The Return

I got to see the advance screening of this movie too, way in advance though it wasn't a star studded screening.

About the movie, one thing must be said is that this movie is really interesting and mysterious though it cannot be compared to other movies like saw, mindhunters as this movie does not have gore at all.

It can be compared to the butterfly effect as it has that supernatural kind of story which is very well written and i will go on to say that to me this was better than the butterfly effect. Most importantly the acting is top of the line from all the actors specially Sarah's. The way this movie is directed is also very intriguing and i really have to admire Asif's direction.

Well if you want to watch an amazing, interesting and kind of a thriller movie you must watch this as it is certainly worth a watch.

7/10

In THE RETURN, a businesswoman is drawn to a small town where a woman was murdered 15 years before. The murderer was never caught although suspicion fell on the slain woman's beau. The businesswoman, played by a dark-haired and rather subdued Sarah Gellar, sees the face of this woman in dreams and even in mirrors. She tracks down the woman's boyfriend, whom she seems to know, and eventually they sort out the mystery and uncover the real killer. The ending contains a twist that most murder mystery fans will have guessed much earlier, but it came as a shock to me, as I am not particularly good at this kind of thing (although I knew what happened in THE SIXTH SENSE as soon as Don Wahlberg shot Bruce Willis, the result of my years working as an ER orderly). Gellar is low-key and acts just unnerved enough by all the odd doings to be believable. The film is shot mostly in monotone, and this adds to the brooding atmosphere. Sam Shepherd has a small role as Gellar's dad.

I just got back from The Return and loved it. It certainly wasn't amazing, but it was a huge cut above other movies like it. I went into this expecting a movie like Dark Water. More of a drama than anything scary. I was wrong. Return had a whole lot more scares than Dark Water, but had a story to back it up, not to say Dark Water didn't have any. Sarah's acting was a whole lot better than her other movies, which added to the scares. It was a bit confusing at times but the ending brought it all together. the scares were mostly jump moments, but the atmosphere and cinematography added on to them.Go and see this movie, but don't expect stupid scares like the Grudge 2, and enjoy the ride. The return was a well acted, slow moving yet wonderfully intense thriller that will keep you on the edge of your seat the whole time.

I watched "The return" yesterday and I have mixed feelings about it. People who come to this movie expecting a horror flick, or an action-packed thriller, will be bitterly disappointed. I would define it as a drama based on supernatural elements. And, as a drama, it's a very slow-paced one, so be prepared for it.

What I appreciated most about this movie is the director's style. It's a brand new way of making a horror movie. It relies on the settings and the personality of the characters to create an atmosphere of anguish and claustrophobia. And in this, it succeeds. The movie actually transmitted me feelings of loneliness, menace, and doom, and if it does the same for you, you should just let yourself go with those feelings, because that's the power of the movie.

Other than that, the central mystery is pretty meager and easy to see after a while. The ending might be a shocker for some, but I don't think it will be for the majority of people. If you're looking for a powerful story based on surprise and shock, I certainly don't recommend this movie.

However, it can be a delightful experience for those who are interested in new styles of making movies in the overexploited genre of horror and mystery. Also, the acting is very good; I especially liked Sarah Michelle Gellar, and her fans should see it too.

There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.

The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)

The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")

Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.