Hesher

A raucous take on your typical indie coming-of-age film, "Hesher" paints a portrait of grief and coping with adversity using a diverse palette of humor, sadness, rage, depression and raunch. Certain types will find a good degree of truth to writer/director Spencer Susser's tonal chaos, while others will raise eyebrows, but a part of "Hesher" will resonate with everyone.

Devin Brochu stars as T.J., who from the opening scene makes it clear he's trying to get himself killed at some point during the film. He's a bit reckless, and as it turns out he and his father (Rainn Wilson) are grieving for his mother, who died just a couple months before.

T.J's troubles lead him to an unfortunate encounter with a probably homeless chain-smoking metal rocker later to be introduced as Hesher (Joseph Gordon-Levitt, who needless to say plays delightfully against type here.) Turns out that Hesher is about 10 times as reckless as T.J. and in a more brutal and calculating way. He follows T.J. to school, which scares the crap out of him, yet we can only assume it is Hesher who draws indecent images in permanent marker on the car of an older student bullying T.J.

Eventually, Hesher comes over uninvited and unannounced to T.J's grandmother's house, where T.J and his father are staying. He inserts himself aggressively yet peacefully into their home and becomes their guest over time, developing a friendship with the grandmother and taking a sort of tough-love mentorship of T.J.

We are to presume that the senility of the grandmother and the lifeless apathy of the pill- popping father lead to a casual acceptance of Hesher's newfound presence in their home. It's a significant leap, but Susser and his co-writers are much more preoccupied with creating this unlikely relationship between T.J. and Hesher that logistics take a back seat. Fortunately, the blunt humor spouted off by Hesher, who communicates almost exclusively in sexual metaphors, helps mask the plot's illogical backbone.

Although never explicitly stated, it becomes obvious that Hesher wishes to teach T.J. how to stick up for himself, and more importantly how not to fear the consequences. This, of course, is not the world view of an kid in his early teens, and it leads to several emotional whirlwinds for T.J. as he starts to come of age.

The script treats T.J. like an adult despite not being one: he curses regularly (which gets worse with Hesher around), he makes friends with people twice his age such as the grocery clerk at the local store (Natalie Portman) and in general he deals with things kids his age would rather not deal with. It's a bit ridiculous, but it does make for an interesting dynamic between him and Hesher.

At its core, "Hesher" is about dealing with "the ____ that happens to you," which begins to explain why in some scenes it's just Hesher breaking stuff, or T.J. breaking stuff, or conversely a slow and quiet dramatic and emotional scene such as when T.J. and his dad go to a grief support group. Each character handles it differently, and Hesher's purpose in the story is to shake up the way T.J and his father have handled with it so far with regards to the death of the mother.

Susser definitely punches home this message, but it comes through the thick clouds of X- rated humor and with scenes strung together without any cohesive tone. The heavy metal indie image that the film wants to give off doesn't necessarily gel with everything it wants to say. Certain moments are laugh-out-loud hysterical, while others are moving. Then some just feel weird. It's definitely a film that will connect with its audience, but its wired in an awkward way that will likely turn off some viewers.

~Steven C

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It's hard to really describe a movie like Hesher. At first it comes off as this bizarre comedy, but as the film goes along it becomes more and more this character study of a chaotic force coming into the life of a family that needs it more than they think. Joseph Gordon-Levitt's titular character is a psychopath, a heavy metal loving maniac who uses foul language at the most inappropriate times, flies off the handle with violence and pyromania and generally frightens anyone who sees him. He invites himself into the home of the Forneys without a word and no one tells him to leave or, more realistically, calls the police.

This concept is a little off-putting at first and gave me some slight trouble getting into the story, but once the film started to develop it became more and more...honest, in a strange way. They didn't tell him to leave because subconsciously they knew that they needed him. At first it seems like he's there for a home and a place to do laundry (the character is introduced living in a construction site) but later on we realize that he doesn't need them at all. He's a drifter in the wind, somehow helping these people that he comes into contact with despite initially seeming like the worst person you would ever want around. The concept is still a little too bizarre and the final act gets way too melodramatic and schmaltzy, but the film hit me a lot more honestly and emotionally than I was expecting it too.

I've always admired Levitt as one of the finest actors of his generation, but even I didn't think he could pull off a role like this. Boy, I was wrong to doubt him, because he is on fire the whole way through. Hilarious, terrifying and somehow heartfelt, he makes this character incredibly real, which is probably the biggest surprise of all. Natalie Portman also manages to impress in a supporting role as a shopgirl that Hesher and our young protagonist T.J. (a mature child performance from Devin Brochu) come into contact with. She grounds the film in some ways, being the most honest and human character, and she has a breakdown in her car with T.J. that is pretty wrenching.

I'm always kind of off-put by films where people in their late twenties somehow befriend ten year-olds and no one calls the police or anything, but this is one of the rare ones that allowed me to get past that initial gripe and eventually respect it for the solid character study that it is.

