Byzantium

'BYZANTIUM': Three and a Half Stars (Out of Five)

Another vampire tale from director Neil Jordan (who also directed the critically acclaimed 1994 film adaptation of Anne Rice's popular book 'INTERVIEW WITH THE VAMPIRE: THE VAMPIRE CHRONICLES'). This movie is based on the play by Moira Buffini (she also wrote the screenplay) and tells the story of a mother and daughter vampire duo who have been on the run for 200 years. It stars Gemma Arterton and Saoirse Ronan as the mother and daughter vampires and co-stars Sam Riley, Johnny Lee Miller, Caleb Landry Jones and Daniel Mays. It's a pretty standard vampire film with some nice directing and decent acting.

Arterton plays Clara and Ronan plays her daughter Elanor (even though she's only eight years younger than Arterton). They've remained the same age for 200 years (when they became vampires, that can live in the sun) and need human blood to survive. They're constantly on the run from other vampires (as they've broken their 'brotherhood's laws). Clara has now befriended the shy Noel (Mays) and is running a brothel out of his recently inherited rundown coastal hotel (the Byzantium). Elanor has fallen for a young waiter named Frank (Jones) and has begun exposing her and her mother's secrets to him, through (what he thinks) is a beautiful fictional story.

The movie looks good and Arterton (like always) is gorgeous in it. She makes a great femme fatale vampire and Ronan is decently cast as her sheltered daughter. Jordan's directing is fitting and the story is interesting, if you like vampire movies (although I didn't like it that these vampires can survive in the sun). It's nice to see a vampire movie about a mother and daughter for a change and the romance and male characters are pretty minimal. It's also interesting to see sympathetic vampires, in a film, that still kill and prey on innocent people. Very flawed heroes to say the least. It's nowhere near as classic as Jordan's 'INTERVIEW WITH THE VAMPIRE' but it's still a decent vampire flick.

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I have just seen this film as part of the famous Bridport Film Festival called "From page to screen". It features films that have been adapted from books and are very often accompanied, either before or after the screening, by a question and answer session with either the Director, Producer or Author etc. Bridport is in the county of Dorsetshire in the United Kingdom. This pre-release screening of Byzantium was enhanced by a very informative Q&A with the Producer Stephen Woolley. If you are expecting fangs, crucifixes, coffins and garlic prepare to be surprised! These vampires are a new take on a familiar theme. Much of the film is shot on location in the seaside town of Hastings which gives it a fabulously grungy and stark atmosphere. I have to admit that I didn't really want to go and see "another" vampire film. Believe me when I say that this is not just "another" vampire film.

... This is how to make a vampire film.

I find it difficult to fault this film. The plot is intelligent and engaging. No one is entirely black or white. The heroes are flawed and complicated, the villains, for the most part, have motivation and even sympathy. I found myself rooting for the murderous, vampiric prostitute as much for the innocent girl trapped into releasing those tired of life.

It's really two films, one set 200 hundred years ago, one in the present time, with many of the same characters and the same location, Hastings, once a fishing village, now a tired seaside resort.

The actors are very good, particularly the leads. As a resident of SE England, I recognised many of the locations. The ending was perhaps a little predictable, but still satisfying.

Don't go see this if you like your vampires to sparkle, but if you liked Let The Right One In and gritty drama, go watch it.

Really enjoyed this film although I was a bit lost for the first half hour or so as I was expecting something quite different than this film delivered however as the "Story" unfolds at a fairly slow pace you feel quite drawn to the two leading characters "Eleanor and Clara" and at this time I would like to mention I was quite impressed with the acting of these two ladies Saoirse Ronan and Gemma Arterton as compared to other films I have seen them in. This film is not easily compared to anything else that I can think of as it is not Quite a Horror film or really a Vampire film, but the thing I found I kept forgetting it was Just A Story and not "Real" as the film was very well presented in the quality of the acting and filming techniques gave it "Reality" feel. I am avoiding too much of the Detail as I believe you are better off not knowing too much about it, if you like a good quality film with a good story line that is not quite about Vampires. For those that may have the usual questions,the "Blood and Guts" are very minimal as is vision of any nudity.My best description is that it is a Love story of a parent for a child.I gave this an 8 as I feel it is a better film than the current rating suggests.......

This poster drew me to this film. Not the poster shown here on IMDb, but the colorful green, yellow and red which are used other places. I wasn't expecting too much, but was surprise ad when I saw the casting, and that it was a Neil Jordan-flick. I've admired Jordan since I saw The Crying Game.

This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.

If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.

The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.

Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.

I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.