After years of performing the same comedy sketch at performances, Tony Hawks decides to find inspiration for his scripts by traveling around Ireland with a portable fridge.After years of performing the same comedy sketch at performances, Tony Hawks decides to find inspiration for his scripts by traveling around Ireland with a portable fridge.After years of performing the same comedy sketch at performances, Tony Hawks decides to find inspiration for his scripts by traveling around Ireland with a portable fridge.
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Tom Sullivan
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- (as Tomás Ó Súilleabháin)
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Tony Hawks, a British comedian, actor and author took a drunken bet one night that he could hitch-hike around the coast of Ireland with a fridge in tow. He did it and wrote a best selling book about his adventure. The book tells of the wonderful array of characters he met on his travels, the places he visited, some good, some bad, and how something so normal as a small fridge managed to become some sort of beacon of hope for humanity. The book, in short, is an often hilarious read that quite possibly ranks as one of the finest human interest stories written in the comedy field.
The film is awful. Containing neither the feel or many of the joyous instances in the book, Hawks' film version is propelled by a heavy reliance on romance and a distinct lack of comedy. Skip it and read the book instead. Tony Hawks I could flipping kill you for letting this dirge come out on tape. 2/10
The film is awful. Containing neither the feel or many of the joyous instances in the book, Hawks' film version is propelled by a heavy reliance on romance and a distinct lack of comedy. Skip it and read the book instead. Tony Hawks I could flipping kill you for letting this dirge come out on tape. 2/10
Well... I thought this might be a nice film to watch before going to sleep, but I was wrong... Whilst lying in my bed I couldn't shake the urge to write about how bland, meaningless and ropey this film was, so I'm here.
I love a lot of British films, films that are based on true stories and films done independently. On paper this film looked like it'd be worth a shot at the very least but it was more like a shot in the foot. I hung on, hoping it was leading to a punchline or at least something to reward the endurance of the boredom... I was hugely disappointed! The best thing about this film was the song that had the line 'It gets much better than this'... At least the person who chose the music had a sense of humour unlike the rest of 'em.
I honestly have to say this is the worst film I've ever seen! Avoid like the plague, unless you like bland, uneventful and thoughtless films.
I love a lot of British films, films that are based on true stories and films done independently. On paper this film looked like it'd be worth a shot at the very least but it was more like a shot in the foot. I hung on, hoping it was leading to a punchline or at least something to reward the endurance of the boredom... I was hugely disappointed! The best thing about this film was the song that had the line 'It gets much better than this'... At least the person who chose the music had a sense of humour unlike the rest of 'em.
I honestly have to say this is the worst film I've ever seen! Avoid like the plague, unless you like bland, uneventful and thoughtless films.
OK so I didn't get to the end...in fact we couldn't get past 10 min before leaving....wooden acting...wooden dialogue...Now I have to write ten lines to make this review go through, but in all honesty, I've said everything I can about this film. I was expecting to laugh my head off but my partner and I were sitting there in stunned silence as we waited for it to improve. This has to be one of the worst attempts at film making that I have ever sat through, and as a forty something year old from Australia, that's saying something. It took me back to the B grade quality of films that Australia used to produce in the mid seventies...except without the humour.
Tripe, drivel, rubbish, crap, dross, whatever you call it, it's still the same thing. This film missed the genuine sparkle contained within the book, which was a silly story about a silly person doing something silly. I've (obviously) read the book, and loved it! This tries much too hard to be funny, and as a result, falls flat. Tony Hawks' comedy is minutely observational, and can be cripplingly funny (see his website), so you would imagine he'd be a gifted scriptwriter. This steaming pile, however, is didacticism at its worst. Pity he didn't get his pal, Arthur Smith involved!.. I managed a whole hour, but it felt much longer. It started slow (not a bad thing), and slowed down! TH's career has stalled recently, so I guess this was a way to pay the mortgage!..Turn over, and watch the weather channel instead, it would certainly be more instructive, and may even be funnier!..Better still, read the book!..Here's hoping his next project, an adaptation of another of his books, 'Playing the Moldovans' at Tennis is better...
I will be up front with you, I came to this film highly biased and expecting good things. Let's cover the good news first. I think Tony Hawks is a very endearing and clever comedian, who wrote a marvellous and successful book "Round Ireland with a Fridge". Ed Bye is an experienced TV director who has his name associated with some of the most successful British TV comedy output of the last three decades (including Red Dwarf). The cast contains some of my favourite entertainers. The sound track contains some charming music, co-written by TH, which usually fits the film (but maybe not always). For those who love watching films with a bit of scenery, the Irish countryside in this film is first rate and very well photographed – even when it is raining.
So it's a resounding success - yes? Errr – I am so sorry Tony, for me it is a flawed gem. Something went wrong that made a film with a potential 9 out of 10 ingredients into a one that even a TH fan could only give 7/10.
