A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.
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Nikki Barnett
- Bernadette
- (as Nikki Barnette)
Mary-Colin Chisholm
- Sarah
- (as Mary Colin Chisholm)
- Director
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Featured reviews
When I saw the previews for this movie I was intrigued. I was expecting a movie about a young woman who was battling anorexia that delved into how it all began and followed her along her struggle. However the "background information" that would set up the childhood of this suffering character is quickly plowed through and immediately she is checking into a hospital.
There are a few heart breaking scenes that, despite some cheesy and ill-delivered lines, are haunting. When Frannie and Mother first visit Shelly, her utter anger is portrayed extremely well. This is someone who controls her eating because she feels her life is in a tailspin and everything else is out of her control. The other scenes is the two sisters in the restaurant and Shelly asks Frannie to order the sandwich and put on "more dressing" and is practically salivating.
Then 'Hunger Point' meets a fork in the road of the plot and goes in another direction. Shelly becomes an underlying theme or can even be considered a catalyst, for the rest of the film.
If you watch this movie expecting it to be centered around Shelly, it ends up being about Frannie. But if it reruns, I'll tune in. You must at least once!
There are a few heart breaking scenes that, despite some cheesy and ill-delivered lines, are haunting. When Frannie and Mother first visit Shelly, her utter anger is portrayed extremely well. This is someone who controls her eating because she feels her life is in a tailspin and everything else is out of her control. The other scenes is the two sisters in the restaurant and Shelly asks Frannie to order the sandwich and put on "more dressing" and is practically salivating.
Then 'Hunger Point' meets a fork in the road of the plot and goes in another direction. Shelly becomes an underlying theme or can even be considered a catalyst, for the rest of the film.
If you watch this movie expecting it to be centered around Shelly, it ends up being about Frannie. But if it reruns, I'll tune in. You must at least once!
Lifetime went brave in this movie. They were way ahead of their time. They took on a subject so enormous many were too afraid to touch or pretended it was not important enough to touch. Body image in young women. Obviously it is a very important subject because it is in the top mind of everyone. Kudos to the writer for crafting a screenplay far more true and interesting than the book, much of it based on her own sisters' trouble with eating disorders. The LA Times said it was THE most important movie on the subject of all time and that every mother and daughter should watch it. The Hollywood Reporter said Ms. Amelon's writing is extraordinary and she should get an Emmy for the movie. Too bad the director threw in the scene about the websites, something that wasn't in the book. Reviews have been critical on that scene and the writer was right in trying to keep it out of the movie. Over all, the movie should have been a feature and nominated instead for an Oscar.
Wow if I lived in a family like this and had a mother like Marsha Hunter (Hershey) i think I'd go on a rampage and kill her. "oh no!! We can't be overweight! Hell will freeze over before my daughters are overweight!! You want the boys to like you? I mean those poor girls. They had to have grown tired of this woman.....What a bizarre woman!! And to top it all off, that girl Shelley is just as bad! She always seems to be whining about something new or how "ashamed" she is. She's a freak. She has no sort of toughness within her bones. The only normal person in this family is Frannie. Poor girl. She has such a bizarre family. The acting is pretty good though. Well folks, heres your typical lifetime movie. Big bore. Depressing and terrible storyline. The anorexia/bullemic story gets a little old. 0 stars out of 10.
I can't believe this film was made in 2003, and the world of eating disorders is still trudging along. So much of what this movie showed is still accurate, speaking as someone who understands this illness a bit too well.
This movie is strongest in its depiction of relationships and misconceptions within the family regarding blame, causation, and genetic factors. They don't really touch on this, but as much as environmental factors are at play, so are the genetic ones. Mom is absolutely stricken with a pervasive eating disorder, except she is functional; Shelley moves from functional to mental incapacitation (see: scene of hyperventilation in ED unit bed). While they both have the same problem, essentially, the mom has been able to repress the worst of it, unlike Shelley.
Franny is the older sister and has demonstrated sensibility from an early age, but even she is not immune to the pitfalls of the disorder. Nothing explains her own need to engage in behaviors, other than her genetic predisposition, although it's true her environment played a part.
What I loved: this movie does a great job of portraying the impact to the family dynamic, as well as how life can change drastically. Shelley was on her way to huge things, but the ED completely derailed her plans, to the ultimate point of no coming back.
What I disliked: The movie portrays a pretty weak therapist/MD team. This probably is realistic to a large degree, because so many of my own comrades with an ED have had massive complaints about their disconnection with their medical/therapy team. However, it would have been awesome to see how someone in that role could make a positive impact, and how they truly do great work. No one except the patient can truly make the choice to embrace recovery, but there are amazing, patient and vigilantly aware therapists who have studied the trends and understand the pitfalls of early release, for example. (Shelly was not ready - by a million miles - to be released from treatment.)
Extra points of authenticity for nailing how the ED unit of patients can be. Supportive, strong, childish, embittered, numb....those are all the things that ring common and true in an ED unit of young women.
