Shelter Island

Is there a movie category lower than Straight-to-video? If so, perhaps it's Straight-to-Showtime-at-3 a.m., which is where I caught this little oddity. I won't waste any time on how idiotic the picture is since others have already explained it well--but I did want to comment on a "technique" so badly executed that I had to pinch myself to confirm what I was seeing and hearing. Midway though the film, for what seems like 20-30 minutes, there are passages of dialogue and voice-over narration that are accompanied by the actors talking, or mouthing words since you can't actually hear them--you can only hear the voiceovers. It seems like you've stumbled onto the worst dubbing job of all time. The actors appear to converse, and separate dialogue is heard on the soundtrack. I think the director was trying for artiness, a way of conveying events in a way parallel to the action on screen. Or something. We'd have to dig out THE CREEPING TERROR to find another botch job of this calibre.

Caught this tonight on cable and have to say it surprised me - didn't figure out what was really going on, even though I knew that what was being shown wasn't the entire story, and I have seen so many films like this, where what you see isn't exactly what you get, where you can't take anything at face value, so it shouldn't have fooled me. But it did. It's the sort of movie that leaves you shaking your head at the end, wondering why you didn't see it coming (no pun intended).

Sheedy, Baldwin and Kensit turn in clever performances, with enough eroticism to keep you watching and wondering where the heck it's actually going. I don't know if it would be as enjoyable in a movie theater, but seeing it at home from the perspective of my couch was a decent experience.

Whatever happened to Eighth Wonder singer Patsy Kensit after she appeared in the high voltage, high energy thriller 'Lethal Weapon 2'? Well, she went on to appear in a number of okay pictures (the acclaimed 'Twenty-One' and the sweet romantic comedy 'Does This Mean We're Married') and some truly terrible TV-movie-type fodder such as 'Kill Cruise.' Unfortunately, this crass production falls into the latter camp and, despite some good talent and a serviceable script, the movie is betrayed and let down with an overabundance of (blatently obvious) body-double nudity (that would seem more in place in a soft porn production) and a (supposidly) "surprise twist' that is telegraphed early in the movie. Kensit plays the lesbian girlfriend Alex, to Alley Sheedy's motivational speaker character, who persuades her girlfriend to escape the big city after she is brutally attacked. The two seek the solitude on an island and tension arises with the arrival of an injured man, a violent storm that knocks out the phone lines and ferry services to the mainland and the almost voyeuristic fascination with the girls displayed by the local sheriff. Kensit was the reason why I picked up this movie, that and the promise of an okay suspense thriller, but her talent is once again squandered in a movie that fails to deliver any real tension.

I am sorry I wasted my time watching this film, with all due respect, there is NOT one positive thing I can say about it. Acting is terrible, plot is as equally lousy, there is no cinematography involved in the production of this "film". You better off watching TV. I don't know who is the "director" but I think world would be a better place if the money spent on the production of this "thing" would go to someone with bit of talent and innovative thinking, because this film provides ZERO entertainment. All that "corporate" brands we are being preached about, have nothing to do with plot, I really failed to find a concept behind the storyline, moreover, don't have a slightest clue what the director was suppose to achieve with this so-called "movie". Its so painful to see such a waste of money...

Believe it or not this movie was not bad. Definitely a guy movie. It had the three S's of a good flick: sex, suspense and scenery(nude). It's a good flick to watch at bed time when you need something to fall asleep to. William Penn plays a great cop who's elevator doesn't quite go all the way to the top, if you know what I mean. Hats off to Kensit and Sheedy for playing a couple and not shying away from showing their love for each other, if you know what I mean. The plot takes a little twist so as a result interest level is kept at a minimum in addition to all the nice scenery. I wonder if this willingness to play girl on girl for Ally Sheedy is part of her comeback from nowhere that started back when she did girl on girl in Higher Art?