Some scenes and lines in Arisaka felt unnecessary, contributing to pacing issues throughout the film. However, the lead actress' captivating performance keeps you riveted, skillfully balancing vulnerability and strength, making her character relatable. In contrast, the performances of the corrupt cops felt clichéd, and the Aeta extras could have used better direction, although the Aeta child delivered a strong supporting role.
The film excels in visual storytelling, showcasing superb cinematography and production design that enhance the atmosphere and tension, along with impressive use of prosthetics and visual effects. The dream/hallucination sequence involving Japanese soldiers seems like a nod to the director's father, acclaimed director Raymond Red, but ultimately feels superfluous.
In a landscape dominated by Hollywood and K-dramas, Mikhail Red and Paul Soriano stand out for the Pinoy Netflix generation, bringing fresh and bold ideas. Their work echoes the impact of A24 films abroad, showcasing the depth of Filipino storytelling and opening doors for a new wave of cinema that connects with audiences both locally and globally.