Dark. Very, very dark, and profane, and vulgar, and raw, and rough, and funny and sacrilegious and did I mention vulgar. But I loved it! It's real life. This film yields one the most interesting discussions about how God is speaking through films. A fracked-up family. A pryomaniacal, head-banging, angel of death. A sweet and sexy grocery clerk. And Metallica music… what more do you need? This film is Psalm 88. It's a boy screaming to the heavens, "Why God? Where are You? Why don't you help me?" It's a once happy and bright life ruined by a car wreck. A mother killed. A son trying to be a man. A father dealing with depression. And a strange, reluctant "savior" that brings the family to the precipice of death; and life.

I think the greatest theme in this film comes when Hesher says he lost a (body part), but he has another one. Yes, the boy lost his mom, and his dad his wife, but they still have each other. Life is completely messed up, but we have each other.

Joseph Gordon-Levitt, Natalie Portman, Rainn Wilson, Devin Brochu: beautifully acted. This film is the epitome of Beauty from Ugliness, Life from Death, Sacred from Profane.

I feel compelled to write a review on this film, but I'm just not sure what to focus on or how to outline what I loved about it. The story is so unique, and so left of centre, that it's very hard to describe, let alone break down and review. When attempting to describe it to a friend, I found it very difficult, as it just sounds so crazy. It makes one think, how could this be that enjoyable. All I could really say was, 'you have to watch this film!', as it made me smile, laugh and connect, from opening scene to closing credits.

After seeing the trailer for this, I was immediately interested. Mainly because of the crazy, ab-lib, don't-give-a-s**t nature of Hesher, actually reminded me of a friend, and this friend's antics and philosophy on life always amuse me, and more often than not, enlighten me to how this crazy world can be, and how you really shouldn't take things so seriously. Having such excitement for an upcoming film, you can quite often be let down. Luckily for me Hesher stood up, and was everything I hoped it would be, and more.

I found the story to be simply brilliant. So random and unpredictable you never really knew where it was going, or what was going to happen next. I loved the way in which Hesher makes he's first appearance in the film, and how he somehow, without trying (so it seems), finds he's place in Grandma's home. The dialogue was simply gold and oh so funny at times, that it made me want to re-watch the film as soon as it concluded, to pick up on the quick wit and laugh all over again. The scene at the pool was definitive for me. So funny and so strange. I couldn't help but enjoy and admire the way Hesher went about things in that scene, letting himself completely go, without a fear of consequence. Acting on he's most primal impulse. Not so much in anger, but in freedom, and having fun at the expense of a few 'versatile solutions for modern living'.

Hesher is an amazing character, and Joseph Gordon-Levitt is brilliant. This might sound ridiculous to some, but I think it was worthy of an award, as this is a true embodiment of a character. There is no Joseph Gordon-Levitt in this film, there's only Hesher. I haven't seen that many of Joseph's movies, but I do remember '500 Days Of Summer', and this is polar opposites as far as role is concerned, and not many actors could make such a leap, convincingly. I also became a fan of Natalie Portman after this. I love the fact she took on a role that was so different. Her character's plainness, honesty, and self-confessed faults, made her simply beautiful to watch throughout. Devin Brochu as the main boy which the story revolves around is amazing. He's level of dramatic execution is spot on in every scene, and he's so believable as TJ. The film has such rich characters, which are all played to perfection. The Grandma is also worthy of a mention, providing so much love to an otherwise somewhat tragic story.

This film manages to mix humour, sadness and heart like very few films can. Its films like this that can pick people up and put them back on their feet. It actually made me feel better about life, and less worried about the ridiculous incidentals that can make us anxious and get us down. I'm not sure how this film managed to tap into such thoughts and emotions, but somehow it did. There is no comparative circumstance in the film for me, nor is there an obvious message that everyone can relate to, it is simply a story with colourful characters, with simple lives, told in such a unique and crazy way, that for some reason you commit to it and totally embrace it, only to feel on top of the world for having done so.

For a film like this you've really got to ask what you want. A lot of people I know might not like it or really get it. I was looking for something a bit different to watch by myself, to engorge myself in. It's properly crude (in US terms) but that's kind of the point I think. I watch a lot of films and this one made me register to IMDb as I think it's probably under-rated. The acting is GOOD throughout. The cast is good (especially the kid...if the kids in Harry Potter were half that good we'd see them a lot in movies in the future...we won't) and the vibe is excellent. It's original without trying too hard and it didn't make me feel like I'd seen this film before. The other reviews seem to sum up the premise pretty much so I won't bother. I think this film could've gone bad many times over but the quality of it holds it together. It's a bit odd, a bit wrong, a bit sad, funny, witty, intelligent, brave and charming. I may be over egging this pudding but this film very nearly slipped under my radar and I'm very glad it didn't. When I'm hunting I reckon this is the kind of review I'd like to read to fire me up a bit. Eternal Sunshine meets No country for old men......or something :-)