Donna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mot... Read allDonna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mother's past in hope of meeting her real father.Donna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mother's past in hope of meeting her real father.
- Nominated for 3 BAFTA Awards
- 16 wins & 27 nominations total
Featured reviews
As a musical, pure and simple, 'Mamma Mia' has the briefest and silliest of stories, backed up by a large selection of Abba songs (Super Trouper, SOS, Voulez Vous, Gimme Gimme Gimme, Money Money Money, Dancing Queen, The Winner Takes It All, Lay All Your Love On Me, Our Last Summer, Mamma Mia, etc.).
Meryl Streep has a daughter about to marry, and a cloudy past which has left three possible dads - Sam (Pierce Brosnan), Harry (Colin Firth), and Bill (Stellan Skarsgard). Now you can imagine that when Brosnan was James Bond he never thought he'd be cavorting along to Swedish pop on the big screen - but despite his weak voice, he does OK - the same can be said for Firth, who seems to choose roles with such little discrimination it is no longer a surprise to see him in anything.
Donna (Streep) also has two friends to support her - Julie Walters and Christine Baranski. Walters is as fun as ever, cavorting in her headscarf and singing appallingly; while Baranski is another Samantha from Sex and the City - chasing young barmen and struggling in her high heeled boots. Their scenes together and apart are hilarious - and Streep's singing cannot be faulted.
Is the film any good? It is hard to tell. It is certainly fun, and funny. The direction isn't particularly inspired, nor is the screenplay clever or profound - but then, neither is the music of Abba. Taken purely as bubblegum, feel-good cinema, it does OK, and isn't as bad as you might have expected.
Meryl Streep has a daughter about to marry, and a cloudy past which has left three possible dads - Sam (Pierce Brosnan), Harry (Colin Firth), and Bill (Stellan Skarsgard). Now you can imagine that when Brosnan was James Bond he never thought he'd be cavorting along to Swedish pop on the big screen - but despite his weak voice, he does OK - the same can be said for Firth, who seems to choose roles with such little discrimination it is no longer a surprise to see him in anything.
Donna (Streep) also has two friends to support her - Julie Walters and Christine Baranski. Walters is as fun as ever, cavorting in her headscarf and singing appallingly; while Baranski is another Samantha from Sex and the City - chasing young barmen and struggling in her high heeled boots. Their scenes together and apart are hilarious - and Streep's singing cannot be faulted.
Is the film any good? It is hard to tell. It is certainly fun, and funny. The direction isn't particularly inspired, nor is the screenplay clever or profound - but then, neither is the music of Abba. Taken purely as bubblegum, feel-good cinema, it does OK, and isn't as bad as you might have expected.
With this big opening weekend either you're going to see the darker film The Dark Knight or you are going to see something more light hearted like Mamma Mia! Now I work at a movie theater, a lot of people were just assuming that everyone was going to see The Dark Knight, yesterday someone came up disappointed saying "my show sold out"... I looked at her with a smiling face and said "oh, yeah, dark knight, I know"... she said "no, mamma mia", I looked up all surprised, Mamma Mia sold out as well, people were really looking forward to this movie as well. I did see this movie on Saturday and really enjoyed it, as cheesy as it was, I do enjoy musicals, I think the only thing is that this this is the happiest musical that I have ever seen. So it was nice to just sit there and be happy with these characters and you can't help but laugh at the predicaments that they get themselves into.
Sophie is a young woman who is about to tie the knot with her loving and adventurous fiancée, Sky, her life is great. She has a very loving mother, Donna, who is running a broke down hotel in Greece and used to be in a girl group called The Donna's. Sophie has one problem, she has never met her dad, she finds her mom's diary and discovers that she has three potential fathers. She invites them all to the wedding putting her mom's name on the invitation. So the three men: Sam, Harry, and Bill come to see her and Sophie is caught in a situation where she doesn't know who's her real dad, but they end up having the time of their lives and enjoying life together.
Mamma Mia is the light hearted comedy that I'm sure any musical lover could enjoy. I loved how well paced it was and how the cast looked like they had the ultimate time making this film, that's what made it so much fun. This film also brings a lot of fun energy into you and just keeps you smiling. The songs were very catchy, which I know this musical was based on the songs of Abba, so we have that good old 70's groove going on. I would recommend Mamma Mia, if you're looking to smile, laugh, and dance, I'm sure you'll love to see Mamma Mia. It's a sweet film with the cheesy plot that is so much fun to laugh at, plus it has men in speedo's who are dancing like crazy, where can you go wrong with that? OK, you can, but it's all good.
8/10
Sophie is a young woman who is about to tie the knot with her loving and adventurous fiancée, Sky, her life is great. She has a very loving mother, Donna, who is running a broke down hotel in Greece and used to be in a girl group called The Donna's. Sophie has one problem, she has never met her dad, she finds her mom's diary and discovers that she has three potential fathers. She invites them all to the wedding putting her mom's name on the invitation. So the three men: Sam, Harry, and Bill come to see her and Sophie is caught in a situation where she doesn't know who's her real dad, but they end up having the time of their lives and enjoying life together.
