After Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give ... Read allAfter Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give up hope.After Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give up hope.
- Nominated for 3 Oscars
- 14 wins & 55 nominations total
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- Writer
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Storyline
Did you know
- TriviaScreenwriter J. Michael Straczynski first learned of the story of Christine Collins from an unnamed source at Los Angeles City Hall. The source had stumbled across case files regarding the Wineville Chicken Coop Murders among other discarded documents scheduled for destruction. Straczynski took the files and became obsessed with the case, doing extensive research over the course of a year. He tried to make it into a television project, but never found a solid way to do that. Virtually every event depicted in this movie appears as cited in legal documents, with dialogue often taken verbatim from court transcripts. Straczynski wrote his first draft of the screenplay in only 11 days.
- GoofsDetective Ybarra uses the term "serial killer," coined by FBI Special Agent Robert K. Ressler in the 1970s.
- Quotes
[last lines]
Christine Collins: Three boys made a run for it that night, Detective, and if one got out, then maybe either or both of the other two did too. Maybe Walter's out there having the same fears that he did. Afraid to come home and identify himself, or afraid to get in trouble. But either way, it gives me something I didn't have before today.
Detective Lester Ybarra: What's that?
Christine Collins: Hope.
- Crazy creditsThe black-and-white Universal logo used in the 1940s opens the film.
- ConnectionsFeatured in Los 10 magníficos: Clint Eastwood (2008)
Eastwood has paved the way to acting honors for Penn, Freeman, Swank, Hackman, and others that were continuously ignored by the Academy. There is no denying the power of their performances in Eastwood's movies, and that leads to the center of this film: Jolie. I read recently that her performance has been attacked as being affected and the attempt of a star to look normal. Putting aside those silly and biased remarks, let's state something clearly, the lady has given us a fantastic tour de force, proving that she can be both a star when looking at the other cameras, but that when she is working for a director, she gives her best, regardless of what our perception of her private life might be. If you are a critic with a personal disapproval of that persona, keep it to yourself, concentrate on the film and the work of the performer.
As the mother who desperately wants the truth about her child, Angelina is flawless. We can read the pain in her eyes, the determination and the disturbing reality that her obsession might be having unexpected results, but one thing is clear, there is a drive that won't quit, and it's admirable for those of us who want her to be reunited with her child, and it's quite inconvenient for the people who have other interests at hand.
Her battle with the folks at LAPD is of epic proportions, and it is amazing that she held on to her goal of exposing the corruption that she encountered as she searched for her missing boy. There are some horrific moments in the film, as we relieve some of the injustices and Gothic horror of places like the hospital in this film. There are also some background scene that might or not reveal what really happen. There are moments when one is a bit exhausted from all the information the film delivers, but every moment is worth it. It is all framed with an expert hand, and it is anchored by the very powerful work by Jolie and the rest of an amazing cast that brings to life emotions such as madness, anger, pain, sorrow, and many times, disbelief that humans can be capable of such terrible actions.
The film contains amazing production values, as we are taken back to an era that doesn't exist anymore. The recreation of the time Los Angeles was on its way to being a real city is incredible, as we see it before it fell apart and spread all over a gigantic geographical area, losing its identity. The musical score is a sweet melody that hints at the love and pain themes in the film, and there are some moments bound to become classic, as children tell the stories that adults might not want to face or believe.
All in all, "Changeling" may be very difficult to sit through, but it is not less impressive, effective or good than any of the last five films Eastwood has made. As a matter of fact, it's just one masterpiece from the man who could teach Hollywood a few lessons.
Details
- Release date
- Country of origin
- Language
- Also known as
- Sự Hoài Nghi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $35,739,802
- Opening weekend US & Canada
- $489,015
- Oct 26, 2008
- Gross worldwide
- $113,398,237
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1