Solid movie worth a watch, even now.
This movie is strongest in its depiction of relationships and misconceptions within the family regarding blame, causation, and genetic factors. They don't really touch on this, but as much as environmental factors are at play, so are the genetic ones. Mom is absolutely stricken with a pervasive eating disorder, except she is functional; Shelley moves from functional to mental incapacitation (see: scene of hyperventilation in ED unit bed). While they both have the same problem, essentially, the mom has been able to repress the worst of it, unlike Shelley.
Franny is the older sister and has demonstrated sensibility from an early age, but even she is not immune to the pitfalls of the disorder. Nothing explains her own need to engage in behaviors, other than her genetic predisposition, although it's true her environment played a part.
What I loved: this movie does a great job of portraying the impact to the family dynamic, as well as how life can change drastically. Shelley was on her way to huge things, but the ED completely derailed her plans, to the ultimate point of no coming back.
What I disliked: The movie portrays a pretty weak therapist/MD team. This probably is realistic to a large degree, because so many of my own comrades with an ED have had massive complaints about their disconnection with their medical/therapy team. However, it would have been awesome to see how someone in that role could make a positive impact, and how they truly do great work. No one except the patient can truly make the choice to embrace recovery, but there are amazing, patient and vigilantly aware therapists who have studied the trends and understand the pitfalls of early release, for example. (Shelly was not ready - by a million miles - to be released from treatment.)
Extra points of authenticity for nailing how the ED unit of patients can be. Supportive, strong, childish, embittered, numb....those are all the things that ring common and true in an ED unit of young women.
Solid movie worth a watch, even now.
this movie does address some key issues. If one compares it to other movies of this type, it is certainly much better, than say, the Lifetime movie with Lynda Carter, same subject, (forgot the name of the movie, though!!) Christina Hendricks and Susan May Pratt are the daughters of a neurotic mother who has also made her rounds through therapy, Valium addiction, etc. (The movie may have explored her pathology more, to better explain the daughters problems). Both actresses are excellent, and Barbara Hershey fits the bill, as the mother who is overbearing and vain.
Susan May Pratt is the anorexic, I will not delve into the outcome, but she is quite good in the role. We see the denial and control issues of her mother, and the selfishness of her sister (Christina Hendricks); who flirts with an intern at her sister's hospital. We also see how later she has deluded herself, and how the doctor cannot even remember the patient's name; I thought this was quite realistic, and have experienced a similar situation; the anorexic patient and family puts their trust in a physician, only to be let down.
We see the general despair, denial and blame that families have in a situation like this, especially when any psychiatric problems are addressed; the family reacts differently; Barbara Hershey throws herself into work, the father goes into denial, and the sister experiences depression.
All in all, a good movie that at least explores emotional issues, instead of the tired idea that ..."girls want to be models"...it is so much deeper than that; self-esteem, career, women's roles and societal pressures are all part of this, and it doesn't seem society has gotten any smarter in the last 20 years, since anorexia was first addressed by the media, and medical organizations as an epidemic.
The book is certainly excellent, and Jillian Medoff, the author, also has a website, I hope she will continue to write about women's issues, as she is so empathic and astute.
Finally, if you cannot talk to your daughter about these issues, have her watch; she will certainly relate to the daughters in the movie, and Frannie (Christina Hendricks) is a real character who develops into a mature healthy young adult, at the end of this film.
Susan May Pratt is the anorexic, I will not delve into the outcome, but she is quite good in the role. We see the denial and control issues of her mother, and the selfishness of her sister (Christina Hendricks); who flirts with an intern at her sister's hospital. We also see how later she has deluded herself, and how the doctor cannot even remember the patient's name; I thought this was quite realistic, and have experienced a similar situation; the anorexic patient and family puts their trust in a physician, only to be let down.
We see the general despair, denial and blame that families have in a situation like this, especially when any psychiatric problems are addressed; the family reacts differently; Barbara Hershey throws herself into work, the father goes into denial, and the sister experiences depression.
All in all, a good movie that at least explores emotional issues, instead of the tired idea that ..."girls want to be models"...it is so much deeper than that; self-esteem, career, women's roles and societal pressures are all part of this, and it doesn't seem society has gotten any smarter in the last 20 years, since anorexia was first addressed by the media, and medical organizations as an epidemic.
The book is certainly excellent, and Jillian Medoff, the author, also has a website, I hope she will continue to write about women's issues, as she is so empathic and astute.
Finally, if you cannot talk to your daughter about these issues, have her watch; she will certainly relate to the daughters in the movie, and Frannie (Christina Hendricks) is a real character who develops into a mature healthy young adult, at the end of this film.
Did you know
- TriviaThe final film of Joan Micklin Silver.
- SoundtracksOnly Way
Performed by Blaise Pascal
Written by Blaise Pascal, Matt Chapman and Roy Salmond
Courtesy of BMG Music Publishing
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- Mentira en el espejo
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- Dartmouth, Nova Scotia, Canada(Oakwood Terrace)
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