Aisha

I recommend this movie to all Irish residents. Also to anyone anywhere with no real or lived understanding of trauma and/or life circumstances that cause you to flee for your life or die in the process. It will be emotionally triggering and upsetting for those who are or have been through the asylum application process, yet I wanted to see it the first time I heard about it a week ago. I finally got to see it today in the cinema.

The journalists won't talk about this issue, nor will the TV industry, the state or even the Irish society, most of whom are unaware of these lives hidden away from mainstream society like the plague. So I wish to shout out to the world how PROUD I am of this socially conscious Irishman Frank Berry, who through the media of film, is tackling societal plagues such as the Irish prison system, the impact of suicides on Irish society and through 'Aisha', the treatment of traumatised people arriving on Irish shores and soil seeking asylum and refuge (not to be confused with Ukraine war refugees, who are being treated differently, probably because they are white and European).

Ireland needs a hundred thousand more social realists like Frank Berry to awaken people, especially the privileged, to rise above and beyond their own selves and create a compassionate and just society from lessons learned from the past.

To quote Frank Berry : "What I found really interesting was how this system speaks to our past. It's another oppressive system like the industrial schools. The last mother and baby home was, I think, closed down in 1995. And the first direct provision centre opened in 1999. There are conversations to be had about how these systems were developed for profit." - IrishTimes, 12Nov2022

Letitia Wright is an amazing actress capable of enormous emotional depth that she shows through her eyes, her silence, her voice, her muscle armouring and her movements. It was lovely to see Josh who played Prince Charles in The Crown, play the lead male role here nailing the Irish accent!

I will not say anymore on this movie except to watch it and if you (like fellow reviewer johnpaulmoloney-35109) are unable to empathise with what you see, then to try and find gratitude for your blessings in life lest life decides to put you through similar suffering or worse in the hopes of teaching you humility and compassion for other human beings, in this short life on earth.

Letitia Wright owns this film as Aisha, an immigrant from Nigeria seeking refuge in Ireland. The actress appears in almost every frame and her performance is worthy of an Oscar nomination.

Her father has been killed and she and her mother raped by vicious loan sharks and she is shown navigating the asylum system in Ireland. A security guard at a shelter befriends her and the young woman is moved from place to place as she must attend hearing after hearing, reciting her terrible story to a long line of unsympathetic paper pushers. I am sure that it is pretty much the same here in ther United States.

I hope that Aisha will be Ireland's entry for an Academy Award.

Letitia Wright is the unique selling point of Aisha. She gives a fantastic performance. Watch her body language, the things she doesn't say, it's all in her eyes. It's a beautiful measured performance. Josh O' Connor gives her good support, eventhough his character sometimes feels a bit too goog to be true. There could have been some more fleshing out there. The movie itself is a timely complaint about the insufferable way asylum seekers are treated by the system. Never a break, always a new form to be complied, a interview with friendly if slightly uninterested caseworkers to be taken. It's a dehumanising treatment. The cruelty seems to be the point. Director Frank Berry shows it all in long takes, documentary like hitting his point home.

As someone from Ireland this is an important movie. As someone who has lived abroad in China there were some things I could relate to. That feeling of being temporary, being defined by your country, constantly having to justify why you're there and being the minority. That on top of having to answer the same stupid questions. All these complaints are minor compared to how my country treats these asylum seekers. It's inhumane and disgusting to be trapped in this limbo where they say you have rights, but the smug people in control get to do whatever they want, move you, take you away from the life you're building even though want to work and contribute. These people flee from the threat of abuse, death, sexual exploitation. They have to escape quickly and the countries that take them in keep them waiting around for 6 years with limit freedom and ask why they don't have this imaginary paperwork that proves they went through these things. When refugees fled Germany and France during WW2 they weren't scrutinised like this and it makes no sense that you can't just live. There has to be a better system than this.

You've been abused but managed to escape from terror, to a land you hoped would treat people much fairer, but you're stuck inside a scheme, that destroys your self-esteem, you had no choice, but this all feels like a great error. They don't believe that you're at risk if you return, although you feel they do not care of your concern, but with little evidence, you cannot give a great defence, of the murder, rape and torment that still burns.

Letitia Wright is outstanding as the asylum seeker living in limbo, dehumanised by a system that's in place to protect but ultimately treats people like beggars and thieves. With Josh O'Connor providing sympathetic support and empathy, this film makes a good companion piece to The Swimmers which tackles a similar theme but through a different escape.