So what went wrong? Well I suspect some would say quite a lot – but I only found two aspects really affected my enjoyment.
Others have already commented about wooden acting. That was exactly how I interpreted the beginning of the film too. Tony sounds like he is reading the words rather than performing the part. Having just seen him live a few hours earlier, it was hard to reconcile that it was the same man. However, around 40 minutes into the film, Tony totally changes gear and we get a lot more of his usual whimsical style. At this point, the rest of the film follows TH in changing atmosphere – for the better. The Irish actors who are introduces from this point on are playing much more interesting characters than the dull people we have met so far and playing them with more comedy.
Then I realised – the wooden acting and dull English characters were all "sort of" deliberate. You see, I think the whole idea was that we are seeing a man who, despite a meteoric rise in his early career, has lost his way. Things are so bad he is now reduced to being daytime TV regular - a second rate one at that. What the portrayal is trying to communicate is that somewhere along the way in Ireland, the magic comes back into his life. I can only assume it's supposed to be the journey "back to the real Tony". Tony is coming back from the dead, so that MIGHT be the rationale behind the initial lifeless performance.
Deliberate though the inexpressive performance might be, I think the strategy was badly misjudged and formed the first big obstacle with this film is: was I prepared to sit through 40 minutes of watching a lifeless performance from someone who (at this stage) has lost the ability to be entertaining AND seems to be on a downward trajectory? Not everyone's cup of tea I suspect, but I had "faith in the fridge" and plenty of time on my hands, so luckily I persisted.
I have wondered if radical editing might have helped with the start of the film. Maybe a 50 minute TV special would have better matched the material.
Then we hit a second problem. There is not really enough content to show the magic of the middle part of the trip and the endearing characters Tony meets on his journey, before we rush into the charming love interest story. Not all is lost as there certainly are hints of the entertainingly off-beat (comic) experiences that are so well communicated in the book, but I felt that they were rushed, particularly having spent such a long time in the wilderness.
If you are a fan of (Radio 4 style) British / Irish humour and Tony Hawks then I think you will forgive these flaws and will still be glad you watched the film, like I did. Its just a pity it did not turn out to be the faultless classic it might have been.
So it's a resounding success - yes? Errr – I am so sorry Tony, for me it is a flawed gem. Something went wrong that made a film with a potential 9 out of 10 ingredients into a one that even a TH fan could only give 7/10.
So what went wrong? Well I suspect some would say quite a lot – but I only found two aspects really affected my enjoyment.
Others have already commented about wooden acting. That was exactly how I interpreted the beginning of the film too. Tony sounds like he is reading the words rather than performing the part. Having just seen him live a few hours earlier, it was hard to reconcile that it was the same man. However, around 40 minutes into the film, Tony totally changes gear and we get a lot more of his usual whimsical style. At this point, the rest of the film follows TH in changing atmosphere – for the better. The Irish actors who are introduces from this point on are playing much more interesting characters than the dull people we have met so far and playing them with more comedy.
Then I realised – the wooden acting and dull English characters were all "sort of" deliberate. You see, I think the whole idea was that we are seeing a man who, despite a meteoric rise in his early career, has lost his way. Things are so bad he is now reduced to being daytime TV regular - a second rate one at that. What the portrayal is trying to communicate is that somewhere along the way in Ireland, the magic comes back into his life. I can only assume it's supposed to be the journey "back to the real Tony". Tony is coming back from the dead, so that MIGHT be the rationale behind the initial lifeless performance.
Deliberate though the inexpressive performance might be, I think the strategy was badly misjudged and formed the first big obstacle with this film is: was I prepared to sit through 40 minutes of watching a lifeless performance from someone who (at this stage) has lost the ability to be entertaining AND seems to be on a downward trajectory? Not everyone's cup of tea I suspect, but I had "faith in the fridge" and plenty of time on my hands, so luckily I persisted.
I have wondered if radical editing might have helped with the start of the film. Maybe a 50 minute TV special would have better matched the material.
Then we hit a second problem. There is not really enough content to show the magic of the middle part of the trip and the endearing characters Tony meets on his journey, before we rush into the charming love interest story. Not all is lost as there certainly are hints of the entertainingly off-beat (comic) experiences that are so well communicated in the book, but I felt that they were rushed, particularly having spent such a long time in the wilderness.
If you are a fan of (Radio 4 style) British / Irish humour and Tony Hawks then I think you will forgive these flaws and will still be glad you watched the film, like I did. Its just a pity it did not turn out to be the faultless classic it might have been.
Did you know
- Crazy creditsPrincess Anne..................... 5'6½" (1.69m) Madonna........................... 5'4½" (1.64m)
- ConnectionsFeatured in The Wright Stuff: Episode #16.20 (2011)
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Top Gap
By what name was Round Ireland with a Fridge (2010) officially released in Canada in English?
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