Neverwas

This film is a tale of a psychiatrist trying to find his father's past by working in the mental hospital where his father resided in.

Let me begin by saying that this film is very good! When the credits roll in the beginning, I was already shocked by the number of big names in the film. 7 really big names! This cast can only matched by super big budget films.

The initial scene of group therapy in the hospital is very impressive. It showcases the various actor's talents. I was particularly impressed by Ian McKellen and Vera Farmiga playing to be mental patients. Interestingly, they both acted as psychiatrists in other recent films, namely Asylum (for Ian McKellen) and The Departed (for Vera Farmiga).

Aaron Eckhart's role cannot be underestimated as well. He is mature enough to be a psychiatrist, and I was also impressed by the techniques he used to interview patients. He is very convincing as a psychiatrist! Towards the end of the film, when the focus changed Aaron Eckhart being a psychiatrist to him aligning with Ian McKellen to find the truth, is particularly gripping. It manages to get my full attention as to how the story will unfold. The plot twist is very surprising, and the finale is very emotional and visually appealing.

I am very surprised that good films like this one is not released. Do watch it if you have the chance!

NEVERWAS, a little miracle of a movie written and directed by Joshua Michael Stern, is an allegory, a fairytale, a dissection of the impact of mental illness on parents and children, and story of compassion, believing, and blossoming of character that was created with a sterling ensemble of actors in 2005, failed to find a niche in theatrical distribution, and went straight to DVD - becoming one of those limited release films that is very elusive even in the megavideo stores. The reasons for this relative anonymity are not clear, but film lovers will do well searching out this little gem: the rewards are immediate gratification and long lasting satisfaction.

Narrated by Ian McKellan who plays a major role in the film, the story concerns the return of psychiatrist Zachary Riley/Small (Aaron Eckhart) to an obsolete mental institution named Millhouse, the hospital where his author father T.L. Pierson (Nick Nolte) ended his days in suicide, having suffered from bipolar syndrome. Zach wants to discover secrets about his father, why his father's book 'Neverwas' has been so disturbing to Zach, and to offer good medical treatment to those patients living in the obscure hospital run by the kindly but enigmatic Dr. Reed (William Hurt). Zach is buoyant, greets his new job with joy, and works with various patients in group and individual therapy (the group includes well developed characters portrayed by Alan Cumming, Vera Farmiga, and Michael Moriarty, among others) and encounters the apparently mute Gabriel Finch (Ian McKellan), a delusional man who believes Zach has returned to break the curse preventing his return to his imaginary kingdom of Neverwas.

Zach meets a 'grad student botantist'/reporter Ally (Brittany Murphy) who loves Zach's father's book and urges Zach to read the fairytale as a means to assuage Zach's new nightly nightmares and insomnia dealing with images of himself as a child, his father's suicide, and other strange forces. Ally's commitment to Zach's father's book, Zach's breakthrough to Gabriel Finch, together with Zach's re-evaluation of his agoraphobic mother (Jessica Lange) all intertwine to reestablish Zach's discovery of his relationship to a father whose mental illness prevented the close relationship Zach so desperately missed. In a tumbling set of events that incorporate the fairytale of the book Neverwas with the reality of Zach's father's relationship to Gabriel Finch brings the story to a heartwarming, well considered, touching conclusion. Being 'unordinary' is a goal, not a curse.

In addition to the above-mentioned stellar cast, small parts are also created by Bill Bellamy, Ken Roberts, Cynthia Stevenson among others. The cinematography by Michael Grady manages to keep the audience balanced between real and fantasy and the musical score by renowned composer Philip Glass fits the story like a glove. Ian McKellan gives a multifaceted performance of a man whose delusional life is far more real than his life as a mental patient, Aaron Eckhart finesses the transformation of the lost child seeking his roots with great skill, Nick Nolte gives one of his finer interpretations as the disturbed father/author, and Brittany Murphy manages to maintain a much needed lightness to the atmosphere of the mental institution story setting. The impact of the film, while absorbing from the first images, is the ending, a reinforcement of the importance of love and nurturing that too often is relegated to little books for children instead of the manner in which we live our lives. This is a fine film well worth ferreting out from the obscurity to which it so unjustly has been assigned. Grady Harp

I could extol the effectiveness of the photography, or the superiority of the acting. I could cheer for a film that has so many talented and revered actors. Also, I could urge you to give "Neverwas" your complete attention so that you do not miss the subtle hints or twists in the plot, or encourage you not to reject this film too early in the narrative because some parts may be too dark or puzzling with a modern psychological scrutiny that would endear any viewer who loves Hitchcock. However, I won't.

This movie contains the absolute Truth about the purpose of human existence. I hope that (as a viewer) you have the insight to perceive it.

This is one of those quiet little movies that you go to see one day because you have nothing better to do and the plot sounds OK but you really haven't heard much about. Then you come out of the theatre wondering why everyone else you know hasn't gone to see it yet. Ian McKellan and Aaron Eckhart both give strong performances easily pulling off the emotionalism needed for the movie, and throwing in enough humor to keep you interested. Nick Nolte, Jessica Lange, William Hurt, and Brittany Murphy all pull off great supporting roles without overshadowing the main actors. Alan Cumming, although his role is small, really pulls at the heart strings with his portrayal of a patient of the institution.

Because this movie has had little (if any) publicity, I think this movie will do well based on word of mouth alone. Definitely a "hidden gem".

In some ways this film is reminiscent of films such as "The Fisher King" and "They Might be Giants". In both of those films the central idea was that the mad have a separate reality. In this story, the main character, Zachary, is a psychiatrist attempting to understand the nature of his father's madness. He takes a position at a mental institution where his father had been hospitalized. There he meets and becomes friends with an old man, Gabriel, who knew his father while they were both inmates. He comes to realize that the old man's delusion was the basis for his father's inspiration as a children's fantasy writer. After his father is "cured" through the use of psychotropic drugs of his manic-depression, he loses his will to write. His son had been an integral part of the writing process and when that part of his father's life is over, he feels betrayed. Their relationship is destroyed and the boy, now the psychiatrist, is seeking to come to grips with his unresolved pain. Gabriel is convinced that Zachary has come to rescue him from his enemies and draws him back into the fantasy world. The climax comes when Zachary must either choose between the realities or try to integrate them. The ending is logical and works, but it's too easy. Zachary takes his stand and the world accommodates itself, no problem. The ending should have been edgier. They should have had to work at it more. It is unsatisfying but everything that has gone before is is quite good. There is some high-powered talent at work here among the supporting character actors and they alone make it worthwhile.