Mamma Mia is the light hearted comedy that I'm sure any musical lover could enjoy. I loved how well paced it was and how the cast looked like they had the ultimate time making this film, that's what made it so much fun. This film also brings a lot of fun energy into you and just keeps you smiling. The songs were very catchy, which I know this musical was based on the songs of Abba, so we have that good old 70's groove going on. I would recommend Mamma Mia, if you're looking to smile, laugh, and dance, I'm sure you'll love to see Mamma Mia. It's a sweet film with the cheesy plot that is so much fun to laugh at, plus it has men in speedo's who are dancing like crazy, where can you go wrong with that? OK, you can, but it's all good.
8/10
I did enjoy this romp in the Greek Islands and was surprised at how well Meryl Streep sang. It's light, full of froth and bubble and perhaps has some aspects of Grease and Bollywood in it. The reason the music works I feel is that they haven't really messed with the arrangements of the songs keeping them generally faithful to the Abba originals. But Pierce Brosnan's vocal efforts were abysmal, almost laughable. Perhaps it was meant to be a send up of the original songs all the way through but he really did manage to mangle the vocals in my opinion. If you have seen the musical on stage you will know what to expect and there are some funny moments in the film and the Greek islands are as always a superb backdrop for the action.
Mamma Mia! Does the mention of anything Abba-ish send you cringing to a corner? Or are you already joining in and dancing on the tabletops? Maybe another few drinks . . .
In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.
And yes there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.
The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.
As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.
Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.
Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.
In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.
And yes there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.
The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.
As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.
Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.
Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.
Went to see Mamma Mia without particularly high expectations. Not being a big connoisseur (or even fan) of musicals, I didn't really know what to expect. Though I adore ABBA, I never bothered to watch the stage production of Mamma Mia. But having a cinema membership, I didn't have much to lose (no money, at least), so I went for it. And boy, am I glad that I did! I can safely say that I enjoyed every second of it. And I'm not even ashamed to admit it!
Give Meryl Streep another Oscar and get it over with already. If she could get a nod for the Devil Wears Prada, she definitely deserves one for this. She really let her hair down on this one. Mrs. Streep can obviously not pass for a trained singer, but somehow, it just doesn't seem to matter. It just really worked in the movie (unlike -say- Helena Bonham Carter's singing in Sweeney Todd). When I heard Meryl's rendition of "The winner takes it all" in advance, it lowered my expectations considerably, but in its context, it totally made sense.
Most of all though, this movie was just sheer fun. People were clapping, laughing...Rarely have I seen an audience as enthusiastic. The crowd especially responded well to Meryl and her two cronies (arguably the strongholds of the movie). Also, because I had never seen the musical before, I was amazed (and amused) at the inventive ways in which they managed to incorporate so many ABBA-songs. Equally brilliant was the way the extras (usually some Greek old women) were deployed throughout the movie...And then of course the setting (beautiful Greece) was mesmerizing...
Basically, Mamma Mia is a superb musical that doesn't take itself too seriously. If you're just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you've never seen her before or if you simply have a secret crush on Colin Firth and/or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this movie. Best summer flick so far. Warmly recommended.
Give Meryl Streep another Oscar and get it over with already. If she could get a nod for the Devil Wears Prada, she definitely deserves one for this. She really let her hair down on this one. Mrs. Streep can obviously not pass for a trained singer, but somehow, it just doesn't seem to matter. It just really worked in the movie (unlike -say- Helena Bonham Carter's singing in Sweeney Todd). When I heard Meryl's rendition of "The winner takes it all" in advance, it lowered my expectations considerably, but in its context, it totally made sense.
Most of all though, this movie was just sheer fun. People were clapping, laughing...Rarely have I seen an audience as enthusiastic. The crowd especially responded well to Meryl and her two cronies (arguably the strongholds of the movie). Also, because I had never seen the musical before, I was amazed (and amused) at the inventive ways in which they managed to incorporate so many ABBA-songs. Equally brilliant was the way the extras (usually some Greek old women) were deployed throughout the movie...And then of course the setting (beautiful Greece) was mesmerizing...
Basically, Mamma Mia is a superb musical that doesn't take itself too seriously. If you're just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you've never seen her before or if you simply have a secret crush on Colin Firth and/or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this movie. Best summer flick so far. Warmly recommended.
Did you know
- TriviaPierce Brosnan had no idea what the project was about when he signed on. The producers told him it was being filmed in Greece, and Meryl Streep was starring. Brosnan said he would've signed on for anything involving Streep, describing her as "that gorgeous blonde I fancied terribly in Drama School."
- GoofsJust after Tanya and Rosie arrive, Donna takes the laundry down and says "You'd think they would figure out a machine that would make the beds." Her mouth doesn't move during part of the sentence.
- Crazy creditsAfter the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll.
- Alternate versionsStarting August 29, 2008, it was released in select theaters under "Mamma Mia! The Sing-Along Edition". Like Hairspray, the film was released in theaters with the lyrics at the bottom of the screen for audience participation.
- SoundtracksI Have A Dream
Written by Benny Andersson & Björn Ulvaeus
Performed by Amanda Seyfried
Courtesy of Universal Music
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Details
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $144,330,569
- Opening weekend US & Canada
- $27,751,240
- Jul 20, 2008
- Gross worldwide
- $706,788,538
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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