After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
- Nominated for 2 Oscars
- 24 wins & 73 nominations total
- Jarvis
- (voice)
- Guard
- (as Daston Kalili)
Summary
Featured reviews
First of all, a common mistake of the later Marvel-movies isn't made here. There is actually some sort of character development visible. Tony ends the movie as a totally different person. Of course, in an origin story it's easier to have your protagonist change but let's compare for a second: Is Ant-man really a changed man at the end of the movie? What about Star Lord? What about Thor? Black Widow? Hawkeye?
Then again, you have to give it to the director that he really made a well-paced, well-balanced movie. There is action, humour, drama, world establishing, all in great balance. The final fight isn't stretched too long and therefore doesn't get boring. You can't underestimate this in our age of 45 mins battles at the end of movies.
During my re-watch I also noticed how 'down to earth' this movie is if you compare it to some of the more recent MCU-entries. It just looks more real than them. It's set in a world that at least COULD be real which makes us care more for the characters and their actions. More explosions and obvious cgi-effects don't improve a movie. So the movie doesn't feel as bloated as some other superhero flicks.
Finally, Iron Man is still fun to watch and not just a vehicle to set up a franchise. If you've spent the last couple of years on the moon and haven't seen any of the MCU-movies, give this a try.
This is all RDJ. He and he alone makes Iron Man work. It's doubtful if anybody could have done it better. It's certain that he's made it next to impossible to replace him. Director Jon Favreau has built around him the dazzling array of tech fun, and Gwyneth Paltrow as his Girl Friday. It is RDJ's fast talking, quick wit, and personal history that makes him the perfect Tony Stark. Great character, fun movie.
Favreau seems to have had an idea to get an origin story out while not boring us with long drawn out backstory. His ability to give us dual information at once is nicely orchestrated, showing Tony Stark in his basement creating while the TV in the background explains what is happening in the outside world of the Middle East and inside his own company. We as an audience are allowed to put the pieces together amidst the witty banter of Stark and the wonderful special effects. By the end of the film it is quite amazing how much information you will realize you now know, all culminating in a decent final battle, but more importantly a segue into the inevitable sequel. We are allowed entrance into the character evolution of Stark as he goes from war profiteer to man of action and cause, all while seeing the technology improve and advance before our eyes. Much like Batman, we have a hero here that needs help in fighting crime. He has no superhuman abilities besides his brain and being able to see his thoughts go from paper to reality is a feat of magic. Every stage is shown, every failure and success. It's quite the ride in and of itself, but when you add onto it the threat of global war and destruction, it can only get better.
The real success here is in the bold move of casting an actor over-40 to be a superhero. This takes guts, because no matter how appropriate it is, most studios would have said, "no, change the story and make him younger so we can churn out as many of these babies as we can." I don't know how he did it, but Favreau got Marvel to get Robert Downey Jr. to play Stark, a sarcastic lothario with the brain capacity of Einstein. I truly can't think of anyone better suited to the role and he proves it by nailing every single scene. I'm sure there was some ad-libbing, but even if not, his comic delivery and ability to switch on a dime to a sincere seriousness at will shows his masterful craft.
As for the rest of the cast, they all do well. Jeff Bridges plays the bombastic creature of villainy over-the-top, but appropriately so; Terrence Howard is nice as the friend and military liason, not given much to do, but definitely sowing seeds for the future; and Gwyneth Paltrow is good as the sweet assistant Pepper Potts who at times seems a little underwritten and more female prop than anything else, but comes through with some nice moments in a very comic sort of way. I also really liked Shaun Toub as Yinsen, Stark's savior, and Clark Gregg as the head of S.H.I.E.L.D. Good to see Favreau giving another actor turned director props, (Gregg's directorial debut comes out later this year in the form of Chuck Palahniuk's Choke). I just wish he would have shied away from putting himself in the film. It's one thing to be seen split-second, (like Stan Lee), but its another to give yourself a thankless role with multiple scenes, just adding fuel to the fire on people's opinions of egotism stemming from the drinking game created off of the TV show "Dinner for Five" and how many references to Swingers was made each episode. I'll forgive, though, because, once again, I'm a big fan.
