Clapper Board

Actually a deal better than that summary would imply. It began the same year as its more upmarket rival 'Film 72' from the BBC. Although it was scheduled in a time slot aimed at kids it attracted an adult following as well, particularly those who wanted to avoid the often stuffy style of Film 72's presenter.

Kelly was the key, and his easy, affable style made the whole show trot along. Clearly airing pre-six in the afternoon - well before the watershed - meant that no 'X' rated movies could be reviewed, but the line up was by no means limited to Children's films. Interest was added by competitions, either of the write in on a postcard variety, or simple 'answer after the break' style (There were no emails or text messages in those distant days, nor were there premium rate phone calls to boost flagging programme budgets)

Clapperboard picked up the very tail end of the Baby Boomer teenagers, but failed to move with them when they aged. Perhaps that's why it lasted no more than a decade, but is sadly missed by at least one forty something!

Although 'Clapperboard' was broadcast as part of children's TV, at about 5pm, it was actually a very worthwhile cinema programme. The latest releases got a good airing, of course, but there were also programmes showing how films were made, such as the work of special effects and stunt units, the writing of film music, even the importance of continuity. There were also 'themed' programmes looking at films through the years devoted to specific subjects (I remember one about the Titanic when 'SOS Titanic' and 'Raise the Titanic' were released in 1980), or directors. Of course, I was a child when I watched the programme, but I remember there was good solid information here, and it gave me an interest in films and film-making I still have 40 years later.

A classic ITV series from the golden era of children's television. Racing home from school to catch the 4.25 showing on a Monday, happy days. It was an intelligent film programme that introduced a whole generation to film history and film production, yet kept it interesting and fun for a young audience (8 to 16 I would say). No doubt it was the catalyst for many a future career in the industry, as well as encouraging many would be film buffs and BFI members. If some obscure online channel were to repeat all over again, I for one would happily settle back with a cuppa and a jammy dodger.