Legend of the Guardians: The Owls of Ga'Hoole

Legend of the Guardians is director Zack Snyder's first attempt at a completely CGI and children's film while his other credits are all hard "R" films. So does the king of slow-mo succeed?

The quick answer is yes. Guardian's is a film that takes the liberties 3D and photo realistic CGI have to offer, like Avatar, to make a world and characters larger (or smaller) than life to let your mind be soothed into something beautiful, mystical, and most importantly, entertaining.

The story takes the classic yet reliable fable of good versus evil. To put it simply, an army of Evil owls who have obvious horrid intentions of ruling the Owl Kingdom must be stopped against all odds. The only creatures powerful and wise enough to defeat the army are the legendary Guardians of Gahoole.

The film follows main owlet Soran, voiced heroically by Jim Sturgess. Soran is kidnapped by the army of the Evil Owls. After being exposed to the armies wrong doings, Soran knows the only hope in defeating the baddies are to warn the Guardians. From there, the film takes flight into an epic adventure of action, companionship, and beauty.

Guardians is a rare treat in computer animated cinema. While Pixar is always reliable, Guardians is a very different film that strives to be an epic while appealing to a mass audience and succeeds in doing so. From the fantastic action scenes, to the articulate directing, spectacular animation, smart 3D, and top notch voice acting, Guardians is a film that will leave you mesmerized days after it's viewing.

The owl Noctus never gets tired to tell the epic stories of the Guardians of Ga'Hoole to his young barn owlets Kludd, the dreamer Soren and their younger sister Eglantine. Soren and Eglantine delight with the narrative, but the jealous Kludd gets bored and upset with the tales of the protectors of the Kingdom of Ga'Hoole. One day, Soren and Kludd fall out of their nest while learning to fly alone and they are kidnapped by evil owls to work for Metalbeak and Nyra. The owlets are divided in soldiers or hard workers in the Pelletorium collecting owl pellets to extract a fleck to generate a magnetic field. Soren befriends the elf owl Gylfie and they learn that the owlets are "moon-blinked" by the moon while sleeping and awake brainwashed, working like blinded zombies. They resist and sooner Gylfie's captor Grimble teaches them how to fly and meet the Guardians of Ga'Hoole to fight against Metalbeak and Nyra and the evil army of The Pure Ones.

"Legend of the Guardians: The Owls of Ga'Hoole" is a very impressive animation. The story is only reasonable, with the eternal conflict between good and evil inspired in the Nazis in a scenario that recalls Avatar. However, the awesome quality of CGI and the voices (Eglantine is delightful) deserved a better story. My vote is seven.

Title (Brazil): "A Lenda dos Guardiões" ("The Legend of the Guardians")

Within the Pixar Dominated, Slapstick Permeated, Cookie-Cutter animated generation we currently live in, Legend of the Guardians: The Owls of Ga'Hoole, Directed by Zack Snyder ("300" & "Watchmen"), breaks this pedestrian mold through its Captivating Visuals, Engaging 3D, and its Lord of the Rings-like Odyssey.

Based on a series of books written by Kathryn Lasky, this mythological story centers on dreamer Soren (Jim Sturgess), a young owl enamored with stories of "The Guardians", a clan of warrior owls who hail from the Tree of Ga'Hoole, and protect the weak from an evil army called the Pure Ones. When Soren and his brother, Kludd (Ryan Kwanten), are kidnapped by these Pure Ones, the stories become reality. Soren escapes and hunts for the Guardians to save the owl kingdom from the Pure Ones, while Kludd slowly becomes one.

Legend of the Guardians is a milestone for animation and a 3D visual masterpiece. Under the direction of Snyder, Australian company Animal Logic (Creators of "Happy Feet" & special FX for "The Matrix" and "Lord of the Rings") have achieved something incredibly remarkable. The interaction of air and digital feathers work in a harmony that makes Avatar look like an old computer game. The landscapes are absolutely breathtaking, Monsoons are shimmering and talons glistening, this brings out the best in Snyder's heavily artistic directing style, and has adorned this movie with graceful battle scenes, beautifully blended with his signature slow motion shots at the perfect moments.

With its comparisons to films like "The Secret of NIMH", "Watership Down", "The Dark Crystal", with clear shades of "Star Wars", Guardians is not your run-of-the-mill animated movie with a fart joke every 10 seconds. The movie takes on a much more serious disposition which fits perfectly with its thematic flow. It is important to note, the film deals with issues such as courage, unity, loyalty, faith, sacrifice and betrayal tackled by Snyder with understated maturity. Though the story moves at a fairly quick pace, you will be immersed in what develops, as the writers did well to implement essentials to the storyline with comprehensible dialogue.

With that being said, Guardians is an engaging and relatively intense movie from start to finish. Thus, successfully separating our mindset of "Animated" and "Kid Friendly" being synonymous with each other. It is inspirational, breathtaking, humorous and educational with all the essentials of an all in all great story and movie. The kids and adults will both learn, while at the same time be visually enraptured by the animation's beauty. Don't be remotely surprised if you see sequels as it certainly has the legs to do so...or should I say wings (Note to self: Refrain from the bird puns..)