One can't forget that this is an action film above all else, so we can't just praise the actors; every effect is also quite brilliant. Those scenes of Iron Man flying amongst fighter jets in the trailer seemed really lame, but when in context they deliver. The suit itself is amazing as well, through every mach stage right to the end. My main highlight, however, was with the computer systems that Stark utilizes. The multiple screens, instant holographic reproductions, and ability to actually interact with those 3D representations is stunning. We can create them in fantasy, but it's just too bad we can't yet in real life.
Now Iron Man is not a perfect film, nor even a perfect comic book adaptation. What it is, though, is a fun, comic actioner that should light up the box office. The final showdown is a bit of a whimper in comparison to the backstory and machine creation; a crucial element is saved from destruction in the one contrived bit of screen writing, (not quite utilized in the way I thought, although still for the same means); and some moments seem a tad campy rather than witty, but otherwise this is some topnotch cinema that should definitely be seen on the big screen. I can't wait to see how the story progresses in a couple years.
Which A-List Actors Were Almost in 'Iron Man'?
Which A-List Actors Were Almost in 'Iron Man'?
Did you know
- TriviaThe script was not completely finished when filming began, since the filmmakers were more focused on the story and the action, so the dialogue was mostly ad-libbed throughout filming. Director Jon Favreau acknowledged this made the film feel more natural. For example, Tony's monologue while he demonstrates the 'Jericho' in the desert to the troops in the beginning of the movie was conceived on the spot; Robert Downey Jr. isn't just wearing sunglasses for protection from the bright sun, but also to hide the fact that he is reading his lines off of cue cards. Some scenes were shot with two cameras, to capture lines improvised on the spot. Downey would ask for many takes of one scene, since he wanted to try something new. Gwyneth Paltrow, on the other hand, had a difficult time trying to match Downey with a suitable line, as she never knew what he would say.
- Goofs(at around 2 mins) Though it makes for a good kidnapping, in reality, US soldiers are specifically trained to never to stop when ambushed in a convoy.
- Quotes
[last lines]
Tony Stark: There's been speculation that I was involved in the events that occurred on the freeway and the rooftop...
Christine Everheart: I'm sorry, Mr. Stark, but do you honestly expect us to believe that that was a bodyguard in a suit that conveniently appeared, despite the fact that...
Tony Stark: I know that it's confusing. It is one thing to question the official story, and another thing entirely to make wild accusations, or insinuate that I'm a superhero.
Christine Everheart: I never said you were a superhero.
Tony Stark: Didn't?
Christine Everheart: Mmm-mmm.
Tony Stark: Well, good, because that would be outlandish and, uh, fantastic. I'm just not the hero type. Clearly. With this laundry list of character defects, all the mistakes I've made, largely public.
Rhodey: [whispers to Tony] Just stick to the cards, man.
Tony Stark: Yeah, okay.
[holds up his notes and pauses]
Tony Stark: The truth is...
[puts cards down]
Tony Stark: I am Iron Man.
- Crazy creditsSPOILER: A scene appears after the closing credits: Tony Stark arrives home to find SHIELD director Nick Fury waiting for him so that they can discuss the Avengers Initiative. This leads into The Avengers (2012) (a superhero team of which Iron Man is a founding member).
- Alternate versionsGerman theatrical version was cut (ca. 4 minutes) by distributor Concorde prior to submitting the film to the FSK since they desperately wanted a "Not under 12" rating. Ironically, when submitting the uncut version for the home video release, it was rated "Not under 12" as well, making the cut version even more unnecessary.
- ConnectionsEdited into Spider-Man: Far from Home (2019)
- SoundtracksBack In Black
Written by Brian Johnson, Malcolm Young and Angus Young
Performed by AC/DC
Courtesy of Columbia Records
By Arrangement with SONY BMG Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Iron Man. El Hombre de Hierro
- Filming locations
- Alabama Hills, Lone Pine, California, USA(Afghanistan)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $140,000,000 (estimated)
- Gross US & Canada
- $319,034,126
- Opening weekend US & Canada
- $98,618,668
- May 4, 2008
- Gross worldwide
- $585,796,247
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1