop-motion approach in documentary style may initially seem like whimsy, but we quickly realize it's more substantive. Individual strength and the power of community are on full display, and somehow Marcel the Shell teaches us ... while wearing shoes.

Opens in theaters on July 8, 2022.