Strawberries in the Supermarket

While this is by no means an incredible film, one must appreciate that it's much better fare than most romantic comedies. I disagree with the perception of the film as a justification for the Milosevic years. In my opinion, it presents the view that the old leaders had their problems, and that people must be careful to ensure that new problems don't develop. It's ridiculous to assume that condemnation of the present necessarily implies glorification of the past.

The acting is great, with Jagoda and Marko coming across as absolutely hilarious. The choice of the Clash's "Lost in the Supermarket" was divine, and the brass rendition of it throughout the film adds to the football pitch atmosphere outside of the supermarket. A delight for non-Yugoslav film goers and the more initiated alike.

Neatly made, though nothing spectacular film from Yugoslavia (Serbia). Has a made-for-television feel to it (though i'm not sure if this is the case, or if this film had a cinema release in it's homeland).

Some of the attempts at slapstick comedy just did not work, our hijacker constantly slipping on the floor wore thin after about the second time. The mocking of the police by the crowd was rather unrealistically childish.

Hard to find any fault with the acting performances working with a threadbare script.

My advice put your brain into stand-by mode & just let this film take you for a rather silly ride. 5/10

This is a really funny movie. It really is. An assessment after ten years ( a bit more) is that this is a lightweight comedy with minimal political points that is really very enjoyable. Is it Battleship Potemkin? No, of course not. But it is FUNNY. When it's funny, it is really funny. I laughed a lot in this movie. There is some wordplay that the Western subtitled version misses, of course, but it's still really amusing and at times, sweet. It reminds me of HIGH FIDELITY at times, with it's bringing together people. This is one of my favorite Serbian movies. Oh my god, the grandmother, the old veteran with his Kinder Eggs... the expatriate 'Serb' running an American supermarket in a culture she knows nothing about... The electric-eye doors, the assault on the senses that the Supermarket is! Too funny.

Oh: "I'm Falcon, not Chickenhawk!" Funny, funny stuff.

JAGODA U SUPERMARKETU is all about ideology. The films focuses all its` energy in attempts to defamate globalization which is fine. The only problem is that it was made in Serbia where poverty and spiritual decay rule. Also, in such a state, Milic film claims that love can overthrow any pain and thet our only trouble is the fact that Americans are openning supermarkets.

Wrong! There is no love in decay. Decay is sickness not a state of grace.

When it comes to craft, which was supposed to shaded by ideology, let`s begin with screenwriting. Screenwriting is horrible. This film feels like a 1985 comedy that scored a BOMB in Maltin guide. The dialogue is vulgar and as many films before, it relies on vulgar displays of verbal wit.

Characters are flat and acting is weak since actors cannot create out of nothing. Also, Branka Katic, one of our major stars, is too old for this role even though she was a typecast. Problem is, she belonged in this type ten years ago, in 1992. Now, its` 2002/2003 and she must move on. Aging is not her problem. It`s all about the director who picks the cast of main characters.

Milic`s staging and editing are neat. Editing and cinematogralhy are top-notch when compared to Serbian standards. Of course, Emir Kusturica`s credit as producer means that this film was made on a budget. I hope Milic will rebound from this abyss because underneath piles of producer and festival inflicted compromise lays a talented craftsman that can make a solid picture given a good script.

A great mix of satire, slapstick, cheesy romance and sentimentality, this movie uses an unlikely scenario to deal with themes such as westernisation, alienation in modern living, and romantic love.

In all fairness, it doesn't really deal with any of them in any thorough way, but who cares? It's entertaining viewing. Its easy-going feel as a film is created by its low budget looking filming and sometimes acting, a feature that works as a plus, as the movie is not meant to be taken too seriously, though there are serious ideas in there. It's more a light hearted satire, for example, as the hostage situation gets underway, a small crowd gathers, soon growing into a large crowd with an uncanny similarity to a crowd of football (soccer) supporters. The makers use this crowd to represent the current popular opinion in Serbia, for example, when the police show up, they are boo-ed and insulted and called American backed puppets, the comedy element is added by the crowd chanting and clapping their insults as though at a game. Hard to explain, hilarious to watch.

So in that sense, the movie is as much theatre as it is cinema, with no real attempt to be taken totally seriously. Overall a well rounded if not silly script, I'd recommend this film mostly on its story telling forte.