Based on the New York Times bestseller, The Power is our world, but for one twist of nature. Suddenly, women develop a mysterious new ability to electrocute at will, leading to an extraordin... Read allBased on the New York Times bestseller, The Power is our world, but for one twist of nature. Suddenly, women develop a mysterious new ability to electrocute at will, leading to an extraordinary global reversal of the power balanceBased on the New York Times bestseller, The Power is our world, but for one twist of nature. Suddenly, women develop a mysterious new ability to electrocute at will, leading to an extraordinary global reversal of the power balance
- Awards
- 2 wins & 4 nominations total
Browse episodes
Summary
Reviewers say 'The Power' is a groundbreaking science fiction series exploring gender inequality and power dynamics. It is lauded for its innovative concept, strong performances, and thought-provoking narrative. However, it faces criticism for pacing, the plausibility of its science fiction elements, and the complexity of character reactions. Despite mixed reviews, the show stands out for its bold feminist themes and societal impact.
Featured reviews
What an intriguing show! I started watching it around the time that episode three came around, so I binged 1-3 and then read a bunch of reviews thinking that some of the reviewers had previewed the entire thing. Nope. And I'm happy I stayed along for the ride. It takes awhile to get to know the characters and for their interconnections to start snapping into place, but it is a seriously intriguing, joyous, nail-biting, terrifying and horrific ride along the way.
The ensemble is excellent, too. Toni Colette is an actor's actor. And I have a soft spot for Toheeb Jimoh (whom you may recognize from Ted Lasso) as Tunde. Even some of the smaller characters are given some depth by story and cast.
I will be deeply upset if there is no season 2.
The ensemble is excellent, too. Toni Colette is an actor's actor. And I have a soft spot for Toheeb Jimoh (whom you may recognize from Ted Lasso) as Tunde. Even some of the smaller characters are given some depth by story and cast.
I will be deeply upset if there is no season 2.
A super-powered series that doesn't use a superhero storytelling approach. It's not an action fight with special powers. It is a guideline for good and bad consequences, catastrophes, revolutions, the end and the beginning of human history. That creates the new normal like the outbreak of COVID-19 by using the big story scale Emphasis on multi-level political governance with many different characters around the world. That have their own separate stories that are different But the story will have a big problem, namely the first 2 episodes focusing on the beginning story that almost does not see much electricity until it does not look fun. To the point of boring and telling a lot of characters at the same time Together from the beginning, it made me confused with the direction of the story, but at the end of the second episode, the story will turn the story into a big mask that makes the story come back to be fun and interesting with the impact of the power that occurs in different stories. Which if the series can maintain this level It's likely to be another good Prime series as it's been a beseller and award-winning novel before.
This is based on my absolute favourite book from the last 5 years and I was fearful that a "prime" adaptation might water down or homogenise what is, literally, an explosively revolutionary story line.
Short answer: it hasn't.
The author herself, Naomi Alderman, is in place as writer/adaptor of her own work and, so far, it hasn't lost any of its power, strong characterzation or excitement.
Like any well told and effective story it's taking it's time to introduce the main players. Sadly the "I want it now" demographic will fail to see the importance of such world-building ...but then they always do.
Literary echoes of "Handmaids Tale" "Consider her ways" and even a sprinkling of "World War Z" abound and I'm genuinely eager for the next episodes to be released. All the main characters seem well cast (love Roxy) and there are several truly impressive acting stalwarts in pivotal roles.
So far so good and episode 4 was magnificent. I was in tears throughout the whole Saudi Arabia section.
Keeping everything crossed.
Short answer: it hasn't.
The author herself, Naomi Alderman, is in place as writer/adaptor of her own work and, so far, it hasn't lost any of its power, strong characterzation or excitement.
Like any well told and effective story it's taking it's time to introduce the main players. Sadly the "I want it now" demographic will fail to see the importance of such world-building ...but then they always do.
Literary echoes of "Handmaids Tale" "Consider her ways" and even a sprinkling of "World War Z" abound and I'm genuinely eager for the next episodes to be released. All the main characters seem well cast (love Roxy) and there are several truly impressive acting stalwarts in pivotal roles.
So far so good and episode 4 was magnificent. I was in tears throughout the whole Saudi Arabia section.
Keeping everything crossed.
My review is based on the first two episodes.
The show is beautifully shot.
Despite the many characters, the story is easy to understand and the actors portraying them are delivering strong performances. All around the production is delivering everything I can ask from a show.
But unfortunately its fails to ask any interesting questions in regards to the shows premise, at least so far.
The obvious question being, does might make right?
Instead it seems to have already settled on an answer that "Yes, might makes right" meaning that a societies moral standards are defined by those in power. It portrays a world in which the powerful are categorically unempathetic to the plight of the powerless and cannot be persuaded by logical arguments, and therefore should the roles be reversed, they wont deserve any empathy either.
Frankly it is awfully black and white, with good people and bad people and nothing in-between. The universe seems like a oversimplified representation of the world we live in, juvenile, boring and unimaginative.
I look forward to the day shows are written by people who are smart enough to come up with creative solutions to problems - but with American productions it's always the same; Violence is the answer. Every genius in a superhero movies seem intent on creating easier ways to kill things. Doesn't matter if the hero of the story is a man or a woman, black or white, old or young - and in a story specifically about oppression and for one named The Power, it seems to spend awfully little time questioning how such power should be wielded. I get it might not be the first question, but at this point it should have come up. Its not believe able that so many characters would just roll with it.
I wonder if this show will end up looking like a CW production after a season or two.
The show is beautifully shot.
Despite the many characters, the story is easy to understand and the actors portraying them are delivering strong performances. All around the production is delivering everything I can ask from a show.
But unfortunately its fails to ask any interesting questions in regards to the shows premise, at least so far.
The obvious question being, does might make right?
Instead it seems to have already settled on an answer that "Yes, might makes right" meaning that a societies moral standards are defined by those in power. It portrays a world in which the powerful are categorically unempathetic to the plight of the powerless and cannot be persuaded by logical arguments, and therefore should the roles be reversed, they wont deserve any empathy either.
Frankly it is awfully black and white, with good people and bad people and nothing in-between. The universe seems like a oversimplified representation of the world we live in, juvenile, boring and unimaginative.
I look forward to the day shows are written by people who are smart enough to come up with creative solutions to problems - but with American productions it's always the same; Violence is the answer. Every genius in a superhero movies seem intent on creating easier ways to kill things. Doesn't matter if the hero of the story is a man or a woman, black or white, old or young - and in a story specifically about oppression and for one named The Power, it seems to spend awfully little time questioning how such power should be wielded. I get it might not be the first question, but at this point it should have come up. Its not believe able that so many characters would just roll with it.
I wonder if this show will end up looking like a CW production after a season or two.
I am only about 1/2 way through but so far this is an excellent show. One of the best aspects I think is that it has several main characters and shows, somewhat believably, what would happen if they all developed new powers. I enjoyed the world building of each very different character and the "what would happen if" of it all. We see the story mostly via the mayor of Seattle who is dealing with overwelmed first responders and EMTs only to be told my the governor to "not get her panties in a wad" in response to this major change in the world. She is told by authorities to keep it quiet but she decides instead to blow the whistle and tell everyone what is happening.
Did you know
- TriviaBased on the 2016 novel of the same name by Naomi Alderman. Along with being tapped for screen adaptation, The Power was named one of the top 10 books of 2017 by the New York Times.
Details
- Release date
- Country of origin
- Language
- Also known as
- Quyền Năng
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content