A fictional account of one incredible night where icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered discussing their roles in the Civil Rights Movement and cultural upheaval o... Read allA fictional account of one incredible night where icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered discussing their roles in the Civil Rights Movement and cultural upheaval of the 60s.A fictional account of one incredible night where icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered discussing their roles in the Civil Rights Movement and cultural upheaval of the 60s.
- Nominated for 3 Oscars
- 68 wins & 180 nominations total
Jerome A. Wilson
- Elijah Muhammad
- (as Jerome Wilson)
Summary
Reviewers say 'One Night in Miami' delves into race, civil rights, and influential African-American figures of the 1960s. The film is lauded for its powerful performances, especially Kingsley Ben-Adir as Malcolm X and Leslie Odom Jr. as Sam Cooke. However, some critics deem it slow-paced and stagy, lacking cinematic depth. Others argue the execution is inferior to similar films. The fictionalized narrative receives mixed reactions, with some valuing creative liberties and others lamenting the loss of historical authenticity.
Featured reviews
Powerful film. Regina King did such a great job at directing and the film looked beautiful. The subject matter was incredibly interesting and couldn't have come at a better time.
A stylish and promising debut from Regina King. While not as constantly engaging as I was hoping, it still features brilliant performances all around and some of the strongest directing I've seen all year; I would love to see the Oscar winning actress become an Oscar nominated director!
Oscar winning actress Regina King makes her directorial debut in One Night in Miami.
Adapted from a stage play. It imagines a meeting in a hotel after Cassius Clay's (Eli Goree) defeat of Sonny Liston in 1964 when he was crowned world heavyweight champion.
Clay and his friends Jim Brown (Aldis Hodge) Sam Cooke (Leslie Odom Jr) and Malcolm X (Kingsley Ben-Adir) get together to celebrate, joke, argue and debate about being black in 1960s America.
The pre credit sequence concentrates on each of these men. It shows the causal and non casual racism some of them encounter.
The crux of the movie is Clay deciding to become a Muslim and join the Nation of Islam which also entails changing his name.
Meanwhile Malcolm X is considering his future with the Nation of Islam which is causing tensions within the group.
Jim Brown wants to leave football and become an actor. It is better for his knees.
Cooke has realised that there is money to be made if white groups such as The Rolling Stones have big hits with the songs he has written.
Malcolm X though is angry with Cooke for not taking a strong political stance. He reminds Cooke that black people are being killed everyday. Others tell Malcolm that he is being too hard on Cooke.
Deep down this is a political movie, chiming with the Black Lives Matter debate.
The stagebound nature of this movie is hard to ignore. It also takes a while to get going but becomes compelling when Malcolm X and Sam Cooke clash.
The ensemble cast do bounce off well from each other. The best performance for me was by Leslie Odom Jr, especially his singing voice.
It has to be noted that within a year after this fictionalised meeting that both Malcolm X and Sam Cooke would be dead.
Adapted from a stage play. It imagines a meeting in a hotel after Cassius Clay's (Eli Goree) defeat of Sonny Liston in 1964 when he was crowned world heavyweight champion.
Clay and his friends Jim Brown (Aldis Hodge) Sam Cooke (Leslie Odom Jr) and Malcolm X (Kingsley Ben-Adir) get together to celebrate, joke, argue and debate about being black in 1960s America.
The pre credit sequence concentrates on each of these men. It shows the causal and non casual racism some of them encounter.
The crux of the movie is Clay deciding to become a Muslim and join the Nation of Islam which also entails changing his name.
Meanwhile Malcolm X is considering his future with the Nation of Islam which is causing tensions within the group.
Jim Brown wants to leave football and become an actor. It is better for his knees.
Cooke has realised that there is money to be made if white groups such as The Rolling Stones have big hits with the songs he has written.
Malcolm X though is angry with Cooke for not taking a strong political stance. He reminds Cooke that black people are being killed everyday. Others tell Malcolm that he is being too hard on Cooke.
Deep down this is a political movie, chiming with the Black Lives Matter debate.
The stagebound nature of this movie is hard to ignore. It also takes a while to get going but becomes compelling when Malcolm X and Sam Cooke clash.
The ensemble cast do bounce off well from each other. The best performance for me was by Leslie Odom Jr, especially his singing voice.
It has to be noted that within a year after this fictionalised meeting that both Malcolm X and Sam Cooke would be dead.
This just became available on Amazon streaming movies. The "one night" reference is Feb 25th, 1964 in Miami, the night Cassius Clay (22), (later known as Muhammad Ali), surprised boxing fans by defeating Sonny Liston who threw in the towel after 6 rounds.
The four prominent friends were Malcolm X, Cassius Clay, Jim Brown, and Sam Cooke. You see, I was in college at that time, all of them are were known to me, so seeing this stage play turned into a movie has a very relevant meaning.
Although it is based on a true story of real people, unfortunately there are no tape recordings of their conversations that night, and some facts were changed for dramatic effect, so it isn't possible to determine how "accurate" it is. Nonetheless it is a good depiction of the times and what these black men were facing, and some of the 1960s drive to overcome the rampant discrimination that existed. Of course the issue still isn't behind us, there is still a ways to go.
This is a good movie, especially for those of us who remember those days. I find myself wondering how it comes across to the younger (under 60) age groups.
The four prominent friends were Malcolm X, Cassius Clay, Jim Brown, and Sam Cooke. You see, I was in college at that time, all of them are were known to me, so seeing this stage play turned into a movie has a very relevant meaning.
Although it is based on a true story of real people, unfortunately there are no tape recordings of their conversations that night, and some facts were changed for dramatic effect, so it isn't possible to determine how "accurate" it is. Nonetheless it is a good depiction of the times and what these black men were facing, and some of the 1960s drive to overcome the rampant discrimination that existed. Of course the issue still isn't behind us, there is still a ways to go.
This is a good movie, especially for those of us who remember those days. I find myself wondering how it comes across to the younger (under 60) age groups.
For the first 20 minutes or so of this film, I thought "This definitely feels more like a play than a movie." But then the conversations got going. And the actors started truly inhabiting their roles. And I stopped wondering how much of this night's events were fictional. By that point, it did not just feel cinematic. It felt moving. The performances alone were worth it, but their moments talking together might stick with me even longer. Kudos to Powers and King for giving a stageplay new life and new relevance.
'One Night in Miami' Cast Talks Representation on Screen
'One Night in Miami' Cast Talks Representation on Screen
Regina King, director of One Night in Miami, and stars Aldis Hodge, Leslie Odom Jr., Eli Goree, and Kingsley Ben-Adir share the first time they saw themselves reflected on screen. They dive deep into the actors and roles that inspired them, and what they hope audiences will take away from their ground-breaking film.
Did you know
- GoofsThe film ends with Malcolm X watching Sam Cooke perform "A Change is Gonna Come" on TV while he and his family are seeking shelter from the firebombing of their house. In reality, the firebombing occurred on February 14th, 1965. Sam Cooke was murdered on December 11th, 1964, a month before the firebombing. The performance which Malcolm watches actually occurred on February 7th, 1964, a week before the film takes place.
- ConnectionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
- SoundtracksCopacabana Theme
Written by Ruy Folguera
Performed by HKP Band
Published by Hampton King Louisiana Productions, LLC administered by Legs Music, Inc.
Courtesy of Hampton King Louisiana Productions, LLC
By arrangement with ABKCO Music & Records, Inc.
Details
Box office
- Budget
- $16,937,665 (estimated)
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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