Day of the Dead

Watched two episodes and gave up. Bad on so many levels. Cheaply produced, acted, wrote, and so is CGI/Make-up.

Weak and pointless. Feminists are the saviours once more.

Outside some of the character names, this bares no resemblance to Romero's classic other than it has zombies.

It does have a lot of cliched, unlikeable characters who act like idiots. It's got bad acting and the lame "zombies breaking out of the cemetery" who somehow were able to break through their sealed caskets and six feet of earth. Some of the cemetery zombies are breaking out of the ground with blood in their mouth. Why? Some have been buried yet have tons of blood gushing out of them.

They're chasing one of the dummies and instead of running from these slow moving zombies, he gets on his lawn mower, which goes as fast as the zombies do. Huh?

That scene explains everything stupid about this awful show. One episode, that was enough for me.

I gave it three rather than one stars because unlike what some of the people here are saying, the zombie make up is good. That's the only positive thing to say about this mess.

A bunch of young beautiful guys get saved by a some young beautiful women. From some zombies who look like the make up came from a dollar store. All the old people get killed by the zombies, so it just young peole for days. Yada yada yada.

When I started watching the opening scene, I thought to myself, 'this is so badly put together it must have been made in Toronto!' I was wrong though, it was made in Vancouver. Same difference.

Bad acting, bad direction, bad script writing, bad editing. Bad production values. This ones got it all folks. So if this follows the usual pattern it will run for four or five seasons of what at best can be called mediocrity.

Meanwhile, good shows which are engaging and well crafted get cancelled after a season or two.

The producers of the show did not know if they want to make a zombie comedy or something with a "serious" tone - in the end we get a bad mix of both that does not work at all, on both levels. The dialogues are also all cliche in and too many times cringe worthy, same goes for the "humor". The only, a little redeeming feature of Day of the Dead are the masks and some little gore here and there. But that's simply not enough to spend my time on this show. Also, "Day of the Dead" has nothing to do with the story of Romero's Day of the Dead.

As a small town begins to be overrun with zombies a group of people must face the horror head-on.

One of the directors of the excellent The Void (2016) Steven Kostanski, delivers a reimagining of modern horror classic Day of the Dead (1985) with lacklustre results. Based on the opening episode, as a fresh-faced cast come face to face with the dead in a flashback, it glaringly is on a budget, which wouldn't be a problem, or fall short of expectations if it wasn't being sold as Day of the Dead.

The make-up effects and music are surprisingly effective. The cast do a fine job and appear to be having fun, Keenan Tracey, Daniel Doheny, and Natalie Malaika are notable.

It appears to utilise George A. Romero's character names, akin to Day of the Dead (2008) but the tone is reminiscent of Night of the Living Dead 3D (2006) and Night of the Living Dead 3D: Re-Animation (2012), particularly the mortuary setups, with a touch of Return of the Living Dead Part II and Zombie Night (2013).

Greddy town officials and workers are straight out of Forest Of The Dead (2007). Shoehorning in every trope in the genre, writers Jed Elinoff and Scott Thomas offer a new slant with the dead body chained in a cavern but the production appears to be SYFY cynical attempt to cash in on a classic. Plodding, familiar and falling short as both a homage and a gimmick. There are debatably better or certainly enough TV zombie series of varying degrees of quality already out there. Kostanski can and has delivered imaginative and resourceful work; but this sadly and surprisingly isn't one of them.

As a low budget zombie TV series, it is adequate, but as a series connected to Romero's work, it's extraordinarily empty.