The looks of this feature was the absolute highlight of Legends of the Guardians: The Owls of Ga'Hoole and so far the pinnacle of what CGI can do which is rare praise from me, because I rarely get such feelings by watching computer animation.

That's is both a blessing and a curse, because the story is a little messy and the characters are a mixed bag. Soren and Kludd are young owls about to learn to fly, but accidentally fall out of their nest and are captured by other owls to be slaves. From there on they go through many things with different consequences. While that's going on many new characters are introduced, and that's where they sacrifice quality in exchange of quantity. Some characters are annoying one-note comic reliefs (don't remember their names) and were not serving much of to the story.

BUT the saving grace was the villains! Oh god they were intimidating! If Disney's Maleficent and Frollo had a child, that would be them! Every time they're on screen I got the chills! Enslaving other owls because they view themselves as superior!

Even if it has a story with flaws and a mixed bag of main characters, I can without a doubt tell that this is the best looking animated movie to be released in a long time and set the bar unbelievably high for the rest of the 2010's. Don't know if a better looking movie has turned up considering the fact that we're currently at the end of 2018, but this is a tough one to beat.

I suppose this is that movie that's a third generation retelling of an older more established fantasy settings and hero's journey. Which seems kind of like retreading dead waters at this point, but hey throw some owls in there and you got something fresh enough to justify a ninety some minute movie. While on the surface having a cast composed almost essentially of all owls seems a bit silly, and to some degree it still is, but the movie carries itself in the right tone. The fact that they're owls never sticks out to a negative and the fantasy aspects of the story kick and carry the weight of the plot nice and properly.

On reflection there's a few things to like about this little movie. The CG looks fantastic, the facial animations carry all the right emotions and don't even get me started on the feather as each one acts as they should wither their in the air or dancing through the rain all without diving strait into the uncanny valley. The voice work has some charm and believe it or not Hugo Weaving is not the villain in this movie, in fact he has two separate roles in a bizarre double casting. Helen Mirren has a nice mother/temptress run at things, and Jim Sturgess finds that sweet spot between being a naive dreamer and headstrong bravery. Furthermore the heavy handed emotional speeches that usually make my ears bleed just a bit actually have some proper reserve behind them, relying more on the power of the words more then the emotional act behind them. And I will say this, although in about twenty minutes of the movie you'll hear somewhere around fifteen fantasy words, one's that have no relevance to the real world, but the movie never makes the mistake of sticking around them long enough to where things just get dry and confusing. It's kicked from one reel to the next, which kind of works in its favor to some degree. You're never lost in this world and the plot advanced fast enough that your brain never has the time to throw up too many red flags and pull you right out of the story.

As far as negatives are concerned. The owls suffer from the same boring over dramatic dull most fantasy stories suffer from in terms of plot. In that everything boils down to the one righteous path or collective taking arms against the bullying radical one. Essentially when broken down the bad owls, the Pure Ones, really only seem to be into slavery, kidnapping and training child soldiers and for all other purposes ethnic genocide all aimed in the total commitment of just being evil bastards. There's no real balance of purpose for the Pure Ones. Furthermore on another note, you would think a pseudo fantasy heroes journey would be all about the journey. Where each step for the main character is filled with adventure and danger and perhaps even a lovely maiden or two along the way. But this never really settles into that sort of pattern, perhaps it because the owls have the advantage of flying over those pesky foot dwelling creatures normally put on camera, but our cast of heroes scale all the way to Mt Doom and back and only break a sweat when the plot demands it, which is about three times throughout the movie. Oh and although this is sort of a kids movie, the standard betrayal has no real emotional resonance because its handled more as a demand of the plot than a character turn not to mention if you don't see these things coming I must assume you are either a bit of a young ling or a recent victim of cranial intrusion.

In the end I'd equate this movie to something like The Dark Crystal or Dragon Heart. Those kind of over zealous fantasy pseudo epics that have more than a few open wounds but have enough charm to warrant a viewing. I'll admit I enjoyed myself. While there's not a whole lot of new thins brought to the table and I can't help but feel I'm missing out on more than a few things for not having looked into the source materials, what is there hits all the right notes for this kind of fantasy setting and there are a handful of nice idea's that even Tolken never got into well. In that there's a bit of subtext about the cost of heroism and how much it hurts to do the right thing even when its what needs to be done, and I quite liked those aspects. Although I would caution the more casual movie viewer as this movie asks you to buy into a fair amount of fantasy tropes and once again there are only five types of characters owls, a single snake, some crows and some bats and one ratty looking mole like thing.

One last thing, speaking from a 3D viewing perspective. It's actually well done here. The unique perspective give the aerial combat a nice visceral punch and the ever sprawling backgrounds look deep and distant giving the movie the feel of a huge sprawling world. So there is some value to the price jump between the 2D and 3D if your into that sort of thing.